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Viltrox announces $399 85mm F1.8 lens for Nikon Z-mount mirrorless cameras

10 Dec

Viltrox has released its new 85mm F1.8 STM autofocus prime lens for Nikon Z-mount mirrorless camera systems.

The autofocus lens is constructed of 10 elements in 7 groups, including five ‘short wave length and high transparency’ elements and one low-dispersion element. Viltrox claims the lens, which uses a stepping motor (STM) to drive the autofocus elements, features full autofocus support, including compatibility with Nikon’s Eye-AF technology. Other features include an aperture range of F1.8–16, a nine-blade aperture diaphragm, an 80cm (31.5″) minimum focusing distance and a 72mm front-filter thread.

Viltrox has also included an onboard micro USB port for updating the lens’ firmware. The lens measures in at 92mm (3.62″) long, 80mm (3.15″) in diameter and weighs 540g (1.2lbs).

The lens is currently available to purchase on Amazon for $ 399. That’s $ 300 less than the MSRP of Nikon’s own Nikkor Z 85mm F1.8 S lens.

Articles: Digital Photography Review (dpreview.com)

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What you need to know about Nikon’s new 14-24mm F2.8 S and 50mm F1.2 S Z-mount lenses

17 Sep

What you need to know about Nikon’s new Z 14-24mm F2.8 S and Z 50mm F1.2 S

We’ve known they were coming for a while, but Nikon’s mirrorless lens roadmap moved two steps further forward with the launch of the new Z 14-24mm F2.8 S and Z 50mm F1.2 S. Keep reading to learn more about these two premium Z-mount lenses.

Z 50mm F1.2 S

Good news for Nikon Z shooters looking for a standard lens – you now have another option. The new Z 50mm F1.2 S is positioned between the affordable (and excellent) Z 50mm F1.8 S and the considerably less wallet-friendly Z 58mm F0.95 S.

Size and weight

First (and most obvious) things first: This is a pretty big lens. At almost six inches long (without the hood) and with an 82mm filter thread, the new Z 50mm F1.2 S is almost twice as big as the F1.8, and almost twice the weight (1095g, or 2.4lb). Nikon claims that key optics in this new lens are ‘1, 1/2x larger’ than in the F1.8, and the new lens also houses twin STM motors for accurate focus throughout its operating range.

Amazingly, the Nikon 50mm F1.2 S is even larger and heavier than the Canon RF 50mm F1.2L USM, which weighs in at 950g (2.1lb).

Size and weight

For the historically inclined, the last 50mm F1.2 from Nikon (the Nikkor 50mm F1.2 AI-S) weighed less than 400g (0.9lb) and was only 5cm (2in) long. However, due to the compromises involved in stuffing an F1.2 maximum aperture into the narrow F-mount, it was not, sadly, a particularly good lens. This 50mm F1.2, however, promises to be much better.

Optical construction

Optical construction comprises 17 elements in 15 groups, including three aspherical elements and two ‘ED’ extra-low-dispersion elements, and both Nikon’s Nano Crystal Coating and the newer ARNEO coating for flare, ghosting and coma suppression. Meanwhile, distortion is well-controlled and nine rounded aperture blades should help keep out of focus highlights circular at wider apertures.

Because of the exceptionally wide dimensions of the Z-mount, the rear element of the lens can be very large, helping to keep light rays near-perpendicular when they reach the sensor.

Nikon describes the optical construction of this lens as ‘symmetrical’, and in theory this should mean that the Z 50mm F1.2 S is capable of high resolution at all apertures, across the frame. This is obviously something that we want to put to the test as soon as we can.

Twin STM focus motors

The Z 50mm F1.2 S becomes the latest Nikon lens to feature twin STM focus motors, which should increase focus accuracy at close distances, as well as being quieter and more power-efficient than traditional Ultrasonic motors. Minimum focus distance is 0.45m (about 18″) and of course manual focus is also possible using the large focus ring. As we’d expect, this is ‘manual focus by wire’ but very finely-geared for precise adjustment.

Nikon promises ‘minimal’ focus breathing (where magnification changes as the lens is focused), which is good news for videographers.

Handling and operation

There’s no getting around the fact that this is a large lens, and it makes the Z6/7 feel pretty small by comparison. We strongly suspect, however, that it will pair well with those cameras when used with their optional grip, and of course any future high-end Z-series camera with a bit more heft.

Handling and operation

In terms of operation, the Z 50mm F1.2 S is also pretty consistent with other high-end S-series Nikon lenses of late. A control ring can be customized for direct control over exposure compensation or aperture (and other things, but those are the two most useful) and an ‘Fn’ button can be customized via the camera for quick access to various modes and features. Meanwhile an OLED status panel on the barrel shows focus and aperture + hyperfocal distance information. In line with other S-series lenses, the Z 50mm F1.2 S is ‘extensively’ sealed against dust and moisture.

The Nikon Z 50mm F1.2 S will be available in December for $ 2099.

Z 14-24mm F2.8 S

Nikon’s AF-S 14-24mm F2.8 was a wildly popular lens, and for many years it was among the best wide-angle zooms you could buy. Nikon was always going to create an equivalent for its new mirrorless Z mount and here it is: the Z 14-24mm F2.8 S.

Size and Weight

The old AF-S 14-24mm F2.8 is a famously large, unwieldy lens, thanks mostly to its enormous front element. The new Z 24-24mm F2.8 is an altogether more portable option, and considerably lighter (650g / 1.4lb compared to 970g / 2.1lb). That’s a weight reduction of 35%.

It’s not a small lens by any means, but at around five inches long, it is the smallest and also lightest 14-24mm F2.8 on the market (albeit in a class of only three – the third being Sigma’s 14-24mm F2.8 DG HSM Art). Minimum focus is 0.28m (~11in) so get ready to shoot some classic ‘wildflowers at sunset’ landscapes.

Optical construction

Optically too, this lens is totally different to its nominal F-mount predecessor. This is very obvious from the flat front element, which contrasts very clearly with the large, bulging front element of the older AF-S 14-24mm. And yes, this does mean that you can use screw-in filters, although you’ll need to attach the included HB-96 hood to do it, and you’ll need to hunt down 112mm filters – not a particularly ‘standard’ size (or a cheap one), but both Nikon and B+W do make them.

If you don’t fancy shelling out for massive new filters, there’s also a tray for trim-able 40.5mm drop-in gel filters at the very rear of the lens.

Optical construction

Internally, the new Z 14-24mm F2.8 S comprises 16 elements in 11 groups, including three aspherical and four ED elements. Like the 50mm F1.2, it features both Nano Crystal and ARNEO coatings. Nikon promises “stellar point light reproduction capabilities” and excellent coma and flare suppression, which should make this lens ideal for wide-aperture astrophotography.

Weather-sealing

The front element is coated with fluorine, to aid with cleaning if moisture and fingerprints should make their way onto the glass. Speaking of which, the Z 14-24mm F2.8 is sealed against dust and moisture.

Price and availability

The Nikon Z 14-24mm F2.8 S will be available in November for $ 2399 – a considerable premium over the older AF-S 14-24mm, but one that’s hopefully justified by its image quality. We’ll be sharing sample images as soon as we get hold of a production lens.

Articles: Digital Photography Review (dpreview.com)

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Nikon 14-24mm F2.8 S and 50mm F1.2 S for Z-mount unveiled

16 Sep

Nikon has officially announced two more lenses for its Z-mount, full-frame mirrorless system: the Nikkor Z 14-24mm F2.8 S and 50mm F1.2 S. Both are slated to arrive by the end of 2020.

Nikkor Z 14-24mm F2.8 S

The 14-24mm is almost 35% lighter than its AF-S 14-24mm F2.8 G predecessor for DSLRs, and thanks to a nearly-flat front element it accepts conventional threaded filters (albeit very large 112mm ones) via the included HB-97 lens hood. That’s unusual for a lens of this type, and a rear filter holder also accepts trimmed gel filters.

Overall the lens measures a relatively compact 88.5mm (3.5in) x 124.5mm (5in), and weighs 650g (1.4lb). It includes a nine-blade aperture and features Nano Crystal and ARNEO anti-reflective coatings to control ghosting, flare and coma. Like the recent Z 24-70mm and 70-200mm F2.8 zooms that this lens complements, the 14-24mm offers ‘extensive’ weather sealing and includes a small OLED display panel on the lens barrel itself.

Nikkor Z 50mm F1.2 S

The Z 14-24mm may be relatively compact for its class, but the Z 50mm F1.2 S is decidedly not. With optics one and a half times bigger than those used by the Z 50mm F1.8, it weighs in at 1090g (2.4lb) and measures 89.5mm (3.6in) x 150m (6in).

