March « 2018 « 360Photography

RSS

Archive for March, 2018

The NiSi Prosories P1 Kit lets you attach square filters to your smartphone

30 Mar

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_2893553642″,”galleryId”:”2893553642″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Chinese accessory company NiSi has started taking preorders for its new Prosories P1 Smartphone Filter Kit, a camera filter system for smartphones. The P1 Kit includes a phone clip, medium graduated neutral density filter, polarizer, pouch, and holder. As demonstrated in the video below, the system involves attaching a mount over the phone’s camera, then sliding a square filter into that mount.

The P1 Kit’s filters are made from optical glass with a nano-coating, according to NiSi, which says its clip is compatible with most smartphone models. Users can rotate the filter within the mount to adjust its angle, and also use a polarizer with the filter when necessary.

The company doesn’t provide the P1 Kit’s filter size, making it unclear whether any of its other filter products are compatible with the mount.

The NiSi Prosories P1 Kit is available now for $ 40 USD. To learn more or order yours, head over to the NiSi website.

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Using Scanography to Create Images of Plants

30 Mar

black and white flower - How to Create Images of Plants With Scanography

Since its inception, photographers have found weird and wonderful ways to create photographic images in amazing styles and mediums. The first photograph, or more specifically, the earliest known surviving photograph made in a camera, was taken by Joseph Nicéphore Niépce in 1826 or 1827. He used a polished sheet of pewter coated with a thin layer of bitumen, a naturally occurring petroleum tar, which was dissolved in lavender oil, applied to the surface of the pewter and allowed to dry before use.

As cameras developed, the popularity of photography increased and the possibilities of the medium grew, opening new artistic avenues.

How to Create Images of Plants With Scanography - leaves

We’re a creative bunch, so it’s only natural that as technology progressed into the contemporary climate, advances in office technology such as the printer presented a whole new realm of artistic possibilities. Printers not only allowed for new aesthetics but provided the opportunity for more economical distribution too.

It’s the same with scanners. Modern scanners are considered the successors of early telephotography and fax input devices. The first modern scanner developed for a computer was a drum scanner built in 1957 at the US National Bureau of Standards. Led by a team headed by Russell A. Kirsch, the first image ever scanned on this machine was a 5cm square photograph of Kirsch’s then-three-month-old son, Walden.

Companies such as Acer, Microtek and HP began offering flat-bed scanners in the late 1980s, although hi-res (600 DPI or more), color versions didn’t become popular until the mid-1990s. Once the technology moved into mainstream use, people began experimenting with the flatbed scanner’s artistic potential. What they discovered was a new form of digital photography, called scanography.

How to Create Images of Plants With Scanography

Making your own scanography

The process of scanography is as simple as arranging objects on the scanner and capturing the resulting image. But a few extra steps can help refine the process for more successful images.

What you’ll need

Computer
Flatbed scanner
Objects to scan (flat, mailable objects like plants make great subjects)
Glass cleaner and cloth
Square of glass approximately A4 in size

How to Create Images of Plants With Scanography

For this image, I have combined two scanned images together and included the duct-tape frame that was on the piece of glass I used to compress the branches flush against the scanner bed.

Before you start

Because the scanning surface is made of glass, you’ll have to take care that the bed doesn’t get scratched or cracked. If you are particularly concerned about marking your scanner, try using a layer of glad-wrap as an extra barrier between your objects and the glass. Keep in mind that a scanner bed can only hold so much weight and exceeding this weight will break the scanner.

Method

First, open your flatbed scanner and give it a good wipe-down with glass cleaner and a cloth. This will reduce the amount of dust that will show up in your scanned image. Next, arrange your objects face-down directly on the scanner glass. For a nice, sharp image, I place a layer of glass over the top of my objects so they are flush with the scanner bed.

The depth of field of most scanners is very limited, usually no more than half an inch (12 mm), but the built-in light source provides excellent sharpness, color saturation, and unique shadow effects on objects pressed close to the bed. This is why flat objects like plants produce the most successful scanographic results.

Using a pane of glass will help keep your subject flush with the scanning bed, emphasizing detail. I’ve included the duct-tape border of the glass to create a more dynamic image.

The next step depends on whether you would like a black or white background for your image. For a white background, simply close the scanner lid and activate the scanner. For a black background, leave the lid of the scanner open and activate the scanner in a dark room. Once your scanner has finished processing, observe the results on the computer screen and make any necessary adjustments until you are happy with the finished result.

Post-processing

Once you are happy with your scanned image, open it up in Photoshop for a better look. Photoshop will allow you to remove any pesky dust marks or scratches that appear on your image. Personally, I don’t mind a few imperfections in the capture, as it embraces the quirks of the medium.

How to Create Images of Plants With Scanography

Experiment!

Once you have the technique down, the possibilities are endless. Why not try “branching out” and scanning some other objects?

Here are several scanned images of my pet rat that I’ve combined in Photoshop. I think it makes an interesting (and cute) study of movement, detail, and the scanner technology itself.

This creepy wavy effect was done by slightly moving my hands from side-to-side as the scanner arm passed over my fingers.

The post Using Scanography to Create Images of Plants appeared first on Digital Photography School.

Digital Photography School

Comments Off

Posted in Photography

Software Overview of the New ON1 Photo RAW 2018.1

30 Mar

The world of photo editing is changing and as more people are picking up cameras to take photos, it also means those same people are looking to process them. ON1 is one of the leaders in that change. They have been developing their software for a few years and pride themselves on having the only editing program that has been designed by photographers for photographers – ON1 Photo RAW 2018.1

Software Review - ON1 Photo Raw 2018.1 - sunset

A sunrise processed with ON1 Photo RAW 2018.

You may know ON1 as a plugin for Adobe Photoshop and Lightroom. While it is still available as such, it also comes as a stand-alone product. You can purchase the program and use it on your computer without a subscription to Adobe to use the plugins. This makes it far more accessible to most people. You can also buy it outright, so there are no monthly payments and you have options to upgrade as it is updated over time. It is only available as a perpetual license.

ON1 Photo RAW 2018 is available for both Windows and Macs.

ON1 Community

There is a community around ON1 and if you love being a part of one then you are going to feel at home. They encourage you to tell them what you like about the software and what you don’t like. They like to listen to the ideas submitted and if they are feasible will implement them in future updates. The community can submit their feature requests through the ON1 Photo RAW Project.

There are tons of free training videos available to help you learn how to use ON1 Photo RAW 2018.1. The videos are not too long and are made so they are easy to follow.

A macro flower image, processed with ON1 Photo Raw 2018.

Opening up

When you open up ON1 Photo RAW you will go straight to the Browse mode. This is where you will find your photos.

Layout

When ON1 opens you are automatically taken to the Browse Mode. From here you will find the folders and files for your images on the left. In the center are the images. On the right is all the metadata information about your images. You will also see on the far right all the different modules in which you can work.

If you want to see the image on its own, just click the tab key.

By clicking the tab key all the windows around the image disappear so you can get a clearer view.

Browse

The Browse module is where you can view your photos and all your folders. There are four different ways of viewing your images.

The first, which seems to be the default, is a set of thumbnails of which you can adjust the size.
You can view just one image on its own without the distraction of the others.
There is the filmstrip method, with your photo blown up and the thumbnails below.
The last method is like the previous one, but you can click on more than one image using Ctrl/Cmd which allows you to compare them side by side.

While you can see all the images that are on your computer, you can also import photos from your camera, phone, or wherever they are currently stored. The Import function allows you to rename your photos, decide where they will go, and you can also opt to change the metadata at the same time.

Software Review - ON1 Photo RAW 2018.1 - browse

The Browse section where you can view all your photos.

