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Archive for November, 2018

COOPH photo vest features smartphone-controlled heating system

29 Nov

If you appreciate the practicality of a photo vest but aren’t really into the beige or khaki safari design of most traditional models, the new COOPH photo vest might be worth a closer look.

The vest features a more modern reversible padded design and comes in several color options. There are plenty of storage options for gear, accessories and smaller lenses. COOPH also says the vest is easy to fold and carry when not worn. The outer material is a rip-stop fabric and sheep wool is used for insulation.

Despite the attractive design touches, the vest’s real highlight feature is smartphone controlled built-in heating. The optional THERM-IC Heating System warms the hand pockets and heats kidney, back and stomach regions.

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It is compatible with any 5V USB power bank and can be used as a simple “dumb” heating system. However, if you add the THERM-IC bluetooth dongle into the mix, it becomes smartphone-controllable. A dedicated app lets you control the temperature and a motion control mode provides more heat when you are static and reduces power while you are moving. An eco mode delivers a constant level of heat for best energy efficiency.

COOPH claims an approximate five hours runtime with its own THERM-IC 5200 mAh battery. Vest and heating system (including battery and dongle) are available as a bundle for approximately $ 440 (389 Euros). More information can be found on the COOPH website.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang announces 35mm F1.2 ‘XPert’ lens for EF mount cameras, due out in January

29 Nov
Product photo provided by Samyang

Third-party lens manufacturer Samyang has discreetly announced its new XP 35mm F1.2 manual focus lens for Canon EF mount cameras.

The XP 35mm F1.2 lens joins Samyang’s XP 14mm F2.4, XP 50mm F1.2 and XP 85mm F1.2 lenses to round out its ‘XPert’ lens lineup.

Samyang claims it’s built with 50 megapixel photos and 8K video in mind. It’s constructed of 12 elements in 10 groups and includes one extra-low dispersion, two aspherical and three high refractive elements.

The lens offers an aperture range of F1.2 to F16 and features a nine-blade aperture diaphragm. The front filter thread measures in at 86mm and the minimum focusing distance is 0.34m/1.115ft. The lens weighs 1,106g/2.2lbs.

The Samyang XP 35mm F1.2 lens for Canon EF mount lens is set to ship in January 2019 with a suggested retail price of $ 999 USD.

Articles: Digital Photography Review (dpreview.com)

 
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10 Key Tools for Editing Portraits Using Adobe Lightroom Mobile

29 Nov

Photo: Jye B

As humans, we relate to and love to capture photos of other people. Be it family, friends, strangers in street photography or professionally in a portrait studio.

Model/Actor: Patrick Walsh, Jr.

However, we don’t always have time to sit in front of a computer at home or in an office to edit our work. With the fantastic creation of Adobe Creative Cloud, you can now sync your Lightroom library to all your devices. You can create and edit images directly on your mobile phone or edit images created in any fashion, including in a studio. You can edit them in Lightroom Mobile on the go via laptop, tablet or smartphone.

While editing portraits, Lightroom Mobile, like its desktop counterpart, has many tools available to help take a snapshot of a great portrait. While it is helpful to explore every tool in the toolbox, here are ten key tools for editing portraits using Adobe Lightroom Mobile.

1. The Exposure Tool

Whether it’s midday outdoors and your image is a little overexposed or its a bit overcast and your image is a little underexposed, the exposure tool in the Lightroom Mobile app is a quick fix to brighten or darken a photo to your liking arbitrarily. In the image below, the mirror image of my subject was a little bit dark, so I bumped up the exposure just a little. Doing so lightened some of the shadows in the subjects sunglasses so that you could see his eyes better. It also helped to show more detail in the black coat.

In this case, bumping up the exposure helped bring out details.

2. The Contrast Tool

Adding contrast to an image creates more emphasis between light and dark colors in an image. However, sometimes contrast needs to be subtracted because too much can make similar tones can blend and lose definition. In the image below, I lowered the contrast to enhance the detail in my subject’s coat. Adding exposure in the first step brightened the subject as well as the mirror image. Although, it brightened the subject a little too much. I also dropped the highlights to put less focus on the brightest parts of the subject’s face.

Taking away contrast can show more detail. Taking away highlights can lessen the glare.

3. The Shadows Tool

You can utilize the ‘Shadows’ tool when sculpting to a face or body is required, or you can remove them to show more detail. In the image below, while I did bump up the exposure a little bit, I also took away shadow to show more of my subject’s eyes through the sunglasses. You can now see the irises and catchlights in the eyes. It has also lightened some of the lines on the face too.

Removing shadow can sometimes reveal more detail.

4. The Healing Tool

One of the most amazing Lightroom Mobile tools recently introduced is the ‘Healing’ tool. This tool allows you to correct things on portraits such as blemishes. In the image below, I tried to preserve the model’s natural moles and birthmarks while only removing unwanted blemishes using the Healing brush.

Before and after images using the Healing Brush in Lightroom Mobile.

5. The White Balance Tool

Sometimes you may capture an image where the white balance is a bit off. It could be too warm or too cold. The ‘Temperature’ slider under the ‘Color’ tab for ‘White Balance’ allows you to cool or warm an image. The below-left image was too cold, and the skin appeared gray. So, I boosted the warmth using the Color Temperature slider from 4400K to 4768K, giving a more natural color to the skin.

You can cool or warm an image using the ‘Temperature’ slider for ‘White Balance’ under the ‘Color’ tab.

6. The Clarity Tool

The ‘Clarity’ tool has a very magical effect when it comes to editing portraits – especially of women. If you have a portrait with harsh shine on the skin or the pores are extremely visible, softening the ‘Clarity’ helps to blur out some of those imperfections subtly. It can make skin appear smoother, as in the image below.

Softening Clarity can subtly blur out some imperfections and make skin appear smoother.

7. The Sharpening Tool

In portraiture, a sharp image is key. An essential portrait element to be sharp is the eyes, or at least the eye closest to the camera. Sometimes you may need to sharpen your image in Lightroom Mobile to achieve this.

Sometimes sharpening is necessary to get key features, like the eyes, crisper.

