RSS
 

Archive for April, 2020

10 Creative DIY Photo IDEAS when Stuck at Home (video)

25 Apr

The post 10 Creative DIY Photo IDEAS when Stuck at Home (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video from Nicolas Doretti, he gives you 10 creative DIY photo ideas for when you are stuck at home. They are fun, interesting, and best of all, they may teach you some new techniques you hadn’t thought to try.

So try some of these ideas out, and share your results with us in the comments section!

10 Creative DIY Photo IDEAS when Stuck at Home

DIY photo idea – woman floating above a bed
  1. Use everyday props to play with the light while making portraits. Play with colanders, cut shapes into cardboard, or use pieces of material to filter the window light or other artificial lighting.
  2. Use glass and ice as a foreground for some cool portraits.
  3. Use fairy lights for some great portrait effects, or if you have no model, just photograph the lights themselves and create bokeh.
  4. Do some food photography. Make a seamless DIY backdrop using a pillowcase or similar.
  5. Do some Ninja photos using oranges or similar. Cut them in half and use skewers to make them look like they are floating. Photograph yourself making a Ninja move, so it looks like you have just cut it in half. Or, if you don’t want to be in the photo, simply make them look like they are floating.
  6. Duplicate yourself in photos by placing your camera on a tripod and taking multiple photos of yourself in different positions. Then composite the photos together in a program such as Photoshop by using Layer Masks.
  7. Try levitation photography. Use masks again to remove your chair (or whatever you have used to make it look like you or the person you are photographing are levitating).
  8. Try some birds eye photography by attaching your phone to the ceiling and taking some shots of the room below.
  9. Make some cool lighting effects using reflections! Or shoot using objects that refract or diffract the light, such as reading glasses, crystal, drinking glasses, CDs, or knives.
  10. Create your own neon background. Do a search for colorful or neon backgrounds, and place the image on your TV or screen. Then photograph your subject in front of it.
DIY photo idea – multiple images of same person in one composition
DIY photo idea – photograph of woman with interesting lighting
10 Creative DIY Photo IDEAS when Stuck at Home (video)

You may also like:

  • The dPS At-Home 7-Day Photography Challenge – Week One
  • Next-Level Selfies – 7 Tips for Creative Self-Portraits (video)
  • How to Make a Cool Double Exposure Effect Using Photoshop (video)
  • How to Create Dramatic Portraits with Shadow Photography
  • 5 Ways to Use a Piece of Glass for Unique Portraits
  • How to Take Floating Photos – Levitation Photography
  • Challenge Yourself by Photographing One Object
  • Easy to Create Fake Underwater Photography Hack

The post 10 Creative DIY Photo IDEAS when Stuck at Home (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


Digital Photography School

 
Comments Off on 10 Creative DIY Photo IDEAS when Stuck at Home (video)

Posted in Photography

 

Weekly Photography Challenge – ICM (Intentional Camera Movement)

25 Apr

The post Weekly Photography Challenge – ICM (Intentional Camera Movement) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Since many of us are still limited to where we can go, this week’s photography challenge topic is the ICM (intentional camera movement)!

Weekly Photography Challenge – ICM -Intentional camera movement green grass with sun in background
I focused the camera then as I pressed the shutter button, moved the camera following the direction of the grass blades. f/16, ISO 100, 1/15th sec.

This is a fun exercise you can try inside your home or out in your yard (if you are lucky enough to have one). If you live in an apartment in the city, you may want to try capturing the night city lights with ICM instead.

You’ll want to use a relatively slow shutter speed – something slower than around 1/15th of a sec. Then you will want to physically move the camera in the direction you want as soon as you hit the shutter button.

Weekly Photography Challenge – ICM (Intentional Camera Movement)
I moved the camera horizontally to follow the line of the water © Caz-Nowaczyk

You may want to follow the direction of the lines in your compostition or go against them – the creative decision is yours!