Develop

Once you have decided which image you want to work on you are ready for the Develop module.

Here you can make all your basic adjustments like exposure, highlights, and shadows. You can adjust the white balance and look at adding sharpening or noise reduction. There are quite a few options in this section.

If you go to the top of where the adjustments are located you will see a button called Show More. From there, you will see more adjustments that you can use. They appear as more panes underneath the default ones that are available when you go to Develop.

Above the Show More button are two tabs. The first is Overall settings, and the other is Local Adjustments.

The first one, Overall Settings, will make any changes to your entire image. On the other hand, Local Adjustments is there to make changes to only small sections of your image. The tools you can use to do this are on the left-side panel. There are two, an Adjustment Brush and a Gradient. With these, you can work on only parts of the image where you want the desired effect.

Software Review - ON1 Photo RAW 2018.1 - develop

Working on your image in the Develop module.

Local adjustment tools

With the brush tool, you can make changes to the size of the brush, amount of feathering, opacity and other things from the menu along the top of the window.

You will also see another option there, the Perfect Brush, which allows you to make selections or correction to parts based on the color on which the cross-hairs of the brush is placed. If you keep the brush over the color or tones you want to adjust, then nothing else outside those tones will be affected. It is a great tool to use when you want to remove or replace a sky.

There are other tools in the Local Adjustments tab as well. You can crop your images here if need be. The crop tool also allows you to straighten any wonky horizons.

Retouching tools are also on that panel. These will allow you to remove sensor dust spots, which is very important. You can clone, heal and use the content-aware Perfect Eraser with them as well. There are a lot of choices.

Software Review - ON1 Photo RAW 2018.1 - split toning

Adding a split tone to the image in the Develop area.

Effects

In the Effects module, you have even more adjustments, though they are referred to as filters here (some of the most popular include Dynamic Contrast, Textures, Borders, Lens Blur, Skin Retouching, etc.). You can add as many as you like and then stack them on top of each over. The effect will be applied to the whole image, however, you can add a mask so it will be more local to the areas of your image that you want to affect.

You will notice in the panel on the left that there are more tools available, including two that are very important.

There is another brush tool, along with a gradient and they both have masks attached. As soon as you start working on the image with one of them a mask is created automatically. This is valuable because it means you can fix what you are trying to do if you make a mistake. Masks are a great way to work non-destructively.

Software Review - ON1 Photo RAW 2018.1 - effects

Looking at the filters and presets you can add in the Effects module.

Layers

When you get to the Layers module, you can start using the workspace which is designed to be easy and help take your photos further. It is here that you can start editing your photos. It also gives you more choices so if you want you can add layers, or start compositing. You can also do specific edits to particular layers.

One thing that is amazing in this section is replacing skies. Using the masking brush you can switch it to the Perfect Brush so you select just the sky, then reveal the image underneath. To help with the edges of the subjects you can switch to the masking refine tool, or the chisel masking one. They work really well together to help you get clearer edges.

Software Review - ON1 Photo RAW 2018.1 - Layers

Working in Layers doing a sky replacement.

If you look at the menu on the left near the tool panels you will see a section called Files. From here you can add extra images if you want. It is a great place to choose a new sky or find textures to add to your image. It even comes with a collection of skies you can use on your photos.

Once you make that selection you can also blend the images or layers. There are many different blending modes. You can try them all out to see which ones will work for your image.

You do have to be prepared to take layers back into Effects or Develop to make adjustments or add filters to them to get the desired results that you are after.

Software Review - ON1 Photo RAW 2018.1 - replace sky

Looking at the different options for replacing the sky and applying it.

Resize

As the name states, it is where you can resize your images, though ON1 has packed it with far more. You can crop, level, sharpen, add film grain, add gallery wrap wings for canvases, plus many more things. It is a great place to finish off your images ready for printing.

There are also a lot of resizing presets that you can use to help you get the printed results and size that you are looking for.

Software Review - ON1 Photo RAW 2018.1 - resize

Resizing an image ready for posting on the web.

Presets

In Develop and Effects, you will find a series of presets you can use to enhance your image. Unlike other programs you have options with them and can adjust them to suit the purpose of your image. You can also add a mask so that it is only applied to part of the image.

If you do your own enhancements and think you will want to use the same settings again then you can also save them as a preset. You can use the filters in Effects to get the image you want, then make a preset that can then be applied to your other images. This is really good if you like all your images to have a similar look and feel.

Software Review - ON1 Photo RAW 2018.1 - presets

Adding presets and layers in Effects.

ON1 Photo for Mobile

There is also an app available for your phone, so you can process your images there. The advantage of this app is that you can send your photos straight to social media. Most of us do not like images straight from the camera and like to be able to edit them in some way.

The downside to this app is that it is only available for iPhones, so if you have an Android, you can’t use it. Unfortunately, I have a Samsung (Android) phone, so, therefore, have no idea how the app works. Though I am sure it is good if it is anything like the Desktop program.

Some of the improvements that have been made

With every new version that is released, there are always new features or some of the old ones are improved. Let’s look at what you will find with the latest release of Photo Raw 2018.1.

HDR

Doing High Dynamic Range (HDR) images in ON1 is incredibly easy and the results are fantastic. Aligning the images, along with deghosting have all been improved to help you get the best image. You are now able to mark which frame you want to use to help with the deghosting process, as well as decide how much movement you get with motion instead of the program doing it for you.

Software Review - ON1 Photo RAW 2018.1 - HDR

An HDR image that was done with ON1 and then processed further.

Catalog

If you’ve used an older version of ON1 Photo RAW, when you go to Browse mode, you should notice how much faster it is to look through your images in this new updated version. You don’t have to wait for eons while your photos all load. As soon as the folder is open you can view the images. They have improved the catalog searching tool as well so it also loads faster.

Noise Reduction and Sharpening

You can now sharpen your images to enhance the details on a micro level that will give you better results.

With so much people doing long exposure photography, one of the major problems is hot pixels. ON1 Photo RAW 2018 now will remove them automatically, along with the ability to remove high levels of noise from your images which all make your workload easier.

Chromatic Aberrations are caused by your lens and there isn’t a lot you can do to prevent them. But ON1 has worked on improving how to get rid of them, which is now much easier in this updated version of the software.

Panoramic Images

Many people like to do panoramas and you will find that ON1 has improved this feature so it will stitch your vertical images together far better. You can stitch together over 25 images at once. You also don’t need to worry about different exposures as it will compensate for them.

A composite of two images where the sky was replaced.

New Features

With the latest release, some features were also added.

Import

If you choose to use the import function you can decide where those images will go on your computer. As they are importing you can also assign metadata that you think is important, like copyright information.

Soft Proofing

The ability to soft proof has been added so you can simulate what your image will look like when it is printed. It should stop the surprises that you get sometimes when an image comes back from your printer.

Batch Renaming

While a lot of people don’t worry about this, it is a great feature if you have to send a bunch of photos somewhere. The ability to select the images and then rename them all at once is a fantastic feature that has been added to ON1 Photo RAW 2018.

Edit Capture Date

This was added so if you want to change the date and time that a photo was taken you can do so. This is a good feature if you’re like me and are too lazy (or you forget) to change the time and date on your camera when you are traveling. You can now fix it with ON1 Photo RAW.

Auto Advance

When you are going through your photos picking your faves, once you have culled one image the program will automatically move to the next image. This makes moving through them much faster.

The final image of the cloudy sky.

More information

When you purchase ON1 Photo RAW 2018.1 it also comes with a 30-day money back guarantee if you aren’t happy with it, no questions asked. Though if you want to try it out first you can use the full program for a free 30-day trial. It doesn’t stamp a watermark on your images making them ineligible to use, so it’s fully functional.