8. The Noise Reduction Tool

After sharpening, zoom in to check for unwanted noise in your image. If there is unwanted noise, Lightroom Mobile has an entire ‘Noise Reduction’ section under the ‘Effects’ tab that you can use to minimize noise in your portraits. The Noise Reduction tool is also helpful in smoothing out any highlighted rough skin.

The Noise Reduction tab helps get rid of noise and smooth out the rough skin under highlights.

9. The Presets Tool

The ‘Presets’ tab is a fun tab. There are several sub-menus under Presets with a variety of readymade one-click settings you can quickly apply to your portraits. As examples, I chose two from the ‘Creative’ sub-menu under Presets to apply to the original image below-left.

Left to right: Original image, Soft Mist, Aged Photo.

10. The Crop Tool

The last tool you may find you need while editing on-the-go is the ‘Crop’ tool. Sometimes we have too much in an image, whether by accident or on purpose, knowing we can edit it later. Lightroom Mobile allows you to select the area of an image you wish to keep. Using your fingers, you can drag the borders to where you want them placed, as per the image below.

Using Lightroom Mobile, drag borders with your fingers and click the checkmark to finished when cropping images.

Tying It All Together

Lightroom Mobile grants photographers many tools to edit on-the-go. You can take a regular capture and make it an extraordinary image. Take a few images, use the various tools of Lightroom Mobile, and learn how they can be adjusted more toward your vision. You’ll find the convenience of Lightroom Mobile second-to-none, with results being similar to those of a desktop computer.

Have you used Adobe Lightroom Mobile? What are your experiences with it? Let us know in the comments below.

The post 10 Key Tools for Editing Portraits Using Adobe Lightroom Mobile appeared first on Digital Photography School.


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DJI announces the Osmo Pocket, ‘the world’s smallest 3-axis gimbal’ that shoots 4K60p video

29 Nov

DJI has announced the DJI Osmo Pocket, the world’s smallest three-axis stabilized camera system.

The Osmo Pocket features a 1/2.3″ sensor that captures 12-megapixel photographs and 4K60p video at 100Mbps. It also captures slow-motion footage at 120 fps when shooting 1080p. Audio is recorded with two buiilt-in microphones (one on the bottom of the camera and one on the rear of the camera) that feature noise-cancelling technology for reducing unwanted background noise.

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To compose shots, review media, navigate the menu, and select the various shooting modes DJI included a 1″ integrated touchscreen onboard the Osmo Pocket. The integrated shooting modes include ActiveTrack, which tracks a subject within the frame; FaceTrack, a more advanced version of ActiveTrack that will follow a particularly persons face when visible; Timelapse & Motionlapse, modes that speed up time and integrate motion into timelapse videos; FPV Mode, a locked shooting mode that follows the movement of the users hand while keeping the footage steady; and Panorama modes, which enables the capture of multiple images for stitching together in post-production.

For times when the onboard screen isn’t enough — and to unlock a slew of other features — users can also attach a mobile device using the onboard USB Type-C port. Using the included adapters, Android and iOS mobile devices can be connected to the DJI Osmo and operated with the dedicated DJI Mimo app. In addition to live-view and image review, DJI Mimo also adds Story Mode and Pro mode.

Story Mode simplifies the entire video creation process by offering ten templates that automatically control the camera movement and include music, transitions and color grading presets in post-production. After shooting is finished, the DJI Mimo app constructs an entire video that’s ready to share.

Pro Mode, which is available on numerous other DJI products, gives complete control of almost every camera setting imaginable. As its name suggest, it’s oriented more towards professionals, but when auto modes just aren’t enough, Pro Mode is there to fill in the gaps.

The DJI Osmo Pocket battery life is rated for two hours when shooting 4K30p video. The battery is built-in, so there’s no swapping out batteries on the fly, but it’s possible to charge on-the-go with an external battery pack.

DJI has also announced a range of nine accessories for the Osmo Pocket to expand creative possibilities, including an accessory mount, wireless module, controller wheel, expansion kit, ND filter set, waterproof case, extension rod, charging case, and a 3.5mm adapter.

The DJI Osmo Pocket retails for $ 349 and is available for pre-order at DJI.com and through other DJI Authorized Retailers, including B&H.

Capture Life’s Moments With Ease Using The DJI Osmo Pocket Stabilized Camera

The world’s smallest three-axis stabilized camera is made for your travels, family events and adventures

November 28, 2018 – DJI, the world’s leader in creative camera technology, today announced Osmo Pocket, a highly compact three-axis stabilized camera created for everyone. Designed to be incredibly easy to use, Osmo Pocket offers a host of intelligent features to help capture creative videos and photographs in a portable form factor.

“Innovation is at the heart of every product we create and DJI Osmo Pocket is here to change the way photos and videos are captured, not just by professionals but by parents, couples, adventurers, travelers, and everyone in between,” said Roger Luo, President at DJI. “Osmo Pocket is a portable personal camera crew and we can’t wait to see how people use it to capture their stories and share them with the world.”

Small yet powerful

At just over 4 inches tall, Osmo Pocket is DJI’s smallest three-axis stabilized camera. It redefines DJI’s family of handheld gimbals offering features never before seen in a product this compact. A 1/2.3-inch sensor records 12-megapixel photographs and 4K video up to 60fps at 100Mbps in stunning detail. Osmo Pocket also uses built-in dual microphones and advanced noise-canceling algorithms to ensure you capture high quality audio to match your footage. Furthermore, a battery life of up to two hours shooting video in 4K, 30fps means you can always rely on Osmo Pocket to capture your story no matter where you are at the very best quality.

Smooth, stable video

Building on DJI’s experience creating gimbal technology, Osmo Pocket helps capture stable video for all of life’s moments. The state-of-the-art three-axis mechanical gimbal compensates for movements and smooths these motions so you can focus on composition and subject matter. Whether you are taking videos of your vacation or documenting special holiday moments, Osmo Pocket helps ensure your video comes out smooth.

