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Slideshow: GDT Nature Photographer of the Year 2020 winners

15 May

GDT Nature Photographer of the Year 2020 winners

Members of the Society for Nature Photography have selected the GDT Nature Photographer of the Year. The 7th annual competition received 5,046 submissions from 307 GDT (German Society of Nature Photography) members across 11 countries. Peter Lindel was declared the Overall Winner with ‘A Hare’s Dream.’

‘The European hare, once a common inhabitant of open country all over Germany, has become a rare sight. While the large number of hares that I used to spot every morning on my way to work in the fields and meadows North of Dortmund, prompted me twelve years ago to explore this area with my camera, it has now become increasingly time-consuming to find hares and present them in an appealing photograph,’ Lindel explains.

For the first time, voting was conducted online instead of a general meeting on account of the pandemic. 70 winners and finalists were selected by judges and members for the following categories: Birds, Mammals, Other Animals, Plants and Fungi, Landscapes, Nature’s Studio, and the Special Category: Water. All winning and finalist photographs can be viewed here.

While GDT Nature Photographer of the Year is open to the society’s members only, GDT’s European Wildlife Photographer of the Year competition is open to all photographers residing in Europe.

Overall Winner: ‘A Hare’s Dream’ by Peter Lindel

GNPY 2020, Peter Lindel, GDT

About this photo: ‘A hare’s dream was taken in July of 2019 when months of
searching a suitable location led me to a dirt road, which offered the most
beautiful morning light, lovely vegetation and … three hares. Dreamy,
curious, careful, anxious. These are the adjectives that I find describe the
expression of “my hare” best,’ says Lindel.

Winner, Other Animals: ‘Danger in the Mud’ by Jens Cullmann

GNPY 2020, Jens Cullman, GDT

About this photo: Crocodile in a drying mud pool.

Winner, Nature’s Studio: ‘Flooded with Light’ by Jan Piecha

GNPY 2020, Jan Piecha, GDT

About this photo: A blackbird perches on a branch in North Hesse, Germany.

Winner, Landscapes: ‘Magic Light’ by Benjamin Waldmann

GNPY 2020, Benjamin Waldmann, GDT

About this photo: Tree in the mist at the Albtrauf.

Winner, Birds: ‘Take-off’ by Flurin Leugger

GNPY 2020, Flurin Leugger, GDT

About this photo: Coyote panics geese.

2nd Place, Mammals: ‘Glowing Fox’ by Mohammed Murad

GNPY 2020, Mohammed Murad, GDT

About this photo: Arabian red fox in Kuwait City.

2nd Place, Special Category, Water: ‘Milk and Honey’ by Sandra Bartocha

GNPY 2020, Sandra Bartocha, GDT

About this photo: Reflection of the chalk coast, England.

4th Place, Special Category, Water: ‘Poseidons Wrath’ by Christian Wappl

GNPY 2020, Christian Wappl, GDT

About this photo: A top-down view of Waves, La Palma.

5th Place, Nature’s Studio: ‘Refraction’ by Burkhard Hillert

GNPY 2020, Burkhard Hillert, GDT

About this photo: Refraction of light in the cobweb.

10th Place, Atelier Natur: ‘Iceland Going Abstract’ by Uwe Hasubek

GNPY 2020, Uwe Hasubek, GDT

About this photo: Painting of a river, Iceland.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe’s MAX 2020 ‘Creativity Conference’ will be a free, online-only event this year

12 May

Just a week after announcing its 99U conference will be online-only this year, Adobe has announced it’s annual MAX conference, originally planned to take place in Los Angeles, California in late October, will be a free online-only event this year due to the ongoing COVID-19 pandemic.

In an announcement on the Adobe MAX website, Adobe writes the following under the headline ‘ADOBE MAX 2020 — The Creativity Conference goes online:’

‘The health and safety of Adobe customers, partners, and employees is and always has been our top priority. To that end, we’ve made the difficult decision to cancel the in-person MAX event and make MAX 2020 a digital experience. And while we won’t be seeing you in person, we’re planning an immersive event that stays true to the MAX spirit of mind-blowing creativity and inspiration.’

The online version of Adobe MAX 2020 will take place from October 19–21 and registrations will open ‘later this summer,’ according to Adobe’s FAQ section. Adobe says it’s ‘pleased to offer all MAX 2020 keynote and breakout sessions for free.’

You can keep up with the latest Adobe MAX 2020 developments by following MAX on Facebook and Twitter, as well as signing up for the Adobe MAX 2020 newsletter.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe’s 12th Annual 99U Creative Conference will be free and virtual this year

07 May

Adobe has announced its 12th Annual 99U Creative Conference, which is usually a paid, in-person event, will be hosted on Adobe Live for free as a virtual event this year amidst the ongoing COVID-19 pandemic.

