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Frame Within a Frame Photography: A Guide

04 Feb

The post Frame Within a Frame Photography: A Guide appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

frame within a frame photography

Frame within a frame photography is a creative technique that works in many genres of photography. But what is it, and how can you use it for amazing photos?

In this article, we’re going to take a look at this composition “rule” – which you can apply very obviously or even very subtly in your photographs.

So if you’re ready to create some unique images…

…then let’s get started!

woman framed by bus window
© Kevin Landwer-Johan

What is frame within a frame photography?

Frame within a frame photography is all about positioning your main subject so it’s framed by something else within the scene. 

You can use anything you like for this. For instance, you might use a full rectangular frame, like a door or a window. You could even use an actual picture frame.

But frame within a frame photography is not limited to structures that completely surround your subject. 

You can incorporate body parts and tree limbs as frames. Using rocks, plastic bags, or mannequins can be an effective way to add a frame within a frame. These things may occur naturally, or you can bring them in as props to include in your compositions.

Two mannequins and a girl for frame within a frame photography
© Kevin Landwer-Johan

Frames in front and behind

Typically, we think of a frame that surrounds a subject as being in front of it.

But it doesn’t need to be.

Because you can often effectively frame your subject with something that’s behind them.

Here are three examples to illustrate what I mean:

welder working in a round frame
© Kevin Landwer-Johan

In this first photo of the welder (above), I’ve used a hole cut in the steel to encircle the worker. There are also more holes in the panels behind him, though it’s the front hole that acts as the main frame.

Monks walking through a gate in Thailand
© Kevin Landwer-Johan

In this second shot, however, while the gate pillars do frame the young monks, the contrast of the shadow on the wall also helps to frame the main subject.

woman leaning on a window frame in a train for frame within a frame photography
© Kevin Landwer-Johan

Here’s a third example where I have used frames both in front of and behind my subject. By lining up the front and rear windows in the train carriage, I have managed to carefully frame the young woman.

Depth in frame within a frame photography

The woman on the train (above) is also an example of how using frames within a frame can help create an enhanced sense of depth in your compositions.

This becomes even more exaggerated when you use a shallow depth of field. Blurring the frame shows that the frame and the subject are at different distances from the camera (and it also helps draw the viewer’s eye to your subject!).

For instance, look at the photo below. The white pillars on either side of the dancer and the circular shape behind her head frame her well. And the shallow depth of field helps create actual depth in the image.

Thai dancer for frame within a frame photography
© Kevin Landwer-Johan

Note, however, that you can use frame within a frame photography in circumstances where you convey no sense of depth.

Sunset frames
© Kevin Landwer-Johan

Take a look at the photo above. Are the people walking in front of or behind the large palm trees? The trees create a nice frame, but because the key elements are silhouetted, there’s no visual information to reference depth.

Composing with existing and created frames

Some frames are more obvious than others. Unfortunately, more obvious frames tend to be a bit too common in photographic compositions – to the point that they become clichéd.

So instead of using obvious frames, access your imagination. Look for unusual elements you can incorporate into your compositions. These can sometimes create interesting frames around your subjects.

Frames don’t have to be physical; you can always use light and shadow as a frame. Look for areas of contrast that surround what you’re focusing on. Carefully position yourself and your subject to maximize the effect.

Out-of-focus elements can also be used to create frames. When you have an object in the foreground that doesn’t form a complete frame around your subject, simply choose a wide aperture setting and make sure the foreground object is close enough to your camera. You’ll get a rather abstract form that can frame the subject and help lead the viewer’s eye into your picture.

Take a look at the image below. Do you see how the blurred vegetation creates a frame around my subject?

Thai dancer framed
© Kevin Landwer-Johan

Making use of what’s around you to create a frame can be very effective. Here, I have used the model herself to make a frame within a frame:

woman making a frame with her fingers
© Kevin Landwer-Johan

Look for frames and you’ll find them

Practice looking for frames, and you’ll begin to see them everywhere. Study the work of other photographers and see how they work with frames. Do a quick image search online for examples, and you’ll soon see how imaginative some photographers are with frames!