It features a ‘symmetrical’ optical design, which Nikon says improves its ability to provide edge-to-edge sharpness. The lens features two focusing groups, each with its own STM stepping motor, and its optical formula includes three aspherical elements to boost resolution and reduce distortion. Nano Crystal and ARNEO coatings are also used, and like 50mm F1.2 also includes weather-sealing and lens barrel display.

The Nikkor Z 14-24mm S F2.8 will go on sale in November for $ 2400; the Nikkor Z 50mm F1.2 arrives in December for $ 2100.

Z 14-24mm F2.8 and 50mm F1.2 official sample images

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Press release:

NIKKOR Z INNOVATION CONTINUES: NIKON INTRODUCES TWO ESSENTIAL NIKKOR Z LENSES EQUIPPED WITH INCREDIBLE OPTICS TO DELIVER UNRIVALED IMAGE QUALITY

The Ultra-Wide NIKKOR Z 14-24mm f/2.8 S and Powerful NIKKOR Z 50mm f/1.2 S Lenses Bring Groundbreaking Advancements in Optical Performance and Design to the Nikon Z Series

MELVILLE, NY (September 16, 2020) – Today, Nikon Inc. unveiled two exciting additions to the rapidly expanding NIKKOR Z lens lineup, demonstrating the brand’s commitment to the evolving Nikon Z series. These new full-frame S-Line1 lenses showcase the superior optical performance and capabilities of the Nikon Z mount for photographers and creators. The ultra-wide angle NIKKOR Z 14-24mm f/2.8 S is the world’s shortest2 and lightest2 full-frame f/2.8 zoom lens with a 14mm field of view, enabling a versatile range to capture expansive views including cityscapes, landscapes, astrophotography and more. Meanwhile, the NIKKOR Z 50mm f/1.2 S is the paramount fast-aperture prime lens engineered for optical excellence to help Z series users achieve unrivaled power, exceptional sharpness and show-stopping bokeh.

“This is an exciting time for Nikon lens technology as we lead the way in providing the most incredible optics available today,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The highly anticipated NIKKOR Z 14-24mm f/2.8 and the powerful NIKKOR Z 50mm f/1.2 lenses demonstrate the incredible innovation behind the Z series and the limitless possibilities of what our engineers are capable of achieving.”

NIKKOR Z 14-24mm f/2.8 S: Broaden Your Horizons with the Essential Ultra-Wide Angle Zoom Lens
The much anticipated NIKKOR Z 14-24mm f/2.8 S is the shortest and lightest full-frame zoom lens of its kind, offering unique user benefits and incredible rendering capabilities across the wide zoom range. Joining the previously announced NIKKOR Z 24-70mm f/2.8 S and NIKKOR Z 70-200mm f/2.8 VR S lenses, this lens completes the trinity of coveted fast aperture Z series zooms. The 14-24mm is a versatile lens that proves the optical superiority of the Nikon Z mount, producing excellent edge-to-edge sharpness, minimal distortion and exceptional photo and video capabilities for creators. The new optical design allows for a significantly shorter lens that is nearly 35 percent lighter than its predecessor, the popular AF-S NIKKOR 14-24mm f/2.8, making this lightweight lens ideal for a trek into the field. Meanwhile, its wide-angle zoom range offers video content creators a new option for capturing tack-sharp establishing shots, interiors or POV angles.

The NIKKOR Z 14-24mm f/2.8 S lens is engineered to deliver unrivaled optical excellence and maximum usability. This thoroughly modernized lens design features a nearly flat front lens element, which allows the attachment of a threaded filter to the included additional lens hood (HB-97). This design provides users the ability to attach a Neutral density (ND) filter, as well as the new Neutral Color NC Filter 112mm or Circular Polarizing Filter II 112mm3, while a rear filter holder also accepts a trimmable filter gel. With the option to easily use multiple filter types, users can capture epic landscapes with greater versatility and flexibility in more lighting conditions than ever before. An excellent choice for photographing stunning night-time views, the 14-24mm lens delivers amazing low-light performance with a constant f/2.8 aperture and stellar point light reproduction capabilities that suppress sagittal coma and flare for tack-sharp stars and city lights.

The NIKKOR Z 14-24mm combines a robust design and reliable performance with custom controls, including a customizable one-touch shortcut button, EL Display panel and custom control ring, making controls and settings convenient and accessible. The optical formula includes four ED lens elements, helping to control chromatic aberrations, and capture fine details, including colors and lines, with consistent accuracy – a true benefit to those shooting interiors and architecture. Additionally, flare, ghosting and coma are suppressed, even with harsh backlight, thanks to the lens’ Nano Crystal Coat (N) and anti-reflective ARNEO Coat, while its robust fluorine coating and extensive weather sealing allow Nikon Z series users to shoot confidently in rugged and unpredictable environments. As an added benefit to videographers, the lens also features an electro-magnetic diaphragm, to help maintain smooth exposures as light changes.

NIKKOR Z 50mm f/1.2 S: Immense Details. Exceptional Sharpness.
The new NIKKOR Z 50mm f/1.2 S is Nikon’s fastest and most optically impressive AF prime lens yet, effortlessly balancing the combination of intense sharpness and dreamy bokeh. For pro-level creators that need powerful performance and versatility, the 50mm f/1.2 delivers a standard focal length with unrivaled sharpness, speed, and life-like clarity. With a bright f/1.2 aperture and premium S-Line engineering, the NIKKOR Z 50mm lens is the definitive and versatile prime for a range of photography styles including portraiture, street photography, landscapes, nightscapes and more.

The NIKKOR Z 50mm f/1.2 S lens effortlessly achieves a soft and enchanting bokeh, with a circular background blur that is smooth and gradual when focusing for a natural “fall-off”. The bright f/1.2 aperture affords a dramatically shallow depth of field with beautiful subject isolation for stunning portraiture, while it also offers exceptional low-light performance. Maximizing the capabilities of Z series’ technology, the 50mm f/1.2 lens adopts stepping motors (STM) as well as a multi-focusing system4, enabling multiple lens elements to focus simultaneously for fast and precise autofocusing, even when shooting close-up or wide open. Furthermore, the lens’ ability to maintain stable exposure in changing lighting conditions, combined with its quiet operation and minimal focus breathing, establishes the lens as an appealing tool for video creators.

The NIKKOR Z 50mm f/1.2 S lens tells a story of balance in design and functionality, seamlessly harmonizing intense resolution and velvety bokeh. The symmetrical optical design prevents light from being bent or distorted as it passes through the lens, meaning the purest, sharpest image reaches the camera sensor without any added distortion or aberration for true edge-to-edge sharpness. This innovative lens design also includes three aspherical elements to help virtually eliminate distortion, for superior resolution, point light reproduction and superb three-dimensional clarity. Designed for pro-level reliability, the NIKKOR Z 50mm is a superbly balanced lens constructed with robust weather sealing, a customizable control ring and shortcut button, as well as an EL Display panel to enhance workflow. Meanwhile, the lens is engineered with Nikon’s Nano Crystal and ARNEO Coating to minimize flare, ghosting and coma, allowing Z series users to confidently shoot in a variety of lighting scenarios, including harsh backlighting, to capture any scene with incredible sharpness and clarity.

Pricing and Availability
The NIKKOR Z 14-24mm f/2.8 S lens will be available in November 2020 for a suggested retail price (SRP) of $ 2,399.95*, while the NIKKOR Z 50mm f/1.2 S lens will be available in December 2020 for a suggested retail price (SRP) of $ 2,099.95*. For more information on the latest Nikon products, including the new NIKKOR Z 14-24mm f/2.8 S and NIKKOR Z 50mm f/1.2 S lenses and the full Nikon Z series, please visit ?www.nikonusa.com.

