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Posts Tagged ‘announcement’

Canon teases September 14 launch event, calls is ‘the most exciting announcement of the year’

07 Sep

It looks like September 14, 2021 is going to be a busy day. First, Apple announced it will be hosting a livestream event. Now, Canon has announced that it too will be hosting a livestreamed event on YouTube at 12pm CEST (+2 UTC).

Canon doesn’t say what we can expect to see at the event, but the animated graphic in the teaser video shows an illustration of an RF camera mount. Make of that what you will.

You can click through on the video to set a reminder on YouTube to be notified when the event goes live.

Articles: Digital Photography Review (dpreview.com)

 
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Sony Positions Announcement of New Camera to Better Compete With Canon

26 Jun

The post Sony Positions Announcement of New Camera to Better Compete With Canon appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

dps-sony-announcement-news

The Sony a7S III and the Canon EOS R5.

Neither camera is available, or even fully launched. But the Canon EOS R5’s 8K video has been the talk of the summer, leading photographers to ask:

How will Sony respond?

The a7S II is a video-centric stills camera that’s starting to show its age; it’s well in need of an update and, had Canon stayed quiet, we would have seen just that: a capable A7S II successor, released without excessive fanfare and prolonged waiting.

But with the suggestion of an 8K camera, Canon has raised the stakes. The ball is in Sony’s court, and it’s clear that Sony wants to make the most of it.

Now, the date of Canon’s EOS R5/R6 announcement has only just been confirmed as July 9th.

Which is why we are seeing a carefully-planned launch date of late July for the a7S II successor, despite Sony’s general preparedness for a launch (Sony is currently debuting the a7S II for the media and retailers, which suggests that the cameras could technically be announced at any time).

sony a7s ii successor announcement

In fact, as Sony Alpha Rumors points out, the a7S III has been registered for nearly two months, yet Sony has made no attempt to push it out into the open.

Apparently, Sony wishes to avoid any overlap with Canon, hence the later date for the a7S III. What’s curious, however, is that Sony wishes to announce their camera after Canon’s, given that the EOS R5 will surely maintain significant attention several weeks after the launch.

In fact, it’s enough to make you wonder whether Sony has a trick or two up their sleeve; for instance, is it possible that the a7S II successor might also offer 8K video? Or high-end autofocus? Or some other feature that makes it an appealing alternative to the EOS R5?

It’s impossible to know for sure, though Sony Alpha Rumors suggests that we may see some A7S III spec leaks in the weeks leading up to the launch (so keep an eye out for that!).

Bottom line:

July is shaping up to be an exciting month. And for those hybrid shooters out there, you’ll soon have two top-notch cameras to choose from!

Now over to you re the Sony announcement:

What do you think about Sony positioning the launch after Canon? And how do you think the A7S II successor will compare to the EOS R5? Share your thoughts in the comments!

The post Sony Positions Announcement of New Camera to Better Compete With Canon appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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X-Peditions’ 2020 Trips Announcement

31 Jan

Just a quick note to announce that X-Peditions’ 2020 season has opened. Seats are going very quickly, and we expect both trips to fill shortly.

X-Peditions is a collaborative project between Strobist.com and Washington DC-based Focus on the Story. You can learn more about this year’s classes, or our program in general, at X-Peditions.com.
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Sigma rumored to be ‘actively working on’ RF-mount lens road map for 2020 announcement

21 Nov

According to a report from Canon Rumors, Sigma is ‘actively working on an RF-mount lens roadmap’ and is expected to announce its plans sometime in ‘early 2020.’

Canon Rumors’ report, which comes from an unnamed source, goes on to say that distributors have received early information regarding Sigma’s plans, but no specific information regarding potential lenses or launch dates was divulged.

Canon Rumors only ranked this rumor a ‘[CR2]’ (with [CR1] being very unlikely to happen and [CR3] being most likely to happen), so while it’s down the middle in validity it’s worth taking with a grain of salt. Still though, Canon Rumors suspects the announcement would be made ahead of CP+ in February if it were to be made at all.