Tickets for the annual event normally cost around $ 1,000, so being able to take in the event for free, in the comfort of your own home, is quite the discount. This year’s event will take place on Wednesday June 17 and will feature a mix of keynotes, creative workshops and masterclasses throughout the day. The presentations will be available stream via Adobe Live or available on-demand shortly after completion of each event.

A few of the individuals who will be presenting at this year’s virtual conference.

You can find out more information and register to ‘attend’ the event for free on Adobe’s Behance website.

Articles: Digital Photography Review (dpreview.com)

 
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Two New Canon EOS M Cameras Will Debut Before the Year is Out

17 Apr

The post Two New Canon EOS M Cameras Will Debut Before the Year is Out appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Gear News - New Canon EOS M Cameras

While the camera industry has slowed in recent months, Canon continues to push forward.

New rumors indicate that Canon will be releasing two EOS M cameras by the end of 2020. While the details of these cameras are uncertain, they come as a welcome promise for a (hopefully) post-coronavirus world.

Prior to coronavirus concerns, discussion of two full-frame mirrorless models dominated the internet:

The Canon EOS R5, poised as a mirrorless-style 5D and packing true 8K video, along with in-body image stabilization and 20 frames-per-second continuous shooting.

And the Canon EOS R6, a camera that Canon has been fairly quiet about (but is rumored to have 20 MP sensor, 20 fps shooting, and 4K/60p video).

While coronavirus will potentially delay the release of these two bodies, the original plan was for them to both debut this summer, leaving the fall open for other Canon announcements.

Now we have an idea of what those announcements might be.

Note that we haven’t heard much about Canon EOS M models since the fall of 2019, when the Canon EOS M6 Mark II and the Canon EOS M200 debuted.

The EOS M line offers mirrorless APS-C bodies geared toward entry-level shooters. While some of these bodies offer advanced features such as electronic viewfinders, EOS M cameras are more compact than their full-frame counterparts and come at significantly lower prices.

EOS M cameras are designed to work with Canon’s EF-M lenses. But an optional adapter will allow you to combine EOS M bodies with Canon EF and EF-S lenses, making Canon EOS M cameras an excellent option for Canon DSLR users seeking a switch to mirrorless.

Rumors also suggest that we’ll see several new EF-M lenses debut before the year is out, which is a welcome development given the relative scantiness of the EOS M lens lineup.

So if you’re a Canon shooter looking to switch to mirrorless, or you’re planning to upgrade an existing EOS M body, keep an eye out for further news!

Now over to you:

Are you excited about new EOS M cameras? Which models do you think Canon will announce? Share your thoughts in the comments!

The post Two New Canon EOS M Cameras Will Debut Before the Year is Out appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Slideshow: Inaugural Nature TTL Photographer of the Year 2020 winners

28 Mar

Inaugural Nature TTL Photographer of the Year 2020 winners

The winning entries for the inaugural Nature TTL Photographer of the Year 2020 competition were recently announced. Over 7,000 images were submitted from wildlife, landscape, and macro photographers in 117 different countries. French photographer Florian Ledoux received the £1000 grand prize and title of Overall Winner for his image ‘Above the Crabeater Seals.’ If it looks familiar, it’s because this photo, captured in Antarctica, was also a Drone Awards 2019 winner.

‘It was a quiet morning and the sun was just about to rise. When I saw all the ice drifting alongside the sailboat in the fjord where we were anchored, with lot of crabeater seals resting on the ice, I immediately knew from previous experiences that this would give me a blast and really graphic and stunning images telling the story of how they use the ice to rest after night feeding,’ Overall Winner Florian Ledoux explains to DPReview about how he pre-planned his capture.

‘It is important that anyone inspired by this style of drone image understands the importance of wildlife and being ethical in your approach. Ensure that your drone does not spook animals or disturb them, and always conduct yourself within accordance of local regulations,’ Ledoux told Nature TTL when he learned of his win.

‘It is important that anyone inspired by this style of drone image understands the importance of wildlife and being ethical in your approach. Ensure that your drone does not spook animals or disturb them.’

Wildlife cameraman, and organizer of the competition, Will Nicholls said, ‘Florian’s image provides a unique angle that is not often seen in wildlife photography. The judges had a tough choice to make, but the detail and strong composition of the seals surrounded by the broken ice made it stand out from the crowd.’

The Landscape category winner, Marek Biegalski, also used a drone to show a flock of sheep resting in a tree’s shade. The Macro category was won by Chinese photographer Minghui Yuan for his simple, two-tone image of a damesfly resting on a blade of grass. The Youth category winner, 15-year-old Saptarshi Guyen from India, depicts a drongo searching for insects fleeing grassland fires.

Thousands voted for the People’s Choice category. Robert Ferguson’s intricate image of a pelican struggling to swallow a fish received the most votes. This is the first of what Nature TTL says is many annual photography competitions to come. Nature TTL offers photographers of all skill levels free tutorials and features that can be found here.