Nikkor Z 14-24mm F2.8 S and Z 50mm F1.2 S specifications

	Nikon Nikkor Z 14-24mm F2.8 S	Nikon Nikkor Z 50mm F1.2 S
Principal specifications
Lens type	Zoom lens	Prime lens
Max Format size	35mm FF
Focal length	14–24 mm	50 mm
Image stabilization	No
Lens mount	Nikon Z
Aperture
Maximum aperture	F2.8	F1.2
Minimum aperture	F22	F16
Aperture ring	No
Number of diaphragm blades	9
Optics
Elements	16	17
Groups	11	15
Special elements / coatings	4 ED elements, Arneo + Nano Crystal coatings	2 ED + 3 aspherical elements, Arneo + Nano Crystal coatings
Focus
Minimum focus	0.28 m (11.02″)	0.45 m (17.72″)
Maximum magnification	0.13×	0.15×
Autofocus	Yes
Motor type	Stepper motor
Full time manual	Yes
Focus method	Internal
Distance scale	Yes
DoF scale	Yes
Physical
Weight	650 g (1.43 lb)	1090 g (2.40 lb)
Diameter	89 mm (3.5″)	90 mm (3.54″)
Length	125 mm (4.92″)	150 mm (5.91″)
Materials	Magnesium alloy
Sealing	Yes
Colour	Black
Zoom method	Rotary (extending)
Power zoom	No
Filter thread	112 mm	82 mm
Filter notes	Also supports rear gel filters
Hood supplied	Yes
Tripod collar	No

Articles: Digital Photography Review (dpreview.com)

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Meike’s 25mm F1.8 manual lens for Nikon Z-mount costs only $75

14 Aug

It’s only been a few days since Meike introduced it’s 85mm F1.8 autofocus prime, but it’s already back with the announcement of another lens, a 25mm F1.8 manual focus prime for Nikon Z-mount cameras.

The lens is constructed of seven elements in five groups, has an aperture range of F1.8 through F16, features a minimum focusing distance of 25cm (9.8”) and uses a nine-blade aperture diaphragm.

The lens measures in at 61mm (2.4”) in diameter, 41mm (1.6”) long and weighs approximately 170g (6oz). Meike notes that the lens is entirely manual to the point that you’ll need to set your camera to release the shutter without a lens, as it won’t recognize a lens is attached.

Meike’s website makes mention of APS-C throughout the entire product page, but also shows the lens attached to the Nikon Z7 we have contacted Meike to confirm whether this lens is exclusively for APS-C or also full-frame

The lens is available now for just $ 75 on Meike’s website. It comes with the lens, front/rear caps, a carry pouch and a microfiber cleaning cloth.

Articles: Digital Photography Review (dpreview.com)

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Nikon Z-mount 1.4x and 2x teleconverters arrive in August

21 Jul

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Nikon has announced that it will add two teleconverters to its mirrorless Z-series lineup this summer: the Z Teleconverter TC-1.4x and TC-2.0x. Both are weather-sealed, with fluorine coatings on front and rear elements to resist smudges, and retain autofocus capabilities with all AF points up to F11. The teleconverters will be compatible with ‘select’ Nikkor Z lenses, including the 70-200mm F2.8 VR S. It’s likely (but unconfirmed) that they’ll also work with the 100-400 and 200-600mm tele-zoom lenses currently on the Z-mount roadmap that should be released next year.

Both teleconverters are compact designs with a protruding front element meaning that, like recent F-mount equivalents, they cannot be ‘stacked’ or combined.

The 1.4x and 2.0x teleconverters will sell for $ 550 and $ 600, respectively, and will go on sale in late August. They will be sold alongside the previously-announced but delayed Z 70-200mm F2.8 S, which is expected to become available in the same timeframe.

Press release

EMBARK ON THE FULL-FRAME MIRRORLESS JOURNEY: NIKON UNVEILS THE Z 5, AN INNOVATIVE AND FEATURE-RICH MIRRORLESS FX-FORMAT CAMERA FOR EMERGING CREATORS

Nikon Expands the NIKKOR Z Lens Lineup with the Addition of the Extremely Compact and Versatile NIKKOR Z 24-50mm f/4-6.3 as well as the new Z TELECONVERTER TC-2.0X and TC-1.4X; Nikon Also Announces Free Webcam Utility

MELVILLE, NY (July 21, 2020) – Today, Nikon Inc. announced the Z 5, the new full-frame (FX-format) entry-point into its award-winning lineup of Z series mirrorless cameras. The Nikon Z 5 combines sophisticated features inherited from the Z 7 and Z 6 with the benefits of Nikon’s next generation Z mount at an unprecedented value. For those new to mirrorless or creators looking to push the limits of their craft with the power of full-frame, the compact Z 5 will exceed expectations. With an incredibly robust feature set, including in-camera vibration reduction (VR) image stabilization (IBIS) and the perfect balance of seamless automation and full manual control, creators can effortlessly share their artistic passions, travel adventures and so much more.

Nikon also unveiled the new NIKKOR Z 24-50mm f/4-6.3, the shortest, lightest and most affordable full-frame zoom lens in the NIKKOR Z lineup. Designed for on-the-go creators, the 24-50mm lens is the ideal companion for Z series users who want to capture it all – from vast landscapes and cityscapes, to street photography and striking portraits.

“The Nikon Z 5 offers the next generation of creators a gateway into the full-frame Z series lineup, opening the door to the limitless possibilities of mirrorless photo and video capture, while providing the means to share their creativity with others,” said Jay Vannatter, Executive Vice President, Nikon Inc. “With the addition of the NIKKOR Z 24-50mm f/4-6.3, Nikon is introducing the smallest full-frame NIKKOR Z lens to date, providing an extremely lightweight, versatile option to help users pursue all creative endeavors, regardless of which Z series camera they use.”

Nikon Z 5: The Full-Frame Journey Starts Here
As the new entry point to Nikon’s full-frame mirrorless lineup, the Nikon Z 5 offers a lot of power and capabilities at an attractive price, empowering the next generation to begin their journey with the confidence to learn and grow as creators.

Incredible Image Quality: Featuring a powerful FX-format 24.3-megapixel CMOS sensor, the Z 5 is the gateway to the benefits of full-frame, helping creators to capture intensely detailed images, ultra-shallow depth of field and clean low-light shots with unrivaled consistency. From portraits that flatter, nighttime landscapes that astound and street shots that impress, the gorgeous tones, faithful colors, minimal noise, and revered Nikon color science all play a part to help users capture images that are true to their vision.
High Speed Performance and Processing: Engineered with the EXPEED 6, Nikon’s fastest image processor to date, the Z 5 is a dependable, high-performance tool designed for content creation. EXPEED 6 allows for a boost in processing power and energy efficiency while rendering subtle textures and small details with amazing results.
Stellar Low-Light Performance: With an ISO range up to 51,200 (expandable to 102,400), the camera effectively reduces noise, maintaining both high sensitivity and resolution to excel in low-light situations, making it ideal for shooting everything from low-light events to an all-nighter under the Milky Way.
Capture with Speed: With shutter speeds up to 1/8000, the Z 5 can capture fast-moving subjects with clarity including fast-action sports and wildlife. This higher maximum shutter speed enables photographers to better tame even the brightest mid-day light to unleash the potential of fast-aperture NIKKOR glass. When the moment strikes, the camera can also capture full resolution bursts at 4.5 fps with full AF/AE.
Silent and Smooth: The combination of the camera’s silent photography mode and In-Body 5-Axis VR stabilization provides quiet, stable shooting to document sensitive moments without distractions.
Vast Lens Selection: Whether shooting glamorous portraits from a studio on the sidewalk, long-distance wildlife, epic wide landscapes in the field or street photography, the growing lineup of NIKKOR Z lenses provides Z 5 users the versatility to capture incredible shots with sharpness across the frame and superior light gathering in any situation. For even more flexibility, the vast array of traditional F-mount NIKKOR lenses can be used via the Mount Adapter FTZ to enhance images with a unique focal length or beautiful bokeh, while gaining the benefits of in-body stabilization.
Dual UHS-II SD Card Slots: Equipped with two UHS-II card slots for overflow, backup or separating RAW and JPEG photos, the Z 5 enables photographers to shoot with extreme confidence when using widely available consumer SD cards.

Simple Yet Sophisticated for Expanding Creativity
A great option for emerging creators getting started, the Nikon Z 5 is packed with powerful tools and user-friendly controls to help users explore and capture their artistry with ease.

