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Slideshow: Winners and finalists for the 2020 Minimalist Photography Awards

21 Aug

Winners and finalists for the 2020 Minimalist Photography Awards

Powered by B&W Minimalism magazine, the 2nd annual Minimalist Photography Awards recently announced its winners for 2020. Over 4,200 photos from 41 countries were submitted across 12 categories including Street, Photomanipulation, Conceptual, and Aerial. Australian photographer George Byrne won the title of Minimalist Photographer of the Year for his series ‘Exit Vision’ – though 2 of the images ended up in 2nd place for the Abstract and Fine Art categories, respectively.

‘As an approach in photography, minimalism or minimalistic photography could be taken by the photographer in all genres. No matter your are a portrait, architecture, landscape etc. photographer, minimalist photos are always an option as long as you have a minimal look toward your surroundings,’ said Milad Safabakhsh, founder and president of the awards. First, second, and third place winners in each category will be published in a book and exhibited at Galerie Minimal Berlin when it reopens.

All category winners and honorable mentions can be viewed here.

1st Place Winner, Abstract Photographer of the Year: ‘Abstract Series One’ by Stanislas Augris

Artist Statement: I’m Stanislas Augris. French musician and photographer. I’m from the Parisian suburb so part of my photographic work is to focus on the geometric shape, patterns and palette color of the urban environment, my daily environment. The aim is sometime to render an abstract picture of flat tints of colors and so create an artwork that decorrelate the form and the substance. Photography allows me to keep my eyes open to the world and to those everyday places, those in-between places.

I think either for architecture photography or for the rest of my photographic work (landscape and street photography) the main world is to keep it minimalistic and graphic. Trying to find simple lines, curves and play with foreground and background to create new shapes is really something that matters for me.

2nd Place Winner, Fine Art: ’71st St. Miami’ by George Byrne

Artist Statement: This image is from a recent series of mine called Exit Vision. It is a photo-collage, constructed from elements pulled from multiple locations. Shot on medium format film in Miami. For the ‘Exit Vision’ series, I would look for ready-made vignettes of color and form in the built world around me, and then try and repurpose or reinvent them. By embracing the process of photo-assemblage or collage, these photographs have become creations as much as they are observations.

Honorable Mention, Open Theme: ‘The Square’ by John Andreas Godwin

Artist Statement: Coming back to this geometric shape as the landscape surrounding it changes. [Taken in] Akersberga, Sweden.

3rd Place Winner, Aerial: ‘Salt Shapes’ by Kevin Krautgartner

Artist Statement: Salt evaporation ponds, also called salterns, are shallow artificial ponds designed to extract salts from sea water. To make its sea salt, many companies in Australia are using a method called ‘solar evaporation.’ Solar salt is produced by the action of sun and wind on seawater in large ponds. The seawater evaporates in successive ponds until the seawater is fully concentrated and the salt then crystallizes on the floor of the pond.

Due to variable algal concentrations, vivid colors, from bright blue to deep red, are created in the evaporation ponds. The color indicates the salinity of the ponds. This photo was taken from a small plane with the doors removed.

Honorable Mention, Landscape: ‘Whipped Cream Iceburg’ by Geffrard Bourke

Artist Statement: An iceberg resembling whipped cream in the ocean off the coast of Greenland.

1st Place Winner, Photomanipulation Photographer of the Year: ‘Yellow Stairs’ by George Byrne

Artist Statement: This image is from an ongoing series of mine called Exit Vision. It is a photo-collage, constructed from elements from multiple locations. Shot on medium format film. For this series, I would look for ready-made vignettes of color and form in the built world around me, and then try and repurpose or reinvent them. By embracing the process of photo-assemblage or collage, these photographs have become creations as much as they are observations.

2nd Place Winner, Architecture: ‘Oqaatsut Home’ by John Kosmopoulos

Artist Statement: Oqaatsut is a small Greenlandic town north of Ilulissat in Eastern Disko Bay. As the sun drenched and warmed the colorful homes and rocky landscape, it revealed clues of what life must be like there: a close but isolated community where the spirits of icebergs come and go in the distance.