Software Review - ON1 Photo RAW 2018.1 - b/w

Converting an image to black and white.

Overall

ON1 Photo RAW 2018.1 is a good alternative for you if you wish to edit your photos, but don’t want to be locked into a subscription.

It is also suitable if you want to learn about image processing as the community that surrounds ON1 is welcoming. There is a lot of help available if you are just learning. In some ways, it is perfect for beginners, but also for others who want to get the best possible images they can.

Disclaimer: ON1 is a paid partner of dPS.

The post Software Overview of the New ON1 Photo RAW 2018.1 appeared first on Digital Photography School.

Digital Photography School

Comments Off

Posted in Photography

DJI launches Zenmuse XT2 4K visual and thermal camera for enterprise drones

30 Mar

DJI has teamed up with FLIR Systems to launch the Zenmuse XT2, its newest thermal camera for drones. As with the original XT model launched in 2015, the XT2 captures heat signatures to reveal things otherwise invisible to the naked eye. On-board FLIR MSX tech combines both the heat data and visual data from the camera into a single image for easier object identification.

The model features a 12MP 4K visual camera with a 1/1.7″ CMOS sensor (up to 8x digital zoom) and two different thermal resolutions: 336 x 256 (up to 4x digital zoom) and 640 x 512 (up to 8x digital zoom). It also sports 9mm, 13mm, 19mm, and 25mm lenses, and an IP44 rating for flights in fog, rain, snow, and smoke.

DJI’s Spotlight Pro tech utilizes both HeatTrack and QuickTrack flight modes to automatically track objects while the operator concentrates on incoming data and flight operations.

The Zenmuse XT2 thermal camera is designed for use in search and rescue operations, to perform industrial inspections, and more. The camera is compatible with the DJI Matrice 600 Pro and Matrice 200 Series enterprise drones; support will arrive first in the Android app followed later on by the iOS app.

Authorized DJI Enterprise dealers around the globe are now offering the Zenmuse XT2 thermal camera, but DJI hasn’t revealed the price. FLIR is accepting quote requests from potential customers, though.

Press Release

DJI Gives Drones More Power For Commercial Use

Zenmuse XT2 Thermal Camera And Payload SDK Transform DJI’s Drones Into Specialized Platforms For Any Industrial Purpose Including Inspections, Public Safety And Saving Lives

DJI, the world’s leader in civilian drones and aerial imaging technology, unveiled new technology and tools to customize its enterprise drone platforms for specialized tasks such as infrastructure inspection, precision agriculture, firefighting and search and rescue.

The new Zenmuse XT2 thermal imaging camera, created in partnership with FLIR Systems, is a critical tool for drone operators to capture heat signatures invisible to the naked eye. Its side-by-side visual and thermal imaging sensors provide unparalleled data capture and situational awareness during emergency services, disaster recovery and industrial inspection uses. DJI’s powerful new Payload Software Development Kit (SDK) allows innovative drone startups, developers, and sensor and device manufacturers to easily integrate custom cameras, sensors and other types of payloads onto DJI drones, unlocking the true potential of drone technology for businesses, governments and researchers around the world.

“The Zenmuse XT2 continues our longstanding partnership with FLIR to create the most powerful thermal imaging solution available on a drone today. This is a significant advancement for public safety professionals who are using drones to save lives and creating new industrial applications across different verticals,” said Jan Gasparic, Head of Enterprise Partnerships at DJI. “Our new Payload SDK makes it possible for any manufacturer to create a payload specific to their customers’ needs that will work seamlessly with DJI’s aircraft. We believe these two advances will not only strengthen DJI’s leadership in the commercial drone industry, but will also provide a powerful, flexible and standardized platform which customers from different industries can build upon.”

Intelligent Thermal Data for Critical Missions

The Zenmuse XT2 is a powerful thermal imaging camera that transforms data into actionable insights. Its gimbal-stabilized, dual-sensor design combines an advanced FLIR® radiometric thermal imager and a 4K visual camera to allow drone operators to view thermal and visual data while in flight, delivering an unmatched level of versatility and image detail for high-performance uses from industrial inspections to public safety operations.

Professional drone operators can use on-board intelligent features like FLIR MSX® technology to combine visual and temperature data into one image, allowing operators to easily identify objects of concern. DJI’s unique Spotlight Pro features let operators focus on safe flight operations and data interpretation while the camera automatically tracks an object through two intelligent flight modes: QuickTrack centers the camera on the selected area while HeatTrack automatically tracks the hottest object in view. The Temp Alarm feature interprets thermal data in real-time and alerts drone operators when an object’s temperature exceeds critical thresholds.

“We are excited to continue our collaboration with DJI to develop sensors for their industry leading drone platforms,” said Frank Pennisi, President of the Industrial Business Unit at FLIR Systems. “The Zenmuse XT2 uses a radiometric thermal imaging camera core to capture accurate temperature data for every pixel, ensuring that drone operators have access to as much information as possible during critical and often lifesaving missions.”

The Zenmuse XT2 is compatible with DJI’s Matrice 200 Series and Matrice 600 Pro enterprise drones. It will be first available for the DJI Pilot mobile app for Android and later for the DJI XT Pro mobile app for iOS devices. Its rugged design and IP44 ingress protection rating gives it versatility to be flown in a wide variety of conditions including rain, snow, smoke and fog[1]. With a 12-megapixel visual camera, it is available in two thermal sensor resolutions of 640 x 512 or 336 x 256, with 9mm, 13mm, 19mm, and 25mm lenses.

For more information on the Zenmuse XT2, please visit: dji.com/zenmuse-xt2.

The Future of Commercial Drone Customization

DJI’s new Payload SDK enables non-DJI cameras, sensors, and payloads like air-to-ground communications tools and devices to be mounted and integrated directly into DJI’s Matrice 200 Series drones. By opening this layer of DJI’s core technology to the commercial drone ecosystem, any manufacturer, developer or researcher can create a drone that is customized for a specific purpose or industry.

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Five Ways to Take Your Macro Photography to the Next Level

30 Mar

Macro photography can be incredibly rewarding. However, it can also be frustrating if you find yourself shooting the same photographs over and over again, struggling to improve. You find yourself uninspired. Trust me, I’ve been there.

Clemantis macro photography

But there are a few simple tips that you can take to improve your macro photography, right now. The tips that follow will help you take your macro photography to the next level, and they won’t bog you down with technical details, either.

1. Move in close (and keep going closer)

You might be tempted to shoot subjects such as flowers the way that you would a headshot – putting space around the subject, so that flowers are fully recognizable as, well, flowers. However, I urge you not to take a step back, but rather to take a step closer. If you can, think not in terms of “flower” and “background,” but in terms of shapes and lines.

If you have a dedicated macro lens, use it. Experiment with high magnifications and see how that opens up whole new worlds for you to shoot. Look for abstract compositions that make use of shapes and color. Fill the frame completely with your subject.

I used my macro lens to emphasize the lines and colors of this dahlia.

2. Consider the light

Lighting is incredibly important in macro photography. However, you can boil things down to a few simple rules of thumb:

Photograph in the morning.
Photograph in the evening.
Only photograph at any other time of day if it’s cloudy.

Photograph in the morning and evening

When I say “morning,” I’m talking about very early, during what photographers often call the “golden hours“. Essentially, these are the first two hours after sunrise.

The same goes for the evening. If it is sunny, I suggest you wait until two hours before sunset. One hour before is even better.

I took this image in the evening, which ensured some great golden light.