Simple and smart

Designed with ease of use in mind, Osmo Pocket doesn’t just let anyone shoot cinematic footage; it empowers creativity. The gimbal camera uses a 1-inch integrated touch screen that provides a high quality live view as well as the ability to toggle through the various shooting modes, adjust settings, review footage and gain access to a full suite of creative features including:

  • ActiveTrack- DJI’s image recognition algorithms allow Osmo Pocket to recognize and follow subjects of your choice, perfect for capturing family moments easily with the tap of your finger.
  • FaceTrack– FaceTrack takes ActiveTrack one step further. With enhanced ActiveTrack algorithms, FaceTrack automatically recognizes a human face and locks the subject in center of the frame at all times. It does not identify individual faces, but keeps the camera centered on one. To initiate FaceTrack, simply select selfie mode and the camera will detect your face.
  • Timelapse & Motionlapse– If you’re looking to turn minutes into seconds, Timelapse is perfect for capturing unique content with the effect of the world moving faster around you, while Motionlapse adds the dynamic element of camera movement to your Timelapse.
  • FPV Mode– FPV Mode lets you capture your greatest adventures by recording video from your perspective. Instead of locking the gimbal to maintain the horizon, FPV tells the camera to follow your every tilt and lean, shooting dynamic footage exactly as you experienced it.
  • 3×3 & 180° Panorama– For capturing breathtaking wide-angle photos, Osmo Pocket offers two Panorama modes. 3X3 takes an expansive 9 images in total while 180° mode captures 4 images. Osmo Pocket software stitches them together automatically so you can focus on the framing of the scene.

Unlock the full power of Osmo Pocket

A universal port under the touchscreen allows users to connect their mobile devices that use iOS Lightning or USB-C. Upon connection, the new dedicated DJI Mimo app will automatically open and serves as a monitor, while in-app menu offers a variety of intelligent features and recording modes:

  • Story Mode – Bring creative editing to your video with a host of preset music, video transitions and coloring. Choose one of 10 fun templates and Mimo will handle the camera movement for you. After finishing, Mimo automatically generates your very own short story, ready to be shared.
  • Pro Mode – If you want even more control over your content, “Pro mode” gives you access to camera setting adjustments and exposure settings to let you create exactly how you want, from rich video in bright conditions to a perfect handheld long exposure photo at night. Whatever you want to shoot, Osmo Pocket and DJI Mimo let you explore and expand your creativity. Osmo Pocket automatically detects and illuminates low-lit scenes into bright photos. This helps eliminates the need for a tripod, and you can rely on the gimbal to keep the camera still for a shutter speed of up to three seconds. Illuminate the dark, or capture the movement of light in a “light painting.” You’re only limited by your imagination.

A versatile tool with a range of accessories

An ecosystem of accessories unlocks the potential of Osmo Pocket:

  • Accessory Mount- The accessory mount makes Osmo Pocket compatible with action camera accessories so you’re able to capture your adventure footage, such as when mounted on a helmet, backpack or your wrist.
  • Wireless Module- The wireless module supports Wi-Fi and/or Bluetooth transmission between Osmo Pocket and your smartphone, providing remote access to the camera feed and control of Osmo Pocket; perfect for setting up a Timelapse or Motionlapse on a busy city street.
  • Controller Wheel- The wheel allows you to precisely control gimbal movement (left-right or up-down) enabling you to easily adjust the composition of your shot. Re-center the gimbal or switch to selfie mode easily with dedicated buttons on the handle.
  • Expansion Kit- The expansion kit includes the Accessory Mount, Wireless Module and Controller Wheel.
  • ND Filters Set**- Specifically designed for Osmo Pocket, ND filters attach to the front of the camera to reduce the amount of light entering the sensor. The ND Filter Set offers several levels of filter darkness and allows for more control over the camera’s aperture, exposure time, and sensor sensitivity settings.
  • Waterproof Case**- Bring a unique underwater perspective to your footage using the Waterproof Case which can be placed at a depth of 60 meters.
  • Extension Rod**- The Extension Rod attaches to the Lightning or USB-C port and provides 31 inches of reach to Osmo Pocket, opening a world of new creative angles that are normally difficult or impossible to get. A gimbal control joystick and camera button on the handle were designed for remote control when using the Extension Rod and a tripod was added to the bottom for expanded use cases
  • Charging Case**- This dual-purpose case not only protects Osmo Pocket while in transit but charges it as well. Dedicated sections were added into the case for your MicroSD card and ND filters so you can quickly grab your Osmo Pocket and know you’re ready to capture those moments and adventures.
  • 3.5mm Adapter**- The 3.5mm Adapter allows you to connect an external microphone if you prefer to capture audio using a separate device.

**coming soon

Price and Availability

Osmo Pocket retails for $ 349 USD and will be available for pre-order at store.dji.com, DJI Flagship Stores, DJI Authorized Retailers and additional retailers beginning today, November 28th 2:15 PM EST. Pre-orders will start shipping in December. For more information on all the new features and capabilities of Osmo Pocket, please visit www.dji.com/osmo-pocket.

OSMO Shield

OSMO Shield offers comprehensive two-year protection coverage, doubling your DJI warranty from one to two years. Customers also get an additional free accidental coverage service.

Articles: Digital Photography Review (dpreview.com)

 
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3 Critical People Skills Portrait Photographers Need

29 Nov

Photo by: Greg Gelsinger

How do you ensure failure as a portrait photographer? That’s easy; treat your subjects or clients poorly. From start to finish, make the entire experience unforgettably miserable for them!

So, what does it take for an amateur or professional photographer to create a wonderful experience for their subject? Three things: generosity, empathy, and assertiveness.

Let me show you how these three qualities, combined with your photography skills, create a wonderful experience for your subjects and clients.

Treat your subjects and clients as you would your friends.

1. Begin With Generosity

When you bring a generous spirit to your work, your clients are delighted with the experience. You may be one of the few people who has treated them well. You can show your generosity with:

  • your time
  • gifts
  • yourself

When I photographed college and university students for their graduation portraits, I often gave up my lunch breaks to spend extra time with them. Maybe they were self-conscious, and I had to work extra hard to capture portraits they would love. Perhaps I wanted to take extra time to work out some creative ideas.