I wanted to convey the feeling of the town by using minimalist compositions and creative framing to provide portraits of life in Greenland. Most of the citizens were indoors, but one citizen overlooked our whereabouts while children played a game and chanted a song that echoed through the town.

Honorable Mention, Long Exposure: ‘Ariake’ by Ulana Switucha

Artist Statement: From a series on Japanese Torii gates.

1st Place Winner, Portrait Photographer Of The Year: ‘Selfhood’ by Vicky Martin

Artist Statement: The series ‘Selfhood’ is in part inspired by the proverb ‘the eyes are the window to the soul’ and a desire to challenge the need to see the eyes within a portrait. The intention in each portrait is to create a character and a narrative and encourage an empathy without the visual stimulation of the eyes.

The conscious composition of each image gives the character a foundation in reality whilst combining fantastical creative elements to challenge the viewer’s preconceptions surrounding the connotations of each individual outfit and distinctive concealment of the eyes.

The viewer is inspired to make their own inferences about the subject’s persona and circumstance by drawing on personal connections and interpretations to each image, whether these be from memory or culture. Therefore each portrait in the series can take on a number of different identities depending on links made by the viewer to their own experiences and opinions.

3rd Place Winner, Conceptual: ‘Alabula (Colorful)’ by Mehrdad Fathi

Artist Statement: Mircea Eliade (philosopher and historian) says about the creation of universe: Creating the universe is considered to be a prototype for any type of building. Every city and every new home that they establish, it is a brand new imitation of the creation of universe, in other words, means of repeating the creation of the universe.

1st Place Winner, Night Photographer of the Year: ‘Decay by Night’ by Rachel Warne

Artist Statement: Decay by Night is a continuation of Rachel Warne’s fascination with the beauty of decay. Rachel has embarked on several personal photographic projects such as ‘Faded Glory’ exhibited at the Garden Museum, London in 2015 and ‘The Beauty of Decay’ – a collaboration with floral installation artist Rebecca Louise Law, touring several countries during 2017.

The idea of ‘Decay by Night’ seems like a natural progression for Rachel whom is drawn to decay and rebirth within the botanical world. By shooting flora at night she will be able to capture the transitional process which naturally occurs throughout the night, but rarely seen. Giving quite a different interpretation to their form as seen in day light.

Rachel shoot the flora in the dead of winter, once darkness falls. The plant portraits were be lit by one small portable continuous light to emulate the moon. Rachel wanted to explore how flora appears in the shadows creating its own ethereal beauty. Ghostly an enigmatic with a hint of gothic.

Winter is the perfect time to photograph the flora before the dormant season ends.

Shot at the Millennium gardens Deigned By Piet Oudolf at Pensthorpe in Norfolk. Pensthorpe seemed to be the most poignant naturalist garden in England to work from. Especially with Piet’s piquancy with the beauty of decay too.

1st Place Winner, Street Photographer of the Year: ‘Coronavirus Confinement’ by Santiago Martinez de Septien

Artist Statement: Millions of children in Spain, stuck at home since the authorities implemented a nationwide lockdown in mid-March, have been unable to exercise outside, take a short walk around their block, go with their parents to the supermarket or leave their house except for medical reasons. Such measures, the strictest in Europe, have left countless children bored, exhausted and sometimes depressed.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: 2020 Underwater Tour Awards Winners

11 Aug

2020 Underwater Tour Awards Winners

The Underwater Tour Awards recently announced the winners of its inaugural photography competition. Hundreds of images were submitted from around the world. Winning entries were selected by a panel of judges led by 6-time winner of the AIPP Professional Nature Photographer of the Year competition, Darren Jew.