Overall Winner (& Wildlife Category Winner): ‘Above the Crabeater Seals’ by Florian Ledoux

Taken in: Antarctica

About this photo: ‘Aerial view of crabeater seals resting in a group on the ice after feeding at night. The aerial view allow us to better understand how the wildlife use the ice to rest and give birth.’

Equipment used: Phantom 4 Pro+

Runner-up, Wildlife Category: ‘Startled Owl’ by Paul Holman

Taken in: United Kingdom

About this photo: ‘The little baby owl made an appearance within the window during a
burst of early morning sun. A couple of jackdaws spooked by his presence started dive bombing him. After a few passes I noticed the jackdaw’s reflection in the adjacent windowpane and decided to try and capture this behavior. The startled look on the little owl’s face adds a little humor to the image.’

Equipment used: Canon EOS 7D II, Canon EF100-400mm Mark II lens

Highly Commended, Wildlife Category: ‘Sleeping the Fall Off’ by Terje Kolaas

Taken in: Norway

About this photo: ‘A Collared Dove in a garden in mid-Norway takes a break in feeding during a heavy snow fall. A remote street light in the background creates a halo around the bird. As soon as the snowfall stops, it shakes the snow off its shoulders and goes back to the daily routine with collecting wheat from the nearby fields. Tried many different shutter- speeds to vary the movement of the snow, this one is at 1/40s.’

Equipment used: Nikon D850 + 600mm f/4 lens

Highly Commended, Wildlife Category: ‘Breathing’ by Bence Ma?te?

Taken in: Romania

About this photo: ‘A brown bear growls a warning of his presence to an interloper, his breath vanishing slowly in the windless forest.’

Equipment used: Canon EOS-1D X Mark II; 400mm lens

Highly Commended, Wildlife Category: ‘Badger Blues’ by Dave Hudson

Taken in: United Kingdom

About this photo: ‘I had been putting in the hours watching a number of setts in the
area but decided to focus on this particular one due to the abundance of bluebells. I set myself up close to one of the badger tracks, knowing that I would only have one shot and I would need a lot of luck. After a good couple of hours, I began to hear movement. The light was fading fast and I knew that I would not have long before it would be too dark for any pictures.

An adult badger came towards me first, sniffing the air as they often do and heading towards me. It drifted out of shot and into the bluebells, but much to my delight behind it was a cub. He seemed comfortable enough so I clicked the shutter and got a couple of shots.’

Equipment used: Nikon D3s with Nikon D3s with Sigma 120-300 f/2.8 Sport lens

Winner, Landscape Category: ‘Shadow Game’ by Marek Biegalski

Taken in: Italy

About this photo: ‘Aerial image taken in Tuscany in autumn light. Flock of sheep was hiding in the shade from the sun under the shadow of a tree.’

Equipment used: DJI Mavic Pro 2

Runner-up, Landscape Category: ‘Viking Rainbows’ by Alessandro Cantarelli

Taken in: Iceland

About this photo: ‘I am very attached to this photograph, both because of the technical
difficulty and because it took years to make it. Over the last few years, I have found myself dozens of times in Iceland, several of which I was lucky enough to witness incredible conditions on the Vestrahorn.

Seeing such a powerful sunrise on the right was already magical, and the very intense rain made things difficult for me but it gave me a great gift: a double rainbow on my left that perfectly compensated the strong light on the right. 88 layers in Photoshop to create a panorama; 6 shots bracketed.’

Equipment used: Canon EOS 5D Mark IV + Samyang 12mm f/2.8 fisheye lens

Highly Commended, Landscape Category: ‘Valley of the Scheldt’ by Bart Heirweg

Taken in: Belgium

About this photo: ‘In early autumn the valley of the Scheldt is often filled with a thick layer of fog on clear and windless mornings. When the sun starts to rise the fog slowly disappears revealing the landscape underneath. When seen from above this atmosphere is simply magical.’

Equipment used: DJI Mavic Pro 2

Winner, Macro Category: ‘Chinese Painting’ by Minghui Yuan

Taken in: China

About this photo: ‘I was wearing a piece of waterproof overalls in the stream of Dabie Mountain, waiting to observe this Matrona basilaris (damselfly). Matrona basilaris is the king of the stream here. There is a male Matrona basilaris every 3 meters. They were waiting for the female to fly over its territory; the male chased away a male opponent and then stopped at the tip of the grass.

Against the background of the sky, I discovered the connection between the lines of the grass and the subject. Nature itself is a simple painting.’

Equipment used: Nikon D7000, Tamron 180mm f/3.5 macro lens

Highly Commended, Macro Category: ‘Nothing Here but this Tree’ by Caitlin Henderson

Taken in: Australia

About this photo: ‘The Lichen Huntsman (Pandercetes gracilis) is an incredible species of tree- dwelling spider from Australia’s tropical north. Its astounding camouflage enables it to blend perfectly with the tree bark and lichens, and is near impossible to spot by day.