Then go out with a camera. Like anything, the more you do frame within a frame photography, the easier it becomes. Set yourself the task of creating a frame within a frame every time you head out to shoot.

That way, you’ll begin to train yourself to see situations where you can incorporate this compositional technique into your work.

Frame within a frame photography: Final words

Frame within a frame compositions are a great way to focus the viewer’s eye on your subject – and a great way to add depth to your photos.

So make sure you get out and practice! As I explained, the more you practice, the sooner you’ll be creating stunning frame within a frame photos.

Now over to you:

Have you ever tried frame within a frame photography? Do you have any framing tips? What are your favorite frames? Share your thoughts in the comments below!

The post Frame Within a Frame Photography: A Guide appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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Woman, 72, gored by bison in Yellowstone after allegedly getting within 10 feet for a photo

01 Jul

Last week, a 72-year-old Californian woman was gored multiple times at Yellowstone National Park when she is alleged to have gotten within ten feet of a bison in order to take a photograph of the wild animal.

In a statement shared by the National Parks Service (NPS), authorities say they’re investigating the June 25 incident that took place not far from the Bridge Bay Campground, which sits near Yellowstone Lake and is one of the largest campgrounds in the park. In the statement, Yellowstone Senior Bison Biologist Chris Geremia explains the seriousness of getting in the personal space of bison and emphasizes the importance of staying at least 25 yards (23 meters) away from the animals:

‘The series of events that led to the goring suggest the bison was threatened by being repeatedly approached to within 10 feet […] Bison are wild animals that respond to threats by displaying aggressive behaviors like pawing the ground, snorting, bobbing their head, bellowing, and raising their tail. If that doesn’t make the threat (in this instance it was a person) move away, a threatened bison may charge. To be safe around bison, stay at least 25 yards away, move away if they approach, and run away or find cover if they charge.’

The unnamed woman received immediate medical care and was flown via helicopter to Eastern Idaho Regional Medical Center. No subsequent information has been shared on the woman’s condition at this time. This isn’t the first time visitors have been injured or killed while attempting to take photographs of the animals inside Yellowstone National Park, despite multiple warnings posted throughout the park and on the NPS website.

A photograph of just one of the many signs within the park warning visitors to keep their distance from the wild animals.

The NPS reiterated in the news release the following guidelines for how distant you should keep from the various wildlife within the park:

‘Stay more than 25 yards (23 m) away from all large animals – bison, elk, bighorn sheep, deer, moose, and coyotes and at least 100 yards (91 m) away from bears and wolves. If need be, turn around and go the other way to avoid interacting with a wild animal in close proximity.’

People are understandably excited to get back out to explore nature — this incident occurred just two days after the park re-opened following restrictions put in place due to the COVID-19 pandemic — but it’s not worth risking lives (or camera gear) for the shot.

Articles: Digital Photography Review (dpreview.com)

 
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Kodak Ektachrome E100 film will be available in 120, 4×5 formats ‘within the next 10 days’

11 Dec

Kodak Alaris has announced that its Ektachrome E100 film stock will be released in 120 and 4×5 sheet film packs ‘within the next ten days.’

In a tweet shared earlier this morning on the Kodak Professional account, Kodak Alaris confirmed new 5-roll 120 ‘propacks’ and 10-sheet 4×5 boxes will be available to order worldwide within the next ten days. Kodak Alaris Japan also published a press release sharing the news.

No pricing information has been given, but we’ll find out soon enough when orders go live.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus issues statement disputing rumors its imaging division will shut down within a year

16 Nov

Last weekend, an administrator for a Personal View forum claimed ‘closure is near’ for Olympus’ camera division, spurring a number of rumors that Olympus would shut down within a year. Since then, Olympus’ has issued a statement to Sina Finance News (translated) that suggests these rumors are little more than hearsay.