You can even make the exposures so long that we have to guess what photograph is actually of (you can probably tell what mine are, though!).

I look forward to seeing your shots.

Weekly Photography Challenge – ICM -Intentional camera movement green grass with sun in background
Intentional Camera Movement ICM by Caz Nowaczyk f/16, ISO 100, 1/15th sec.
Weekly Photography Challenge – ICM -Intentional camera movement green grass with sun in background
To create this Intentional Camera Movement, I followed the direction of the blades of grass. I also shot into the sun to get some nice bokeh balls on the image on the right. © Caz Nowaczyk.
Weekly Photography Challenge – ICM (Intentional Camera Movement)
This was a really long exposure (13 sec). I moved the camera around slowly, while hand-holding. The light was from the house lights on the coastline. Their reflection is caught on the water. 13 sec f/2.8 ISO 100 © Caz Nowaczyk

Check out some of the articles below that give you tips on this week’s challenge.

Tips for photographing the ICM

How to Take Creative Landscape Shots using Intentional Camera Movement

Creative Reasons to use Intentional Camera Movement

Intentional Camera Movement and the Landscape

Intentional Blur- How to Create it and Why it’s Awesome

How Mark Rothko’s Paintings Can Inspire Your Photography

5 Great Ways to Create Abstract Wave Photography

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see. Or, if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSICM to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – ICM (Intentional Camera Movement) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


Digital Photography School

 
Comments Off on Weekly Photography Challenge – ICM (Intentional Camera Movement)

Posted in Photography

 

Camera strap manufacturer Lucky introduces new quick release system

25 Apr

Australian accessories manufacturer Lucky has announced a new line of camera straps that feature new alloy clips that allow the strap to be taken off in a matter of seconds. A hoop of webbing is passed through a sprung clip and hooks on to the new clip and a safety latch is activated to ensure the clip doesn’t open by accident.

The company says the idea was to produce a quick release system that doesn’t need any attachments that have to be left on the camera when the strap isn’t in use. Users can then fit the camera into underwater housing for example without having to remove attachments from the camera’s lugs to make it fit.

Lucky has manufactured the webbing on the straps from a non-woven material called Dyneema that is claimed to be very strong and which makes the Lucky straps cut resistant. The company says the webbing isn’t cut-proof but demonstrates in a video that it can withstand rough treatment from a pair of scissors with only minor damage.

The straps are designed to be worn across the body and feature leather shoulder grips which can be personalized or there’s a choice of cotton. As well as regular and long length straps the company has introduced a wrist strap that uses the same quick-release system and webbing.

It’s worth noting the quick-release system bears a striking resemblance to that found on Peak Design’s Clutch hand strap, which also uses a carabiner-style quick-release system for attaching and detaching the strap from the camera.

The straps with the new quick-release system cost up to AUS $ 140/US $ 91, while the wrist straps are AUS $ 95/US $ 62.

For more information see the Lucky Straps website

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Camera strap manufacturer Lucky introduces new quick release system

Posted in Uncategorized

 

Aputure’s Light Storm system gets adjustable color with the new LS 300X continuous light

24 Apr

Lighting company Aputure has announced a new studio light for still and movie shooters that offers color temperature settings of between 2700 and 6500K. The LS 300X joins a system of lights in the Light Storm range, but is the first to offer bi-color controls as the other lights in the series are designed with a daylight color balance.

The LS 300X uses both cool and warm balanced LEDs in its head and mixes the two sources to achieve the desired color temperature. As such the head is at its brightest in the 4000-5500K temperature range, and the company claims that when combined with its Fresnel 2X lens adapter an output of 65,000 LUX can be reached. The output is a little below that of the company’s daylight-only LS 300d ll, which can produce 80,000 LUX at 1m with the same adapter.