The Guru Award, bestowed on the photographer who submitted at least 5 images, and had the best collection, went to Chelsea Haebich. An accompanying Q&A session is included with the 5 Guru images on display below. ‘I am still a few inches off the ground. I genuinely did not think I was in for a chance as I watched all the other amazing shots winning categories!’ exclaimed Haebich. ‘Winning this award might make me stop doubting myself and have a bit more faith in my abilities. Something I struggle with for sure.’

‘Moving forward I hope it can put my work out there further and bring people and connections into my life that will help me grow as a photographer and further share this astounding world with more people,’ Haebich continued. ‘I love seeing people’s curiosity and hearing their questions about the Underwater World. If winning lets me share that more, grow more and impact more people then that would be wonderful and very fulfilling.’

The next Underwater Tour and photography competition is set to commence May 13th, 2021.

Winner, Guru Award: Chelsea Haebich (Adelaide, Australia)

UTA: What was it that inspired you to take up nature photography?

CH: I came to diving somewhat later in life than most people and had never picked up a camera, but that first dive, nine years ago, under the Jetty at Rapid Bay in South Australia just blew my mind. I was inspired by the colors and the creatures. The variety and energy just astounded me.

I was so excited about what I saw and wanted to share it with anyone who would listen, but I found it so hard to convey what I was experiencing in words, so I grabbed a camera and never looked back! A little Panasonic point and shoot. Loved it. My long held fear of cameras went out the window pretty fast from there on, apart from Instructing, I hardly ever enter the water without a camera.

I feel compelled to capture what I see and feel, from the tiniest Clingfish, to the towering pylons of our local Jetties. I have always loved nature and animal interactions and now I feel inspired daily to capture that in images as best I can.

Winner, Guru Award: Chelsea Haebich (Adelaide, Australia)

UTA: How will winning the Underwater Tour Award help you moving forward?

CH: Personally, winning this award might make me stop doubting myself and have a bit more faith in my abilities. Something I struggle with for sure! Moving forward I hope it can put my work out there further and bring people and connections into my life that will help me grow as a photographer and further share this astounding world with more people.

I love seeing peoples curiosity and hearing their questions about the Underwater World. If winning lets me share that more, grow more and impact more people then that would be wonderful and very fulfilling.

Winner, Guru Award: Chelsea Haebich (Adelaide, Australia)

UTA: What do you consider your own challenges when taking photos?

CH: What do I consider my own challenges when taking photos (I was going to say something about the challenge of a permanently empty bank account, but I don’t think that is what you are looking for here in this question). Seriously, though, my challenges when taking photos is getting out of my comfort zone and experimenting more. I work a regular job full time and don’t get to dive as often as I like, so I want bang for my buck when I do.

I love to come home with new images to edit and explore and sometimes I don’t think I push myself and risk a card full of learning errors because I need to come home with something! So time would be the other challenge. I really have to push everything else aside to get the dive time I want, often neglecting other important life matters…which of course I can TOTALLY justify at the time.

Winner, Guru Award: Chelsea Haebich (Adelaide, Australia)

UTA: What is your aim when you’re taking images?

CH: My aim when taking images is to capture something about the animal or moment that makes people keep looking. With tiny creatures I love to capture the detail that often can’t see until I’m home looking at it on my computer. This draws me back to images to keep seeing detail. I really like to capture character and humor as well. Right or wrong I find many of the behaviors and habits of Marine creatures very comical and endearing. I love to capture character as it gives people something to relate to when they look at an image.

The image of the Australian Sea Lion is an example of that. The look it’s giving the camera conjures up images of peoples own puppies at home. Marine life is so often seen as cold and glassy eyed. I try and capture those personalities, or at least the personalities I see! I want people to connect and find something they love in a world they could never image themselves entering. I believe people will protect and look after things they love and understand better. So I guess my aim is connection, both for myself in the moment and for others when viewing the images.

Winner, Guru Award: Chelsea Haebich (Adelaide, Australia)

UTA: Do you have any preferred underwater subject or concept?

