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Posts Tagged ‘Atomos’

Atomos announces Shinobi SDI monitor, Shogun 7 monitor/recorder and a Ninja V SDI module

06 Apr

Atomos has been on a roll this past week with the introduction of three new video products ahead of NAB 2019: the Shinobi SDI, Shogun 7 and AtomX SDI module. Below we’ve summarized the news of each product.

Shinobi SDI

The Atomos Shinobi SDI is a new, super-lightweight 5-inch 4K HDR monitor that offers HD-SDI and 4K HDMI connectivity. The monitor features a compact, durable frame that offers a 1000nit display with a pixel density of 427 pixels-per-inch (PPI) behind an anti-reflection, anti-fingerprint screen. The monitor comes factory calibrated with the option to calibrate the screen on-demand.

Atomos says this monitor was built as a means of addressing one of its customers most-demanded products, a stand-alone SDI monitor. The monitor operates on AtomOS 10 and offers a number of features, including focus peaking, 4:1 / 2:1 / 1:1 zoom, customizable zebras, false color, frame guides, broadcast markers and a suite of scope options that include waveform, RGB parade, vector scope and audio level meters.

The Shinobi SDI weighs in at 226g / 7.8oz and is available for pre-order at B&H for $ 499 USD and is expected to ship at the end of April 2019.

Shogun 7

Also new is the Atomos Shogun 7, a new seven-inch HDR monitor, recorder and switcher. The 1,500nit daylight-viewable display features a new 1920 by 1200 panel with a 1,000,000:1 contrast ratio and 15+ stops of dynamic range.

Atomos says the ‘screen uses a unique combination of advanced LED and LCD technologies which together offer deeper, better blacks than rival OLED screens, but with the much higher brightness and vivid color performance of top-end LCDs.’

A new 360 zone backlight inside the Shogun 7 is controlled by the Dynamic AtomHDR engine that enables the panel to show ultra-wide color with 105% of the DCI-P3 colorspace covered. Atomos has also teamed up with Dolby to create Dolby Vision HDR ‘live,’ which makes it possible to capture HDR footage on the Shogun 7 and display it on an HDR-capable TV or monitor over HDMI.

On the recording front, the Shogun 7 can record video up to 5.7K / 80p, 4K / 120p or 2K / 240p in RAW/Log or HLG/PQ over SDI/HDMI. Video is stored directly to an AtomX SSDmini or comparable SATA SSD drives. Recording options include Apple ProRes RAW and ProRes, Avid DNx and Adobe CinemaDNG RAW codecs.

The Shogun 7 can also be used with an optional balanced XLR breakout cable that can record up to 12 channels of 24/96 digital audio from HDMI or SDI connections. Monitoring of the audio can be done using the onboard 3.5mm headphone jack.

The Shogun 7 is available for pre-order at B&H for $ 1,499 USD and is expected to ship June 2019.

AtomX SDI module for Ninja V

The third and final product Atomos has announced is the AtomX SDI module for Ninja V. As its name suggests, this add-on module adds the ability to record and output video over 12G-SDI at up to 4K / 60p.

Atomos says it’s been one of the most-requested products from video professionals around the globe. The module is approximately the size of an NP-type battery and attaches to the rear of the Nija V via the modular expansion port. It adds two user-configurable 12G-SDI connections and full-sized 75 Ohm BNC connectors.

Apple ProRes and Avid DNx file formats are used when recording over single or dual-link SDI uses, and shooting is supported in Log, HLG and Rec.709 gammas.

The AtomX SDI module is available for pre-order at B&H for $ 199 and is expected to ship in May 2019.

For more information on all these products and more, head over to Atomos’ website.

Articles: Digital Photography Review (dpreview.com)

 
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The Atomos Shinobi is a light, bright 5″ 1920×1080 HDMI monitor for $399

15 Feb

Atomos has released the Shinobi, a new super bright 5in 1920×1080 HDMI monitor designed with vloggers and photographers in mind.

The Atomos Shinobi weighs just 200g / 7oz thanks to its polycarbonate body and uses the same HDR display and color processing technology found in Atomos’ popular Ninja V monitor/recorder. It features a 1000nit screen for easy viewing in bright situations, has a pixel density of 427PPI, and includes a headphone on the side of the device to add external recording, even if the camera being used doesn’t have one built-in.