At night, I went searching for these spiders with a torch, using their reflective eye-shine to discover their hiding places in plain sight.’

Equipment used: Canon EOS 7D, Canon EF-S 60mm f/2.8 macro lens

Highly Commended, Macro Category: ‘Trailblazer’ by Christian Wappl

Taken in: Thailand

About this photo: ‘It was past midnight in the forest of the Peninsular Botanic Garden (Trang, Thailand), but a light still shone in the dark. A large firefly larva (Lamprigera sp.) emitted a constant glow from its light organs.

I wanted to capture the scene in a way that celebrated its bioluminescence, and decided on a long exposure with rear-curtain flash. The shot had to be made in near-total darkness, which meant I had to estimate the position of the firefly larva in the frame.’

Equipment used: Canon EOS 5DS, Canon EF 16–35mm f/4L lens

Highly Commended, Macro Category: ‘Home Sweet Home’ by Jesslyn Saw

Taken in: Malaysia

About this photo: ‘While on holiday at my family home in Malaysia, I set out to document as many different types of jumping spiders as possible in a fortnight.

Battling the rain and heat and humidity of the tropics, the best time to hunt these spiders was early in the morning and late afternoon. It was on one of these late afternoon jaunts that I saw this colorful jumping spider and discovered a nest nearby. Hoping that the nest belonged to this particular spider, I came back again early the next morning to photograph it in its nest. To my delight, I saw that the nest did indeed belong to this spider. However, it took me another two days of early morning visits to finally successfully photograph the spider in its nest.’

Equipment used: Olympus OM-D E-M5 Mark II, 60mm f/2.8 macro lens

Winner, Under 16 Category: ‘Phoenix’ by Saptarshi Gayen

Taken in: India

About this photo: ‘For the last 4-5 years I have seen that, at the end of every winter, farmers of this huge grassland generally burn the grass and reeds to clean the land for upcoming crops.

When the fire spreads across the land, small insects start coming out. Then the brave Black Drongo starts capitalizing on such a moment by eating them and flying above the live fire. The birds usually sit on a branch fearlessly and watch the movements of the insects as the fire spreads into a new area, then it flies close to the fire for the catch. This is a full frame image, and the calmness of the Drongo reminds me of the Roman Emperor Nero.’

Equipment used: Nikon D7100, Nikon 200-500mm f/5.6E VR lens

Runner-up, Under 16 Category: ‘The Cradle of Life’ by Tama?s Koncz-Bisztricz

Taken in: Hungary

About this photo: ‘Late winter in February, the soda lakes are full of life in Hungary. These lakes are the sanctuary of wide variety water birds.

There is a nice, but unknown, hidden lake between the village of To?mo?rke?ny and Pa?lmonostora which is surrounded and covered with cane and sedge – therefore impossible to observe.

I took this aerial photograph by a remotely controlled drone. I use a special technique to slowly approach the birds from very high altitude, which is a method also used by conservation experts to count the population of the birds.

In the picture the wild ducks roil in the muddy water and leave lines in the yellowish-brownish, sometimes purple, water colored by organic materials coming from decomposition of cane. The sparkling color pallet of the image is composed by the blue sky and the white cloud reflection on the water’s surface.’

Equipment used: DJI Phantom 3 Standard

Winner, People’s Choice Award: ‘I’m Not Going Easy’ by Robert Ferguson

Taken in: Singapore

About photo: ‘This is the Great white pelican (Pelecanus onocrotalus), struggling with a non-native fish. These wonderful birds are free to roam, but have established a large colony on one of the artificial islands in the old Jurong park in Singapore.

I had set up my camera to take some portraits and watch their behavior, and noticed one particular bird that had caught one of the big fish from the pond. I watched, intrigued, as the bird swam in circles, dipping his bill, taking water, then raising his beak to attempt to swallow his large prey. But every time the fish extended its sharp spines on its fins – you can see it hooked on the beak here – and lodged itself firmly.

This went on for over 20 minutes, with no sign of either party tiring. I was fascinated to see the intricate veins in the birds throat pouch, as the overcast day backlit the thin skin, and I had to move and crouch low to the ground to get the shot.’

Equipment used: Canon EOS-1D X Mark II, 200-400mm f/4 lens?
?

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: Nikon Australia Announces 2020 Surf Photo of the Year finalists

26 Mar

Slideshow: Nikon Australia Announces 2020 Surf Photo of the Year finalists

Nikon Australia has announced the finalists for its 8th annual Nikon Surf Photo and Video of the Year Awards. The leading optics and imaging company partnered with Surfing Australia to invite photographers and videographers of all skill levels to enter the competition. 20 images were selected along with three videos for consideration.

‘The Awards are a hugely important event on our calendar because they give the Australian surfing community a chance to honour our best, whether it be in the water competing or behind a lens. Inducting our latest Hall of Fame member is always a massive moment we cherish,’ says Chris Mater, CEO of Surfing Australia.