Sigma offers nearly all of its EF-mount Global Vision Lenses for Nikon’s F-mount as well, so it wouldn’t come as a surprise if this purported lens roadmap from Sigma would also apply to Nikon’s Z-mount cameras too, considering the similarities in mount designs. However, much like the roadmap itself, this is purely speculation.

We have contacted Sigma for a comment and will update this article accordingly if we hear back.

Articles: Digital Photography Review (dpreview.com)

 
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GoPro is teasing its upcoming action cam, 360º camera set for an October 1st announcement

23 Sep
This screenshot from the teaser video appears to show off what we presume will be the GoPro HERO8 Black.

GoPro has posted a new teaser on its website showing off a few renderings and clips from what we believe to be its next-generation action cams.

Earlier this month we saw leaked product images, but this is the first official info we’ve seen regarding the impending launch. The announcement reads ‘This is Action’ and notes October 1, 2019, which we presume will be the official announcement. Below is the teaser in its entirety:

Two distinct devices appear to shown in the footage, as noted in the above screenshots, which echoes leaked information and images that in addition to a GoPro HERO8, GoPro will also reveal the GoPro Max, a second-generation 360º cameras that will be the successor to the GoPro Fusion.

A screenshot depicting what we assume, based on leaked images, will be the GoPro Fusion successor, the GoPro Max.

GoPro has also posted a video to YouTube where a livestream will take place for the announcement of what’s anticipated to be two new devices.

Articles: Digital Photography Review (dpreview.com)

 
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Canon full-frame mirrorless system debuts with announcement of EOS R

08 Sep

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Just two weeks after Nikon introduced its Z-system, Canon has joined the full-frame mirrorless club with its new RF-mount system, with the first camera being the EOS R. Canon makes very clear this is merely the first in a new system.

The EOS R features a 30.3 effective Megapixel CMOS sensor and a DIGIC 8 processor. It uses RF-mount lenses – four of which will be available at launch – with support for both EF and EF-S lenses via one of three optional adapters, which it says add capability to existing lenses. Dual Pixel AF is onboard, with a whopping 5,655 selectable points with 88% vertical and 100% horizontal coverage, plus the ability to focus down to -6EV (though this is rated with an F1.2 lens, which gives a 1.5EV advantage over brands quoting figures for F2 lenses). There’s a ‘Pupil Detection’ mode for ensuring eyes are in focus but this is only available in AF-S mode.

“Being the first to market with a full-frame mirrorless system was never our goal. It was to reimagine optical excellence”

The camera has a native ISO range of 100-40,000 that expands to 50-102,400. The EOS R supports both Canon’s 14-bit CRW Raw format as well as the relatively new C-Raw, which offers much smaller file sizes. The fastest shutter speed available is 1/8000 sec, with an X-sync speed of 1/200 sec.

Design-wise, the EOS R is an SLR-style camera with a weather-sealed magnesium alloy body. It offers an electronic viewfinder with a resolution of 3.69 million dots, a magnification of 0.76x and a 23mm eyepoint. Its fully articulating 3.2″ LCD is touch-enabled and has 2.1 million dots. A customizable touchpad to the right of the viewfinder allows for quickly changing ISO, white balance, movie shooting and more. Canon users will be able to commiserate with Nikon owners as, like that company’s new Z-series cameras, the EOS R offers just one memory card slot, which supports UHS-II media. The camera has HDMI, USB-C, wired remote, headphone and microphone sockets. Wi-Fi and Bluetooth are built-in.

“Most revolutionary component isn’t camera, it’s the mount”

In terms of performance, the EOS R can shoot continuously at 8 fps in AF-S and 5 fps in AF-C ‘shooting speed priority’ mode. If you want to use ‘tracking priority’ mode in AF-C the frame rate drops to just 3 fps. The buffer is quite healthy, though, with the ability to save 47 Raw, 78 C-Raw or 100 JPEGs when shooting at full speed with a UHS-II card. It uses the familiar LP-E6N battery pack which allows for 370 shots per charge using the LCD (per CIPA standard) or 350 with the EVF. (Power save modes boost those numbers to 450 and 430, respectively.) The optional BG-E22 grip fills the battery slot but has room for two batteries: this gives you twice the battery life.