The LS 300X has two modes for color adjustment that allow users to prioritize color accuracy or maximum output, and oft used color temperature can be pre-set into the main control wheel to make switching easier and quicker. Dimming is possible between 0-100% and color temperature can be adjusted in 50K increments. Nine special effects are built-in to the head, including flicker to emulate flash bulbs, fireworks and a TV.

A series of lenses can be used over the LED, as with the other LS series heads, to modify the light and a Bowens S mount fitting around the front panel allows softboxes and accessories to be used. Power comes from either V-Lock or Gold Mount battery on the control box and mains electricity, and a smartphone app can be used to control the head’s settings.

The Aputure LS 300X retails at $ 1199 and is available now. For more information see the Aputure website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Aputure’s Light Storm system gets adjustable color with the new LS 300X continuous light

Posted in Uncategorized

 

Blackmagic Design’s Pocket Cinema Camera 6K now costs $1,995 after permanent price drop

24 Apr

Blackmagic Design has announced it’s dropping the price of its Pocket Cinema Camera 6K (BMPCC6K) by $ 500, bringing the retail price down to $ 1,995.

Although Blackmagic Design doesn’t explicitly say the price drop is due to the current COVID-19 pandemic in the press release, it does suggest the decision was made alongside the release of its ATEM Mini switchers to help the current demand for at-home livestreaming efforts, saying ‘With the current demand for multi camera live streaming from home broadcast studios, the Blackmagic Pocket Cinema Camera 6K makes a perfect studio camera when combined with the recent studio camera software update!’

The BMPCC6K offers 6K30p recording on its Super 35 sensor (6144 x 3456 pixels), up to 13 stops of dynamic range, built-in SD UHS-II and CFast card slots, HDMI output, an expandable USB-C port, a built-in 5” touchscreen and Blackmagic OS to run it all. All of that is packed inside the carbon fiber polycarbonate composite frame, which comes with a built-in Canon EF mount.

You can find the new price live at retailers around the globe, including Adorama and B&H.

Press release:

Blackmagic Design Announces New Low Price for Pocket Cinema Camera 6K

Fremont, CA, USA – Friday, 24 April 2020 – Blackmagic Design today announced a new lower price for the popular Blackmagic Pocket Cinema Camera 6K of US$ 1,995. This is a reduction of $ 500 which will help make this camera more affordable for users working on digital film as well as live production with the new ATEM Mini switchers. With the current demand for multi camera live streaming from home broadcast studios, the Blackmagic Pocket Cinema Camera 6K makes a perfect studio camera when combined with the recent studio camera software update!

Blackmagic Pocket Cinema Camera 6K is available immediately from Blackmagic Design resellers worldwide for US$ 1,995.

Blackmagic Pocket Cinema Camera now works as a studio camera for live production when used with ATEM Mini. Video and control is via the HDMI connection, which is available as soon as customers plug the cameras in. The record light becomes a tally light so customers can see which camera is on air. The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching their cameras. Move the CCU control vertically for iris and left to right to adjust black level. It’s the same as a broadcast CCU. There are also controls for color tint to balance camera as well as focus, gain and shutter speed. Customers can even ISO record Blackmagic RAW in the camera for editing later.

The elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at their fingertips.

Featuring a larger 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K model lets customers use larger EF photographic lenses to create cinematic images with shallower depth of field, allowing creative defocussed backgrounds and gorgeous bokeh effects.

Blackmagic Pocket Cinema Cameras have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows customers to set exposure for an indoor scene and still retain the details of bright outdoor light coming through a window.

The Blackmagic Pocket Cinema Camera features built in CFast and SD UHS-II card recorders, and a USB-C expansion port for recording direct to an external media disk. Customers can use regular SD cards for HD or higher performance UHS-II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS-II card. The ProRes and Blackmagic RAW files work with all video software.

Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from their camera. Video formats such as H.264 are highly compressed, plus add noise and artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives customers stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so customers can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with.

Blackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for customers to frame shots and accurately focus. The touchscreen displays critical information while users are shooting, menus for setting up the camera and intuitive touch to focus controls. On screen overlays show status, a histogram, focus and peaking indicators, levels, frame guides, playback controls and more.

With the advanced Blackmagic OS, customers get an intuitive and user friendly camera operating system based on the latest technology. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. Customers also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more.

Both Blackmagic Pocket Cinema Camera models feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The four built in microphones have an extremely low noise floor and are shock and wind resistant, allowing customers to capture great sound in any location. There’s also a 3.5mm audio input for connecting video camera style microphones, along with a built in speaker for playback and a 3.5mm headphone jack.

“We have worked very hard to build this camera at lower cost, and we think even more people will be able to take advantage of this price reduction to move into a more advanced and much higher quality digital film workflow,” said Grant Petty, Blackmagic Design CEO. “This has become more important with COVID-19. Many broadcasters have been setting up home studios for presenters, which have used ATEM Mini switchers and Blackmagic Pocket Cinema Cameras. We think with the recent software updates for switcher control of the Pocket Cinema Cameras from the ATEM Mini switchers, combined with this more affordable price it will greatly help this workflow.”

Blackmagic Pocket Cinema Camera 6K Features

  • Works as a studio camera when connected to ATEM Mini.
  • Designed from carbon fiber polycarbonate composite.
  • Wide 13 stops of dynamic range for film looks.
  • Built in SD, UHS-II and CFast card recorders.
  • Features incredible quality Blackmagic RAW recording.
  • Built in 5″ touchscreen allows accurate focus when shooting 6K.
  • Blackmagic OS as used in URSA Mini and URSA Broadcast cameras.
  • Professional mini XLR input with 48 volt phantom power.

Availability and Price

Blackmagic Pocket Cinema Camera 6K is available now for US$ 1,995, excluding local duties and taxes, from Blackmagic Design resellers worldwide.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Blackmagic Design’s Pocket Cinema Camera 6K now costs $1,995 after permanent price drop

Posted in Uncategorized

 

Film Fridays: 9 analog photography ideas for isolation

24 Apr

Introduction

Whether you’re stuck indoors due to the global pandemic, or other reasons, there are plenty of ways to keep busy and to keep your photographic senses sharp. We’ve already covered some general photographic ideas for isolation as well as ways working photographers can keep busy. But what about old school analog shooters?

What follows are nine ways film photography lovers can stay occupied and have fun, all from the comfort and safety of your own home. Activities range from building your own cameras, to making your own strange film stocks, to learning to develop and print at home. Let’s dive in!

Build a pinhole camera

Building a pinhole camera is a classic Photo 101 exercise, but one that truly conveys the beauty and simplicity of “painting with light.” The Internet is filled with tutorials about making pinhole cameras from everyday materials. The most basic generally employ an aluminum can as one’s light-proof container, a piece of photo paper as the light-sensitive material and a small hole in the can as the aperture and lens. A simple piece of gaffer’s tape can function as the shutter, controlling when exposures begin and end.

For a more refined pinhole experience, many brands offer build-your-own kits ranging in their sophistication and complexity. Also a brand called Lensless offers a very cool line of wooden pinholes with different focal lengths, image size formats and made of different wood types. We’re also big fans of the Solarcan (above), a single-use pinhole meant to capture multi-day exposures of the sun’s path in you guessed it, a large can.

Learn to develop B&W film at home

Whether you’re new to developing B&W film or you have some experience, home developing is a fun, easy and reasonably inexpensive hobby. It’s also the kind of activity that’ll likely help you better appreciate the magic of photography and the nuances of chemistry.

We’ve put together a complete guide with everything you need to known to get started, including which supplies and chemicals to buy, how to clean up, how to digitize your negatives and other best practices. Read it below:

Developing film at home: everything you need to know to get started

Set up a home darkroom and make some prints

While we’re on the subject of developing B&W at home, why not make some B&W prints with your freshly-dried negatives while you’re at it? Home printing is almost certainly easier and cheaper than you might think.