Images and videos were selected from a panel of 10 judges in the surfing industry, including seven-time World Surfing Champion and Nikon Brand Ambassador, Stephanie Gilmore. Entries were judged on the following criteria:

  • Innovation and creativity
  • Dramatic effect and sensory impact
  • Uniqueness
  • Composition of the panel

All finalist images and videos can be viewed here. Winners will be announced March 25th on what Nikon deems ‘an exciting new television format.’

Finalist: ‘Warrior’ by Greg Rugli

About this photo: ‘Motion blur photo of a surfer riding a large wave at sunset, Bronte Beach, Sydney, Australia.’

Finalist: ‘Portugal Sunset’ by Peter ‘JOLI’ Wilson

About this photo: ‘Post surf catch up after a late session near Peniche.’

Finalist: ‘Duck Dive’ by Matt Dunbar

About this photo: ‘This is from my first trip to Tahiti I really wanted to walk away with a shot that was different. I was swimming with a big dome port to try and shoot “over unders.” The water clarity was a dream and I got lucky to shoot back as a surfer duck dived. Easily the favourite swim of my life.’

Finalist: ‘The Right’ by Ren McGann

About this photo: ‘No matter how many trips you do, some waves always stand out amongst the rest.’

Finalist: ‘Froth Monster’ by Travis Johnson

About this photo: ‘I was shooting little Harry at a bit of a secret spot the groms love to frequent on the Gold Coast for shallow little drainers and close out barrels. As he took off I moved across the front of him and heard him yelling out as the barrel began to encase him, his eyes wide and looking up at the roof of the wave almost in awe. As I passed through the wave my only thought was “did he make it?” I surfaced on the other side I heard an ecstatic voice yell out “I made it! I made it!’

Finalist: ‘No Looking Back’ by Peter Jovic

About this photo: ‘Some heavy water during a solid Indian Ocean swell and an unnamed local charger racing the gauntlet as the sun begins to set in the west. There’s no helicopters, no fanfare. Just an individual dealing with what mother nature has put in front of him…or behind him. The prospect is (apart from drowning) a long swim in waters that are very lively with large marine creatures.’

Finalist: ‘Cascade’ by Ray Collins

About this photo: ‘Flowing with great rapidity and force.’

Finalist: ‘Jack in the Box’ by Tom Pearsall

About this photo: ‘Jack Robinson gritting his teeth and holding his line through a deadly section in remote Western Australia. Shot at f/3.2, a 16 thousand of a second and 160mm creates a frozen moment that in real time was violently fast, with an interesting depth of field. As the wave roared past it almost grabbed me and my housing and ground us into the reef.’

Finalist: ‘The Big Bang’ by Ray Collins

About this photo: A violent ignition of hydrogen and oxygen.’

Finalist: ‘Danny Sunset Stern’ by Stu Gibson

About this photo: ‘Picture perfect arvo at Shippies.’

Finalist: ‘Breathing. Surfer Scott Whip Dennis’ by Simon Punch

About this photo: ‘A perspective from deep behind the surfer riding the barrel as the wave breathes back before spitting.’

Finalist: ‘Gun Barrel Highway’ by Peter Jovic

About this photo: ‘This is an image of local shredder, Kael Walsh shot in the South West of W.A. I was really lucky to have someone who’s so unflappable in challenging conditions taking aim straight into the barrel and seemingly doing it with complete disregard for their own well being. It’s always a really good feeling when shots like this come off.’

Finalist: ‘Flume’ by Paul Smith

About this photo: ‘Taken at Sunshine Beach on the Sunshine Coast while most people were still sleeping. It was one of those perfect swells, and all the elements lined-up wave size, an offshore wind, and just enough light to illuminate the sea spray.’

Articles: Digital Photography Review (dpreview.com)

 
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Fashion photographer Lindsay Adler named Rangefinder’s ‘Icon of the Year’

08 Mar

Fashion photographer and Canon Ambassador Lindsay Adler is the first woman to win Rangefinder‘s Icon of the Year Award. The announcement was made during the WPPI 2020 event last week, where Adler was caught off guard thanks to some careful planning by WPPI and Photo Group Content Director Arlene Evans, as well as Adler’s boyfriend and mother.

Rangefinder explains what it means to be named an ‘Icon,’ stating on its website that an Icon is someone who fills many roles; who is ‘super creative and has extraordinary talent’ in addition to serving as a role model, educator and more.

We contacted Adler to talk about her work, the new milestone award and what it means to her. In talking about winning the award, Adler said:

‘Winning Rangefinder’s Icon of the Year in an incredible honor that makes me feel that I am making an impact on my community and its continued success. This award is a beautiful way to show me that my sharing and love for photography and photographers have not gone unnoticed. I am constantly pushing myself to grow, and I hope this journey encourages others to do this same. I’ve been reading Rangefinder and attending WPPI for more than a decade, and this feels like a beautiful culmination… now I just wonder, what’s next! Can’t get much better than this!’