Atomos says the Shinobi comes color calibrated straight from the factory, but also includes calibration support using Atomos’ free software and the X-rite i1Display Pro probe. It features a six-hour battery life on a single Sony NP-F750 battery, which is cleverly placed in the middle of the device to help keep it balanced on top of cameras.

The device features Atomos’ AtomOS 10 touchscreen interface and all of the features that come with, including focus peaking, histogram, zebras, waveforms, guides, markers and magnification. There’s even a mirrored option for vloggers who will have the monitor facing backwards on their device.

Despite having just a 1920×1080 display with 60fps support, the Shinobi’s HDMI port can actually accept signals up to 4K (4096×2160) at 30fps. The screen displays 10+ stops of dynamic range when being used with Log or HLG HDR video and built-in gamma presets are included to match popular camera systems when shooting Log or HLG.

Up to eight LUTs can also be installed directly onto the Shinobi using its built-in memory, with the ability to add even more using the SD card slot. Once installed, the LUTs can be switched on-the-fly to compare one look to another.

The Atomos Shinobi is available now from B&H and authorized Atomos retailers for $ 399 USD.

Articles: Digital Photography Review (dpreview.com)

 
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Atomos Ninja V, Inferno recorders will support 4K 10-bit 422 HDR with Panasonic’s Lumix S1

07 Feb

Atomos has announced its Ninja V and Inferno monitor/recorders will support 4k (3840×2160) 10-bit 422 HDR from the Panasonic Lumix S1 when it starts shipping.

Atomos says recording via HDMI to a Ninja V or Inferno will allow direct recording to Apple ProRes or Avid DNx codecs at up to 4K30 in the HLG HDR format. Using metadata transferred over the HDMI cable, the Atomos recorders can correctly display the HLG signal which provides an instant and accurate HDR image for monitoring purposes.

In Atomos own words, ‘The metadata triggers auto-setup of the Atomos recorders, and the same data is written into the ProRes or DNx file for instant playout to compatible HDR televisions and monitors, or upload to YouTube.

Atomos also addresses Panasonic’s upcoming support for 10-bit 422 HDMI output in V-Log gamma in a future paid firmware update saying the Atomos recorders will be able to record this format and that it’s working hand-in-hand with Panasonic to ensure full support and additional features will be supported when the firmware is launched.

The Atomos Ninja V and Inferno are available from authorized retailers for $ 695 and $ 1,295, respectively.

Press release:

Atomos Ninja V offers 4K 10-bit 422 HDR recording with the Panasonic Lumix S1

February 4th, 2019: Atomos is delighted to announce that as soon as it ships, the new Panasonic LUMIX S1 full-frame mirrorless camera will immediately be able to record 4k (3840×2160) 10-bit 422 HDR footage to the Atomos Ninja V and Inferno monitor/recorders. Recording over HDMI to one of these Atomos recorders will allow recording direct to Apple ProRes or Avid DNx codecs at up to 4kp30 in the HLG HDR format. HDR metadata passed over HDMI from the Panasonic LUMIX S1 to the Ninja V or Inferno allows the HLG signal to be correctly displayed, giving the users an instant and accurate HDR image they can expose and trust. The metadata triggers auto-setup of the Atomos recorders, and the same data is written into the ProRes or DNx file for instant playout to compatible HDR televisions and monitors, or upload to YouTube.

Panasonic will also add 10-bit 422 HDMI output in V-Log gamma via a paid firmware update to the camera in the future. This version of the gamma curve will be the full V-Log, rather than the V-Log L variant found on the GH5 and GH5S. Atomos will record this and are working with Panasonic to fully support the additional options that the upcoming firmware will bring.

The Panasonic LUMIX S1 is the latest in a growing number of large sensor mirrorless cameras to support 4k 10-bit 422 recording via HDMI. The increased image quality brings greater flexibility in post-production for better HDR or SDR images. Stepping up to 10-bit offers greater accuracy with billions of color combinations. This is massively beneficial when utilising computer processing for finishing. Typically, users will see smoother color gradients, eliminating the commonly seen banding in areas with gradual tone change such as blue skies. Recording to an Atomos recorder perfectly preserves this information in the ultimate way possible, combining Panasonic and Atomos technology.

The Panasonic LUMIX S1 has an ergonomic body design that is perfectly partnered with the 5″ Atomos Ninja V HDR monitor/recorder. The Ninja V weighs 360g and sits perfectly on top of the camera. When the two are used together they balance well in the hand, forming an easy to operate camera setup that rivals some traditional cinema cameras.