CH: I don’t have a preferred underwater subject or concept when I dive. Sometimes I have a goal or a shot in mind, but on the day I really like to just see what is presenting itself when I am down there. I don’t like to turn down opportunities with a critter or a shot just because I have a set goal. I really like to just let the world pass me by while I am down there and see what my eye picks up on.

I dive and set up my camera to the conditions we have here in South Australia and try to make the most of the day. Sometimes wide angle happens, but macro is more reliable here in SA. I don’t set out with any very set ideas. It’s part of what I love. I never know what I am going to come back with. It does mean you have to be on your toes with your settings and sometimes completely rethink what you are doing, but that all part of it for me. It helps me switch off.

Winner, Underwater Scenes: Pavlos Evangelidis (Brussels, Belgium)

Artist Statement: Leru Cut in Solomon Islands is one of my favorite dive sites. It goes under the island for about 100 meters at a depth up to 23 meters. It really comes alive when the sun is out and the sunrays break through the cracks but photography here can be challenging because of the extreme light conditions and the deep shadows.

Winner, Underwater Characters: Simone Caprodossi (Byron Bay, Australia)

Artist Statement: Northern Gannets fighting for a fish in Shetland Island UK.

Winner, Aquatic Abstracts: Louise Nott (Lane Cove, Australia)

Artist Statement: Pineapple Swirl, Sydney Harbour NSW.

Winner, Topside Scenes: Yung Sen Wu (Keelung City, Taiwan)

Artist Statement: These Pacific species of salmon will come to the west coast of Canada from the distant sea every autumn, return to the birthplace of the inland river through the estuary, and look for the estuary of the estuary, the temperature of the river, and the environment.

Winner, Underwater Black and White: Richard Condlyffe (Battle Creek, USA)

Artist Statement: Two Spotted Dolphins look as though they’re communicating and watching something out of shot. Bimini, Bahamas.

Winner, People’s Choice Awards: Pierre-Laurent Pablo (Nimes Languedoc, Philippines)

Artist Statement: Frog Fish hanging at Southern Leyte in Philippines.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: Winners of 2020 Creative Photo of the Year by Siena Awards

08 Aug

Winners of 2020 Creative Photo of the Year by Siena Awards

The Creative Awards is part of the larger international competition put on by the Siena International Photography Awards. The aim is to encourage photographers to experiment with the subject matter they capture as well as their post-processing techniques. There isn’t any limit to how much an image can be digitally manipulated.

11 jurors selected winning and runner up images from 12 different categories including Fine Art, Abstract, Nature & Landscape, Open Theme and Architecture. The Overall Winner, and recipient of the ‘Pangea Prize,’ along with € 50,000 in photography gear, is Hardijanto Budiman for his image of ping pong players competing in Indonesia.

Typically, winners and runners up attend the annual Siena Awards and their works are displayed in the ‘I Wonder if You Can’ outdoor exhibition. For now, they can be viewed in this online gallery.

Overall Winner and Pangea Prize Recipient: ‘Ping Pong Training’ by Hardijanto Budiman

Location: Jakarta, Indonesia

Artist statement: Ping pong or table tennis is my favorite sport. When I was young I used to be a ping pong player in my home town club. So when the idea came up, I straight away started the project. This picture is about daily activities of ping pong players in a club. I made the concept look different and unique, representing my signature style.

Creative Runner Up Winner, Fashion: ‘Borderland’ by Gerard Harrison

Location: Houston, Texas, United States

Artist Statement: A photograph of a fashion model in a couture bohemian design is merged with a a fine art painting to create a walk through a garden in an alternate reality.

Creative Runner Up Winner, Abstract: ‘Delta Abstraction’ by Manuel Enrique González Carmona

Location: Huelva, Spain

Artist Statement: Minerals, water and water currents are the ingredients with which nature creates these ephemeral landscapes. This canvas is actually a raft of toxic waste from a copper mine, located in the province of Huelva, Spain, having been captured by aerial shots. These ephemeral formations will disappear with the next intense rains.