Focus Anywhere: The Z 5 boasts 273[1] on-sensor AF points, to quickly and accurately track subjects throughout the frame, while Eye-Detection AF capabilities help precisely capture the eyes of humans and animals. The wide array of AF points covers nearly the entire frame, and multiple AF modes allows the user to have pinpoint control or fully automatic assurance to easily lock onto a subject.
Easily Shift Gears: The Nikon Z 5 offers the ability to effortlessly switch between manual mode for the ultimate in control, as well as a large variety of automatic creative modes to help mirrorless users capture truly distinct images and video.
Creativity Built-in: Equipped with 20 Creative Picture Controls, and advanced features like Focus Shift Shooting and multiple exposure mode, users can compose unique images, produce extraordinary depth of field, or combine several shots and layer images on top of each other with the in-camera image overlay function.
Advanced Video Capture: The Z 5 makes it easy to document any creative vision in 4K UHD/30p[2] or in 1080/60p (full-frame). When recording video, the PDAF system is rapid to react, allowing users to quickly lock critical focus on subjects, and is fully customizable to fit any production style. In-camera VR image stabilization and electronic VR reliably eliminate the shake when shooting video, plus users get the added benefit of focus peaking and the ability to capture stills while recording.
Flexible Recording Modes: In addition to the traditional interval timer and in-camera time-lapse modes, the Nikon Z 5 is equipped with a new Time-Lapse Movie mode that gives users the best of both worlds for more streamlined movie making – the ability to use images from interval timer mode and create a time-lapse in-camera.
Unique Lighting Options: For enhanced creative control, the camera features a hot shoe, and is fully compatible with the Nikon Speedlight wireless lighting system.
Get Connected: The Nikon SnapBridge[3] app makes it easy to remotely control the Z 5 or seamlessly transfer and share content to a smartphone, tablet, Mac, or PC thanks to built-in Wi-Fi[4] and Bluetooth[5] connectivity.

Rugged Reliability and Engineered for Versatility
In addition to providing high-quality imaging capabilities, the Nikon Z 5 is compact and comfortable in-hand while promising the rugged reliability as well as innovative features and controls that Nikon is known for.

Legendary Nikon Build: Designed with a durable, weather-sealed exterior for worry-free use, the Z 5 employs the same magnesium alloy shell and robustness as the Z 6 and Z 7. Both the camera and NIKKOR Z 24-50mm f/4-6.3 lens are built with consideration for dust and drip resistance and are ready to tackle the next adventure.
Functional Operability: The camera sports a powerful, high-resolution 3.2-inch LCD monitor with the capabilities to tilt, touch, tap, swipe, and pinch for an intuitive and flexible user-experience. Meanwhile, the 3.6M-dot Quad-VGA EVF ensures users can see exposure, ISO, white balance and creative picture controls in real time, making the transition from optical viewfinders seamless for new mirrorless shooters.
Packed with Power: Powered by the new EN-EL15c battery, the Z 5 offers significant advancements in the number of shots per charge and is the first Nikon camera to enable constant power through the USB port, even with select portable USB power banks[6]. For added power and grip, the camera is also compatible with the MB-N10 hot-swappable battery pack.
Webcam Ready: When connected via the USB-C cord, the Z 5 can be used as a webcam, making the camera a great option for modern vloggers, influencers and gamers looking to improve their livestreaming capabilities.

NIKKOR Z 24-50mm f/4-6.3: Portable, Yet Powerful
The NIKKOR Z 24-50mm f/4-6.3 is the latest addition to the rapidly expanding lineup of NIKKOR Z lenses and is the smallest FX-format NIKKOR Z lens yet. Optically designed to take advantage of the advancements of the wide Z mount, this lens delivers sharpness across the entire frame and a versatile zoom range for everyday use. The 24-50mm is less than three inches long when retracted, making it the perfect lens for shooters seeking a versatile yet compact option for lightweight travel and street photography. When used together, the Z 5 and 24-50mm lens are the ideal discrete travel kit that can easily be packed and carried for all-day adventures. This compact NIKKOR Z lens is also an enticing option for Z 6 and Z 7 users who want a small all-around lens for portraits, landscapes, and street photography.

New Z Teleconverters Take NIKKOR Z Lenses to New Lengths
Designed for photographers and videographers who need more telephoto reach in their kit, the new Z TELECONVERTER TC-1.4X and Z TELECONVERTER TC-2.0X bring added versatility with 1.4x and 2.0x magnification to select NIKKOR Z lenses. These lightweight teleconverters are great tools for those photographing sports, wildlife and aviation, reducing the need to crop images and allowing for tighter compositions with maximum resolution.

The new TC-1.4X and TC-2.0X teleconverters maintain superior rendering performance and minimize various lens aberrations, while retaining focusing speed, VR functionality and minimum focusing distance. As an added benefit, the new teleconverters allow Nikon Z series cameras to retain functionality on all focus points up to f/11, making it easy to focus on and track subjects throughout the entire frame. Featuring the same robust construction as NIKKOR Z lenses, the teleconverters are designed with a fluorine coating on the front and rear elements to resist dirt and smudges, and offer a durable, weather-sealed body to protect against the elements.

When the teleconverters are used with the NIKKOR Z 70-200mm f/2.8 VR S (availability scheduled for late August), the focal length on the telephoto end is extended to 280mm (1.4x) or 400mm (2.0x) producing a significant expansion of this telephoto lens’ shooting range. These new teleconverters will also be compatible with applicable interchangeable lenses for Nikon Z mount mirrorless cameras that Nikon will release in the future.

New Webcam Utility Software for Nikon Cameras
In August, Nikon will release a beta version of the Webcam Utility software for many Nikon DSLR and Z series mirrorless cameras, including the new Z 5. Initially available for Windows 10, the free software will allow compatible Nikon cameras to be used as webcams. When connected via USB, this free software will provide users with incredible sharpness, clarity and flattering depth of field for all of their livestreaming needs including teleconferencing and gaming.

For more information on how to use your Nikon camera as a webcam, please visit https://www.nikonusa.com/en/learn-and-explore/live-streaming-with-nikon-cameras.page

Pricing and Availability
The Nikon Z 5 will be available in August in several configurations, including body-only for a suggested retail price (SRP) of $ 1,399.95*, a one-lens kit with the new NIKKOR Z 24-50mm f/4-6.3 for an SRP of $ 1,699.95* and a one-lens kit with the NIKKOR Z 24-200mm f/4-6.3 VR lens for an SRP of $ 2,199.95* for those seeking extra reach when photographing wildlife or travel adventures. Also available in August, the NIKKOR Z 24-50mm f/4-6.3 lens can be purchased separately for an SRP of $ 399.95*. The new Z TELECONVERTER TC-1.4X and TC-2.0X will have an SRP of $ 549.95 and $ 599.95 respectively and will be available in late August.

For more information on the latest Nikon products, including the new Z 5 and NIKKOR Z 24-50mm f/4-6.3 lens, as well as the full Nikon Z mount system, please visit?www.nikonusa.com.

Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

1. With recording of still images using the FX-format image area and single-point AF. 231 focus points with movie recording.

2. When using this mode, the frame is cropped approx. ×1.7.

3. Using the SnapBridge App System Requirements:

a. Android 5.0 or later or 6.0.1 or later
b. A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
c. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.

4. This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.

5. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a compatible smart device running the SnapBridge app, and to take advantage of SnapBridge features.

6. Anker PowerCore+ 26800 PD 45W is the recommended portable charger. Use a USB cable with two Type-C connectors supplied with the portable charger. For more information about the portable charger, please visit the manufacturer’s website: Anker.com/support

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Nikon’s 70-200 F2.8 for Z-mount to ship in February

07 Jan

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Nikon’s new Nikkor Z 70-200mm F2.8 VR S is the first full-frame tele-zoom for the company’s Z-mount. The lens has Vibration Reduction built-in – which works in tandem with the Z6 and Z7’s in-body IS system – and can reduce shake by up to 5 stops.

As with Nikon’s F-mount 70-200s, the Z-mount version has both internal focus and zoom. The company claims minimal focus breathing and also that this is a parfocal lens, keeping the subject in focus as you zoom. It has a total of 21 elements, including one SR (short wavelength refracting) to reduce longitudinal chromatic aberration, as well as 6 ED, 2 aspherical and 1 fluorite elements. It also features Nikon’s Nano Crystal and Arneo coatings to minimize both off-axis and on-axis flare, respectively. The 70-200 can focus down to 0.5m at its wide end and 1m at its telephoto end, with a maximum magnification of 0.2x. These short focus distances are achieved using two separately driven autofocus units.

The 70-200 F2.8 weighs in at 1.4kg (3.2lbs) and uses 77mm filters. A customizable control ring allows for quick adjustment of aperture or exposure compensation, and a digital display shows things like aperture and focus distance. As with other high-end Z-mount lenses, the 70-200 is weather-sealed.

The Nikkor Z 70-200 F2.8 VR S will be available in February for $ 2599.