Don’t treat time as if it’s your you own, treat your time as if it’s theirs.

I wouldn’t normally travel so far, but this couple told me they had a really unique place for their photo session. From the highway to back roads to small trail roads, it took an hour and a half to get there. But the scenery was much different than I could have found close to home.

What does generosity look like for street photographers? Think about carrying a small printer with you so that you can print a portrait when you photograph somebody. Perhaps offer to send them one digitally.

Wedding photographers can show up a little bit early or stay a little later to capture candid photos. When I photograph weddings, couples are always so thankful that I didn’t rush to leave – especially when they are behind schedule.

You’ll take many photos as a travel photographer and discover unique places in small towns and villages. Share the love by promoting those places through Facebook, Instagram, and Pinterest.

Personality, friendship and time are among the most valuable things you can share with a person.

Over the years, some of my closest friendships began as photography clients.

Will people take advantage of your generosity? Absolutely! However, you tend to fear the worst case scenario. There aren’t very many people who take advantage of your generosity. When they do, you won’t care – because you’re generous!

For photographers in business, being generous doesn’t mean that you give everything away for free. It just means that you build generosity into your business model.

2. Empathy

Empathy is a superpower.

It is a superpower because it allows you to understand your subject or client. Empathy allows you to care for them deeply, see it their way, and serve them as a unique person instead of a fast food process.

Empathy provokes understanding and opens people up. They’ll discover something new about themselves, and you’ll discover something new about yourself.

Also, empathy means not treating people on streets as if they are mannequins on display. Ask permission to photograph people and understand when they say “no.” If you aren’t willing to spend a few minutes with them as a person, why photograph them at all?

Their ultrasound appointment revealed that they would be having a baby boy. But the doctor kept it a secret, allowing their friend to create a paint war between the couple! Once they started squirting the paint, they found out they were having a boy.

Having empathy helps you understand the exhausted parents of newborns. It helps you to understand the toddler who is tired of posing for your photos. Empathy helps you to understand the middle-aged headshot client who is self-conscious about wrinkles and their double chin. You may even have compassion toward bridezillas!

Moreover, empathy leads you to ask, “how would I want to be treated if I was getting photographed?”

When generosity is the foundation of your workflow, it is easy to be empathetic.

3. Be Assertive, But Not Bossy

Assertiveness is a critical skill for portrait photographers. Most people have no idea what to do in front of the camera (photographers included). You have to tell them!

They haven’t just come to you for a photo, they’ve come to you to get guided through the process.

You’ve tuned into your subject with empathy, so you already know they feel awkward in front of the camera. Assertiveness allows you to give your subjects direction so that they can relax and lose their self-consciousness. The first thing people used to say to me was, “tell me what to do.” They don’t ask me that anymore because I guide them from the start.

Of course, it’s possible to be overly assertive. You’ve gone too far when you’re impolite and bossy. Nobody enjoys getting photographed by a photographer who is rude.

If you’re a kind and assertive photographer, you’ll enjoy directing your subjects through your creative vision. Moreover, your subject could love you for it too.

Strength and Weakness

There is a pretty good chance that you’re stronger in one of these three and weaker in another.

Maybe you’re very empathetic but not very assertive. Alternatively, quite assertive and not very generous.

Determine where your strong points and play on those strengths. However, also observe where you are weak and work toward improving it. I can tell you from experience that even timid people can become assertive with practice.

You know how to handle a camera and work the light. When you’re equally good with people, your photography life is rewarding and fulfilling.

“If the photographer is interested in the people in front of his lens, and if he is compassionate, it’s already a lot. The instrument is not the camera but the photographer.” — Eve Arnold

If you have any other tips or experiences, please share with us in the comments below.

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Flash made easy: Two portrait photographers try out Canon’s 470EX-Ai smart flash

29 Nov

Canon’s new Speedlite 470EX-Ai flash is designed to do the hard work for you, automatically repositioning itself for the best results. In this video we gave the 470EX Ai to two portrait photographers – John Keatley and Chelsea Miller, to see what they thought.

John is a professional studio photographer, whose usual setups involve multiple external strobe lights. Chelsea, meanwhile, is a self-described ‘natural light snob’. Watch our video to see how they got on with Canon’s smartest accessory yet.


This is sponsored content, created with the support of Amazon and Canon. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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7 Things I’ve Learnt About Photography From Pablo Picasso

29 Nov

1-7 Things I've Learnt About Photography From Pablo Picasso

One of my favorite photographers, Ernst Haas, said we should seek inspiration from anywhere and everywhere. Listening to music, looking at paintings and sculptures, and reading books feeds your imagination more profoundly than just looking at the work of other photographers.

I think this is true. Exploring the work of a painter I love is as enriching to me as exploring a new city at sunrise. Similarly, wandering through a forest and photographing the sunlight filtering through the trees.

Our minds are hungry beasts. We think around 60-70,000 thoughts every day, with the majority of them being the same thoughts we had yesterday (and the day before). That’s scary. You can see how easy it would be to live life on autopilot.

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We can choose to think the same thoughts as yesterday, or we can feed our minds with new ideas – be they visual, sensory, words or music.

One artist who has inspired me with his work and ideas is Pablo Picasso. When he spoke about the artistic process, he articulated many of my core beliefs about taking photos.

He reminded me of the most exciting and essential elements of living a creative life. In the busy-ness of life, I so often forget.

Today I’d like to share some of Picasso’s ideas that are incredibly inspiring and impactful on any photographic journey.

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1. “Art washes away from the soul the dust of everyday life.” – Pablo Picasso

This quote of Picasso’s sums up why I dedicated my life to photography. Why I let it be almost everything that I am.

There is something about photography that deeply stirs my soul. I feel more alive while taking photos than I do with most other things.

Playing with my kids or talking to my teenage son deep into the night about challenges he faces, brings a similar feeling of purpose. However, very little else matches the feeling I get in the act of creation.

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Photography is a life-affirming pursuit. It makes me feel I am not just skating on the surface of life – rushing to and fro, writing emails and filling in forms.

Of course, there is nothing wrong with either of those activities, but do they really make you feel alive?