High bright 1000nit or 1500nit monitoring

Seeing the built-in screen of all mirrorless cameras is difficult in bright conditions. The Ninja V screen has 1000nit of brightness when in SDR mode, allowing it to be used effectively, even when outside. The Ninja Inferno and Shogun Inferno each offer an incredible 1500nit brightness and are well suited to productions where a larger 7” screen is required.

Why external recording makes sense

External recording via HDMI from mirrorless cameras is perfect for users wanting to get the best possible image quality from cameras like the Panasonic LUMIX S1. Until this year users needed to invest in a high-end cinema camera costing ten of thousands of dollars to get a larger than Super35 sized sensor that offered 4K 10-bit 422 recording. Now, with the advent of cameras like the LUMIX S1 combined with the Ninja V, users can have access to just that but at amazing price points – in this case less than $ 2500 US MSRP for the LUMIX S1 body and $ 695 MSRP for the Ninja V.

In addition, by moving recording to an external Atomos recorder like the Ninja V, mirrorless cameras are freed of many of their key video limitations. Record time limits are lifted and easy-to-edit Apple ProRes or Avid DNx codecs recorded, instead of harder to edit H.264 or H.265. When recording video with the Panasonic LUMIX S1 and Ninja V you can shoot to the new generation of Atomos AtomX SSDmini drives or Atomos Master Caddy II drives. These are developed with leading brands and offer high speed and high reliability in a compact metal chassis at a highly affordable cost per GB.

The Atomos Ninja V, Ninja Inferno and Shogun Inferno are available now from all Atomos approved resellers. To see a full range of AtomX accessories visit: https://www.atomos.com/accessories

Articles: Digital Photography Review (dpreview.com)

 
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Nikon, Atomos team up to offer 4K Raw capture over HDMI to the Ninja V external recorder

11 Jan

Atomos has announced it’s working alongside Nikon to develop PreRes Raw recording with Nikon’s Z6 and Z7 mirrorless cameras. This marks the first time any mirrorless camera will be able to output 4K Raw video over HDMI to an external recorder, in this case the Atomos Ninja V.

‘Capturing Apple ProRes RAW video with the Ninja V unlocks complete control of the video image at the highest quality possible,’ says Atomos in the press release. ‘The maximum dynamic range, color accuracy and detail is preserved, while at the same time every aspect of the video image can be controlled with precision for maximum creativity.’

Atomos explains the Raw video capture works by streaming Raw data across an HDMI cable to the Ninja V external recorder. That footage is then repacked into the ProRes Raw format and stored to a removable SSD drive inside the Ninja V.

When the SSD drive is full or shooting is completed, the drive is then removed and connected to a computer for post-processing. The resulting footage is decoded (debayered) on the computer, as it’s quite a processor-intensive process, and ready to be edited accordingly.

As previously noted, this is the first time 4K Raw video over HDMI has been seen in a mirrorless camera. The Blackmagic Pocket Cinema Camera 4K offers Raw output both internally and over USB Type-C, but not over HDMI.

Atomos and Nikon are currently showing off the new 4K Raw recording feature at CES 2019 (Booth #14006), but there’s no official timeframe on when we’ll see this new capability publicly.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Atomos Ninja V review

13 Oct

Almost all new cameras include impressive video features, but for the best results you’ll often need an off-camera recorder. Chris and Jordan take a look at the brand new Ninja V from Atomos, and explain why it might just be one of the most useful tools you can add to your camera.

For even more information, read our article titled Why would I want an external monitor/recorder?

Article: Why would I want an external monitor/recorder?

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Articles: Digital Photography Review (dpreview.com)

 
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Atomos Ninja V shipping at the end of the month, with new AtomX expansion modules

15 Sep

The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. Announced in April this year, the 5.2in Ninja V is designed to provide a smaller option for those using more compact video cameras while still offering many of the features of the larger 7-inch models.

The recorder can handle 4K 60p footage in 10-bit 4:2:2 over HDMI from the collection of recent cameras capable of producing it – such as the new Nikon Z7/Z6 and Canon EOS R mirrorless bodies as well as Fujifilm’s X-T3 and the existing Panasonic Lumix GH5 and GH5s.

The recorder now comes with options for expansion modules to extend its feature-set. These modules are called AtomX, and the first will be the AtomX Ethernet/NDI that allows the cameras to stream broadcast quality footage and to network with multi-camera set-ups and for the Ninja V to receive NDI data from a range of sources.