The post was made by a Personal View adminitrator who goes under the username Vitaliy_Kiselev. It included two images of Olympus’ latest financial presentation and said underneath that Olympus’ camera division is in ‘total instability’ with various Olympus employee’s ‘running and looking for new positions.’

A screenshot of the forum post made on the Personal View forums on November 9, 2019.

Vitaliy_Kiselev went on to say in the post that ‘rumors and talks’ suggest Olympus’ camera division will shutter some time between ‘January-March,’ presumably this upcoming year, and ends by claiming there are talks ‘that [Olympus’] development team and some equipment can be picked either by Sony or Samsung.’

In response to the aforementioned post, Chinese financial publication Sina Finance News asked Olympus to comment on the rumors to confirm or deny their accuracy. Olympus’ official response was (machine-translated):

The image business has always been the driving force of technology, including imaging technology and mass production technology, for medical and The science field has made tremendous contributions. As stated in the new business strategy, since the imaging business and the scientific business are important businesses supporting the company, we will continue to work on the improvement of profitability and efficiency in these two business areas.

Sina Finance News followed up to further question what the plan was for Olympus’ imaging and scientific business considering there was no specific mention of either of these divisions in its most recent financial presentation material. In response, Olympus said (machine-translated):

Detailed information about these business plans can be found in the next quarter’s earnings.

While Olympus’ answers are vague, the statements suggest that Olympus is continuing efforts to keep its imaging division alive. It’s possible these statements aren’t in contention with the forum post made by Vitaliy_Kiselev, but it does seem much less damning than the initial reports suggest.

We have contacted Olympus regarding these rumors and will update this article with a statement if provided.

Articles: Digital Photography Review (dpreview.com)

 
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You can now search for images in Google Photos using text found within the image

24 Aug

Google has confirmed Google Photos is adding the ability to search for images using the text featured in the content. This is different than searching for images based on their filename, instead using Optical Character Recognition (OCR) technology to identify words featured in photographs, such as from an image of a menu or sign.

The feature was first spied by Hunter Walk, who shared the above screenshots of the new capability. The official Google Photos account responded to the tweet, confirming it’s rolling out the new search capability.

Though apps that use OCR to copy text aren’t anything new, the ability to search through albums of uploaded photos for text located within the images will come in handy for many users, particularly those who use Google Photos for storing scanned copies of invoices and other business documents.

According to The Verge, the new OCR-based search option is available on some Android devices at this time. Google indicated in its tweet that the feature is rolling out over the course of this month, so it may take a number of days or weeks to arrive for everyone.

Articles: Digital Photography Review (dpreview.com)

 
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Sony executive predicts Nikon and Canon will go full-frame mirrorless within a year

13 Mar
Kenji Tanaka, Sony Senior General Manager of the Digital Imaging Business Group | Photo by Carey Rose

Earlier this month at CP+, we sat down with several camera company executives for in-depth interviews about the photo industry, trying to tease out what the future holds for the cameras and lenses of tomorrow. One of the people we spoke with was Sony’s Senior General Manager of the Digital Imaging Business Group, Kenji Tanaka, and he had an interesting prediction. He told us to look for Nikon and Canon full-frame mirrorless “by next year’s CP+.”

We’re still working on finalizing the full interview for you, but we wanted to share this tidbit right away:

One of the reasons that companies like Sigma and Tamron are creating native Sony FE lenses is that they’re looking forward to a future where full-frame mirrorless is the norm. How long will that be?

This is just my personal opinion, but I think that maybe by next year’s CP+ you’ll see full-frame mirrorless cameras from Canon and Nikon. I think [by then] they will be participating in this market.

Just look at our technologies, like eye focus. All of that data comes from the imaging sensor. In DSLRs, the data comes from separate sensors. The main imaging sensor is blanked out, 90% of the time by the mirror. The sensor is turned off. But the imaging sensor is very important. So if cameras are going to develop, and be more able to capture the moment, manufacturers have to develop mirrorless technologies. So within one year, I think.