These morning and evening hours are the times when soft, golden light falls on your subject. Not only does this result in a more evenly lit subject and an easier exposure, but the golden cast simply looks beautiful.

If conditions seem a bit too bright, you can also create really interesting images by using the shade. For instance, try working with a subject that is in the shade, while the background is lit by the (hopefully setting) sun.

flower macro sun shade - Five Ways to Take Your Macro Photography to the Next Level

I photographed this flower as the sun was setting, positioning myself so that the background was well lit, but the flower itself remained shaded.

Photograph in cloudy midday light

Midday sunlight tends to be incredibly harsh and results in photographs that are very washed out and contrasty.

Hence: if you’re shooting in the middle of the day, make sure that it’s cloudy. The clouds will serve to diffuse the light, allowing for wonderfully saturated colors.

coneflower macro color - Five Ways to Take Your Macro Photography to the Next Level

I photographed this coneflower on a cloudy day, ensuring that the colors were nicely saturated.

If you find yourself in a situation where you absolutely must take images and you cannot wait until conditions become better, then you can try to offset the harshness of the sun by shooting in the shade, using a reflector, or by using a flash.

The artificial lights plus this flower made for a fun photography session.

3. Consider the angle

One of the mistakes that I made most when I was first starting macro photography was not thinking about my angle to the subject. For instance, I would point my camera down at a 45-degree angle, so that I would capture subjects as if I were a few feet in front of me as I walked.

While intuitive, this approach often results in a less appealing image. It causes elements of the subject to become messy, to cross over one another. It also tends to distort the shape of the subject, so that the overall impact is lessened.

Instead, I recommend two main approaches:

First: place the subject at eye level. For instance, if you are photographing a tulip, crouch down so that the tulip is directly before you. If you are photographing an insect, you should be staring directly into its face.

macro flower pink - Five Ways to Take Your Macro Photography to the Next Level

By photographing this flower at eye level, I was able to create an even composition.

Second: place the subject directly below you. That is, you should be looking straight down so that the petals of an open flower are parallel to the camera sensor.

By composing from directly above this hibiscus, I was able to emphasize its geometry.

Of course, these are just starting points. Pleasing images can be made from many angles, and a lot depends on the subject itself. But these are good places from which to begin.

4. Think about the subject quality

This tip is very simple – before taking an image, look your subject over. Is it at its peak? Or is it on its way out, wilting, or dying?

If the latter is the case, then try to search for a better-looking flower. Unfortunately, such elements can really detract from an otherwise excellent image.

Rose macro close up - Five Ways to Take Your Macro Photography to the Next Level

I found this rose in excellent condition.

Also, look for things like bugs, dirt, and torn petals. These are all indicators that you should search for a better subject.

Though it’s worth noting that sometimes wilting flowers can make for very interesting images. Just be sure that, if you are photographing a subject that’s on its way out, you compose with that in mind.

daisy macro - Five Ways to Take Your Macro Photography to the Next Level

I focused on this wilting daisy in order to create a more somber photograph.

5. Consider the background

One final tip for really enhancing your macro photographs is to think about the background before taking that shot. This is probably the most important of all these tips because careful attention to background can make for incredibly special images.

What should you consider?

First and foremost, look for backgrounds that are simple and uncluttered. A background that doesn’t distract is often enough to ensure a great image. However, it can also pay to be creative, by shifting your position so that colorful elements, such other flowers, or a sunset, sit behind the subject.

You might also use bright spots to your advantage, working so that they frame your subject.

flower macro cosmos - Five Ways to Take Your Macro Photography to the Next Level

The colorful flowers behind this subject made for an interesting background.

In Conclusion

By moving in close, considering the light, angle, subject quality, and the background, you can quickly improve your macro photography. Hopefully, you’ll have a lot of fun doing it as well.

If you have any other tips for people just starting with macro photography, please share them in the comments below.

peony macro flower - Five Ways to Take Your Macro Photography to the Next Level

The post Five Ways to Take Your Macro Photography to the Next Level appeared first on Digital Photography School.

Digital Photography School

Comments Off

Posted in Photography

GoPro unveils entry-level GoPro HERO action cam that costs just $199

29 Mar

Photo: GoPro

It seems the rumors and leaks from earlier this week were spot on, and right on schedule (a day early, actually) GoPro has revealed its new, entry-level action camera: the $ 200 GoPro HERO.

The HERO is the cheapest action camera GoPro has ever announced, coming in at the same price tag as the HERO5 Session while boasting several features that are reserved for the company’s regular line (read: not the Session lineup) of action cams. If you’re keeping track, the HERO lineup of action cams now goes: GoPro HERO ($ 200), GoPro HERO5 ($ 300), and GoPro HERO6 ($ 400).

As GoPro SVP of Product, Meghan Laffey, explains, GoPro is hoping that the lower price-of-admission into the GoPro action cam family will entice first-time users who would otherwise pick up a third-party option or just keep using their phone. “HERO is a great first GoPro for people looking to share experiences beyond what a phone can capture,” says Laffey. “HERO makes it easy to share ‘wow’ moments at a price that’s perfect for first-time users.”

Photo: GoPro

There’s not much to say about the GoPro HERO that wasn’t already revealed in Monday’s leak, but here goes. The main features are exactly what we expected.

The camera captures 1440/60p and 1080/60p video and 10MP stills, features a 2-inch display, voice control, electronic video stabilization, waterproof to 10M (30-feet) out of the box, and compatibility with all of the current GoPro HERO mounting accessories on the market (30+ from GoPro itself).

Finally, the camera also features compatibility with the GoPro and Quik Stories mobile apps, the latter of which can automatically edit your captured footage into ready-to-share highlight videos.

Photo: GoPro

The entry-level GoPro HERO action camera is available starting now from the GoPro store and online retailers alike for $ 200. To learn more about the GoPro HERO or pick one up for yourself, click here.

Press Release

GoPro Launches Entry-Level HERO Camera 2018

$ 199 HERO Joins $ 299 HERO5 and $ 399 HERO6, Making GoPro Accessible to All

GoPro, Inc. has added a new HERO camera to the family. On sale now, HERO is a $ 199, go-anywhere, capture-anything camera that makes it easy to share experiences that would be difficult to capture with a phone.

HERO features a 2-inch touch display, is waterproof to 30 feet and is extremely durable, making it the perfect GoPro for kids, adventurous social sharers and travelers.

“HERO is a great first GoPro for people looking to share experiences beyond what a phone can capture,” says Meghan Laffey, GoPro’s SVP of Product. “HERO makes it easy to share ‘wow’ moments at a price that’s perfect for first-time users.”

Sharing cool experiences with HERO is simple. It offloads your photos and videos to the GoPro app which creates fun, shareable videos for you, automatically. No more fumbling with your SD card or plugging your camera into a computer. HERO makes it simple.

Those looking for the ultimate GoPro-experience can subscribe to GoPro’s PLUS subscription service. Cloud backup, damaged camera replacement, 20-percent off accessory discounts and more are included with a PLUS subscription for just $ 4.99 a month, cancellable anytime.