We all have to live and do necessary mundane tasks. But, we can also commit to making a vast amount of space in our lives for things that create deeper satisfaction in ourselves.

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2. “Inspiration does exist, but it must find you working.” – Pablo Picasso

This quote of Picasso’s is a testament to say: take photos even when you’re not in the mood, even when you’re only getting rubbish images. The only way to get that fantastic image is to keep going.

You never know when the light may dramatically change, making the scene before you look eerily beautiful. Alternatively, an intriguing stranger might walk past doing something peculiar!

Even though I am a professional photographer, I sometimes suffer from procrastination as much as the next person. I intend to go out shooting but get distracted by my kids or get too tired after a heavy meal.

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I realize if I’m not out there, I’ll never know what experiences, and then what photos, I’m missing. That seems like an insane waste of life.

Keep going. Continue searching for that great scene, interesting person, or a beautiful landscape. Whatever it is that floats your boat, go and find it.

3. “Art is the elimination of the unnecessary.” Pablo Picasso

I look at thousands of photos on my workshops. One thing I see regularly is people making images too complicated. When your images are too complex, you are not defining your subject correctly.

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There’s a myriad of compositional ideas you can use to help define your subject. For example, Rule of Thirds, creating clean backgrounds for your portraits and breaking the world down into elements.

The overarching concept in all of these ideas about composition is to eliminate all that is unnecessary.

Photography is a process of choosing what to put in the frame, and what to take away. It is wise to make your composition, then look and think. What isn’t working here? What do I need to remove?

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For example – one common mistake many photographers make is not checking their corners. It’s amazing how often people spend so much time composing their subject, but not checking all around the frame, especially the corners, to see that everything within it should be there.

Therefore, creating images is not just – ‘what do I put in the frame?’ But also – ‘what do I take away?’

4. Creating Feeling Within Your Images

“There are painters who transform the sun to a yellow spot, but there are others who, with the help of their art and their intelligence, transform a yellow spot into the sun.” – Pablo Picasso

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The same is true for photographers. You can photograph any number of things, and it looks entirely real. However, what does it feel like when you look at your photograph?

It is all too easy to just document, without creating any sense of what it feels like to be in that hot and humid city, to look at that face, to feel the textures of the buildings you are capturing.

Photographing a cold winter’s morning is simple. Nevertheless, to translate the feeling of what it would feel like to stand in a misty field, with cold biting your face and a deep feeling of eeriness as fog rolls in across the land – that is another skill entirely.

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Ultimately, the success of any photo is whether it creates an impact for your viewer. The only question you need to ask is, ‘does this image invoke a feeling?’

It’s not just what we see that creates an impact, but the feeling that is created within our bodies when we see something that we love, dislike, or invokes joy, or sadness.

Feelings are what we remember. Images have no sense of feeling are instantly forgettable.

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5. “I am always doing that which I can not do, in order that I may learn how to do it.” – Pablo Picasso

One of the things that surprised me about being a parent is how quickly young children latch on to the idea, ‘I can’t do this now, so I’ll never be able to do it.’

Once you have allowed that thought into your mind, it can quickly mushroom until you are utterly convinced that you can’t do something. Never, ever.

I see it in my children, and I see it in 70-year-old clients who come to my workshops. I have to say that, ‘I can’t do this, so I’ll never be able to it,’ is one of the most destructive ideas for your photography.

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Of course, the technophobe might never become the most skilled camera person alive. In contrast, they can overcome their self-perception and become competent and confident with their cameras. I see proof of this regularly.

One of the most exciting ideas I have noticed coming out of the science community in recent years is the idea of Neuroplasticity.

Instead of the old belief that our brains become ‘fixed’ and unchangeable as we enter into adulthood, we now understand that brains are completely changeable.

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In fact, at any point in life, one is able to totally rewire thoughts and beliefs we hold about ourselves.

“The man who thinks he can and the man who thinks he can’t are both right.” – Confucius

Think of all the things you believe you can’t do with your photography, and go out and challenge those beliefs.

If you believe you can’t do street photography, but would secretly love to try it, do it!

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If you think you’ll never master manual mode, read up on it. Go out as often as you can. Make a ton of mistakes. You’ll get it eventually.

If like me, you think, ‘I’m not a nature photographer, but I’d love to try it,’ go and spend time in nature. Experiment, play and try new things.

As long as you approach the world with the attitude of ‘I can,’ you probably will.

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6. The World is Rich With Ideas

“A piece of space-dust falls on your head once every day… With every breath, we inhale a bit of the story of our universe, our planet’s past and future, the smells and stories of the world around us, even the seeds of life.” – Pablo Picasso

Of course, photography starts as a technical exercise. You need to use a machine, often with a little computer in it. Fully get to know the machine you are using. At least to the place where you are comfortable.

Photography is a union of the technical and the creative. The creative part of photography comes from an ethereal place within you that is unique.

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Your creative vision flows from everything that has made you who you are – your experiences, your life, what you love and what you detest.

It also comes from the world around us; from the feeling of history we experience when we walk through old city streets; from the awe of looking at a majestic five hundred-year-old tree.

The world isn’t a flat surface. Everywhere we look we see the ‘moment;’ the weather; the time of day. We also know that in a few hours everything we are currently seeing can change.

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Most people are so locked in their minds and focused on themselves that they don’t open themselves up to the mysteries of the world.

There are stories and ideas all around us that can inspire us in our photography, can provoke new ideas and adventures for us.

All we have to do is pay attention and commit to the awesome power of photography.

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7. “Only put off until tomorrow what you are willing to die having left undone.” – Pablo Picasso

The older I get, the more I feel like I need to demand of myself. That by the end of each day I want to be profoundly and truly satisfied. Not just to be content, or to have my to-do list full of check marks.

I want to have created something. Something that is entirely my own. A creation that no one else could have, because they are not me.

Photography gives us that, and I love that it does. It can give us opportunities to see, feel and experience more of the world.

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Without photography, life would not be anywhere near as rich and meaningful as it is.

When faced with either sleep or the chance to catch an amazing sunrise – I get up to photograph the sunrise.