Video-wise, things are less impressive. On the plus side, you get Dual Pixel AF, even in 4K and the camera retains separate exposure and button customization settings for video. Sadly it maxes out at 4K/30p and features the same 1.7x crop that essentially reduces the camera down to sub APS-C quality and still appears to exhibit significant rolling shutter.

When it comes to capture, users can choose between ALL-I and IPB compression, with top bit rates of 420Mbps and 120Mbps, respectively. You’ll need a V60-rated SD card to get that highest bitrate but the camera can record for up to 29:59 even in 4K mode, with a large enough card. Dropping down to Full HD allows for 60 fps recording at 180 Mbps using ALL-I compression. Internal video capture is 8-bit 4:2:0. The camera can also capture Canon Log internally in 8-bit or can put out a 10-bit 4:2:2 C-Log stream over HDMI for use with an external recorder.

“You don’t switch to it, you add it to the family”

The camera can also record 120p footage at 1280 x 720 at a healthy 160Mbps bit rate. Recording time limits are 7.5 minutes for 120 fps shooting and just under 30 minutes for everything else.

The EOS R will be available in October for $ 2299 body only or $ 3399 with the 24-105mm F4L lens.

Canon EOS R initial sample images

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Press Release:

EVOLUTION MEETS REVOLUTION AS CANON ANNOUNCES THE ALL-NEW EOS R SYSTEM

Optical Innovation Inspires the Next Leap Forward in Imaging

MELVILLE, N.Y., September 5, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the next revolution in the company’s long history of innovative and award-winning camera systems, the EOS R system featuring the newly designed RF mount. Recognizing the need to advance optical design, the Company sought to create a versatile and powerful new system that supports all current EF, EF-S, TS-E and MP-E lenses[i], and also provides the optical advancements and engineering flexibility to build upon for years to come.

When Canon set forth to develop a new interchangeable lens camera system, they focused on three core optical principles: high-image quality, high-specification performance, and compact design. Recognizing that optics is the foundation for any camera system, the RF mount was conceived to open new doors in optical design. Canon’s new RF mount features the same size diameter as the EF mount (54mm) and shorter back focus distance. This allows for lenses to sit closer to the sensor (the focal plane) and allowed Canon optical engineers to reimagine lens design utilizing larger rear lens elements to produce an image on the full-frame sensor. This new optical formula has paved the way for higher performing lenses. In addition, the Canon RF mount features a high-speed 12-pin communication system that provides faster and more in-depth communication between the camera and lens over existing Canon mount systems.

The EOS R system is designed for full, uninhibited compatibility with all existing EF, EF-S, TS-E and MP-E lenses through the use of mount adapters[ii]. In addition, through the use of the optional Drop-In Filter Mount Adapter or Control Ring Mount Adapter these lenses, in fact, gain functionality.

“There has never been a time in history in which visual expression has been so prolific. Imaging, both still and video, are the communication mediums of today’s society. Much in the same way we learned to type in the past, today’s youth are skilled in shooting, editing, and visual storytelling in ways that only the masters of each craft were decades ago,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “Knowing this, we needed to step back and design a system that delivers all the creative expression and functionality today’s youth crave, now and in the years to come.”

The First in a New System: The EOS R

The new Canon EOS R full-frame mirrorless camera features a 30.3 megapixel CMOS sensor that is powered by the Company’s latest image processor, DIGIC 8, enabling shooting at up to 8.0 frames per second[iii]. The new camera inherits a lot from Canon’s legacy in both EOS and Cinema EOS. Video storytellers can capture stunning 4K UHD video up to 30fps and record in 10-bit 4:2:2 (with an external recorder). The EOS R also comes with the ability to shoot Canon Log, providing 12 stops of dynamic range, minimal loss of detail in shadows and highlighted areas and an increased range of choices when color grading. Users with an existing collection of Canon lenses will be excited to know that all EF and EF-S lens are compatible with the camera. In order to do so, photographers and videographers can choose between using one of three new mount adapters, each uniquely designed to meet the individual needs of the user.