Rumors of Nikon and Canon full-frame mirrorless cameras have been swirling for years, but no official confirmation has ever come down the pike. The best we’ve managed to get so far is this somewhat vague statement from Nikon, and confirmation that Canon is now willing to cannibalize its DSLR sales to invest in mirrorless cameras.

Obviously Kenji Tanaka does not speak for Canon or Nikon—he even made sure to mention this was his “personal opinion”—but he has a much better high-level understanding of the camera industry’s ins and outs that most of us. In other words: we take his ‘personal opinions’ quite seriously.

The latest whispers on the rumor mill claim there’s a Canon full-frame mirrorless prototype in the wild, and up until CP+ came and went, many were hoping to see a full-frame mirrorless from Nikon at the show. As we move further into 2018 and look ahead to Photokina, Photo Plus Expo, and next year’s CP+ show, maybe all of those rumors will finally start paying off.

Articles: Digital Photography Review (dpreview.com)

 
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Slow-Motion Demolition: Expanding Agent Cracks Concrete from Within

17 Jul

[ By WebUrbanist in Abandoned Places & Architecture. ]

Going forward, buildings may not need to go out with a bang if this “non-explosive cracking agent” takes off. The destructive action is quieter and potentially cleaner way to take out structures, break down old infrastructure or excavate building sites.

Betonamit is boasted to be a non-toxic powder that, when mixed with water and poured in to drilled holes, much like TNT, but instead of exploding, it “hardens and expands, exerting pressures of 12,000 psi. Reinforced concrete, boulders, and ledge are fractured overnight with no noise, vibration, or flyrock.” It’s not the only such stuff, but claims to be the first (other brands include the cleverly-named Crackamite).

Like some kind of anti-concrete, the dry powder is mixed with water — thus activated, it is poured into place. It is advertised for indoor use, as well as bridges, dams, limestone, boulders and concrete slabs. Seems like great stuff for large-scale artwork of some kind, but there don’t appear to be many such applications as yet.

Geoff Manaugh of BldgBlog wonders, though, what happens when something goes wrong. He writes: “I’m imagining a truck full of this stuff overturning on a crack-laden bridge somewhere, just an hour before a rainstorm begins, or a storage yard filled with crates of this stuff being ripped apart in the summer wind; a seemingly innocuous grey powder drifts out across an entire neighborhood for the next few hours, settling down into cracks on brick rooftops and stone facades, in sidewalks and roadbeds. Then the rains begin. The city crumbles. Weaponized demolition powder.”

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[ By WebUrbanist in Abandoned Places & Architecture. ]

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Arboreal Architecture: 14 Houses Built Around & Within Trees

21 Jul

[ By Steph in Architecture & Houses & Residential. ]

corallo house 6

Tree houses aren’t just rustic wooden huts slapped together around a living trunk – they also come in the form of elegant modern residences incorporating the forest into their design, whether by building around existing trees or integrating them right into the floor plan. These 14 modern tree house designs blend into their forest environments and make vegetal views top priority.

Casa Vogue by Alessandro Sartore
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tree houses brazilian 4

A tree called ‘Bethany’ is the centerpiece of this home in Rio de Janeiro, Brazil, passing through a three-meter hole in the floor slab and up through the ceiling of the living room. Casa Vogue by architect Alessandro Sartore also accommodates a second tree in the garage, keeping as much of the original landscape intact as possible and bringing the natural landscape indoors.

The Urban Treehouse by Baumraum
tree houses urban 1

tree houses urban 2

tree houses urban 3

German architecture firm Baumraum is responsible for many of the world’s coolest modern treehouses, including a pair in Berlin that function as a mini-hotel. The Urban Treehouse preserves the trees on a 650-square-meter privately owned wooded property within the city limits, integrating nature and architecture.