The AtomX modules will cost ‘less than $ 199’, while the Ninja V itself costs $ 695

A second module, the Atomx Sync wirelessly handles and generates timecode to synchronise recordings from multiple devices. The AtomX modules will cost ‘less than $ 199’, while the Ninja V itself costs $ 695. For more information see the Atomos website.

Press release:

Atomos Ninja V ready to ship, innovative new AtomX Sync and AtomX Ethernet/NDI modules announced

Atomos is delighted to announce that the highly anticipated Ninja V 4k HDR monitor/recorder is in mass production and on schedule to reach stores before the end of the month – fulfilling our commitment to deliver in Q3. The all new 5″ 4kp60 HDR monitor recorder has unrivalled features in a sleek, compact and extremely light form factor that is perfect for mirrorless cameras, DSLRs and gaming consoles.

The 10-bit mirrorless revolution
The timing of shipment coincides with the launch of several new mirrorless cameras with 4k 10-bit HDMI output and Log gammas that partner perfectly with the Ninja V. The new Canon EOS R, Nikon Z6 and Z7 and Fujifilm X-T3 now join the Panasonic GH5 and GH5S in taking full advantage of the Ninja V 4k 10-bit 422 recording to Apple ProRes or Avid DNxHR. The results from the Ninja V and these cameras are extraordinary, with billions of shades of color for smooth gradients and better grading in all NLEs.

New AtomX modules under $ 199 – the most flexible ecosystem in Pro Video
Modularity is at the heart of the Ninja V with a bi-directional high-speed expansion port breaking out connectivity for I/O of video, audio and power. Atomos created AtomX to ensure users could adapt and connect to any legacy or future wireless or wired video standard. The expansion system offers endless scalability and is demonstrated by the first of many modules – the AtomX Ethernet/NDI® $ 199 and the AtomX Sync $ 149 announced today. These dock into the AtomX port and instantly add important features like NDI® over ethernet and Wireless Sync and Bluetooth control to the Ninja V.

Atomos are proud to expand their close partner program with Newtek for the NDI® module and Timecode Systems for Wireless and Bluetooth sync module.

The AtomX Ethernet/NDI module has a wired ethernet (1 GigE) connector that makes it possible to deliver live broadcast-grade video over IP networks. Newtek’s NDI technology harnesses this – allowing for simple installation and control of multi-camera networks, replacing traditional SDI cabling. The AtomX Ethernet/NDI module has NDI input and output with encode, decode, control and sync, allowing Ninja V users to transmit, distribute or receive and monitor NDI from any NDI source. Simply power on the Ninja V with AtomX Ethernet/NDI module installed, plug in your network cable, and your source will be automatically discovered on the NDI network ready for production.

The AtomX Sync module brings professional wireless timecode, genlock and Bluetooth control to Ninja V, perfect for enhancing DSLRs, mirrorless cameras or game recordings. You can sync and/or control literally thousands of Ninja V units equipped with AtomX Sync modules on the same network at ranges of up to 300m. Multi-cam shoots have never been so easy. AtomX modules bring broadcast level standards to any HDMI camera or source, making it easy to integrate large sensor consumer cameras easily into traditional live productions. AtomX Sync has a built-in battery extender that allows for continuous power when swapping batteries, ensuring uninterrupted operation of the Ninja V during a shoot.

Class leading technology partnerships
The beauty of licensing technology from Newtek and Timecode Systems is that all their products are fully compatible with the relevant AtomX modules – so large and small productions currently using NDI’s or Timecode Systems’ class leading products can effortlessly integrate Atomos devices. The simplest application with Newtek is integration with their famous TriCaster products. For Timecode systems the most basic use case is to sync a mirrorless camera to an appropriately equipped audio device for perfect automated sync sound – a huge benefit for anyone from vloggers through to Hollywood productions.

New AtomOS 10 for easier operation
To coincide with the Ninja V release Atomos have announced a major new update to the AtomOS operating system. AtomOS 10 has been redesigned from the ground up to offer simpler operation combined with fewer distractions when monitoring your shot. Operation is quick and intuitive, with extensive use of swipe commands. Redesigned icons have an emphasis on easier HDR production enhancing the creative process. The waveform monitor and audio level meters are clearer than ever. The result is the best monitoring experience available for your DSLR of mirrorless camera bar none.

