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Posts Tagged ‘billion’

Art of Protest: Student-Built Scale Model of $20 Billion ‘Bailout City’

17 Aug

[ By WebUrbanist in Art & Sculpture & Craft. ]

hypotopia city imag

After the Austrian government spent €19,000,000,000 to bail out a bank in 2014, a student group in Vienna created a giant urban model of a place Hypotopia in protest. This visionary city for 100,000 people represents a place that could have been built with the money used to rescue the Hypo Group Alpe Adria banking group.

hyptopia entry path

The city of Hypotopia is and will remain a Utopian fantasy, but represents a novel form of protest – a way for it to take physical form and convey a visceral sense of lost possibilities. This (quite literally) walkable city was opened to the public, allowing people to inspect it in full detail.

According to Lukas Zeilbauer, “while Utopia stands for an ideal fictitious world, ‘hypo’ is a Greek word meaning under, beneath or bellow – so a change coming from the bottom, from the folk.” While fictional architecture has been used by niche practitioners for polemical purposes throughout history, it is rare for such a large-scale, full-city effort to be driven by political motivations.

hypotopia view

Students from the Technical University of Vienna designed and created the model city in Karlsplatz, a central city square, building it over the course of four months. Were it to be built, it would be the sixth largest city in Austria.

Construction of the model was aided by businesses who donated building materials, including wood and concrete blocks, carted in wheelbarrows to the site and assembled according to a predetermined computer model.

hypotopia at night

The public received the project with great enthusiasm, as the majority of citizens did not agree with using taxpayer money to bail out the bank in question.

Meanwhile, the makers of the model did more than just create a miniature mock-up: they actually ran the math and calculated the cost of construction, from architecture to infrastructure, making room and accounting for everything … except big banks, that is (images by Armin Walcher).

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[ By WebUrbanist in Art & Sculpture & Craft. ]

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Getty Images says $1 billion lawsuit is based on ‘misconceptions’

02 Aug

On July 25, photographer Carol M. Highsmith filed a lawsuit against Getty Images seeking $ 1 billion in damages over the company’s alleged infringement of her photo copyrights. The lawsuit names both Getty Images and distributor Alamy, claiming both have been charging licensing fees for the use of photos she provided to the Library of Congress for public use. The suit also names LCS, which it claims is owned by or operated under common control with Getty. In a response to the lawsuit, Getty said, ‘We believe it is based on a number of misconceptions.’

In its statement, Getty Images distances itself from the copyright infringement claim, stating that LCS was acting on behalf of Alamy.

The content in question has been part of the public domain for many years. It is standard practice for image libraries to distribute and provide access to public domain content, and it is important to note that distributing and providing access to public domain content is different to asserting copyright ownership of it.

LCS works on behalf of content creators and distributors to protect them against the unauthorized use of their work. In this instance, LCS pursued an infringement on behalf of its customer, Alamy. Any enquiries regarding that matter should be directed to Alamy; however, as soon as the plaintiff contacted LCS, LCS acted swiftly to cease its pursuit with respect to the image provided by Alamy and notified Alamy it would not pursue this content.

The company also said that, assuming it can’t ‘rectify’ the situation with Highsmith, ‘we will defend ourselves vigorously.’

Via: Getty Images

Articles: Digital Photography Review (dpreview.com)

 
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Getty Images sued for $1 billion over alleged copyright infringement

29 Jul
Photographer Carol Highsmith with her Phase One camera. Photo via The Lyda Hill Texas Collection of Photographs in Carol M. Highsmith’s America Project, Library of Congress, Prints and Photographs Division.

Photographer Carol M. Highsmith is suing Getty Images for $ 1 billion over its alleged copyright infringement of 18,755 of her photos. The lawsuit, which was filed in a New York federal court on July 25, alleges that Getty Images has been charging fees to license her images without her permission – the same images she has provided to the Library of Congress for free use by the public. In addition to distributing her images, the lawsuit alleges that Getty did not give Highsmith proper credit for her photos.

The legal claim alleges statutory damages at up to $ 468,875,000. But because of a ruling against Getty in Morel v. Getty, a previous copyright case, the damages can reportedly be tripled to deter ‘bad faith business practices’. Highsmith became aware of Getty’s alleged copyright infringement after, she says, it sent her a letter accusing her of infringing the copyright of her own photograph by posting it on her own non-profit organization’s website.