Between the Trees by Sebo-Lichy
tree houses between 1

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tree houses between 3

The design of ‘Between the Trees’ by Sebo-Lichy mimics the look of natural tree trunk supports, elevating a portion of the home to work with the steep terrain. It’s built around three chestnut trees and overlooks a forest, with floor-to-ceiling windows and a rooftop terrace blurring the lines between outdoors and in. The house was inspired by Mies van der Rohe’s famous Tugendhat Villa in Czech Republic.

Modern Austin Treehouse by MF Architecture
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austin tree house 4

This entire Austin home was essentially designed around views of trees in the front yard and on the back terrace. Each of the rooms of the house by MF Architecture look out onto the oak in the backyard, which shelters the entire outdoor area.

Urban Treehouse Apartment Complex by Luciano Pia
tree house urban torino

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tree house urban torino 4

tree house urban torino 5

The last place you’d expect to find a treehouse is in the middle of an urban Italian city – let alone an entire apartment building planted with dozens of trees on every level. 25 Verde by Luciano Pia has a load-bearing steel structure shaped like tree trunks as its base, with 63 wooden-shingled dwellings staggered around 50 trees. In addition to looking really cool, the trees help reduce air and noise pollution for the residents.

Next Page – Click Below to Read More:
Arboreal Architecture 14 Houses Built Around Within Trees

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Forget About Pixels – Awaken the Artist Within

24 Aug

I have a confession to make: I used to be a pixel peeper. There was a time when I’d spent hours zooming in and inspecting photos at 1:1 or even 300 percent. I was looking for a technically perfect photo. Back then, most of the work I was shooting was aimed at micro stock outlets. At most of them, the inspectors and image editors were not easy to get around. Noise, camera shake, out of focus, chromatic aberration, white balance, basically any issues would end up in an image rejection. That actually helped me. I learned the technical side of photography, but I also became obsessed. I became a pixel peeper.

Luckily I don’t care about it anymore, and you shouldn’t either, unless you are shooting commercially. I mean sometimes, depending on the type of work you are doing, a thoughtful examination could be needed. However, like every obsession, pixel peeping can be a detrimental habit.

20131207 Bagan 744

If you find yourself analyzing 100 percent crops, debating about pixel counts, hitting the forums too often and compulsively reading gear reviews, please stop. Especially if the majority of your work is about documenting travel, street photography, and whatnot. This is not what photography is about.

Yes, I get it, photography is part technology and science, but overall it’s art. Counting pixels or buying the latest camera is not going to help you to find your vision. Those are mere tools meant to aid you in expressing your voice, your art, in a wonderful medium.

I encourage you to leave the verbal flux behind and go shooting. Photography it about communicating emotions, a moment in time, the essence of a place, the soul of people.

20131208 Mandalay 311

If you’re still unconvinced, think about this. Let me start by asking you how much of your work is being shared online? Have you ever realized that the average monitor can only display 2 megapixels? And many of our photos are being seen only on tablets and phones. None of those are even close to being even viewed at 100 percent. Let’s throw in print as well; let’s say you want to enlarge your photos to 8×10, or you want to decorate a room and print a 16×24. Grab a photo that you think is not sharp or noisy and make a test. I think you’ll be delighted by how awesome it looks.

In the end, as photographers and storytellers, what we pursue is capturing a moving picture, perhaps communicating an emotion. Of course you can go after excellence and be meticulous, but always keep in mind that what you are trying to express with the craft is way beyond just a technically perfect photo. A great subject, an inspiring place or a story will always generate a reaction, an emotion in your viewer. Such an image will never be judged as too noisy, a bit shaky, and so on. In exchange, there are gazillions of perfectly technical photos floating around without any kind of content. Photos that, even though technically perfect, nobody cares about.

20131216 Doha 273

It is true that we have much better technology now than we had in the past. Sensors with low light capabilities, bodies and lenses with image stabilization, and software are all better than ever. But for some, it seems to never be enough; there will be always something new, something better, and we tend to get lost in the technical side instead of pressing the shutter. Many moons ago, I was always looking at these things, to the point where I didn’t even want to shoot beyond ISO 200. It was a big mistake. I lost a lot of moments and opportunities that I would’t get again. That will never happen now; I prefer to capture the instant, the character of a place, the spirit of humankind – without having to worry about pixel counts.