Our lives are speeding along and, although we are aware of this, we become complacent. In a subconscious part of ourselves, we truly believe we live forever. The possibility of not existing doesn’t seem right.

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Our time on this planet is finite. If we acknowledge that we are organic beings, it can motivate us to demand more of what we truly want from our lives.

For me, it’s exploring and taking photos. It’s creating art and sharing it with others or showing people what beautiful things I see all around me.

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Of course, your photography journey is different from mine.

You may record the breathtaking journey of your children from babies into adulthood or documenting the joyous color of flowers.

Alternatively, you may be climbing snowy mountains and showing the world the awe-inspiring landscapes you witness. You may be documenting the strange and humorous things we humans do when out in the world, inhabiting our little bubbles as we move around the streets, unaware of the world watching us.

There are so many ways to be a photographer. So many things to document, explore and see. Follow your own path.

Just be open, and inquisitive. Look around you and open your mind to everything you don’t usually notice.

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By showing yourself and others what you see in this world, you open up other people’s perspective of the world around them. You take them out of their hectic bubble – full of the 24/7 news, the list of things to do, the emails and daily demands of daily life.

You give them a gift of seeing — a gift of taking a moment to stop and stare in awe at what the world has laid out before us.

It’s a pretty exciting, amazing and incredibly life-enhancing pursuit taking photos.

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Have these ideas fed your creative soul? If they have helped you demand more from your photography, and to take more time out of your life to commit to this fantastic pursuit, let me know below. It’s always great to hear from you.

The post 7 Things I’ve Learnt About Photography From Pablo Picasso appeared first on Digital Photography School.


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Review: DJI Ronin-S gimbal stabilization system

28 Nov

The Ronin-S is DJI’s newest camera stabilization system, distilling the technology of the more expensive $ 900 Ronin-M, a two-handed stabilization system, into a more efficient single-handed model that retails for $ 750.

There are other, less expensive single-handed gimbals on the market, but the Ronin-S stands apart thanks to a number of features, such as its easy-to-use setup app and its offset roll axis motor, which is lowered down behind the camera so you can more clearly see the back of the camera as you shoot. DJI also says it uses the most powerful motors it’s ever used in a handheld gimbal.

In addition to stabilization, the Ronin-S will connect to a range of popular cameras and allow varying degrees of control, from video start/stop all the way up to remote focus and zoom control.

Key specifications

  • 3-axis motorized gimbal head
  • Auto-tune feature for quick gimbal calibration
  • 3.6kg (7.9 lbs) load capacity
  • Integrated follow focus knob
  • Remote camera control (depends on model)
  • Button to switch between three sets of custom settings
  • Fully configurable using smartphone app
  • 12-hour battery life

Like other gimbals, the Ronin-S provides three-axis stabilization using motors that can counteract the movements of your camera, as well as create automated (or guided) tracking and panning camera movements. DJI recently released nine additional accessories for the Ronin-S, including useful items such as focus motor to facilitate remote follow focus on additional lenses.

Controls on the Ronin-S include a dedicated focus wheel, a joystick, a trigger, and three buttons on the grip: power, start/stop, and the ‘M’ button. The focus wheel system can be attached to either side of the grip using an Allen wrench using either of the two 8-pin ports on the side of the gimbal’s base, and cables are included for follow focus and remote camera control.

Fully assembled Ronin-S including gimbal, handle (which houses the battery) and mini-tripod. The detachable tripod collapses to create an extended handle for two-handed support.

The gimbal is rated to support up to 3.6kg (7.9 lbs), nearly the same as the Ronin-M, and is capable of balancing fairly large zooms as well, including the Canon EF 24-105mm f/4L IS II USM, the Nikon AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR and the Sony E 18–200 mm F3.5–6.3 OSS LE.

In fact, the gimbal’s weight limit is much higher than the one kilo (2.2 lbs) weight of the Panasonic GH5S camera and 12-60mm f/2.8-4 ASPH lens that I used for testing. Balancing the diminutive GH5S and 12-60mm kept each axis so close to center that I wonder if there’s potentially a minimum weight restriction.

In terms of remote camera control, the Ronin-S supports a number of cameras from Canon, Panasonic, Nikon and Sony. Only certain camera and lens combinations will support full camera communications with focus pulling, but DJI continues to add additional support through firmware updates. An evolving list of compatible cameras and lenses can be found on the Ronin-S support page. (Look in the ‘documents and manuals’ section.)

…the Ronin-S stands apart thanks to a number of features, such as its easy-to-use setup app and its offset roll axis motor, which is lowered down behind the camera so you can more clearly see the back of the camera as you shoot.

DJI also provides a sliding attachment plate to mount the camera to the gimbal, which is compatible with the Manfrotto 501PL type quick-release plate, letting you transfer from the gimbal to some tripods without dismounting the camera. However, you can’t use a Manfrotto plate on the gimbal. DJI’s plate is proprietary, no doubt on purpose.

Balancing and setup

Broadly speaking, balancing a camera on the Ronin-S is similar to most other gimbals, though it handles some situations particularly well.

DJI has mitigated some of the pain in the balancing process by including bright white position scales on each of the adjustable bars for recording the perfect balancing positions of favored setups. With proper annotation, this process only needs to be performed once for each camera and lens combination.

Most of the setup and configuration process for the Ronin-S is conducted from a smartphone app. The gimbal connects easily and quickly (faster than most cameras) via Bluetooth. There’s a balance test available through the Ronin App (iOS or Android) to check and score each axis by its center of gravity. This helps you optimize balance, which helps minimize the amount of effort the gimbal has to make to keep the camera steady.

Balance is achieved by balancing each axis of the gimbal, working from the camera outward. Once balanced, the Ronin app can be used to run the Auto Tune function that configures the motor behavior. Each adjustable part includes helpful index lines, making it easy to record precise positions for a particular camera and lens combination.

By my second day of use I had developed a good feel for how the cameras and lenses would balance, and I could switch back and forth between the Panasonic GH5S and a much larger Canon 1D X Mark II within just a few minutes. DJI’s recommended process for balancing is based on a sequential approach by axis working from the camera outward, though I ended up going off-book, slowly centering gravity by weight, locking off each axis from the outside-in.