Official sample photos

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NIKON ASSERTS COMMITMENT TO OPTICAL SUPERIORITY WITH THE ANNOUNCEMENT OF CUTTING-EDGE Z MOUNT, F MOUNT AND COOLPIX PRODUCTS

The New NIKKOR Z 70-200mm f/2.8 VR S Redefines a Quintessential Photographer Favorite for the Z System; The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a Ground-Breaking Pro Super-Telephoto Zoom Lens; The COOLPIX P950 Packs an 83X Optical Zoom to Bring the World Closer

LAS VEGAS – CES BOOTH #14018 (January 6, 2020 at 9:00 P.M. ET / 6:00 P.M. PT) – Today, Nikon Inc. announced three new innovative products that affirms the imaging brand’s commitment to bringing optical excellence to all levels of customers. First, the new NIKKOR Z 70-200mm f/2.8 VR S is the latest in the ever-expanding Z mount lens line, giving users of Nikon Z series mirrorless cameras an indispensable workhorse lens for capturing action and portraits. For professional sports and wildlife photographers, the new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is an enticing high-performance, professional super telephoto F mount NIKKOR lens. Finally, the COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, offering creators a spectacular 83x optical zoom and a myriad of innovative features to take their creativity to new heights.

“Nikon continues to innovate and push the boundaries of what’s possible in imaging and lens technology,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The new NIKKOR Z 70-200mm f/2.8 VR S takes advantage of the next-generation optical system offered by the Nikon Z mount to create a versatile 70-200mm lens with astounding sharpness and clarity, cementing this S-line lens as a staple for those who demand only the best from their lenses.”

The NIKKOR Z 70-200mm f/2.8 VR S – Astonishing Details, Uncompromising Zoom
An essential pro-level telephoto zoom lens re-imagined to take advantage of the optical potential of the Z series, the NIKKOR Z 70-200mm f/2.8 VR S is the latest addition to Nikon’s rapidly growing lineup of mirrorless lenses. The NIKKOR Z 70-200mm f/2.8 represents a pivotal lens for the Z series and a must-have for those shooting action, weddings, events, news, wildlife and portraits. Equipped with a versatile focal range, fast f/2.8 aperture and an impressive 5 stops of built-in optical VR image stabilization1, the NIKKOR Z 70-200mm gives mirrorless shooters the flexibility to capture astoundingly sharp images and videos in a variety of scenarios. Additionally, multimedia and content creators using the lens will appreciate the stepping motor (STM) for extremely quiet autofocus operation and reduced focus breathing.

The NIKKOR Z 70-200mm f/2.8 VR S demonstrates the technological benefits of the Nikon Z mount to reinvent a classic lens, while including new features to make this photographer favorite even more superior for Z series users. Parfocal support maintains focus when zooming, while a reduced minimum focus distance (0.5m wide, 1.0m telephoto) vastly increases versatility for photos and video. When used in combination with the in-body stabilization of the Nikon Z 6 and Z 7, the NIKKOR Z 70-200mm f/2.8 promises unparalleled stability with additional optical stabilization. Like other S line lenses, the NIKKOR Z 70-200mm f/2.8 boasts a premium optical design complete with a 9-blade diaphragm as well as Anti-Reflective Nano Crystal and ARNEO coatings for maximum image quality in any light, with a Fluorine coating that resists dirt and smudges. In addition to a rugged weather sealed design the lens is ready to tackle any assignment with a dedicated Info Panel, two customizable Function buttons and an additional custom control ring.

The new NIKKOR Z 70-200mm f/2.8 VR S and AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR are the first Nikon lenses to feature the newly developed SR (Short-Wavelength Refractive) lens element, a specialized-dispersion glass lens featuring characteristics that greatly refract light with wavelengths shorter than that of blue. By controlling short-wavelength light that is difficult to compensate, the lens can more effectively collect light of various specific wavelengths and achieve highly precise chromatic aberration compensation.

AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR: Impressive Reach, Incredible Speed, Absolute Versatility
The all-new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a versatile, professional lens for the Nikon F mount with a large focal range and fast constant aperture. It’s ideal for sports, wildlife and portrait photographers seeking a bright and fast telephoto lens that offers sharp image quality across a wide range of focal lengths. Thanks to its extensive 120-300mm focal range, the NIKKOR 120-300mm f/2.8 provides users with a pro-level single lens solution, replacing the need to carry multiple lenses. With Nikon’s reliable weather-sealed construction, the NIKKOR 120-300mm f/2.8 is equipped to handle any shooting scenario whether on the sidelines or in the wilderness.

Users will appreciate the constant f/2.8 aperture which offers incredible low-light capability and depth of field that draws emphasis to a subject. The impeccably sharp image quality, beautiful bokeh and enhanced AF performance of the NIKKOR 120-300mm f/2.8 offer speed and sharpness reminiscent of a prime. Engineered with Nikon’s cutting-edge technologies, the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is the first NIKKOR F mount lens to adopt Nikon’s new SR lens element as well as Nikon’s anti-reflective ARNEO coat to deliver superior chromatic aberration compensation and effectively reduce ghost and flare. The built-in VR function provides an effect equivalent to a shutter speed 4.0 stops1 and includes a Sport VR mode for rapidly moving subjects.

Ready for professional use, the lens is sealed to resist the elements and is engineered for maximum usability, even when handheld. The zoom ring, focus function buttons, tripod collar ring and controls are all designed to ensure superior operability for more comfortable shooting.

COOLPIX P950: 2,000mm Zoom Power, 4K UHD Video & More
With an unbelievable 83x optical zoom NIKKOR lens, the 16-megapixel COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, which delivers unprecedented image quality from extreme distances. Beyond the staggering 24-2000mm lens, the COOLPIX P950 packs an advanced feature-set complete with Nikon’s renowned NIKKOR optics and advanced stabilization technology with 5.5 stops of VR image stabilization, allowing stargazers and birdwatchers to capture high-quality photos or 4K UHD videos at extreme distances with ease. Plus, by using the COOLPIX P950’s 166x** Dynamic Fine Zoom for far-away subjects and Macro Shooting capabilities to get as close as 0.4 inches, adventure-seekers can bring the unimaginable closer than ever.

Users can rely on the P950 to photograph life’s most unique subjects with incredible accuracy and focus thanks to its Target Finding AF capabilities, 7 fps continuous shooting and ISO sensitivity up to 6400. A great option for photographers of all skill levels, the COOLPIX P950 features user-friendly controls alongside an intuitive menu system and a 2359k-dot EVF, making it easier to review and capture one-of-a-kind shots. Using dedicated Bird-Watching and Moon Modes, photographers can effortlessly snap photos of their world and beyond. The new P950 also adds RAW (NRW) photo recording, an enhanced high-resolution electronic viewfinder and Nikon SnapBridge2,3,4 to seamlessly share images or remotely control the camera.

The COOLPIX P950 is also equipped with an accessory shoe to enable compatibility with a variety of useful accessories, including the optional DF-M1 Dot Sight, which helps users locate subjects and compose shots from far-away distances.

Pricing and Availability
The new NIKKOR Z 70-200mm f/2.8 VR S lens and COOLPIX P950 will be available in February for suggested retail prices (SRP) of $ 2,599.95* and $ 799.95*, respectively. The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR lens will also be available in February for a suggested retail price (SRP) of $ 9,499.95*. For more information about Nikon and their latest products, please visit?www.nikonusa.com.

1. Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum telephoto position.
2. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a compatible smart device running the SnapBridge app, and to take advantage of SnapBridge features.
3. This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.
4. Using the SnapBridge App System Requirements:

-Android™ and Google Play™ are trademarks of Google Inc.
-Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance. The N Mark is a trademark or registered trademark of NFC Forum, Inc. in the United States and in other countries. The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon corporation and its Affiliates is under license.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
** At the maximum image size. The maximum zoom ratio varies by image size. Dynamic Fine Zoom magnification is calculated from the maximum wide-angle position of the optical zoom.

Nikon Nikkor Z 70-200 F2.8 VR S specifications

Principal specifications
Lens type	Zoom lens
Max Format size	35mm FF
Focal length	70–200 mm
Image stabilization	Yes
CIPA Image stabilization rating	5 stop(s)
Lens mount	Nikon Z
Aperture
Maximum aperture	F2.8
Minimum aperture	F22
Aperture ring	No
Number of diaphragm blades	9
Optics
Elements	21
Groups	18
Special elements / coatings	ED, SR and aspherical elements + Nano Crystal and ARNEO coatings
Focus
Minimum focus	0.50 m (19.69″)
Maximum magnification	0.2×
Autofocus	Yes
Motor type	Stepper motor
Full time manual	Yes
Focus method	Internal
Distance scale	Yes
DoF scale	Yes
Focus distance limiter	Yes
Physical
Weight	1440 g (3.17 lb)
Diameter	89 mm (3.5″)
Length	220 mm (8.66″)
Materials	Magnesium alloy
Sealing	Yes
Colour	Black
Zoom method	Rotary (internal)
Power zoom	No
Filter thread	77 mm
Hood supplied	Yes
Tripod collar	Yes

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Meike launches 85mm F.28 Macro manual lens for Nikon Z-Mount

16 Oct

The previously launched Meike 85mm F2.8 Macro full-frame and APS-C lens is now available for Nikon Z-mount, the company has announced. As with the Canon RF version that followed the model launched for Canon EF, Sony E/FE and Nikon F, the new Nikon Z-mount variant features 8 groups in 11 elements, an F2.8 – F22 aperture, 0 – 1.5x magnification and 0.25m minimum focusing distance.