The perfect small monitor
The near edge-to-edge high bright 5 inch screen has a stunning 1000nits of output coupled with an anti-reflection finish – allowing users to clearly see their images even in daylight. Use the color-accurate display with AtomHDR to see in High Dynamic Range, or load creative LUTs at the touch of a button. Ninja V gives you all the critical monitoring tools you need in SDR – Rec709 or HDR – HLG or PQ. False color, peaking, movable 1-1 and 2-1 pixel magnification, waveform, RGB parade, vectorscope, eight channel audio level meters and more are all available in AtomOS 10.

HDR perfection every time
The AtomHDR engine ensures simple and perfect exposures when shooting HDR every time. It delivers a stunning 10+ stops of dynamic range to the LCD in real time from Log/PQ/HLG camera signals. Playout Log as PQ or HLG to a larger HDR-compatible screen. The Ninja V display can be calibrated to maintain perfect color and brightness accuracy over time.

Why external recording makes sense
Camera manufacturers are already pushing their designs to the limits of computing, heat and power consumption, especially with the new, larger sensors. Despite these efforts, all DSLR and mirrorless cameras on the market are limited in what they can record internally.

This necessitates compromises – limiting the bit depth, codecs used and the data rates used for internal recording. Recognizing that users want better quality and maximum flexibility the camera makers work with Atomos to optimize external recording at higher bit depth and higher bitrates, offering HDR and Post Production quality earlier.

By moving recording to the Ninja V, DSLR and mirrorless cameras are freed of many of their key video limitations. Record time limits are lifted and easy-to-edit Apple ProRes or Avid DNx codecs recorded, instead of hard to edit H.264 or H.265.

Affordable, reliable AtomX Media.
When recording video with the Ninja V you can shoot to the new generation of Atomos AtomX SSDmini drives, as well as existing MasterCaddy 2 compatible media. These are developed with leading brands and offer high speed and high reliability in a compact metal chassis. Guard your video by recording to proven, economical SATA SSD media.

Atomos CEO Jeromy Young said, “The Ninja V is the best monitor/recorder we’ve ever made and I’m delighted to ship it to our loyal customers on time. The new AtomX modules bring amazing flexibility to the Ninja V, allowing us to seamlessly integrate new technologies faster than ever. This is made possible only by working closely with partners like Newtek and Timecode Systems. I’m looking forward to bringing cutting edge innovation through AtomX into the future.”

Come and see Ninja V and AtomX modules, plus all the other Atomos products on booth (11.D15 & 11.D25) at IBC2018.

Ninja V: http://www.atomos.com/ninjav
AtomX: http://www.atomos.com/AtomX

Articles: Digital Photography Review (dpreview.com)

 
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Free AtomOS update adds ProRes RAW support to Atomos Shogun Inferno and Sumo19

10 Apr
Photo: Atomos

Apple made a big splash in the video industry last week when it debuted ProRes RAW: a new video codec that seeks to combine the flexibility and editing latitude of RAW video with the performance and space benefits of a compressed ProRes file. And now, thanks to a free firmware update from Atomos, owners of the Shogun Inferno and Sumo19 monitor/recorders can immediately begin shooting in the new and improved format.

Simply download and install the AtomOS 9 firmware at this link, and your Shogun Inferno and Sumo19 will be able to record ProRes RAW and ProRes RAW HQ using any of the nine supported cinema cameras from Panasonic, Sony and Canon. As of this writing, that makes the Shogun Inferno and Sumo19 the first and only monitor/recorders to offer ProRes RAW.

If you’re still a bit confused as to what ProRes RAW is, and how it differs from standard ProRes, Atomos breaks down the benefits of the new format on its website. The company also produced the following ProRes RAW sample footage using the Atomos Shogun Inferno and three different cinema cameras: the Panasonic EVA1, Canon C300mkII and Sony FS5.

Press Release

ProRes RAW available today for Atomos recorders

Melbourne, Australia – 9 April 2018 – ProRes RAW is available today for Atomos recorders, delivering a powerful new RAW workflow when combined with Final Cut Pro 10.4.1. Simply install the free AtomOS 9 upgrade on the Atomos Shogun Inferno or Sumo19 monitor/recorders, connect to one of the nine supported cinema cameras, and begin recording in ProRes RAW and ProRes RAW HQ.

Users can immediately enjoy the benefits of the amazing new RAW end-to-end workflow that combines the incredible performance of ProRes with the flexibility of RAW. Atomos devices are the only monitor recorders to offer ProRes RAW, with pristine recording direct from the sensor output of Panasonic, Sony and Canon cinema cameras.