Adler’s photography has been featured in a number of notable publications, including Harper’s Bazaar, Marie Claire, InStyle and more, and she has worked with major brands like Microsoft, Grey and Edelman. In addition to her photography work, Adler also teaches at events and through various platforms, including everything from online tutorials to books. She explains:

‘My life is centered around creating and sharing. I create images and share the process. I create in-depth tutorials answering all the questions I once had as I grew my career. I create and I share, and I am so lucky to get endless love back from the community—whether in the form of praise, encouragement, or those simply following my journey.’

Behind-The-Scenes image of Adler (far-right) at work with a model.

Adler’s work is showcased on her website, which features collections of photos like ‘Seeing Red,’ ‘Editorial Beauty,’ ‘Skin’ and even ‘Cinemagraphs.’ Looking back over her career, Adler says:

‘I am truly the happiest I’ve ever been and am proud to [have] achieved so many of my life’s goals. I know that along the way there have been so many other gracious photographers, educators and industry leaders that have shared their knowledge, given me opportunities, encouraged me and ultimately been so important to my success. Because of this, I realize just how important it is for those with success to share with their community however they can.’

In addition to her website, Adler’s work can be found on her Instagram and her Canon Ambassador page.


Image credits: Photos used with permission from Lindsay Adler

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: International Landscape Photographer of the Year winners and finalists

02 Mar

Slideshow: International Landscape Photographer of the Year winners and finalists

Nearly 1,000 professional and amateur photographers from around the world submitted over 3,400 images to the 6th annual International Landscape Photographer of the Year (ILPOTY) competition. From that pool of entries, 101 were recognized as Top Photographs. Oleg Ershov from Moscow, Russia, is the overall winner.

Ershov started out shooting multi-row, HDR, and vertical panoramas. Inspired by prominent landscape photographers he met, including Joe Cornish, David Ward, Rafael Rojas, and Bruce Percy, he began experimenting more. ‘I didn’t try to copy their styles, rather I took from them what I liked the best and then gradually, I felt that my skills were improving and that my work was becoming more serious.’

He now enjoys vertical landscapes, as evidenced in all of his winning photographs of Iceland and England. Ershov’s series impressed the panel of judges the most. ‘My passion for landscape photography is based on a love of nature, especially in places where human intervention is not yet visible. Just being on location at dawn and watching the start of a new day gives me tremendous vitality,’ says Ershov, an amateur photographer whose work at a food distribution company funds his passion.

Competition organizers chose the overall winner based on at least four strong photographs rather than a single image. This way, they could determine if a photographer’s vision and skills were consistent. ‘Each year, the Awards have two main prizes. The Photograph of the Year is awarded to the best single landscape photograph, while to be named International Landscape Photographer of the Year requires a set of four images. This is our main prize, acknowledging the additional skill and artistry required to produce a portfolio of landscape photographs,’ says Pete Eastway – the Chairman of Judges.

All the details of the Top 101 photographs can be viewed by visiting the ILPOTY website and download the free eBook embedded halfway down the main page.

ILPOTY, 2019 — First Place: ‘Fleswick Bay, England’ by Oleg Ershov (Russian Federation)/International Landscape Photographer of the Year

Location: Fleswick Bay, England

About starting out: ‘My interest for photography began in 2007 when I bought my first DSLR camera and signed up for a photo tour to the Southwest USA. I was struck by the tremendous variety of landscapes, colors and textures found in nature. Since then, I spend all my free time improving my skills and knowledge in landscape photography. I usually spend six weeks a year on photo trips, sometimes in groups, often on my own.’

About this photo: A lone pebble sits in the sand along the popular ‘smugglers cove’ in Fleswick Bay.

ILPOTY, 2019 — First Place: ‘Bláfellsá, Iceland’ by Oleg Ershov (Russian Federation)/International Landscape Photographer of the Year

Location: Bláfellsá, Iceland

About the equipment: ‘I have always used full-frame Canon EOS 5D-series cameras. Currently it is the Canon EOS 5DSR because the high number of megapixels is very important for landscape photography and for me personally.

‘Regarding lenses, I started with the holy trinity of Canon zooms (16-35mm, 24-70mm and 70-200mm). They were convenient, universal and generally accepted. Then there was a period when I was fascinated with tilt-shift lenses (Canon’s 17mm and 24mm and Schneider- Kreuznach’s 50mm and 90mm), which required much more time to build a frame, but this was compensated by the sharpness and geometry of the image.

‘Today, I use two Canon zooms (24-70mm and 100-400mm) for versatility and three Zeiss Otus prime lenses (28mm, 55mm and 85 mm) due to their unsurpassed quality. Of course, it can be challenging to carry 1.5 kg lenses, but “good glass is heavy glass”.’