Our pals over at the analog blog 35mmc.com have put together a handy guide to home printing on a shoestring budget. They even address concerns like: printing in a small space (such as an apartment) and how to best source equipment on the used market. You’ll also find some very handy tips for improvising darkroom gear with ordinary household items.

Read: How to build a darkroom for cheap

Digitize old negatives / experiment with sandwiching negatives

Whether you’re a former film shooter sitting on a box of aging negatives, or a modern analog maverick with current work in need of digitizing, scanning film can be a very rewarding, though often time-consuming activity. It can also be approached in many different ways. One of the most popular methods involves digitizing using a flatbed scanner and film holders. Epson’s V600 series is one you’ll hear mentioned often by film shooters because it is both affordable and fairly easy to use.

For quicker results, you can try photographing negatives with a macro lens on a digital camera with a diffused light source behind the negative; there are quite a few solutions out there for how to best mount/flatten one’s negatives when using this method. We personally think Nikon’s ES-2 film adapter works fairly well, and we’re also fans of the Pixl-later.

Another way to breathe some fresh creative life into old (or new) negatives is to experiment with sandwiching them together when digitizing. This can lead to some fun and funky results.

Turn your house/apartment into a camera

Photo: Brendan Barry

Sure, can-sized pinhole cameras are fun, but why not turn an entire room in your house or apartment into a giant pinhole? Photographer Brendan Barry is no stranger to turning odd things into picture-making machines and in the tutorial below, he’ll show you how to create a larger than life camera and capture the results, all without leaving the confines of your home.

Considerations like which room to use, what kind of lens to employ and how to create a positive print are all covered at length. We just hope you’ve got some extra cardboard lying around to cover your windows!

Build a 35mm film camera

So we’ve covered making pinhole cameras both from household items as well as turning your house itself into a camera. Both these methods look to capture an image on light sensitive paper. But what if you want to build a camera that can capture images on film instead?

Given the complexities of any working film camera, there aren’t many useful tutorials out there for how to build one from scratch. But worry not. For a hands-on experience that’ll teach you the basic mechanical functions of how a film camera works, look no further than Lomography’s Konstruktor Camera. This affordable kit will take a few hours to put together and the final product is a fully-functional 35mm camera that’s actually pretty fun to shoot. There’s even a flash-compatible model.

For more on the Konstruktor, including samples, check out this review on Popphoto.com from several years back.

Hunt for a new analog companion

Gear acquisition syndrome is real and we in no way are trying to encourage those with enough cameras to add to their collection. However, if you are genuinely in the market for a new analog friend, we’ve put together two guides listing 20 of our absolute favorite film cameras.

These two lists include both medium format and 35mm cameras. It’s also worth noting we’ve tried our best to only recommend cameras that have a reputation for reliability and that are fairly priced on the secondhand market. So get ready to hunt through Ebay, here are the 20 best film cameras worth buying right now…

Analog gems part 1: 10 excellent, affordable film cameras

Analog gems part 2: 10 additional film cameras worth buying right now

Track down some unusual film or make your own

It may seem somewhat counterintuitive, but in many respects, we’re living in a golden age of film experimentation. For starters, the second-hand market is awash with tons of expired film to shoot with, often for very cheap. And brands like Lomography offer an impressive catalog of strange film stocks (we personally enjoy the Lomochrom Purple). There are also plenty of smaller, boutique brands making fun and whacky films.

For those of you already with a freezer full of film, try soaking a few rolls in everyday household liquids. For instance, the image above was from a roll soaked in pickle juice. Just be sure to give said roll a thorough soaking in fresh water and dry it before running it through your camera (and keep those processes light-tight). It’s also a good idea to give your film handler a heads-up about how you’ve treated the film, or better yet, develop the rolls yourself.