The response to ProRes RAW from the creative community has been incredible:

“The hills are alive with the sound of ProRes RAW, and Atomos has heard it….Apple has a new format, and it’s everybody’s darling. The malleable nature of RAW and the beauty and (and necessity of) ProRes are together at long last, and Atomos has you covered.” – Cinema5D

“This announcement is a big deal. ProRes has been an industry standard codec since its inception back in 2007, now 11 years later Apple is looking to position ProRes again as the go-to codec.” – Newsshooter

“Apple has unveiled a new video recording codec called ProRes RAW, a move that instantly makes the high-quality format more mainstream…Atomos’ Shogun Inferno and Sumo 19 recorders, meanwhile, will be the first to offer RAW recording for cameras from Panasonic, Sony, Canon and others.” – Engadget

Come and see for yourself how Atomos is unlocking creativity at the NAB show, booth C9425 and at the 17th Annual Las Vegas SuperMeet on Tuesday 10th of April. There will be product demos, as well as the opportunity to get hands on with the gear and workflow with both companies.

Articles: Digital Photography Review (dpreview.com)

 
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Atomos unveils the Ninja V: A 5.2-inch 4K/60p external monitor and recorder

10 Apr

For filmmakers who want an Atomos external monitor/recorder but feel like the 7-inch Atomos Ninja and Shogun recorders are a bit too big, Atomos has released something just for you. The Atomos Ninja V packs many of the same features into a smaller 5.2-inch form factor that the company says is “perfect for mirrorless cameras, DSLRs and gaming.”

We’re not sure about (and not interested in) the gaming bit, but for video shooters who prefer a DSLR or mirrorless system, a smaller external recorder could be exactly what they’ve been waiting for.

The Ninja V sports a 5.2-inch HDR screen with 1000nits brightness and anti-reflection finish for easy daylight recording, and can record up to 4K/60p 10-bit video over HDMI 2 in either Apple ProRes or Avid DNxHR. And since portability is one of its main features, the whole thing is 1-inch (2.5cm) thick and weighs just 11oz (320g).

Feature-wise, you get most of the things you’ve come to expect from an Atomos recorder: histogram, false color, focus peaking, movable 1-1 and 2-1 pixel magnification, waveform, RGB parade, Vector scope, 8 channel audio level meters, and the ability to load creative LUTs, for a start. And the Atom HDR engine promises to show you 10+ stops of dynamic range on the LCD in real time from your camera’s Log/PQ/HLG signals.

Finally, the Atomos Ninja V also features the company’s modular expansion slot, which will allow you to dock “expansion modules” into the battery slot and add advanced features like bi-directional high speed video, audio and continuous power.

The Atomos Ninja V is available now for $ 695. To learn more about the new monitor/recorder, check out the full press release below or head over to the Atomos website.

Press Release

Atomos introduces Ninja V – a stealthy 5.2” 4Kp60 HDR daylight-viewable 1000nit monitor/recorder

Melbourne, Australia – 9 April 2018 – The latest incarnation of the famous Atomos Ninja line is here. Seven years after the world’s most popular portable Apple ProRes recorders burst onto the scene, Atomos is delighted to introduce Ninja V – an all new compact 5.2″ 1000nit high bright HDR monitor/recorder with unrivalled advanced features. It has a sleek modern design and weighs just over 11oz (320g) – perfect for mirrorless cameras, DSLRs and gaming.

The perfect small monitor

The near edge-to-edge high bright 5.2 inch screen has a stunning 1000nits of output coupled with an anti-reflection finish – allowing users to clearly see their images even in daylight. Use the color-accurate display with AtomHDR to see in High Dynamic Range, or load creative LUTs at the touch of a button. Ninja V gives you all the critical monitoring tools you need – histogram, false color, peaking, movable 1-1 and 2-1 pixel magnification, waveform, RGB parade, Vector scope, 8ch audio level meters and more!

Perfect 1″ thin recorder

Record up to 4Kp60 10-bit video over HDMI 2.0 in edit-ready Apple ProRes or Avid DNxHR direct to affordable SSD drives. The Ninja V’s sleek 1″ (2.5cm) deep aluminium body is crafted for maximum portability and durability, stealthily attaching to any camera. A truly beautiful design.