Meike describes the lens as ideal for macro and portrait photography, offering a durable all-metal body and moisture and dust resistance, a metal bayonet, multi-layer coating to minimize reflections, manual focus ring, and included lens hood.

The full lens specs are:

Lens type: Manual macro lens
Mount: Canon-RF/Nikon-Z
Aperture: F/2.8-F/22
Lens Structure: 8 Groups 11 Elements
Coating: Multi-layer coating
Min. Focus: 0.25m
Magnification: 1.5:1
Filter size: 55
Length: 120mm (Nikon Z / Canon RF)
Weight: 500g
Lens angle: 28.2°—15.9°

The Meike 85mm F2.8 macro lens for Nikon Z is now available for $ 269.99 directly from Meike Global.

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Nikon introduces the Z50, a DX-format mirrorless camera for Z-mount

13 Oct

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Nikon has announced the first DX-format camera to use the Z-mount: the Z50. The Z50 features a 21MP BSI CMOS APS-C sensor (similar to what’s on the D500) with on-sensor phase detection. Unlike the Z6 and Z7, the Z50 does not have in-body image stabilization.

Despite being a smaller and lighter camera than the Z6/Z7, the Z50 doesn’t feel cheap, and is weather-sealed to some degree. It has a downward-tilting 3.2″ touchscreen display, 2.36M-dot OLED EVF and pop-up flash. Its single SD card slot supports high-speed UHS-II media while its Micro USB port allows for in-camera battery charging. The Z50 uses the new EN-EL25 battery, with an estimated battery life of around 300 shots per charge.

The Z50 is capable of shooting bursts at 11 fps with continuous AF. It can capture UHD 4K video at 24p and 30p, and a 120 fps option is available if you drop the resolution to Full HD. While the Z50 has a mic input, it lacks a headphone socket.

The Z50 with its 16-50mm F3.5-6.3 VR kit lens

Along with the Z50 come two new kit lenses. First is the collapsible Nikkor Z DX 16-50mm F3.5-6.3 VR, which offers up to 4.5 stops of image stabilization and has a built-in control ring. For longer reach, there’s the Nikkor Z DX 50-250mm F4.5-6.3 VR, which offers 5 stops of shake reduction and also has a control ring.

The Z50 will be available in November for $ 859 body-only, $ 999 with the 16-50mm lens and $ 1349 with the 16-50mm and 50-250mm lenses. Both kit lenses will be available separately, with the 16-50 priced at $ 299 and the 50-250 at $ 349.

See all of our Nikon Z50 content

Press Release

A BIGGER MOUNT TO SHARE THE BOLDEST IDEAS: IT’S EASY TO TAKE CREATIVITY FURTHER WITH THE LIGHTWEIGHT NIKON Z 50 MIRRORLESS CAMERA

Nikon Also Announces the NIKKOR Z DX 16-50mm f/3.5-6.3 VR and NIKKOR Z DX 50-250mm f/4.5-6.3 VR, Two New Lenses That Deliver Incredible Image Quality and Outstanding Portability

MELVILLE, NY (October 10, 2019 at 12:01 A.M. EDT) – Today, Nikon Inc. announced the next Z series mirrorless camera, the DX-format Nikon Z 50, along with two new companion NIKKOR Z lenses, the NIKKOR Z DX 16-50mm f/3.5-6.3 VR and NIKKOR Z DX 50-250mm f/4.5-6.3 VR. The new Nikon Z 50 takes full advantage of Nikon’s larger Z mount, providing creators of all types with the most innovative optical system for superior image and video quality. The compact and lightweight Nikon Z 50 was made for unique individuals seeking a camera that has the speed, portability and style to keep pace and share their creative storytelling and imagination, especially when paired with the new ultra-compact 16-50mm zoom and the slim 50-250mm telephoto zoom lenses.

“The new Nikon Z 50 is a small yet capable camera that brings the best of the Nikon Z series to all kinds of creators to discover, share and engage,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The new NIKKOR Z DX lenses expands the Nikon Z series to provide new creative tools for those looking to take their photo and video passions to new heights.”

When a sudden case of jet-set wanderlust strikes, or if there’s an idea that just has to be shared in 4K video, the Nikon Z 50 is the unobtrusive companion that promises to help deliver content that truly stands out. This is Nikon’s first DX-format mirrorless camera, delivering a more compact lightweight system to those upgrading to mirrorless or discovering the Nikon Z mount system. The new Z 50 offers an ergonomic design, intuitive operability and the steadfast reliability Nikon is known for, but in a slimmer, lightweight and attainable body. Taking advantage of the Nikon Z mount, the Z 50 produces stunning image quality and provides optimal performance for any type of content creation, from still photography to high-quality 4K video.

SMALL ON SIZE, BIG ON FUN: The easy-to-carry, compact and lightweight 14-oz body of the Nikon Z 50 is designed with intuitive controls and an agile yet durable magnesium alloy frame. It’s effortless to carry while vlogging a vacation, hiking the backcountry or exploring a new part of town. Since it’s mirrorless, users can activate the silent shutter function for truly low-profile shooting in sensitive situations.

TELL YOUR STORY, BEAUTIFULLY: A DX-format 20.9-megapixel CMOS sensor delivers superior image quality, sharpness, color and tones to document it all, even in low light. The EXPEED 6 image-processing engine helps to achieve excellent low-light performance and the highest standard sensitivity in its class¹for still-image shooting – ISO 51,200 – so users can capture high-resolution photos in challenging lighting conditions, like concerts or night street photography.

HIGH-SPEED PERFORMANCE: The camera quickly locks focus with a 209-point Hybrid AF System that enables broad coverage of approximately 87% of the frame horizontally and 85% vertically. It’s also the first Nikon DX-format camera to employ Eye-Detection AF, which makes portrait photography simple by recognizing and instantly focusing on a subject’s eyes, even if they are moving. What’s more, with fast 11 fps (with AF/AE) continuous shooting, users can keep up with fleeting moments and never miss a moment of the action.

FLIP-DOWN SELFIE SCREEN: The Nikon Z 50 features an easy to use interface with a 3.2-inch flip-down LCD touchscreen that’s ideal for selfies and vlogging. The LCD features familiar soft keys and icons, while intuitive controls make storytelling simple. Selfie Mode automatically disables all but essential controls while the LCD is flipped down, which makes it easy for the photographer to turn the camera on themselves and capture flattering photos and videos without worry of accidentally changing settings.

EPIC VIDEO FEATURES AND NEW CREATIVE OPTIONS: Sharp, vibrant 4K video is just the beginning – Experience built in 120p slow-motion, time-lapse and interval timer as well as in-camera video trimming and 20 Creative Picture Controls. These Creative Picture Controls and Special Effect modes instantly transform an image or video footage, while Scene Modes automatically adjust settings to optimize performance for beginners. For smooth footage, the camera also incorporates additional built in stabilization while shooting Full HD or 4K video.

SHARE BETTER CONTENT, INSTANTLY: Built-in Wi-Fi® and Bluetooth connectivity along with support for the new SnapBridge² version 2.6 app allows users to seamlessly share still images and videos with friends, families and followers. In addition to automatically sending gorgeous images to one’s phone, users now also have the ability to easily transfer video to their smart device quickly. The latest version of SnapBridge also supports RAW image transfer and advanced remote capture functions.

THE NIKKOR Z DX 16-50mm f/3.5-6.3 VR & NIKKOR Z DX 50-250mm f/4.5-6.3 VR – NEXT GENERATION DX-FORMAT NIKKOR LENSES

The new NIKKOR Z DX 16-50mm standard zoom and the NIKKOR Z DX 50-250mm telephoto zoom lenses are designed to complement the new Z 50, striking the balance of small size and sharp optics. The NIKKOR Z DX 16-50mm f/3.5-6.3 VR lens is a slim zoom lens that lets users capture a wide variety of scenes, from beautiful landscapes to candid portraits. The compact telephoto NIKKOR Z DX 50-250mm f/4.5-6.3 VR lens allows anyone to go the extra distance and capture far-away subjects, like city skylines or birds in flight. When paired with the new lenses, Dual Detect Optical VR is enabled on the Z 50 to help control the effects of camera shake when shooting.