HERO is available today at retailers around the world and on GoPro.com. Key features include:

Award-Winning Image Quality: HD Video (1440p60 and 1080p60) and 10MP photo performance
2-Inch Touch Display: Using HERO is as easy as using your phone thanks to its touch display
Voice Control: Tell HERO to start and stop recording, take a photo, turn off and more
Waterproof + Extremely Durable: Waterproof up to 30’ (10M) and designed go everywhere your smartphone can’t
Video Stabilization: HERO features video stabilization that helps smooth out the shakes
Smartphone Compatible: HERO offloads your photos and videos to the GoPro app which creates fun, shareable videos for you, automatically
Body and Gear Mountable: compatible with 30+ GoPro mounting accessories

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

The strength of Non secular Therapeutic and Meditation

29 Mar

Correct now inside of our fast paced and force pushed setting a great deal more and also a whole lot more individuals are slipping goal to anxiousness and melancholy. For many like me it might be along with you for a few within just your grownup lifetime Ayahuasca. I 1st became mindful that some matter wasn’t ideal with my psychological day by day everyday living and individuality when in my late teenagers. I might consistently finding a reasonably lad and experienced professional from bullying in school which brought on me to drop out early to operate about the family members farm. I grew to be far more unfortunate and lonely as I now seasoned minimal reference to the area environment additionally to attending Sunday mass. This was melancholy I might later master, a worry only people that have suffered can adequately thoroughly grasp. At some point I did make endeavours to be extra outgoing although it were difficult.

I obtained to vacation which with the pretty the very least gave me a different diploma of independence. But melancholy was even so there regardless of the fact that I was getting cared for with deferent medication at the moment. I carry on to felt far from kinds and genuinely anxious and anxious when in the agency of other folks. At some point my GP advised nevertheless a different therapy which was most likely the most effective. Ultimately I used to be equipped to remain a much more satisfying way of life regardless that I nonetheless experienced numerous setbacks and downers. During the early nineties I grew to become keen on alternate therapies as an illustration Reiki therapeutic. Before long immediately after analyzing over the subject I generated connection with an English woman termed Lea Cowin who lived in Castlebaldwin, Sligo, Eire and she or he was a Reiki grasp and instructor. I took the 1st and 2nd diploma amounts of Reiki. I recall the peace and encounter of well-being I felt at those people people classes so adequately.

Under no circumstances at any time in all my time in mainstream religion did this type of psychological feeling of contentment surface. Driving once more to Cavan on those evenings I’d been so content for only a alter. When rearing a more youthful relatives users I drifted from building time day-to-day for spiritual problems. I completed using Reiki and moved on it appeared. Melancholy wasn’t long gone despite the fact that. I guess I want to dwell using this load for life. Just what exactly introduced me back again all over again to pondering of your religious issues? My daughter suffers from eczema and it’s got attempted loads of cures for a cure with out good results. Currently we had been becoming pointed in the route of the healer in neighbouring county Monaghan.

As we sat in silence while from the existence of Martin the healer all was keep on to and relaxed. Martin requested us some inquiries about Niamh’s eczema and then returned into what appeared like some sort of trance with his eyes closed. Following a few minutes I personally discovered an overwhelming notion of peaceful, contentment, peace and value. I used to be not the one right here for therapeutic even so I comprehended some kind of therapeutic was also touching me. The ultimate time I felt such a warmth emotion was once more in Sligo at Lea Cowin’s Healing workshops. I’m not an extremely Religious gentleman or woman which i’m undecided what transpired extremely previous 7 days at Martins therapeutic centre, but I am sure somewhat some thing exceptionally loving touched my soul.

Niamh and i shell out ten minutes every single day to your 7 days in silence forward of the lighted candle as asked for by Martin. He knowledgeable us that shortly following a couple months her eczema will be mounted. Our contemporary quick paced entire environment has misplaced contact with its spiritual factor and it has seasoned like a outcome. Each one of us have to have therapeutic in one way or other. We have to make time even ten or fifteen minutes day by day only to hook up for a while with our religious self. Just light a candle and sit and listen to and wait around and find out what occurs. Allow for the spirit inside of of take into consideration manage just for these handful of moments and permit this enjoy embrace your full intellect and human human body. Maybe therapeutic is there in numerous sorts for us all if we just open up our hearts and turn out to be carry on to.

The post The strength of Non secular Therapeutic and Meditation appeared first on Photonovice.

Photonovice

Comments Off

Posted in Equipment

5 Tips To Help You Enjoy Your First Digital Camera

29 Mar

It’s easy to use a modern digital camera to take generic looking snapshots. Getting beyond what’s easy requires a little, or a lot, of commitment, (depending on how creative you desire to become.)

Reflection of a tricycle taxi rider in his bike mirror in Chiang Mai, Thailand. - 5 Tips To Help You Enjoy Your First Digital Camera

Dedicating a little time each day to learning how to use your new camera will enable you to be truly creative in your photography. Without a good understanding of the basics of photography and how to control your camera, and regular practice with it, you will most likely continue to produce bland photos and become disheartened.

Let me encourage you by offering you five tips to help you really enjoy your first digital camera.

Thai woman and child share a fun moment with a DSLR camera in Chiang Mai, Thailand - 5 Tips To Help You Enjoy Your First Digital Camera

1. Use YouTube and Google

Use YouTube and Google, rather than your camera’s manual, to learn the basic controls. Camera manuals are notoriously difficult to make sense of so finding alternative sources of information that provide you with a foundational understanding of your specific camera can be more beneficial for you.

Searching online for your camera model along with the word “settings” will often return you results which are easier to follow than the manual that came with your camera. Find a good website or video channel where you can comfortably follow the presenter. This will help you gain the knowledge you need in order to control your camera well.

back of a DSLR camera showing the image of the Iron Bridge in Chiang Mai, Thailand, on the monitor - 5 Tips To Help You Enjoy Your First Digital Camera

2. Take a Course or Workshop

Going beyond the very basics will require a little more study. Once you are a little more familiar with your camera and its essential controls, joining a workshop, night class, or enrolling in an online course can help take you to the next level of photographic skill and creativity.

Books and websites are helpful as well, but I find people interested in photography are often visual and tactile learners. Many people who join our photography workshops in-person or study with our online courses give us wonderful feedback that they have learned more with our help during a workshop or course than they have through self-study with books or other mostly text-based learning.

Man with two cameras teaches photography - first digital camera

Before you enroll in a course it’s important to discover the content and style being taught. Make sure you are comfortable with whoever is teaching and ensure that they have sufficient knowledge and experience to convey what you want to learn.

There’s an abundance of photography courses available at various prices and levels of quality. Starting with a general course and then progressing on to more in-depth topics will build your photography experience in a positive manner.

people Learning photography - 5 Tips To Help You Enjoy Your First Digital Camera

3. Use Your Camera Every Day

One of the easiest and certainly most beneficial ways to grow as a photographer is to use your camera every day.

Even if you can only manage 10 or 15 minutes a day, if you are diligent and practice for a year, you will see a vast improvement in your photographs within 12 months.

To master any creative art form requires regular practice. Musicians, actors, painters etc., all must put in regular hours of dedicated practice to become successful. If you want to develop your skill level and produce truly creative photographs you must do the same.

Tricycle Taxi Rider in Chiang Mai, Thailand - 5 Tips To Help You Enjoy Your First Digital Camera

Taking my advice in tips one and two above will help you somewhat, but if you practice regularly and take photos every day you will certainly make the most of the study you have engaged in.

4. Go Easy On Yourself

Go easy on yourself. It’s very common for creatively oriented people to be too critical of their initial efforts. Learning to step back and taking a somewhat objective view of your photos as a beginner is a healthy practice.

Looking down at a Tricycle Taxi Rider in Chiang Mai, Thailand, With a Thai flag - 5 Tips To Help You Enjoy Your First Digital Camera

Don’t compare your photos to those of really experienced photographers, but instead compare them to photos you have made previously.

If you are following my first three tips and compare photos you are currently making to ones you’ve made previously, you will begin to see a development in your technical skills, creative expression, and style.

Tricycle Taxis at Night near Warorot Market in Chiang Mai, Thailand.