HDR perfection every time

The AtomHDR engine ensures perfect exposures when shooting HDR. It delivers a stunning 10+ stops of dynamic range to the LCD in real time from Log/ PQ/HLG camera signals. Playout Log as PQ or HLG to a larger HDR-compatible screen. The display can be calibrated to maintain perfect color accuracy over time.

Long records on affordable storage

Record direct from your camera’s sensor and bypass the internal compression quality and recording time limits. It runs from a single Sony-type battery for hours. The new compact AtomX Drive SSD offer robust affordable storage. Available from Angelbird, G-Technology and now also Sony Storage Media Solutions, who join as our newest licensed drive partner. Ninja V also works with Master Caddy II.

Designed for your camera!

Atomos HDMI control protocols allow recording to be automatically triggered, timecode matched and HDR metadata set by a wide variety of cameras. Realtime Log-to-HDR profiles allow users to take away the exposure guesswork in HDR production.

Audio inputs

Audio can be input directly from the camera digitally via HDMI, or fed in analogue via a stereo 3.5mm line/mic socket – especially useful for cameras that do not have a mic input.

Endless open expansion!

Enhance the capabilities of the Ninja V through the ingenious modular expansion slot breaking out connectivity for high speed video, audio and power. Expansion modules will dock onto the battery slot of the unit and offer advanced features such as continuous power modules. Atomos and third party accessories will be available in the future.

Atomos CEO Jeromy Young explains: “Ninja V is the result of years of development and expertise. It combines the best of what we do at Atomos and squeezes it into one small box. It sits stealthily on your mirrorless camera, yet it is packed with power. It’s what everyone wants! Small, sleek 5″ and future proofed with AtomOS and the modular expansion slot – at $ 695 it’s a no brainer. Put simply, Ninja V is the most versatile outdoor monitor and portable ProRes recorder ever. We can’t wait to see how it unlocks creativity for our users.”

Come and see Ninja V for yourself at NAB 2018, Atomos booth C9425.

Articles: Digital Photography Review (dpreview.com)

 
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Free Atomos Shogun Inferno update will let you capture 5.7K RAW on the Panasonic EVA1

04 Apr
Credit: Atomos

Atomos’ Shogun Inferno and Sumo19 external HDR monitor/recorders are about to get a free upgrade that will really delight owners of the popular Super 35 Panasonic AU-EVA1 cinema camera. The update—full details incoming at NAB 2018—will allow EVA1 owners to capture 5.7K Raw video direct from the sensor at up to 30fps using the recorders’ 6G SDI connections.

If you pull that down to 4K resolution, you can record Raw video at up to 60fps in CDNG Raw, as well as straight to Apple ProRes or Avid DNxHR formats. If you drop the resolution further to 2K, you can record slow-motion Raw video at 240fps. According to Atomos, “the resulting frames are super clean, detailed and capable of withstanding heavy grading.”

Credit: Atomos

For those of us not into video, it’s worth noting why this is a big deal.

The Panasonic EVA1 is a camera that a lot of DSLR/mirrorless users consider when they get serious about video. Support for 5.7K Raw on a ~$ 7-8K cinema camera of this quality is pretty compelling. It’s a logical next step for people who want to go beyond DSLR/mirrorless video.

We won’t dive into the Shogun Inferno or Sumo19’s other features here, but you can learn more on the Atomos website. And if you already own one of these recorders, keep an eye out—this free AtomOS update will be released at NAB 2018 later this month.

Press Release

Atomos Shogun Inferno and Sumo19 unlock the Panasonic AU-EVA1 5.7K RAW output

Melbourne, Australia – 02 April 2018 – Panasonic’s AU-EVA1 is a great Super35 cine camera with excellent low light capabilities – winning wide-spread acclaim since its launch last year.

Now users will be able to unlock the true potential of this amazing camera and its low noise sensor by combining it with the Atomos Shogun Inferno HDR monitor/recorder, thanks to the release of Panasonic’s free RAW output upgrade. The results take the camera to another level of performance, giving you images with maximum dynamic range in pristine quality.

Users will soon be able to capture stunning 5.7K RAW imagery direct from the sensor at up to 30 fps over the 6G SDI connections and record it to reliable, affordable SSD media. Full details will be revealed by Atomos at the NAB 2018 show this month.

In 4K resolution you can record up to 60fps from the RAW output in production ready Apple ProRes, Avid DNxHR,or CDNG RAW up to 2Kp120 or 4Kp30. The resulting frames are super clean, detailed and capable of withstanding heavy grading.