Both the new NIKKOR Z DX lenses unleash the potential of the Nikon Z mount, using the superior design flexibility made possible by the large-diameter and the 16mm flange focal distance to deliver outstanding optical performance and sharpness in a deceptively compact form factor.

In addition to achieving incredible image quality, the new NIKKOR Z DX lenses are optimized for video capture when paired with the Z 50, making them must-haves for emerging content creators. Both lenses promise reduced focus breathing, a customizable control ring for smooth control of aperture or exposure compensation, as well as fast and quiet operation. Additionally, the new lenses offer in-lens optical Vibration Reduction (VR) technology to allow for smooth recording, with camera shake compensation equivalent to 4.5 stops³ and 5.0 stops³, respectively.

Beyond these two new lenses, Nikon Z 50 users can enjoy greater variety in imaging expression by mounting any of the current lenses in the NIKKOR Z lineup. A vast selection of traditional F-Mount NIKKOR lenses is also available to shooters via the Mount Adapter FTZ, with many lenses retaining functions such as VR and AF.

Price and Availability

The Nikon Z 50 will be available in November 2019, in several configurations including body-only for a suggested retail price (SRP) of $ 859.95*, a one-lens kit with the NIKKOR Z DX 16-50mm f/3.5-6.3 VR lens for a SRP of $ 999.95* or a two-lens kit with both the NIKKOR Z DX 16-50mm f/3.5-6.3 VR and NIKKOR Z DX 50-250mm f/4.5-6.3 VR lenses for a SRP of $ 1349.95.

For more information on the latest Nikon products, including the new Nikon Z 50, NIKKOR Z DX 16-50mm f/3.5-6.3 VR, NIKKOR Z DX 50-250mm f/4.5-6.3 VR and the full Nikon Z mount system, please visit www.nikonusa.com.

The maximum sensitivity available with movie recording is ISO 25600.
For information regarding smart device compatibility and to download the appropriate app for the Nikon cameras with Wi-Fi capability built-in, NFC capability built-in, and/or Bluetooth capability built-in, please visit nikonsnapbridge.com. Please Note: Nikon cameras having Bluetooth built-in can only be used with a compatible smart device with Bluetooth 4.0 or later (i.e., a smart device that supports Bluetooth Smart Ready/Low Energy).
Measured in accordance with CIPA standards. When a mirrorless camera equipped with an APS-C size image sensor is used. Measured at the maximum telephoto position.

^*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon Z50 specifications

Price
MSRP	$ 859 (body), $ 999 (w/16-50mm lens), $ 1349 (w/16-50 and 20-250mm lenses)
Body type
Body type	SLR-style mirrorless
Body material	Magnesium alloy
Sensor
Max resolution	5568 x 3712
Image ratio w:h	1:1, 3:2, 16:9
Effective pixels	21 megapixels
Sensor photo detectors	22 megapixels
Sensor size	APS-C (23.5 x 15.7 mm)
Sensor type	CMOS
Processor	Expeed 6
Color space	sRGB, Adobe RGB
Color filter array	Primary color filter
Image
ISO	Auto, 100-51200 (expands to 204,800)
Boosted ISO (maximum)	204800
Custom white balance	Yes
Image stabilization	No
Uncompressed format	RAW
JPEG quality levels	Fine, normal, basic
File format	JPEG (Exif v2.31) Raw (NEF, 12/14-bit)
Optics & Focus
Autofocus	Contrast Detect (sensor) Phase Detect Multi-area Center Selective single-point Tracking Single Continuous Touch Face Detection Live View
Autofocus assist lamp	Yes
Manual focus	Yes
Number of focus points	209
Lens mount	Nikon Z
Focal length multiplier	1.5×
Screen / viewfinder
Articulated LCD	Tilting
Screen size	3.2″
Screen dots	1,040,000
Touch screen	Yes
Screen type	TFT LCD
Live view	Yes
Viewfinder type	Electronic
Viewfinder coverage	100%
Viewfinder magnification	1.02× (0.68× 35mm equiv.)
Viewfinder resolution	2,360,000
Photography features
Minimum shutter speed	30 sec
Maximum shutter speed	1/4000 sec
Exposure modes	Program Aperture priority Shutter priority Manual
Scene modes	"Autumn Colors Beach / Snow Blossom Candlelight Child Close-up Dusk/Dawn Food Landscape Night Landscape Night Portrait Party/Indoor Pet Portrait Portrait Sports Sunset Special Effect Modes
Built-in flash	Yes
Flash range	7.00 m (at ISO 100)
External flash	Yes (via hot shoe)
Flash X sync speed	1/200 sec
Drive modes	Single Low-speed continuous High-speed continuous Self-timer
Continuous drive	11.0 fps
Self-timer	Yes
Metering modes	Multi Center-weighted Highlight-weighted Spot
Exposure compensation	±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing	±5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV steps)
WB Bracketing	Yes
Videography features
Format	MPEG-4, H.264
Modes	3840 x 2160 @ 30p, MOV, H.264, Linear PCM 3840 x 2160 @ 25p, MOV, H.264, Linear PCM 3840 x 2160 @ 24p, MOV, H.264, Linear PCM 1920 x 1080 @ 120p, MOV, H.264, Linear PCM 1920 x 1080 @ 100p, MOV, H.264, Linear PCM 1920 x 1080 @ 60p, MOV, H.264, Linear PCM 1920 x 1080 @ 50p, MOV, H.264, Linear PCM 1920 x 1080 @ 30p, MOV, H.264, Linear PCM 1920 x 1080 @ 25p, MOV, H.264, Linear PCM 1920 x 1080 @ 24p, MOV, H.264, Linear PCM
Microphone	Stereo
Speaker	Mono
Storage
Storage types	SD/SDHC/SDXC card (UHS-II supported)
Connectivity
USB	USB 2.0 (480 Mbit/sec)
USB charging	Yes
HDMI	Yes (micro HDMI)
Microphone port	Yes
Headphone port	No
Wireless	Built-In
Wireless notes	802.11ac + Bluetooth
Remote control	Yes (via smartphone)
Physical
Environmentally sealed	Yes
Battery	Built-in
Battery description	EN-EL25 lithium-ion battery & charger
Battery Life (CIPA)	320
Weight (inc. batteries)	450 g (0.99 lb / 15.87 oz)
Dimensions	127 x 94 x 60 mm (5 x 3.7 x 2.36″)
Other features
Orientation sensor	Yes
Timelapse recording	Yes
GPS	None

Nikon Nikkor Z DX 16-50mm F3.5-6.3 VR / 50-250mm F4.5-6.3 VR specifications

	Nikon Nikkor Z DX 16-50mm F3.5-6.3 VR	Nikon Nikkor Z DX 50-250mm F4.5-6.3 VR
Principal specifications
Lens type	Zoom lens
Max Format size	APS-C / DX
Focal length	16–50 mm	50–250 mm
Image stabilization	Yes
CIPA Image stabilization rating	4.5 stop(s)	5 stop(s)
Lens mount	Nikon Z
Aperture
Maximum aperture	F3.5–6.3	F4.5–6.3
Minimum aperture	F16
Aperture ring	No
Number of diaphragm blades	7
Optics
Elements	9	16
Groups	7	12
Special elements / coatings	1 ED + 4 aspherical elements, Super Integrating Coating	1 ED element, Super Integrated Coating
Focus
Minimum focus	0.20 m (7.87″)	0.50 m (19.69″)
Maximum magnification	0.2×	0.23×
Autofocus	Yes
Motor type	Stepper motor
Full time manual	No
Focus method	Internal
Distance scale	No
DoF scale	No
Physical
Weight	135 g (0.30 lb)	405 g (0.89 lb)
Diameter	70 mm (2.76″)	74 mm (2.91″)
Length	32 mm (1.26″)	110 mm (4.33″)
Sealing	No
Colour	Black
Zoom method	Rotary (extending)
Filter thread	46 mm	62 mm
Hood supplied	No
Tripod collar	No

Articles: Digital Photography Review (dpreview.com)

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Hands-on with the Nikon Z50 and new DX Z-mount lenses

10 Oct

Hands-on with the new Nikon Z50 and kit lenses

The much-rumored Z50 is here. Nikon’s latest Z-series camera, the third in the lineup, features an APS-C sensor and is being launched alongside two DX-format kit zooms. Reminiscent in many ways of a downsized Z6, the Z50 should (Nikon hopes) open up the Z-mount to more enthusiast and entry-level photographers.