Once balanced, the Ronin app has an Auto Tune function that configures the motor behavior. It gives you a choice of three levels of ‘aggressiveness,’ depending on how extreme the motion you’re correcting is. This avoids the need to learn how to configure the motor behavior (though you can do so manually if you wish).

As well as making the whole setup process easier, Auto Tune also makes it easy to quickly re-calibrate the gimbal. Instead of using the app, you can also hold the trigger and M button down simultaneously for four seconds. The Ronin then vibrates (rather alarmingly, sometimes) each of its movement axes, to test its setup.

As well as making the whole setup process easier, Auto Tune also makes it easy to quickly re-calibrate the gimbal. Instead of using the app, you can also hold the trigger and M button down simultaneously for four seconds.

DJI says the use of strong motors mean that Ronin-S can cope with slightly mis-balanced setups, which is especially useful when working with zoom lenses. Small changes in weight distribution as you zoom in and out can be corrected-for, without having to re-position and re-calibrate the gimbal.

SmoothTrack

With the camera balanced, it’s worth investigating the ‘SmoothTrack’ settings in the Ronin App. These let you dictate how you want the gimbal to respond to your movements. There are three customizable parameters: ‘Deadband’ sets the threshold for how much user movement it should ignore before interpreting the motion as an intentional input. ‘Speed’ defines how quickly the motors move in response to that input and ‘Sensitivity’ lets you control how much additional acceleration should be applied if you make an extreme movement.

You can set up three SmoothTrack presets, each of which holds separate settings for each axis, so you could set up a slow preset that only responds to big, intentional movements, another that is faster and more responsive and a third that only responds to input in one axis (just panning, for instance).

The Ronin app allows you to adjust the gimbal’s SmoothTrack settings, which let you dictate how you want the gimbal to respond to your movements.

Three sets of these parameters can be defined and then selected from the gimbal. Each parameter sets allows you to configure different responses for each axis, letting you create presets to suit a range of shooting styles.

The presets also let you choose whether an axis will respond to you pushing the camera around, so that you can physically over-ride the motors.

Operating the Ronin-S

Once your camera is balanced, and any cables connected, you’re ready to start shooting. The controls on the Ronin-S provide a simple user interface that makes it possible to perform multiple functions quickly and easily at the tap of a button or nudge of the joystick.

Pressing the M button while you’re using the Ronin will cycle through your three SmoothTrack presets, with numbered LEDs indicating which you’re currently using. Having three presets makes it much easier to react to situations on-the-fly as you’re working, something that would be especially useful to documentary filmmakers.

A fourth setting, the Sport Mode, can also be found by holding down the M button until the indicator LED turns yellow. Sport Mode provides the maximum responsiveness possible from the gimbal in order to accommodate and counteract extremely rapid movements, ideal for tracking subjects that move around quickly or unpredictably.

The ‘M’ button on the grip of the Ronin-S allows you to quickly cycle between three groups of settings; holding the ‘M’ button switches to Sport Mode, which is useful for tracking fast moving subjects. The joystick can be used to independently control camera movement.

The joystick on the handle gives another way to re-direct the camera when you turn it, and again you’ll probably want to play with the settings until it responds to your liking. I found the default parameters to be too sensitive; a little flick of the joystick would move the camera too quickly for a refined camera move.

Finally, the trigger on the front of the handle serves multiple functions. Holding it down will lock the camera in the direction it’s pointing, cancelling all user movement, while a double-press of the trigger will recenter the camera if it drifts. I found this to be a very quick way to reset the camera to its default, centered position when switching from one shot to the next. A triple tap will reverse the camera 180º for a selfie POV shot, useful for the vlogger generation, I’m sure. Finally, four taps and a trigger hold will unlock joystick-drift corrections.

It’s also worth noting that the rubberized grip on the handle is comfortable and easy to hold, and the shape insures that you can tell which way it’s oriented at any time even without glancing at it.

Remote camera control

One of the most useful features on the Ronin-S is remote camera control, using either the MCC (multi camera control) or RSS (remote start/stop) cable, both of which are included with the gimbal. With the Panasonic GH5S that meant I was able to pull focus electronically using the focus wheel, as well as start and stop recording, capture photos, or trigger autofocus with the button on the handle. Support for remote control varies depending on your camera/lens combination, so I recommend reviewing the current list of compatible cameras and lenses found on the Ronin-S support page.

MCC (multi camera control) and RSS (remote start/stop) cables facilitate remote operation of the camera using the Ronin’s controls, though support varies depending on camera model and lens. With the GH5S I was able to use the Ronin’s follow focus knob, which worked smoothly and allowed for very precise adjustments.

Beyond this, the Ronin app contains a series of extra functions, beyond basic stabilization and camera control. Even a cursory dig into the controls unlocks an absolute litany of versatile camera movements, including options like barrel rolls, 360º of spin, head-over-heels, tailspins, and seemingly endless combinations thereof.

In use

At the base of the handle there are two female 1/4″-20 and 3/8″-16 threads for additional supports and tripods. An included mini tripod screws into this base, and it’s very helpful when rigging your camera. The mini tripod can also act as a second handhold when folded.

The folded mini-tripod provides a boom-like extension for overhead shots, low-to-the-ground shots, and generally provides a better handhold than the handle alone.

The folded mini-tripod provides a boom-like extension for overhead shots, low-to-the-ground shots, and generally provides a better handhold than the handle alone. I also found the mini tripod could be used to prevent fatigue by using it as a belt rest. That’s good, because at 1.9kg (4.1lbs), the Ronin-S looks lightweight on paper, but adding any weight at all to a camera setup increases physical stress for even the most experienced gimbal operators. It’s much less of a workout than trying to manhandle the larger Ronin-M for any length of time, though.

The Focus Wheel worked very well when adjusting focus on my GH5S, and when racking focus I found it easy to make very subtle changes with focus peaking enabled. It’s possible to move this wheel to the other side of the handle if that works better for you ergonomically.

The front of the gimbal includes the trigger and USB charging port; the follow focus knob can be mounted on either side or removed completely. The base of the gimbal connects to the battery with a very solid lever.