About this photo: Ershov captured the textured patterns of a stream in the Southern region of Iceland.

ILPOTY, 2019 — First Place: ‘Kerlingarfjöll, Iceland’ by Oleg Ershov (Russian Federation)/International Landscape Photographer of the Year

Location: Kerlingarfjöll, Iceland

About his inspiration: Oleg’s favorite destinations for landscape photography are Iceland, Scotland and the USA’s Southwest. ‘I always return to my favorite places because this allows me to get to know the country better and to find new scenes and places to shoot. When I immerse myself in a familiar environment and slow down the pace, my productivity increases many times over. For example, I have been to Iceland 15 times and it took me 10 years to make my first photo book, but the second book only required two visits in 2019 and it turned out even better than the first!’

About this photo: Mist surrounds this tall mountain located in the Highlands of Iceland.

ILPOTY, 2019 — First Place: ‘Háifoss, Iceland’ by Oleg Ershov (Russian Federation)/International Landscape Photographer of the Year

Location: Háifoss, Iceland

About his workflow: Oleg says that a photo is only good when it’s on a wall and so his workflow is focused on creating large prints. ‘I make the prints myself on an Epson SC-7000, so megapixels and attention to details are important to me.’

About this photo: Háifoss or ‘high waterfall,’ located in Southern Iceland, is the third tallest on the island.

ILPOTY, 2019 — Second Place: ‘Badain Jaran Desert, China’ by Yang Guang (China)/International Landscape Photographer of the Year

Location: Badain Jaran Desert, China

About this photo: A single white cloud is the focal point of this photo captured in China’s third largest desert. Guang won second place for a set of four landscape photos captured in this region.

ILPOTY, 2019 — Third Place: ‘Grizzly Lake, Yukon, Canada’ by Blake Randall (Canada)/International Landscape Photographer of the Year

Location: Yukon, Canada

About this photo: Randall calls this ‘Grizzly’s Fang’ about his photo of his stormy hike in the Tombstone range of Northern Canada.

ILPOTY Photograph of the Year, 2019 — First Place: ‘The Harvest of Road Salt’ by Magali Chesnel (France)/International Landscape Photographer of the Year

Location: Gruissan, France

About this photo: Chesnel, a self-taught photographer and executive assistant, captured this top-down with a DJI Mavic 2 Pro. ‘I thought it would create an amazing abstract aerial photo, with the white of the salt contrasting against the bright pink colors, thanks to the proliferation of a red alga, the Dunaliella salina. From the ground, this scene doesn’t look glamorous at all, but from a bird’s eye view, it becomes unexpected, beautiful and like a painting.’

ILPOTY Photograph of the Year, 2019 — Second Place: ‘Bonaire, Dutch Caribbean’ by Sander Grefte (Netherlands)/International Landscape Photographer of the Year

Location: Venezuela

About this photo: Says Grefte of his second place winner: ‘One of the eye-catchers on Bonaire (Dutch Caribbean) is the salty lakes and mountains. When the salt concentration is too high for most bacteria, one survives giving the water a pink color. When composed with a dark blue sky and white ‘mountains’ (17 meters high) you get a surreal landscape.’

ILPOTY, 2019 — The Lone Tree Award: ‘Madeira, Portugal’ by Anke Butawitsch (Germany)/International Landscape Photographer of the Year

Location: Madeira Natural Park, Portugal

About this photo: Butawitsch focused on a single tree in the vast natural reserve known for its endemic flora and fauna.

ILPOTY, 2019 —The Heavenly Cloud Award: ‘SpaceX rocket exhaust plume, Sierra Nevada, California, USA’ by Brandon Yoshizawa (United States)/International Landscape Photographer of the Year

Location: Sierra Nevada, California

About this photo: Yoshizawa captured a ‘once in a lifetime kind of shot’ of this exhaust plume, from a Space X rocket launch, that was visible over the Sierra Nevada mountains.

ILPOTY, 2019 — Top 101 Photo: ‘Page, Arizona’ by Craig Bill (United States)/International Landscape Photographer of the Year

Location: Page, Arizona

About this photo: ‘I have seen Antelope Canyon several times in the popular daytime – complete with crowds and noise. In fact, this magical slot canyon is well known for its mid-day shafts of light that creatively penetrate through the curvy sandstone. I had always wondered what this place would be like at night. And when I had a last minute chance to go the first time, I jumped! Although the first night was super clouded and windy, I was allowed to try the next night before my time ran out exploring this desert domain around Page, Arizona. I was lucky, however, to find the next night lacking clouds or wind,’ explains Bill on his website.

‘Finally, there I was, standing in the dark cracks in the earth with the stars peering in from above – no crowds or sounds at all. It was so different at night compared to the day. Here, star and moonlight ricocheted softly around the Navajo sandstone.