Give your well-used gear some TLC

It’s important to keep your analog cameras in tip-top working order. And while there are many repairs we would never suggest you try, like anything involving wiring or disassembly, there are plenty of smaller repairs and bits of maintenance you can do to increase the life span of your cameras.

One of the simplest repairs involves replacing the light seals and bits of foam inside the film door. You can pick up a generic pack of light seals / foam off places like Ebay for very little money. Another simple repair involves using rubbing alcohol to de-corrode electronic contacts and/or remove stuck-on grime from the camera body. And for those who are a bit more confident, cleaning or replacing a film SLR’s focus screen can go a long way towards improving usability.

The wrap

And there you have it, nine fun ways analog shooters can continue to keep busy in these strange times. Think of these activities as forms of self care, because for many of us, photography and photography-adjacent projects help us tap into a sense of calm and peace. Sure, shooting film won’t end the global pandemic. But at least nurturing your love of analog can help distract you while you remain safely at home.

Got any more fun film photography ideas for isolation? Drop them in the comments below and we’ll consider adding them to this list.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Film Fridays: 9 analog photography ideas for isolation

Posted in Uncategorized

 

How to Use Intentional Camera Movement in Your Photography to Great Effect

24 Apr

The post How to Use Intentional Camera Movement in Your Photography to Great Effect appeared first on Digital Photography School. It was authored by Simon Bond.

How to Use Intentional Camera Movement

The presentation of motion in a static image is the subject of this article – a seeming contradiction in terms. This is not the case, and today you’ll discover how to use intentional camera movement to create dynamic images. You’ll learn the techniques you can use during the day and those which you can use at night. So read on and find out how you can make your photos dynamic!

What is intentional camera movement?

How to Use Intentional Camera Movement in Your Photography to Great Effect
This image used a day time zoom burst, and a strong ND filter.

The majority of the time, you’ll be taught to keep your camera still, to avoid blur in your photo. However, what if you moved the camera during an exposure, and you did it on purpose? This is what intentional camera movement is.

Now for this effect to work, you’ll need to use slow shutter speeds. You won’t see any worthwhile results from shutter speeds over 1/100th.

It’s possible to practice this handheld with shutter speeds between 1/50th and half a second. Anything slower than that will require a tripod for the best results.

How to use intentional camera movement during the day

There is more than one way you can apply intentional camera movement to your work. The most well known is probably panning. The following are the main ways you can move your camera, and produce interesting results.

How to Use Intentional Camera Movement in Your Photography to Great Effect
Panning is a technique that tracks movement.

1. Panning

Panning is a technique used to show the motion of a moving object. The aim is to move your camera at the same pace as a moving object and to expose the image for around a third of a second to produce blur in the background.

There are several ways you can refine this technique to produce even better results.

The shutter speed used will also be dependent on the speed of the object you are panning. This is a nice technique to try as there is a clear main subject, which is not always the case with intentional camera movement.

2. Zooming

How to Use Intentional Camera Movement in Your Photography to Great Effect
A night time zoom burst, with light painting across the scene.

Using zoom during the day can also give interesting results. You’ll learn how you can add even more to this technique at night by reading below. The effect is produced by changing the focal distance of your lens, so primes lenses won’t work here.

The following are the steps you’ll need to take to create a daytime zoom burst.

  • Exposure – You’ll need to find a location that allows you to expose at 1/10th second or longer. If you choose to use a longer exposure, you’ll need a tripod.
  • Lens – You’ll need a lens that allows you to manually change the focal distance during the course of the exposure.
  • Filter – Those daytime long exposures will likely require an ND filter to achieve them.
  • Zoom in – The effect will broadly be the same whether you zoom in or zoom out, but for daytime zoom, it’s better to zoom in.
  • Focus – Focus your camera at the focal distance you intend to finish the zoom burst at. This may require pre-focusing the camera, and setting the camera to manual focus for the exposure itself.
  • Location – A location with something overhead like a tree canopy will work best to show the zoom effect. A clear sky won’t show any zoom at all.