The 2400 mAh battery promises roughly 12 hours of use on a two hour charge, and I found these estimates to be more or less in line with my experience. One gripe is that you have to charge the battery through the gimbal’s USB-C connection, meaning the battery and gimbal have to remain fully assembled in order to charge. If you want to charge the battery independent of the gimbal you’ll need to purchase DJI’s $ 39 Ronin-S Battery Adapter to do so.

In addition to providing exceptionally smooth camera movements, the Ronin-S has a few other tricks up its sleeve. Features like Panorama, Hyperlapse, Track, and CamAnchor allow time-lapses, panoramas, and programmed tracking shots from the Ronin App. Using the internal intervalometer, moves can be programmed in precise, repeatable patterns, with up to five keyframes that can create a segmented motion path for time-lapses and multi-shot panoramas for later stitching.

My overwhelming sense with the Ronin-S was just how easy it was for a novice to get going with it. With just a little thought given to the kinds of motion you want to make (and which you want the device to correct), it was pretty easy to get to the point where I could just start shooting and learn how to move with it.

The offset roll axis motor on the Ronin-S sits below the camera at an angle rather than being directly behind the camera. This design makes it much easier to monitor the rear screen on a camera when shooting.

Using a gimbal for the first time is something of a challenge to your inherent sense of spatial reasoning: the device over-rides some, but not all of your attempts to move the camera. But after a little time spent looking like you’re inventing your own Tai chi moves, you get a feel for how you need to move your hands and body to communicate your intentions to the gimbal. Using the app to create different SmoothTrack presets makes it easy to experiment and fine-tune the Ronin to perform different types of motion for different circumstances.

The verdict

Due to its small size and impressive performance, the Ronin-S should appeal to a variety of users ranging from filmmakers to wedding videographers.

For those not accustomed to working with a stabilization system, the Ronin-S may initially appear daunting, but it can deliver professional looking camera moves with surprisingly little experience. I think most shooters who need this kind of solution for their work are going to look at it as a no-brainer compared to many other options, and with a bit of practice even beginners will be able to get great results.

I think most shooters who need this kind of solution for their work are going to look at it as a no-brainer compared to many other options, and with a bit of practice even beginners will be able to get great results.

With the plethora of available stabilization kits in the market, DJI has done an exceptional job of setting the Ronin-S apart through clever engineering and, most importantly, heightened toolsets at a similar price point to many other, far simpler stabilization kits. More advanced movements will require a bit of time to master the programming, but can result in great looking shots. For those who are novices to gimbals and stabilization systems, DJI has done a really great job in balancing the complexity of the device with simplified, ready to go, out of the box operations.

What we like:

  • Easy setup and calibration
  • Remote camera operation, including follow focus (depending on camera model)
  • Very effective at creating smooth, steady video

What we would like to see improved:

  • Battery charging adapter included with purchase
  • Support for additional camera models and lenses
  • App-based instructions as to how each axis interacts

Articles: Digital Photography Review (dpreview.com)

 
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Voigtlander introduces a pair of retro wide lenses for Leica M mount

28 Nov

Lens manufacturer Voigtlander has announced a pair of new lenses in what it calls its Vintage Line. The Color-Skopar 21mm F3.5 and Ultron 35mm F2 Aspherical are both designed for M mount cameras, including Voigtlander’s Bessa models as well as Leica’s M rangefinders.

The lenses are styled to conjure up the feel of the 1950s, according to the manufacturer. While the exteriors are retro, the optical construction aims to be a match match modern digital sensors as well as for film. Voigtlander says it has used ‘practical’ maximum apertures rather than going too wide so that it could keep the lenses small and the quality high. The aperture range is ‘practical’ because, according to Voigtlander, it is more difficult to focus with a shallow depth of field with a rangefinder when faced with moving subjects, and these lenses are intended to be used stopped down for zone focusing when responding to fluid situations.

The barrels and moving parts are made of metal and the focusing mechanism is claimed to be well greased for smooth movements. The Color-Skopar 21mm uses nine elements in eight groups, while the Ultron 35mm has eight elements in five groups – and both have a ten-bladed iris.

Below is a gallery of sample images from the Color-Skopar 21mm F3.5:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8783508831″,”galleryId”:”8783508831″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Below is a gallery of sample images from the Ultron 35mm F2:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_6803120888″,”galleryId”:”6803120888″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

The lenses will be available in January priced ¥95,000 and ¥90,000 (approx. $ 840 and $ 800). For more information see the Voitlander pages of the Cosina website.

Articles: Digital Photography Review (dpreview.com)

 
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NASA’s InSight lander shares its first photos from the surface of Mars

28 Nov
Photo via NASA/JPL-Caltech/Lockheed Martin, used under Public Domain

It took six months and more than 300 million miles, but NASA’s InSight lander is now safe and sound on the surface of Mars and transmitting back the first bits of data to scientists here on Earth.

Among the first observations sent back to Earth from Mars is a collection of 1-megapixel photos captured with its onboard Instrument Deployment Camera (IDC). The images, which were transmitted by relaying the data to NASA’s Odyssey orbiter that’s currently orbiting Mars before being sent back down to NASA’s Jet Propulsion Laboratory in Pasadena, California, are the first of many that will be transmitted back to Earth during InSight’s two-year mission to study the interior of Mars.

The first publicly-shared photo sent back was one captured before the lens cap was removed from the camera, as evident from the dust covering the image.

The second image shared by NASA shows off a bit of the spacecraft itself with Elysium Planitia, a large plain on the equator of Mars that’s located in the Elysium and Aeolis quadrangles, in the background.

The landing site, which is approximately 370 miles north of where NASA’s Curiosity rover is rolling around the Martian surface, will now be scanned and covered with various scientific instruments as part of InSight’s mission to ‘probe the mysteries of Mars’s deep interior and help answer geophysical questions about the planet’s structure, composition and how it formed,’ as noted by The New York Times.

To keep up with the InSight mission, visit NASA’s InSight mission page and follow the verified InSight Twitter account.

Articles: Digital Photography Review (dpreview.com)

 
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