The claim states, in part, ‘The defendants have apparently misappropriated Ms. Highsmith’s generous gift to the American people. [Getty Images and subsidiaries] are not only unlawfully charging licensing fees… but are falsely and fraudulently holding themselves out as the exclusive copyright owner.” The lawsuit also claims Highsmith’s reputation has suffered a serious blow as a result of Getty’s alleged actions. 

Via: PDNPulse, Hyperallergic

Articles: Digital Photography Review (dpreview.com)

 
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Bentley creates a 53 billion pixel car commercial

21 Jul
There’s a car in this picture somewhere – zooming in to the full 53 billion pixel image allows you to find it.

As part of its latest marketing campaign, car manufacturer Bentley has created a 53 billion pixel image, made up of more than 700 individual photographs. The extreme resolution allows viewers to zoom so far into the picture (above) that the needlework of Bentley’s logo on the seat cover of a car passing over the bridge can be seen – from 700 meters / 2297 feet away.

When the whole image is viewed it isn’t obvious there’s a car in the frame at all, as the panorama shows the whole 1.2 mile span of the bridge and a good length of coastline as well, but as the zoom function is activated the image magnifies dramatically.

The picture, which Bentley is calling the world’s most extraordinary car photograph, was shot by British photographer Simon Stock, using several Nikon D810 cameras fitted with lenses of between 300mm and 1500mm. The cameras were mounted on robotic heads that scanned the area in steps shooting a series of high-resolution long-lens pictures that were stitched together in post-production to create the final image.

Simon explained some of the process to DPR:

‘The challenge was to create an image in which the viewer could experience the journey from an epic wide panorama of the Golden Gate Bridge and zoom through the image to the intricate stitching on the car’s seat in order to highlight the craftsmanship and obsessive attention to detail that makes Bentley cars so unique.

To capture the giga-pixel image we used multiple robotic heads based on the NASA technology developed for photographing the surface of Mars. This breaks down the overall view into a large number of individual captures which we then stitch together to create the final image.’

‘I spent quite a bit of time testing all the various systems, cameras and lens combinations to get to the final result as no one had attempted this level of zoom before. One of the main issues working this way is that you can’t see the final result until you’re back in the studio and have stitched all the images together. This makes the testing quite a lengthy process.

The final image was made up of approximately. 700 hi-res images and ended up at 53 billion pixels in size. To give you an idea of scale, if this image was printed it would be the size of a football pitch.’

‘The time it took to capture the entire image varied between 2 and 4 hours depending on the focal length of the lens being used – the longer the focal length the more captures were required to make up the final wide view.

One unforeseen problem was the fact the Golden Gate Bridge can move up to 26ft in either direction when it is windy ! This made stitching the captures together quite complicated.

Mustard Post, who worked on the post-production, had to find new ways of working on such a large image as no one had tried to retouch on this scale before.

The post-production on such a large image was a real challenge because just opening and saving the file could take a couple of hours, even though we were using the most powerful Apple Mac Pro available.’

To see the full, zoomable image, visit the Bentley Motors website. The Bentley Mulsanne Extended Wheel Base that features in the picture starts at £275,000/$ 400,900.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon sets aside 1.8 billion yen to cover D600 warranty repairs

03 Jun

nikon_d600.png

Nikon has revealed that it allocated ¥1.8bn (~ $ 17.6m / £10.5m) to cover the cost of warranty repairs and replacements for its D600 SLR in the last financial year. The camera has been plagued since its launch by a tendency to accumulate oil spots on its sensor, resulting in Nikon offering to replace the shutter mechanism or even the entire camera for free if necessary. In an investor relations statement on its website, the company says that it is taking the matter very seriously, and ‘will be taking steps to restore confidence in the Nikon brand’.

News: Digital Photography Review (dpreview.com)

 
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7 Billion People: Everybody Relax!

17 Oct

The fifth episode of PRI’s popular POP 101 series, this video takes a fresh, humorous approach to the demographic issues facing the world today. Be sure to watch the first video: youtu.be the second video: youtu.be the third video: youtu.be and the fourth video: youtu.be

 

Sony to invest $1.2 billion in CMOS production

27 Dec

Sony has announced it is investing .2 billion in production of CMOS sensors. The announcement includes the purchase and refurbishment of a a production facility it previously operated as a joint venture with Toshiba. With this move and other recent investments, the company aims to double its total monthly production from approximately 25,000 wafers to approximately 50,000 wafers per month by the end of March 2012.
News: Digital Photography Review (dpreview.com)

 
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