Forget about pixels, awaken the artist within. Go out and shoot something that moves you. You know you can.

20140407 Hoop Peru 584

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Composition Exercise: Frame Within a Frame

05 Oct

I teach a kids photography class (ages 11-15), and this week we started talking about composition. I don’t require a specific type or level of camera, so I have students shooting with DSLRs, as well as students with simple point-&-shoot models. Because of the wide range of cameras, I make this class a little less about the technical and a little more about how they see the world around them. I strive to make sure they understand the elements of exposure, the principles of lighting, and all of the other aspects of the craft that come into play when they push the button and capture a moment in time. Regardless of make and model, though, the one thing they all share is a viewfinder– a frame in which to compose and arrange those moments in time. The way that each of these young photographers grasps the concepts and applies them to their own world view is incredibly enlightening and fun to watch.

So, in class this week I explained that composition guides the viewer through the frame and answers the question, “What are you trying to say?” Put another way– “This is why I stopped and took this photo.”  Now that they are armed with another set of photographic fundamentals, I’m giving them a week or two to get comfortable with photographing the same subject different ways before giving them one of my favorite assignments of the semester– “A Frame Within a Frame.”

If the frame is your window on the world, composition is where you point it. The FWAF exercise basically pushes them to find boundaries within boundaries. On the one hand, that sounds pretty restrictive, and I suppose it can be. The flip-side, however, is that pushing them to compose within certain confines now will help unleash vast waves of creativity later. I tell them every chance I get that the rules of photography were made to be broken, but first they have to know what they are. Speaking of rules, the FWAF challenge has only one– no actual frames. That’s right– no posing your subject in the middle of a wheat field, along the railroad tracks, or any other overly cliche setting, while holding a big empty frame in front of them. I try, whenever possible, to shoot the assignments I give my students, and just about all of the images in this article were part of Frame Within a Frame exercises.

One of my favorite FWAF shots was one of those happy accidents where you don’t even realize what you’ve got until it’s off the camera and up on a bigger screen. I knew that mama lion had been pretty close, keeping a watchful eye over one of her growing cubs, but it wasn’t until I’d downloaded the images that I realized that I’d caught her attentive gaze perfectly framed between Junior’s two front legs.

frame-within-frame-01

See where I’m going with this? No literal frames were harmed in the creation of these photos. Anything that creates additional boundaries within the images effectively creates an additional frame, which then directs the viewer’s attention much more precisely where you want it to go.

This next image is a great example, not only of a frame within a frame, but of repetition as an interesting compositional element. A tighter crop of the artist at work would have been okay, I guess. We’d be able to make certain assumptions about what’s not in the photo– namely, the subject of her piece. By including it in my background, however, I not only created the additional frame, but also lead the viewer through the image from right to left, taking in the artist, her canvas, and her inspiration.

frame-within-frame-04

Once you get in the habit of looking for these extra frames you’ll start noticing them in all sorts of places. These boxers, for instance, are framed perfectly within the ropes of the ring. As a compositional tool, the added frame not only directs the viewer’s attention, but it also helps to minimize any distracting or non-essential elements from the photo.

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Obviously, the frame within a frame is much more interpretive than literal. Doorways, windows, and mirrors– elements with clearly defined lines– can create great effects, but I enjoy seeing what my students do with the assignment when they are comfortable enough to ignore the obvious and go for something much more organic.

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One of my favorite photography quotes comes from National Geographic photographer Jim Richardson, who says that “If you want to be a better photographer, stand in front of more interesting stuff.” One of the things that fascinates me about composition and exercises like this is how we push ourselves to not only stand in front of more interesting stuff, but to also photograph more interesting stuff in a more interesting way.

Try the Frame Within a Frame challenge and share your links in the comments section.

 

 

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Composition Exercise: Frame Within a Frame

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