3. Intentional camera movement

This type of photo is often very abstract in nature. The goal is to move the camera in such a way it produces appealing blur patterns in your image. You’ll need a longer exposure to produce this.

How to Use Intentional Camera Movement in Your Photography to Great Effect
Circular motion is a type of intentional camera movement.

The best movements are often defined shapes. If you move your camera in a straight line, a circular motion, or perhaps a heart shape, you should get a nice result.

It’s possible to carry out photos like this handheld if the exposure is short, and you keep to a simple movement. An exposure of around half a second would work for this.

4. Using a tripod

It also possible to use intentional camera movement from a tripod, though you’ll be limited to the movements your tripod head will allow. That means you can produce all the shapes mentioned above, you’ll just be pivoting from a fixed position.

The advantage of using a tripod is that the camera will be that much steadier. The next advantage is that if you wish to combine intentional camera movement with a stationary phase to an exposure, this is possible with a tripod.

Techniques you can use at night

How to Use Intentional Camera Movement in Your Photography to Great Effect
Lights from an event like Christmas are great opportunities for kinetic light paintings.

It’s that much easier to practice intentionally camera movement at night. That’s for two reason. The first is it’s easier to carry out long exposure, as the light level will be lower. The second is light sources you’ll see out night will light paint across your scene. In fact by night intentional camera movement might more accurately be described as kinetic light painting. The techniques listed above can be adapted to night photography. Panning is almost the same, so this won’t be discussed any further.

1. Kinetic light painting zoom

Kinetic light painting involves changing the focal distance of a zoom lens, during a long exposure photo. The exposure lengths at night mean you’ll now need to use a tripod to get good photos using this technique.

A key difference with daytime zooming is that it’s preferable to zoom out when practicing this. The reason for this is you want the light paint to zoom outwards across your scene. If you zoom in, the chances are you’ll have light painting across your main subject in the center of your scene. To find out more about this technique, you can read this article.

How to Use Intentional Camera Movement in Your Photography to Great Effect
This photo shows the result of camera rotation, and kinetic light painting.

2. Kinetic light painting rotation

Another type of kinetic light painting is camera rotation. Once again, you’ll need a tripod for this, and you’ll move your camera body while it’s attached to the tripod. It’s a technique that works best where there are tall structures. These can be tall buildings, statues or perhaps Christmas trees.

To make this technique work, you’ll need these structures to have lights on them. To find out more about camera rotation read this article.

Create dynamic images intentionally!

Now it’s your turn to get out and create some images. If you can’t get out and about, try some of these in your yard or home. It’s a great way of adding narrative to an image, or perhaps to create a completely abstract image.

Have you tried any of the ideas mentioned in this article? If you have what were your experiences?

As always, if you have images that display intentional camera movement, please share them in the comments.

The post How to Use Intentional Camera Movement in Your Photography to Great Effect appeared first on Digital Photography School. It was authored by Simon Bond.


Digital Photography School

 
Comments Off on How to Use Intentional Camera Movement in Your Photography to Great Effect

Posted in Photography

 

DPReview TV: Create beautiful abstract photos with polarized crystals (DIY project)

24 Apr

Tiny crystals on a glass slide may look unimpressive to the naked eye, but with a macro lens and some polarizing filters they become magical. We show you how to make your own.

Know the answer to Don’s polarization trivia at the end of the episode? Tell us in the comments!

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Making crystals
  • Now we wait…
  • Crystal depth
  • The fancy setup
  • Making art
  • The basic setup
  • See you next time
  • Wait… just one more thing!

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DPReview TV: Create beautiful abstract photos with polarized crystals (DIY project)

Posted in Uncategorized

 

Nikon releases firmware update for its D780 DSLR to fix SD memory card errors

24 Apr

Nikon has released a very minor firmware update for its D780 camera system.