5. Make a Habit of Photographing Something You Love

Start with something you love. By photographing a subject you are interested in, familiar with, and even passionate about, you are more likely to be encouraged by the results. Make sure to choose a subject which is easy for you and you can make a regular habit of shooting.

For example, if you love dogs but don’t own one, making regular dog photos may not be practical. If you love gardening and frequently have time to spend tending your garden, take your camera with you when you do so. This would be an ideal type of subject for you to start with.

Find something that you love and that’s easy and it may turn into a lifetime photographic project.

Detail of decoration on a tricycle taxi in Chiang Mai, Thailand.

I’ve always photographed bikes and love the Samlors in Thailand.

In Conclusion

Modern cameras are designed to be easy to use and return good results in most situations. However, I know many people who have invested in a good digital camera only to become somewhat frustrated because they are not achieving the results they had hoped for.

Taking time to learn your camera settings, study, practice, think positively and objectively about your photos, and having an on-going project to work on will help you grow as a photographer and develop your own unique style.

Tricycle Taxi in Chiang Mai, Thailand.

The post 5 Tips To Help You Enjoy Your First Digital Camera appeared first on Digital Photography School.

Digital Photography School

Comments Off

Posted in Photography

SLC-OE-01: $20 DIY Portable Doorway

29 Mar

Pictured above is Moishe Appelbaum, of Midwest Photo fame, whom you may remember from Lighting 103.

Moishe is lit with a single small flash. But the gentle wrap of the light—and the soft glow of the suppressed specular highlights—should cue you in to the fact that the light modifier itself is huge.

Today, we'll learn how to make a door-sized modifier DIY style, for about $ 20 and in a form factor that is super easy to transport. (It collapses down to about the size of a folded light stand.) Read more »
Strobist

Comments Off

Posted in Photography

The dPS Ultimate Guide to Taking Portraits and Photographing People

29 Mar

Have you ever wished that you could take better photographs of your friends and family? Do you love looking at portraits taken by professional photographers, but just aren’t sure how to replicate similar results for yourself? Have you ever felt totally overwhelmed by all the options for photography gear and need someone to help you understand what’s essential for photographing people and what isn’t?

If you found yourself nodding along to any of those questions, this guide is for you! In this dPS Ultimate Guide, we’ll walk through everything from equipment to post-processing, and give you the tools you need to photograph people with confidence!

The dPS Ultimate Guide to People and Portrait Photography

Equipment

When it comes to photography, the best camera to use is the one you already have. Whether you’re using your cell phone, a point-and-shoot camera, a mirrorless camera, a cropped sensor camera, a full-frame camera, or an old film camera, you can take beautiful photographs of your friends and family. Essentially, don’t let the lack of “ideal equipment” get in your way. In almost every circumstance, you can combine the equipment that you already have with this guide to improve your people photography and portraits.

Now that we’ve gotten that out of the way, in addition to your camera body and basic photography essentials like memory cards, there are a few key pieces of equipment that make photographing people much easier.

If you’re using a DSLR camera, lenses can make a huge difference in the quality of your photos. Most photographers prefer prime lenses for people photography. Although you do have to zoom with your feet, they tend to produce images that are sharper and more vibrant overall.

That said, whether you’re at a wedding or a soccer game, there are times when your subject’s distance from the camera is going to change frequently and quickly. In those instances, a zoom lens may be the best choice for photographing the special people in your life. Here are a few of the most frequently used lenses for portrait and people photography.

The dPS Ultimate Guide to People and Portrait Photography

Prime Lenses

35 mm lens: This focal length is not great for traditional head-and-shoulders portraits, but it really shines when it comes to capturing people in the context of their surroundings.

The 35mm lens (on a crop or APS-C size sensor) is most similar to the angle of view of human eyes. So it’s a great lens to use when you want to capture what’s happening around you just as you see it. For this reason, the 35mm lens is an especially great choice for street photography as well.

50mm lens: For many photographers, the first lens they purchase after their kit lens is some variety of a 50mm lens. The price and versatility of a 50mm lens just can’t be beaten, and for a lot of photographers, having the ability to shoot at f/1.8 (or f/1.4, or f/1.2) is a huge upgrade from their kit lens.

If you’re shooting with a full-frame camera body, the 50mm lens is great for photographing families and sibling groups. If you’re shooting with a 50mm lens on a cropped sensor camera, it’s a focal length that’s great for portraits and photographing couples.

85mm lens: Most 85mm lenses are extremely versatile, allowing you to fill the entire frame with the subject’s face or backup to include their entire body without distortion. In fact, 85-105mm is known as being the ideal focal length range for portraiture because images captured within those focal lengths tend to be more flattering and have less distortion than images of people captured at other focal lengths.

Additionally, the lens compression with an 85mm lens makes it appear that the background is being pulled closer to your subject, which results in beautiful and dramatic portrait images.

The dPS Ultimate Guide to People and Portrait Photography

Zoom Lenses

Sigma 18-35mm f/1.8 Art Lens: Designed for cropped sensor cameras, this lens has a range that includes many of the most popular focal lengths for photographing people. In addition, the ability to shoot at f/1.8 across all focal lengths makes this lens a powerhouse for both portraits and people photography.

70-200mm: This lens is considered to be one of the standards when it comes to wedding and event photography because of its versatility in capturing people across a variety of focal lengths. The 70-200mm focal range is especially helpful in situations where you’d like to be able to capture genuine emotion without being physically close to the people you’re photographing.

As you’re looking at different lenses for portrait and people photography, keep in mind that to achieve a nice blurred background in your portraits, you’ll often want a lens that’s capable of shooting somewhere between f/1.2 and f/2.8. You’ll notice that lenses capable of shooting at those apertures are more expensive, but this is one instance when the payoff is worth the increase in cost.

If you’re shooting on a cropped sensor camera, remember that you need to multiply the focal length of the lens you’re using by the crop factor (this number is often something like 1.5 or 1.6) to discover the functioning focal length of your lens. So, if you put a 35mm lens on a cropped sensor camera, it actually functions more like a 50mm lens.

Other Helpful Tools

The dPS Ultimate Guide to People and Portrait Photography

Reflectors: A 5-in-1 reflector kit will help you tackle a huge variety of lighting situations that you might encounter when photographing people. Not only is it helpful for bouncing warm or cool light on your subject, it also gives you the ability to absorb light and to fix dappled light issues when photographing one to three people.

Alternate light source: Even if you think you’ll only be photographing people outdoors in natural light, it’s a good idea to have some form of an alternative light source at your disposal, whether it’s a speedlight, ring light, or studio lights. We’ll talk more about when and how you might want to utilize different lighting sources a bit later in this guide. For now, just know that having some form of a light source will dramatically improve your versatility as a photographer.

Lighting

Photography is often described as “painting with light”. As such, it’s very important to have a good understanding of the different light sources that you may experience as a photographer and how to best use them to your advantage.

The dPS Ultimate Guide to People and Portrait Photography

Natural Light

The most basic of all lighting types is natural light. This is as simple as it sounds – all of the light in your photograph is coming from the sun. No additional light source (like a flash) is used.

Photographing using natural light (sometimes also called available light) can mean that you’re shooting outdoors, or it can also mean that you’re shooting indoors near a large window. It can mean that you’re shooting when the sun is high in the sky, or that you’re shooting backlit portraits near sunset.

If you’re new to photography and are struggling with lighting even in natural light situations, grab a friend and try the circle trick, which is a quick and easy way to help teach yourself how to see different natural lighting situations.

The dPS Ultimate Guide to People and Portrait Photography

Studio Lighting

Another option when it comes to lighting is to utilize studio lighting. This sounds more intimidating than it really is—studio lighting just means that you’re using a flash, stand lighting, and other artificial light sources as your primary source of light for your image.