The new Canon EOS R camera features Dual Pixel CMOS Auto Focus with 5,655 manually selectable AF points[iv], supporting AF at up to f/11 with a 384 zone (24×16) real-time metering system. With f/1.2 lenses, the camera astonishingly boasts AF sensitivity in low light in as little as EV-6. When using the RF 24-105mm F4 L IS USM lens with the EOS R, the camera can focus in as little as 0.05 seconds with Dual Pixel CMOS AF[v], making it the fastest autofocus speed in the world[vi]. These features provide photographers and videographers with Canon’s most advanced AF system to date. The EOS R also features a silent shutter setting when shooting in single-shot mode; an important feature for those who need to capture imagery without disrupting the scene. An upcoming free firmware update will enable silent shutter in continuous shooting mode as well.

“The EOS R system is not just a new camera or a new lens mount, it is a new design that will allow us to produce visual tools that were previously impossible, and allow our customers to tell their stories with greater depth, richness of color, and creative flexibility, in optically stunning ways.” states Kazuto Ogawa

Thoughts From the First Users

“I think every camera system has its place and it’s all about having the right tool for the job,” reported acclaimed outdoor photographer and Canon Explorer of Light Jimmy Chin. “The new EOS R system for me in particular is very useful for the kind of shooting that I do in the mountains, where I need to worry about the size and weight. Having the option to use the new RF lenses or the EF lenses is really great.”

“I was instantly impressed with how quickly the EOS R was able to focus,” remarked celebrated fashion photographer and Canon Explorer of Light Lindsay Adler. “Whether my subject was moving or I was shooting in near-complete darkness, I had no problem getting tack-sharp focus in every shot. It was a relief to know my gear wasn’t going to hold me back from executing my vision, but instead it would really help me to execute this vision.”

“For us, it’s all about getting the shot no one else can get, and a lot of this has to do with the camera,” says Devin Graham, director and filmmaker behind YouTube’s DevinSuperTramp. “The new EOS R will become one of our main cameras. It has a very small footprint, yet is able to create amazing images. As for the lenses, the new RF 28-70mm F2 has just become one of my all-time favorites. I’ll be bringing it on every project.”

Conveniently placed just to the right of the EVF, Canon has introduced a new Multi-Function Bar that will allows users to more easily access their customizable settings, such as AF, ISO and White Balance. Users will have the option to either slide or tap the bar to gain access to the settings and adjust on-the-go as they deem necessary depending on each particular shooting situation.

Answering the demand for enhanced mobile editing of RAW image files, Canon is also announcing a new application, Digital Photo Professional Express (DPP Express). In combination with an updated Canon Camera Connect App, DPP Express enables users to send, view, edit and process CR3 RAW files on their iPad[vii]. A free download of the app will be available October 2018.

Additional noteworthy features of the EOS R Camera include:

  • RF Mount Compatible with RF Lenses and EF/EF-S Lenses
  • Built-in EVF with 3.69 Million Dots, Vari-angle Touchscreen LCD and Dot-matrix LCD Panel
  • ISO range of 100-40,000, expandable to 102,400
    • USB 3.1 in-camera charging support
  • Built-in Bluetooth and Wi-Fi® providing easy sharing to compatible smart devices and social media sites
  • Single UHS-II SD card slot
  • CR3(RAW/C-RAW) and Dual Pixel RAW Support
  • Dust and weather resistant

Availability and Pricing

The Canon EOS R full-frame mirrorless camera is scheduled to be available in October 2018 for an estimated retail price of $ 2299* for the body only. It will also be sold as a body-and-lens kit with the new RF 24-105mm F4 L IS USM lens for $ 3399*.

[i] When attaching an EF-S lens via any of Canon’s new R-series mount adapters, the new EOS R automatically switches to APS-C crop mode.

[ii] When attaching an EF-S lens via any of Canon’s new R-series mount adapters, the new EOS R automatically switches to APS-C crop mode.

[iii] Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings.

[iv] Available AF points may decrease when shooting with AF cropping or in movie mode, or depending on camera settings or lens attached.

[v] Based on results of AF speed tests in accordance with CIPA guidelines. Results may vary depending on shooting conditions and lens in use. Relies on internal measurement method.