Firmware version 1.01 (up from 1.00) addresses just a single issue, wherein some SD memory cards wouldn’t work inside the camera. Nikon doesn’t specify what memory cards caused problems, but a two-month-old DPReview forum post, embedded below, from ‘JS Photo’ noted his Lexar 2000x SD cards (a 128GB and a 64GB card) were throwing errors during a wedding shoot.

We have contacted Nikon to see if any further clarification is available on what cards were causing the problems and will update this article accordingly if we receive an appropriate response.

In the meantime, you can head on over to Nikon’s D780 support page to download firmware version 1.01 for macOS and Windows computers.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon releases firmware update for its D780 DSLR to fix SD memory card errors

Posted in Uncategorized

 

Canon’s Q1 financial report shows Imaging Systems net sales and profits are down 13.9%, 80.6% YoY

24 Apr

Canon has released its first-quarter (Q1) financial report, revealing just how bad the COVID-19 pandemic has affected its bottom line and suggesting it’s only going to get worse before it gets better.

The report starts off by stating on its ‘Key Message’ summary page that the COVID-19 pandemic has ‘completely [changed the] global economic landscape’ with the following bullet point saying the ‘global economy faces worst recession since the Great Depression’ due to the ongoing pandemic.

Across the board, Canon saw a 9.5% drop in net sales and an 18.7% decline in operating profit for Q1 (January 1 through April 23), year-over-year (YoY). But even those numbers look great in comparison to those found within Canon’s Imaging Systems division, which accounts for camera and inkjet printer sales.

The report shows net sales and operating profit for Q1 within the Imaging System division is down 13.9% and 80.6%, respectively, YoY. Further split up, Canon states its net sales are down 24.8% YoY specifically for cameras, while its inkjet printer net sales were actually up 7.3%. Despite the current situation, Canon hasn’t changed its projections which currently have net sales and operating profits down 2.5% and up 11.5%, respectively for the entire 2020 fiscal year.

That may very well change though, as Canon expects its second quarter (Q2) to be even worse, as Canon’s current downward trajectory didn’t even start until mid-way through Q1. Combined with the uncertainty of when the COVID-19 pandemic will begin to subside, Canon says it’s difficult to provide accurate estimates of future financials and even clarifies that once the global economy is back on the rise, it’s unlikely cameras will see an immediate return to normal sales.

In addition to the impact on supply, sales of interchangeable-lens cameras were also greatly affected. One after another, live events were canceled or postponed and chances to use cameras decreased. In addition to this, we believe it will take time to see a recovery in the demand for cameras, which are considered luxury items, even after the global economic turmoil has subsided.’

Whatever happens, it seems Canon has little intent on slowing down. In its summary of the results, Canon says it ‘will steadily push forward [its] strategy that focuses on models for professionals and advanced-amateurs to maintain medium- to longterm profitability,’ an obvious nod to the forthcoming EOS R5 camera, as well as new RF lenses on the horizon.

Something worth keeping in mind, as with all financial reports, is that numbers alone don’t tell the whole story. There is plenty going on behind-the-scenes and there is a lot of grey area within the net sales and operating profits within any given division.

For this particular Q1 report, a standout example of this is in the dramatic discrepancy between the net sales and operating profit within Canon’s Imaging Systems division. While we obviously can’t confirm this to be the case, the 80.6% decline in operating profit could very well be due, at least in part, to the research, development and marketing expenses of the EOS R5 and other professional and ‘advanced amateur’ camera systems Canon plans to release in the near future. It’s shaping up to be an industry-shaking camera based on the currently-known specs and actively developing such a system doesn’t come cheap.

You can read through all of the Q1 financial documents on Canon’s investor relations website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon’s Q1 financial report shows Imaging Systems net sales and profits are down 13.9%, 80.6% YoY

Posted in Uncategorized