Professional headshots are often photographed with studio lighting, as are many newborn photography sessions. The major benefit of studio lighting is that you can easily control what the light looks like and ensure consistent lighting regardless of external factors like weather. Studio lighting can also be helpful in creating high-key images with dynamic lighting and lots of contrast.

Using studio lighting does involve a different learning curve than natural light photography, and many photographers feel intimidated by it. However, learning studio lighting is a great way to achieve a solid understanding of a variety of lighting situations, and it’s absolutely worth taking a class or workshop to learn more about it.

Even if you don’t ultimately end up using studio lighting very often, it’s a valuable tool to have in your arsenal.

The dPS Ultimate Guide to People and Portrait Photography

Combination Lighting

Many photographers utilize a combination of natural light and studio lighting—using available light when possible, and sometimes supplementing with another light source. The most common light source for beginning and intermediate photographers is probably the speedlight.

Using a speedlight in combination with a diffuser is a great way to photograph people indoors in situations where you may not always be able to pose them near a window (think birthday parties, wedding receptions, holiday gatherings, etc.). Another way to use combination lighting is to take your speedlight outdoors and use it as a fill flash for outdoor portraits.

The dPS Ultimate Guide to People and Portrait Photography

Finding Locations and Backgrounds

When it comes to photographing people, the location and the background that is behind your subject are extremely important. Your backdrop will either enhance your final image or detract from it, so here are a few tips to help you find and choose the best possible locations to compliment your photography.

The dPS Ultimate Guide to People and Portrait Photography

Color is King

When I’m shooting portraits, I’m most often using a 50mm or 85mm lens, and shooting with a fairly wide aperture (usually somewhere between f/1.8 and f/2.5). Typically, I’m looking for the person that I’m photographing to be in focus, with a nice creamy bokeh background behind them. Because the background is softly blurred, sometimes the color of the background can be more important than what it actually looks like to the naked eye.

A parking garage can look like a less than inspired backdrop through a 35mm lens. But if you transition to an 85mm lens, suddenly the details of the background disappear, and you’re left with a backdrop that appears to be a nice neutral gray tone in portraits. Similarly, a field of weeds can look terrible in person but translates as a creamy golden yellow background in a photograph.

As such, training yourself to consider color in addition to content when looking for potential photography locations is a great trick to have up your sleeve as a photographer.

The dPS Ultimate Guide to People and Portrait Photography

Memories Matter

One of my favorite ways to choose a photography location is to ask the person you’re photographing to share a location that’s particularly meaningful to them.

Is there a park that their family walks to on Friday nights in the summer? Go there. Does the high school senior you’re photographing have fun memories of picking peaches at a local farm with her parents every summer? Check out that orchard. Is a family bringing home their first baby? Consider shooting at their home instead of a studio.

Choosing locations that have special meaning to the people you’re photographing is a great way to ensure that they’ll be as comfortable in front of the camera as possible, and it’s also a great way to invoke genuine positive emotion. Hearing a song on the radio can take you right back to a specific memory in your life, and so can revisiting locations that have happy memories associated with them!

Don’t be afraid to ask the person you’re photographing if there’s somewhere particularly meaningful to them that could act as the backdrop of your photo session. From the public library to grandma’s famous dahlia garden, to a family friend’s lake house, you might be surprised at what they come up with!

The dPS Ultimate Guide to People and Portrait Photography

Utilize Geotagging

Several popular websites for photography allow you to search images that have been geotagged by zip code, city, and other identifying factors. Flickr Map is one such resource, and although it can be a real mixed bag in terms of the quantity and quality of images to sort through, it’s a great tool for visualizing what different parts of your area look like at different times of the day and different times of the year.

I wouldn’t recommend choosing a location sight unseen, but it’s a great tool for narrowing down areas that you might want to check out in person. Another option that’s just beginning to gain in popularity is Shootipedia, a location scouting website, and app that allows photographers to post images and share details about their favorite locations to shoot. Some parts of the world have lots of locations cataloged while others have very few. That said, it’s always worth a look!

The dPS Ultimate Guide to People and Portrait Photography

Go Explore

One of the best ways to discover photography locations near you is simply to get out and explore your area. Go for a hike. Hop in the car and drive around. Print off a listing of all the local public parks, and swing by at different times of the day.

Don’t discount familiar locations either. Chances are that as you begin to look through the lens of photography, you’ll find that there are countless appropriate locations and backdrops right in your own neighborhood.

Clothing Tips and Ideas

Most people can benefit from some sort of direction regarding what to wear when being photographed. However, whether or not you (as the photographer) will be able to offer direction in terms of what to wear will vary based on lots of different factors including the type of people photography you’re doing.

For example, if you’re photographing the attendees at a birthday party or doing street photography, you won’t have as much input into clothing choices as you would if you are shooting portraits.

The dPS Ultimate Guide to People and Portrait Photography
In situations where you do have some influence over what the people you’re photographing are wearing, that level of “direction” can range from you purchasing specific pieces of clothing to be worn to simply giving general advice regarding colors and patterns that are flattering on most people.

The level of your direction as a photographer will also be dependent on your personal photography style and whether you offer styled sessions or not. However, regardless of your personal style, there are a few rules of thumb that generally hold true in most instances when photographing people:

Neutral colored clothing (black, white, tan, or gray) is always a good choice.
Jewel tones are flattering to most complexions.
Avoid logos or text on clothing.
When incorporating patterns, stick to very classic patterns like plaid or polka dots.
When photographing families, it’s better to work with one color family (warm colors, cool colors, jewel tones, neutrals, etc.) than to have everyone wearing exactly the same thing.

The dPS Ultimate Guide to People and Portrait Photography

Adding or removing jackets and/or cardigans is a great way to add some versatility to a session.
If you’re photographing more than one person together, make sure they’re not wearing exactly the same color on top, or it can be difficult to see where one person ends and another begins.
If the person being photographed isn’t comfortable in what they’re wearing, it will usually be evident in the photograph.

Most people genuinely appreciate tips and/or feedback from their photographer about what to wear. It helps them relax and feel confident in front of the camera.

All that said, sometimes you just have to roll with the punches. If you’re photographing a toddler that desperately wants to leave her fairy wings on for the photos, you might want to consider giving it a try, even if it goes against your “vision” for the photo. Clothing choice can help enhance a photo, but in most cases, genuine expression in a photo will trump clothing choice any day.

The dPS Ultimate Guide to People and Portrait Photography

Setting Up Your Camera

This section is especially for beginning photographers. If you have been using your camera’s auto mode, and aren’t even sure where to begin in terms of photographing people it’s designed to give you some ideas to help you start taking more control over your photography and to elevate your photos of people from mere snapshots to intentionally crafted images.

Two of the most frequently used camera modes for photographing people are Aperture Priority and Shutter Priority.

Aperture Priority

When selecting the Aperture Priority mode on your camera, essentially you select the camera’s aperture, and you’re asking your camera to select the rest of your settings. You can still select your ISO if you wish, or leave it set to auto if you’d prefer that your camera choose that too.

When you select a small aperture number (f/1.8), less of your image will be in focus. When you select a large aperture number (f/8), more of your image will be in focus. If you’re wondering how to create a portrait with a nice blurry background, shooting with a very wide aperture (f/1.8) is one way to achieve that effect.

However, as you add additional people to the image, it becomes trickier to nail the focus on everyone. So one good rule of thumb when photographing small groups is to set your aperture no smaller than the number of people you’re photographing – if you’re photographing two siblings, set your aperture at f/2.0 (or higher). If you’re photographing a family of three, you may want to consider setting your aperture at f/3.0 (or higher), especially if not everyone is on the same plane.