  • Brightness at time of distance measurement: EV12(regular temperature, ISO 100)
  • Shooting mode: M
  • Lens in use: RF 24-105mm F4 L IS USM, with focal distance of 24mm and live-view mode on(with manual shutter button operation
  • AF mode: Live single-point AF(central) and AF operation: One-shot AF

[vi] Among interchangeable lens digital mirrorless cameras incorporating 35mm full frame equivalent image sensors with phase-difference detection AF on the image plane and contrast detection AF, available in the market as of September 5th, 2018 (Based on Canon’s Research).

[vii] Compatible with iPad models utilizing iOS 11 or later and equipped with at least 2GB of onboard RAM—specifically, iPad Pro (all models), iPad (5th generation), iPad (6th generation), iPad mini 4 and iPad Air 2.

*Availability, prices and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

Canon EOS R specifications

Price
MSRP $ 2299 (body only), $ 3399 (w/24-105 F4L lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6720 x 4480
Other resolutions 4176 x 2784 (1.6x crop)
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 30 megapixels
Sensor photo detectors 32 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-40000 (expands to 50-102400)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 102400
White balance presets 6
Custom white balance Yes
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG
  • Raw (14-bit Canon CRW)
  • C-Raw (Canon compressed Raw)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 5655
Lens mount Canon RF
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3.2
Screen dots 2,100,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.76×
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe)
Flash X sync speed 1/200 sec
Drive modes
  • Single
  • High-speed continuous
  • Low-speed continuous
  • Self-timer
Continuous drive 8.0 fps
Self-timer Yes (2 or 10 secs)
Metering modes
  • Multi
  • Center-weighted
  • Spot
  • Partial
Exposure compensation ±3 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±3 (3 frames at 1/3 EV, 1/2 EV steps)
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p / 480 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, AAC
  • 3840 x 2160 @ 24p / 480 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 120 Mbps, MOV, H.264, AAC
  • 3840 x 2160 @ 23.98p / 480 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 60p / 180 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 30p / 90 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 24p / 90 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 30 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 23.98p / 90 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, AAC
  • 1280 x 720 @ 120p / 160 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD card (UHS-II supported)
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
USB charging Yes (with LP-E6N only)
HDMI Yes (Mini-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.1 LE
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description LP-E6N lithium-ion battery & charger
Battery Life (CIPA) 370
Weight (inc. batteries) 660 g (1.46 lb / 23.28 oz)
Dimensions 136 x 98 x 84 mm (5.35 x 3.86 x 3.31)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Announcement: Strobist Full-Day Shooting Workshop, June 7th in Washington, DC

10 Mar

Just a quick heads-up that I’ll be teaching a small-class lighting workshop in Washington, DC this June 7th. It is part of the Focus on the Story International Photo Festival being held June 7-10.

This class is small — a maximum of 16 people — and we will be shooting all day. It is designed for people who are new to intermediate in their lighting skills. If you are comfortable with shooting in manual mode, you will not be out of place. If you already have some experience, we will happily stretch you out a bit.

If you have your own lighting gear (small flash only, please) feel free to bring it. But you need not, as lighting gear will be provided for the class. Just bring a camera, normal range lens (a kit zoom would be fine) a storage card and batteries and you are good to go.

I teach this class a lot; it’s my favorite course. But oddly, almost never in the U.S. In fact, this is the only time I am scheduled to teach a small shooting workshop in the U.S. this year.

Here is my promise: if you show up as an “available light” photographer, you will leave as a lighting photographer. Period. I guarantee it. (In fact, I won’t let you leave until you understand it. So if you are intimidated, maybe… bring a sleeping bag.)

The class, which includes lunch, is $ 230. You need not sign up for the whole festival to take this class. (But the festival has a really strong speaker lineup, and a 40% off early bird discount until March 18.)

Links below, hope to see you there. (Hit me on Twitter if you’re coming!)
__________

FOTS International Photo Festival
My Lighting Workshop
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Photos of Tamron 70-210mm F4 lens leaked, announcement February 22nd

20 Feb
Tamron Japan shared this teaser on Instagram, shortly after leaked images of the 70-210mm F4 Di VC USD appeared online.

Tamron is preparing to release a couple of new lenses, teasing one (zoom?) lens last week, and now another, on the Tamron Japan Instagram account. Fortunately, unlike the speculation around last week’s teaser, we pretty much know what Tamron is hinting at in the image above.