As you can see in this image, the Z50 is a small camera, with a relatively sparse top-plate, but generously-sized grip. Lacking the upper status screen included on the Z6 and Z7, the biggest control on the top of the Z50 is a large, non-locking exposure mode dial. A simple lever allows for quick switching between still and movie capture modes.

21MP sensor

The 20.9MP sensor inside the Z50 is based on the familiar BSI-CMOS sensor inside the D500. ISO sensitivity spans 100-51,200, and based on our initial (JPEG) shooting, it’s capable of excellent image quality. One major change compared to the Z6 and Z7 though – the sensor in the Z50 is not stabilized.

This shot shows the Fn1 and Fn2 buttons at the 8 o’clock position on the large Z-mount. These are the same buttons – in the same place – as the Z6 and Z7, and fall naturally under your fingers when the camera is held in a shooting position.

No IBIS

It remains to be seen whether future DX-format Z-series cameras will offer in-body stabilization, but for now, Z50 owners will have to rely on the VR built into the two new kit lenses: the Z DX 16-50mm F3.5-6.3 VR and the Z DX 50-250mm F4.5-6.3 VR. More on these lenses later.

209-point PDAF system

While the Z50’s sensor might be closely related to that found inside the D500, there is one major difference, which is the addition of on-sensor phase-detection autofocus pixels. The Z50 offers a 209-point autofocus system covering approximately 87% of the frame horizontally and 85% vertically, which operates in essentially the same way as the equivalent systems on the full-frame Z6 and Z7.

As such, autofocus performance is generally very good, with a decent amount of control, and includes useful face/eye-detection features. We continue to miss the speed and ease with which the company’s DSLRs can initiate AF tracking but, although we can’t draw any definitive conclusions, autofocus speed when the Z50 is paired with its new DX lenses seems responsive.

Weather-sealed magnesium-alloy body

The Z50 is positioned as a midrange ILC, but build quality appears excellent, with a magnesium alloy body and extensive weather-sealing around the major potential points of dust and moisture ingress. Nikon is at pains to point out however that buyers of the Z50 should not expect quite the same level of environmental sealing as the Z6 and Z7, because unlike those cameras, the Z50 features a pop-up flash.

Speaking of the flash, some enthusiasts might be disappointed to note that while handy for fill light or social snaps, unlike higher-end Nikon DSLRs, the built-in flash on the Z50 cannot be used as a ‘commander’ to control the company’s off-camera strobes.

3.2in tilting touch-sensitive LCD

The 1.04M-dot LCD screen on the rear of the Z50 is touch-sensitive, and can be tilted up for waist-level shooting. The experience of using the Z50’s screen is essentially the same as the Z6 and Z7. It’s easy to position your desired autofocus point by touch, and swiping between images, and tapping to zoom in / out is fast and intuitive. You don’t get quite as much resolution as you do on the Z6/7, though, which offer 2.1M-dots on their screens.

A tilting screen like this isn’t as versatile as a fully articulated design (especially when composing images vertically) but it’s fine for waist-level shooting, video, and for composing images from awkward low angles. It can also flip downward 180 degrees, below the base of the camera, for selfies or vlogging.

2.36 million-dot OLED viewfinder

The Z50’s 2.36M-dot OLED electronic viewfinder is very nice. Crisp and contrasty, it’s up there with the best in its class, while (understandably) falling short of the 3.69M-dot resolution of its full-frame Z6 and Z7 cousins. This shot also gives you a view of the permanent touch-sensitive magnification and ‘DISP’ labels just outside of the main screen area on the rear of the camera.

Hidden in this shot is the top control dial, which falls naturally under your thumb when the camera is held in a shooting position. The control logic of the Z50 is extremely similar to that of the Z6 and Z7, which in turn were natural evolutions of established Nikon ergonomics going back several generations. In fact, if you imagine a Z6 crossed with a D5600, that’s pretty much the Z50.

Card slot and battery

The single UHS-II card slot is accessed via the battery door in the base of the Z50’s grip. The battery itself is a new type: EN-EL25, which Nikon claims is rated for around 300 shots (per CIPA). As always, we’d expect most people’s normal use to yield many more shots than this figure. The bad news for some existing Nikon users is that (for now) the Z50 is the only camera that uses this battery.

Continuous shooting rate

The Z50 is a snappy little camera, offering a maximum framerate of 11 fps with autofocus. This places it among the fastest cameras in its class, and we’re keen to test how well the PDAF system performs while shooting fast action once we get hold of a reviewable camera.

Video

No surprise the Z50 offers 4K video shooting (we’d be more surprised at this point if an enthusiast-focused ILC didn’t) and its feature set is reasonably solid, given the Z50’s market positioning. 4K/24p is offered, which will keep cinephiles happy, but there’s a fairly heavy 1.5X crop and while there is a microphone input, Nikon has not found room for a headphone audio monitoring socket.

While probably not an everyday shooting mode, Full HD at 120 fps is nice to have, and offers a lot of fun creative possibilities.

Creative filters and in-camera editing

Nikon has been offering Picture Control modes for a very long time, and the Z50 offers a wide range of profiles and picture effects, to help you get that little bit closer to the Instagram experience, right in the camera. For Raw shooters, it is also possible to edit NEF files in-camera, and save edited JPEGs directly to your memory card.

Connectivity

The Z50 is equipped with built-in WiFi + Bluetooth, and can be controlled via Nikon’s Snapbridge app. This shot also shows the physical ports, which are (from top to bottom) 3.5mm audio in, USB (2.0) and HDMI. The Z50 can be charged via USB, but cannot be powered over this port. And don’t worry – there’s a proper battery charger included in the box.

Nikkor Z DX 16-50mm F3.5-6.3 VR kit lens

The Z50 is being launched alongside two ‘DX’ APS-C lenses. This is the Nikkor Z DX 16-50mm F3.5-6.3 VR, which is a very compact 24-75mm equivalent standard zoom. Like several of Nikon’s zoom lenses, the 16-50mm is collapsible, and in its ‘locked’ position (shown here) it barely protrudes further than the Z50’s grip, making the camera genuinely pocketable, assuming you’re wearing a jacket.

Nikkor Z DX 16-50mm F3.5-6.3 VR kit lens

Here’s the 16-50mm in its unlocked state. Zooming is mechanical, and the other ring is customizable, and can be used for direct control over focus, aperture or exposure compensation (etc.). Optical construction comprises nine elements in seven groups including one extra low dispersion element and four aspherical elements.

According to Nikon, the lens’ Vibration Reduction system is effective up to 4.5EV.

DX 50-250mm F4.5-6.3 VR kit lens

The second lens released alongside the Z50 is the DX 50-250mm F4.5-6.3 VR, which covers an equivalent focal length range of 75-375mm. Optically it is comprised of 16 elements in 12 groups, including one extra low dispersion element. Nikon claims that its built-in VR system is effective up to 5 stops.

The Nikon Z50 will be available soon for $ 859 body only, $ 999 with the 16-50mm zoom or
$ 1349 for the dual lens kit, with the 16-50mm and 50-250mm. What do you make of it? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

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Nikon announces Z-mount lens roadmap

10 Oct

Nikon has announced a roadmap for its Z-mount mirrorless system. All of the lenses are full-frame, with one zoom being the exception.

The roadmap adds a 20mm F1.8, 50mm F1.2 and 105mm ‘Micro’ lens to the high-end ‘S-Line’ of lenses. There will also be a 28 and 40mm lens as part of what Nikon calls a ‘Compact Prime’ series and a non-S 60mm Micro close-up lens.

Nikon’s Z-mount lens roadmap gives a good indication of the company’s plans for the system.

S-line zooms

The ‘S’ line will also gain a 14-24mm F2.8 zoom and a 70-200mm F2.8 for sports and photojournalism. These will be accompanied by a 24-105mm S-line zoom and, while no aperture range has been specified, this is grouped with the existing F4 zooms, An S-line 100-400mm lens is also listed.

Other zooms

A non-S 24-200mm travel zoom and 200-600mm zoom complete the full-frame offerings, giving a pretty comprehensive picture of what Nikon has planned for the Z-mount.

On the APS-C side of things, there will be a 18-140mm (equivalent to 27-210mm), as with the compact primes, no maximum aperture is specified.

No timescales are given for fulfilling the lenses on the roadmap and, as is normal, a footnote indicates that the plans may change without notice.

Articles: Digital Photography Review (dpreview.com)

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