In this adventure of a completely dark area of Upper Antelope slot canyon, I softly light painted strategic areas of the canyon with small red LED lights. The red color of the LEDs forced the camera’s color balance to expose the sky with a vivid blue. Along with experimental multi-positioning, long 15 second exposing and light painting, a surreal image of the night sky revealing itself light years above the canyon walls was created.

Even though I was focused on tweaking the camera’s settings and position, I was warned to watch my standing area and the canyon walls for huge Brown Recluse spiders (as one ran under my tripod). Now this sounds like a place in hell for most people, but I couldn’t be more grateful for the night hikes experience into Antelope Canyon.’

ILPOTY, 2019 — Top 101 Photo: ‘North East Greenland National Park, Greenland’ by Craig McGowan (Australia)/International Landscape Photographer of the Year

Location: North East Greenland National Park

About this photo: A lone iceberg reflects against the landscape of the world’s largest national park.

ILPOTY, 2019 — Top 101 Photo: ‘Vestrahorn, Iceland’ by Nico Rinaldi (Italy)/International Landscape Photographer of the Year

Location: Vestrahorn, Iceland

About this photo: Northern lights illuminate Vestrahorn mountain and the Stokksnes beach shoreline.

Articles: Digital Photography Review (dpreview.com)

 
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Instagram allegedly raked in $20 billion in ad revenue last year

11 Feb

YouTube, the most popular video platform on the Internet, didn’t manage to make as much revenue in 2019 as image-based social network Instagram, according to a new report from Bloomberg. Sources claim that Instagram made $ 20 billion in ad revenue last year compared to YouTube’s $ 15.1 billion in ad revenue during the same time period.

The $ 20 billion figure, assuming it is accurate, is almost unfathomable compared to the $ 715 million Facebook paid for Instagram when it acquired it in 2012. Facebook does not officially disclose Instagram’s ad revenue separately from its other products; the company hasn’t commented on the report. As of 2018, Facebook said that it had more than 1 billion users on Instagram.

At $ 20 billion, Instagram would have represented more than a quarter of Facebook’s 2019 revenue, according to Bloomberg. Facebook has made a number of changes to Instagram since acquiring the service, the most recent being its decision to hide public ‘likes’ on the platform. Sources claimed late last year that Facebook decided to hide ‘likes’ so that users will post more often, boosting ad revenue as a result.

Articles: Digital Photography Review (dpreview.com)

 
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‘Back to the drawing board’: Sigma says full-frame Foveon camera won’t arrive this year

09 Feb
Sigma CEO Mr. Yamaki, pictured in the company’s factory in Aizu, Japan.

Development of Sigma’s full-frame Foveon camera has met considerable setbacks and the camera is no longer slated to arrive this year. In a letter to customers, CEO Kazuto Yamaki apologizes for the delay and says the decision comes after ‘careful and rigorous testing.’ No new release date is given at this time, and Mr. Yamaki says that the company has decided to start over with a ‘clean slate.’

The full-frame Foveon project was first announced to the public at CP+ in 2018. At the following year’s CP+, Sigma released more details about the camera and said it would reach market in 2020. Mr. Yamaki discussed with us some of the challenges of taking Foveon full-frame, describing the difficulty of improving interconnected aspects of sensor performance like high ISO performance and color gradation.

Press release:

Development status of the full-frame Foveon sensor camera

Dear Customers,

Thank you for being a valued customer.

At Photokina in September 2018, SIGMA announced the development of an L-mount mirrorless camera equipped with a full-frame Foveon sensor. Then, at CP+2019, we shared our plan to release the camera in 2020 and have worked diligently on the development to meet our commitment.

As a result of careful and rigorous testing based on the latest development information, however, it has become clear that the launch of such a camera would be infeasible within this year. Still at this point, we cannot say for certain when the full-frame Foveon X3 sensor will be put into mass production.

In light of current development progress, we are not in a position to offer any specific release plan at present. We have therefore decided that we should start over the project with a clean slate, putting the production plan for this new camera back to the drawing board and going back to the development of sensor technologies.

Since the earlier announcements, your excitement with the launch of a “full-frame Foveon” has been a tremendous source of inspiration and encouragement for us. Everyone involved in the project has pulled out all the stops to make it a reality. I would like to express my deepest apologies for failing to meet your expectations and having to share this disappointing news.

I would like to emphasize that Foveon sensors are in a class of their own and that they are part of the identity of SIGMA cameras that embodies our ideals and philosophies. We are determined to continue dedicating ourselves to technology development to bring better image sensors to life.

I would like to once again express my sincerest gratitude to our valued customers for the strong support you have offered to us. On behalf of all SIGMA employees, I commit myself to you that we continue striving to live up to your expectation and prove that we are worthy of your trust.

I truly appreciate your patience and understanding.

Warmest regards,

Kazuto Yamaki
Chief Executive Officer
SIGMA Corporation

Articles: Digital Photography Review (dpreview.com)

 
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