Aperture Priority mode is a great choice for shooting portraits or small groups, wherein the people you’re photographing are not moving too much.

aperture priority portrait - The dPS Ultimate Guide to Taking Portraits and Photographing People

Shutter Priority

Where Aperture Priority mode is great for photographing people who are largely stationary, Shutter Priority mode is great for photographing people that are on the go.

Whether you’re photographing a soccer game and want to freeze the action, capturing a family mid-tickle, or practicing street photography and want to show the blur of people bustling about, Shutter Priority is a great way to either stop action or emphasize movement in people photography!

Working with People

Photographer, aul Caponigro once said, “It’s one thing to make a picture of what a person looks like, it’s another thing to make a portrait of who they are.”

Indeed, there’s a difference between taking a snapshot of a person and creating a portrait that captures the essence of who they are and what they’re about. Often, the difference comes down to the interaction between the photographer and the person being photographed.

We’ve already talked about how location and clothing are two factors that can help the people you’re photographing relax in front of the camera. In addition to those two factors, coupling gentle posing with prompts and questions designed to help the person you’re photographing relax and evoke emotion during the session can be very helpful in capturing images that look and feel genuine.

The dPS Ultimate Guide to People and Portrait Photography

Posing

If the idea of gently posing the person that you’re photographing feels overwhelming, you may be interested in purchasing the Posing App. This particular app includes over 300 illustrations of various photography poses for men, women, children, and groups, and can be a great starting point when trying to describe to the people you’re photographing what you’d like them to do.

Keep in mind that resources like Posing App are just starting places. Don’t be afraid to modify poses, changing them slightly for variety or to better flatter the person you’re photographing.

Also look here for more posing help:

Portraits: Striking the Pose – a dPS ebook.
67 Portrait Poses (Printable) by dPS.

Prompting

Once you’ve got the person you’re photographing situated in terms of posing, the next technique in evoking emotion is to prompt them with questions or statements.

When photographing a child, this might be saying, “Show me your best lion roar!” As the photographer, you’re less interested in the roar itself and more interested in the fits of giggles that usually follow, so be ready with your camera to capture the moment!

If you’re photographing a high school senior, this might mean asking them about their plans following graduation and what they’re excited about. If you’re photographing a newly engaged couple, this might mean asking them to tell you the proposal story. When you’re photographing a wedding, this might mean asking them to practice their first dance for you.

The dPS Ultimate Guide to People and Portrait Photography

Prompts can be sentimental, but they can also be silly. Ask a groom to whisper his favorite vegetable into his bride’s ear, and watch them both laugh hysterically. These prompting techniques allow you to connect with the person you’re photographing on a deeper level and also help evoke genuine emotion that translates to a stronger photograph.

Culling and Post-Processing

After you’ve snapped the actual photographs, you’ll want to weed out the best images and apply some sort of post-processing to them, even if only sharpening to print. If you shoot in RAW format, you’ll need some sort of software (such as Lightroom or Adobe Bridge) that can recognize RAW file types before you’ll be ready to start culling or editing your images.

The dPS Ultimate Guide to People and Portrait Photography

Culling

Regardless of the software, most photographers use a process that either amounts to “Editing Out” or “Editing In” for culling images. If following an “Editing Out” process, you go through and deletes all the images that you do not want to edit, and processes the rest. If following an “Editing In” process, you go through and flag all the photos that you’re most interested in editing, and edit only those. This is largely a matter of preference, and neither method is better than the other.

When culling, keep in mind that no one needs 10 images with exactly the same expression, focal length, and camera angle. However, do be aware of micro-expressions, or particular mannerisms that the person you’re photographing may display, and consider including some of those images into your final cut as well. Sometimes, those are the images that capture the essence of a person, even if their eyes are squinty or their nose is a little scrunched.

Post-Processing

Whether or not to post-process images in digital photography is always the subject of much debate. Personally, as someone who started with black and white film photography, I find the debate to be a bit silly. There was little controversy about dodging and burning in the black and white darkroom to enhance a portrait, so I see little problem with doing the same in the digital medium.

There are many options available for post-processing, but the most common still seems to be Adobe’s Creative Cloud Photography package, which includes Lightroom, Photoshop, and a whole collection of mobile apps to download.

Many photographers batch edit their images, using either a preset in Lightroom or an action in Photoshop. If you’re brand new to post-processing, there are a whole host of actions and presets available to purchase, including several great sets from Digital Photography School.

Keep in mind that most actions and presets are not designed to be one-click wonders. They do require tweaks and adjustments for best success, which means that having a basic understanding of Photoshop and/or Lightroom is definitely necessary when it comes to post-processing. This is one area where it’s absolutely worthwhile to check out an online course or eBook in order to understand the basics of post-processing so that you know what the actions and presets are doing, how to tweak them to your advantage, and how to eventually make your own to help you stand out from the crowd.

Marketing Yourself and Getting Paid Gigs (If You Want Them)

So, you’ve photographed a bunch of friends and family, and now people are starting to tell you that you should start your own photography business! If that’s something you’re interested in pursuing on a full-time or semi-professional basis, we’ll walk through a couple of things that can help make that happen.

Check Your Local Laws

Laws regarding small businesses vary drastically from location to location. Some places require you to have a business license and insurance before getting started. Some require you to register your business name. Others only require that you declare any income received so that you can pay appropriate taxes on it.

Because dPS has readers all over the world, the best suggestion I can give is to contact your local Small Business Association regarding what you need to do to keep your budding business on the up and up. Even if you aren’t ready to officially start your business quite yet, it’s still important to research the requirements (and whether your prospective business name is actually available) before you begin any of these other steps!

The dPS Ultimate Guide to People and Portrait Photography

Build Your Portfolio

If you haven’t already done so, you need to build a portfolio of your work that you can show to prospective clients to demonstrate your skill as a photographer. Many times, photographers initially build their portfolio by offering to take photos of their family and friends for free in exchange for permission to use them as part of their portfolio.

Another option for building your portfolio is to participate in workshops or photo walks that grant you permission to use the images that you take during the event as part of your portfolio. If you’re interested in photographing weddings, many photographers partner with vendors to photograph several styled sessions before they ever actually photograph a real wedding.

Build Your Brand

Once you have a portfolio that you’re ready to market, you need to have a brand! This step includes coming up with your business name, logo, watermark, a headshot of you, and often a color scheme that you’ll use throughout your online and print materials.

Build Your Web Presence

One of the next key steps to developing any level of a photography business is to build a web presence so that people can actually find you! This may include many different avenues, such as creating a website, a photography blog, a Facebook business page, and an Instagram account for your brand.

Expand Your Audience

For lots of photographers, their business starts with friends and family and gradually expands out from there as those people recommend you to their friends and family. If you can encourage your friends and family to tag your photography pages on social media as they share your images online, this can be a really great way to expand your audience and reach. Some other easy ways to expand your audience include:

Offer a rewards or incentives program for past clients who refer their friends to you.
Host a model call on Facebook.
Consider running ads on social media targeted to “friends of friends”.
Donate your photography services to a cause you care about.

The dPS Ultimate Guide to People and Portrait Photography

Conclusion

Whew! That was a whole lot of information about photographing people! Although it’s easy to get overwhelmed with all the dos and don’ts of people photography, you don’t have to master everything at once!

Use the camera and the equipment you have, pick one tip from this guide, and try it out. At the end of the day, the most important part of photographing people is just to get out there and do it, as often as you can!

The post The dPS Ultimate Guide to Taking Portraits and Photographing People appeared first on Digital Photography School.

Digital Photography School

Comments Off

Posted in Photography