That’s because, shortly before this teaser went up, a slew of leaked images of the upcoming Tamron 70-210mm F4 Di VC USD lens popped up online, leaving little doubt that this is the zoom depicted in the contrasty shot above. CanonWatch and Nokishita both got their hands on several leaked shots—CW mostly lifestyle images, Nokishita product shots.

Check them all out in the gallery below:

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As the teaser confirms, this new lens—very likely the 70-210mm F4 seen in the gallery—will be officially announced in three days time, on February 22nd, 2018. We expect the other Tamron lens teased last week to be announced at the same time.

Articles: Digital Photography Review (dpreview.com)

 
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DJI Mavic Air leaked ahead of announcement, looks like a Spark-Mavic hybrid

23 Jan
Close-up of a banner of the DJI Mavic Air, which DJI is supposedly planning to announce officially in less than 24 hours.

We’re less than 24 hours away from the drone announcement DJI started teasing last week, and it looks like our guesses based on the tagline “adventure unfolds” were spot on: it’s going to be a folding drone. More specifically, a followup to the folding DJI Mavic Pro… but not the followup most of us expected.

According to Drone DJ, who got ahold of a treasure trove of leaked specs and photographs of the upcoming drone, DJI is preparing to announce the DJI Mavic Air: a drone that looks like a hybrid between the DJI Spark and DJI Mavic Pro.

If these leaked photos and specifications are accurate, the Mavic Air will put Mavic-level hardware—a 3-axis gimbal, 1/2.3-inch CMOS sensor, 4K 60p video capture, obstacle-avoidance sensors on the front, back, and bottom—into a body that looks very much like the diminutive DJI Spark. The upside is that 4K 60p video capture that the Mavic Pro and even Mavic Pro Platium has been missing; the downside is that the smaller body means even less flight time, which is rumored at just 21 minutes. The drone is also purported to have a 32MP panorama mode.

Here’s a look at the real thing:

And here are the full set of leaked specs, as reported by Drone DJ:

  • 1/2.3 CMOS sensor and new Image Processor
  • 32-megapixel panorama mode
  • 4K/60p video capture
  • 3-axis gimbal
  • Four Foldable Legs
  • Obstacle-avoidance sensors in the front, back, and bottom
  • Equipped with aVisual Positioning System for better control, hovering and indoor flying
  • Gesture control
  • 21-minute flight time (9 minutes less than the Mavic Pro Platium)
  • It will be available in at least three colors: white, black and red
  • Compatible with DJI Goggles

We won’t be able to confirm these specs until the official announcement tomorrow morning (DJI is streaming the event live at 10am Eastern), but leaks this major and this close to the official reveal are rarely faked. Which leaves us feeling a bit… “meh” about the whole thing.

With Autel Robotics releasing its Mavic Pro competitor Autel EVO at CES, and the original Mavic Pro now nearly a year and a half old, we were hoping for a true Mavic Pro replacement. The Mavic Air seems, instead, like a DJI Spark upgrade… or even what the DJI Spark should have been at launch.

That said, we agree with Drone DJ when they say that this is probably not the true successor to the DJI Mavic Pro, but a separate product line—sort of like Apple’s MacBook Air vs MacBook Pro. It just means we have a bit longer to wait before we see a true Mavic Pro replacement.

Articles: Digital Photography Review (dpreview.com)

 
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DJI teases new folding drone announcement for January 23rd

18 Jan

DJI is getting ready to unveil a new… something… on January 23rd. We know this because the Chinese drone maker (and camera company) just released a teaser video that hints at a live product announcement that morning. The tagline, Adventure Unfolds, implying that it might be a new folding drone, possibly a replacement for the Mavic Pro that only recently got some real competition.

The video is made up mostly of stock video footage with epic music playing in the background, but DJI does offer a few tantalizing closeups of a sleek looking new drone (we assume… at least). The photos don’t reveal anything at all, really, but here are a couple of screenshots just in case you want to get speculating:

The description of the video reads, “Your next great journey begins at 10 am EST on Jan 23, 2018,” and it looks like DJI will be streaming the announcement live at this link.

Articles: Digital Photography Review (dpreview.com)

 
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