The Shogun Inferno also supercharges the EVA1’s slow motion performance. It can record the RAW output at up to 240fps in 2k/HD, direct to Apple ProRes or Avid DNxHR. Perfect for sports, wildlife and a wide range of other uses.

All these features will come in an AtomOS upgrade for the Shogun Inferno and Sumo19 to be released at NAB April 2018. This will be offered for free as part of our continuing commitment to our users.

“Panasonic and Atomos have combined to deliver an astonishing set of features for end-to-end RAW production – 5.7K, 4kDCIp24-60, 2KDCIp240 in 10-bit V-Log recorded on our Shogun Inferno or Sumo 19. This is the best RAW solution for the price point on the market today,” said Atomos CEO Jeromy Young.

Of course, recording is only half of the equation, accurate monitoring is also essential. Luckily, the Shogun Inferno also offers state-of-the-art monitoring for both HDR and SDR recording with its 7” 1500nit high brightness panel with the Sumo19 at 19” and 1200nits.

Take the guesswork out of exposure in HDR or Log with Atomos’ unique AtomHDR system which shows a massive 10+ stops of dynamic range on either screen. The display is colour accurate and can be calibrated over time using a X-rite i1Display Pro probe. Benefit from AtomoOS’ full range of monitoring tools like waveform, vectorscope, false colour, audio level meters and pixel-to-pixel magnification.

Users can also load and store LUTs directly into Shogun and Sumo for complete creative control, production to post. With HDMI or SDI users can output their footage in 4K PQ (HDR 10) or HLG HDR direct to a compatible television or monitor for instant preview using our AtomHDR engine – great for on-set use or client review.

When used with the EVA1 no other external monitor recorder will give users the extensive range of options available from the Shogun Inferno and Sumo19. It remains the most versatile, flexible and cost-effective solution for high end external monitoring and recording on the market today.

If you are attending the NAB Show then be sure to come and check out the EVA1 and Atomos RAW capabilities live at Booth C9425.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon D850 Filmmaker’s Kit includes Atomos Ninja Flame, three lenses and two microphones

20 Mar

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Nikon looks to be positioning its D850 as a serious video rig with today’s announcement of a D850 Filmmaker’s Kit. The kit includes the camera body, three AF-S Nikkor lenses (20mm F1.8G ED, 35mm F1.8G ED, 85mm F1.8G), an Atomos Ninja Flame external recorder, ME-1 shotgun and ME-W1 wireless mics and an extra EN-EL15A battery.

Purchased separately, these items cost nearly $ 6300, so the kit’s MSRP of $ 5499 is a nice discount. The Filmmaker’s Kit will be available for purchase in late March.

Press Release

For the U.S. market, Nikon Inc. is excited to announce the all-new Nikon D850 Filmmaker’s Kit, a custom bundle specifically designed for content creators and filmmakers looking to take full advantage of the D850’s extensive video capabilities and controls. The key component of the kit, the award winning Nikon D850 offers incredible features, including full-frame 4K UHD video capture at 24/30 fps, 8K and 4K time-lapse, focus peaking, zebra stripes, HDMI output and enhanced audio control.

The Nikon D850 Filmmaker’s Kit will include three prime NIKKOR lenses which are ideal for content creation, and exhibit the clarity and sharpness needed for 4K Ultra HD video; AF-S NIKKOR 20mm f/1.8G ED, AF-S NIKKOR 35mm f/1.8G ED, and the AF-S NIKKOR 85mm f/1.8G. The kit will also contain an external 4K Atomos Ninja Flame recorder/monitor (with power kit, docking station and coiled HDMI cable).

The Nikon D850 Filmmaker’s Kit will be available in the U.S. for the suggested retail price (SRP) of $ 5,499.95 and will go on sale at the end of March 2018.

The Nikon D850 Filmmaker Kit includes the following:

  • Nikon D850 DSLR (with supplied accessories)
  • AF-S NIKKOR 20mm f/1.8G ED lens
  • AF-S NIKKOR 85mm f/1.8G lens
  • AF-S NIKKOR 35mm f/1.8G ED lens
  • Extra EN-EL15A battery
  • ME-1 Stereo Microphone
  • ME-W1 Wireless Microphone
  • Atomos Ninja Flame External Recorder (with supplied accessories)
  • Custom foam inserts (can be used in hard case for transporting, hard case sold separately)

Articles: Digital Photography Review (dpreview.com)

 
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