Creative Runner Up Winner, Nature & Landscape: ‘Silky Hat’ by Takashi Nakazawa

Location: Lake Yamanaka, Yamanashi prefecture, Japan

Artist Statement: When the clouds cleared, there was Mt Fuji with a silky hat. To make it even more impressive, I used a long exposure and then made it black and white monotone.

Creative Runner Up Winner, Architecture: ‘Achieve Dream’ by Min Ying

Location: Zhoushan, China

Artist Statement: The image was shot at the Zhoushan Sea Bridge, which is a great construction area in China.

Creative Runner Up Winner, Animals/Pets: ‘Black Friday’ by Pedro Jarque Krebs

Location: Spain

Artist Statement: Flamingos have eyes that are bigger than their brains. But this doesn’t make them animals without a conscience. They have great vision, and although their ability to interpret what they see is limited, their way of associating in groups allows them to develop a collective consciousness to cope with their environment. Climate change is increasingly affecting their habitats.

Winner, Portraiture: ‘The Same Sky’ by Carloman Macidiano Céspedes Riojas

Location: Argentina

Artist Statement: This goodbye does not mask a see you later. This never does not hide a hope. These ashes do not play with fire. This blind man does not look back. To this noise so fatherless I will not let you drill. A rotten heart of beating. This fish does not die through your mouth. This crazy man goes with another crazy. These eyes do not cry anymore for you.

Creative Runner Up Winner, Experimental: ‘Chicago Station’ by Carmine Chiriacò

Location: Chicago, Illinois, USA

Artist Statement: This is the classic example of how I like to interpret what I capture with my camera. Through photography I try to communicate the emotions that I am feeling in that moment to the observer. My aim is to tell a story each viewer can experience, and allow him to see the world through my eyes.

Creative Runner Up Winner, Open Theme: ‘Celebration of Sitti Mariam’ by Hisham Karouri

Location: Sudan

Artist Statement: The annual celebration of ‘Sitti Mariam’ the nobel sufi lady of Khatmiyyah sect in Sinkat town in east Sudan; a three days feast ending by the first Thursday of Rajab (month of Hijri calender). During Sitti Mariam lifetime, (1870-1952), the celebration was an annual meeting to assist the followers of the sect, and especially the needy, whom she cared mostly about.

Creative Runner Up Winner, Beauty: ‘Inner’ by Renat Renee-Ell

Location: Saint Petersburg, Russia

Artist Statement: From the series ‘The Room Of Sound Distraction.’ The feelings of the heroine are rolled up like bud petals. At the heart of the fragrance is the soul. Sly hands stretch to take it away.

Creative Runner Up Winner, Product: ‘Speed Freak’ by John Grusd

Location: Long Beach, California, USA

Artist Statement: This image is one of a series of compositions about automobile racing and the driver’s relationship to the distractions and danger inherent in motorsports. The driver remains focused and calm while the world hurtles by at tremendous speeds. In this image, the world around the driver becomes streaking color at streaking speeds.

Creative Runner Up Winner, Food & Beverage: ‘The Broccoli Forest’ by Yuliy Vasilev

Location: Bulgaria

Artist Statement: This is the pilot image of my ongoing project ‘Miniature World.’ The image was taken in my home studio in Bulgaria in August 2019.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: Overall winners of Sony World Photography Awards 2020

18 Jun

Winners of Sony World Photography Awards 2020

We’ve covered quite a few Sony World Photography competitions in the past 5 months. From the Open Competition, to National Award Winners, and recent Finalist and Shortlisted photographs, creators from all over the world have been recognized for their takes on pertinent issues. The World Photography Organisation concluded these competitions with their announcement of the Overall Professional, Open, Student, and Youth winners for 2020.

‘This year’s winner comes from the Creative category and is a brilliant set of images which offers a powerful visual record of how deforestation goes hand in hand with the destruction of communities and peoples…Pablo is from Uruguay and this project is deeply personal to him as a photographer. The effort required to envisage, produce and shoot this series is laudable in every way,’ says Mike Trow, Chair of the Professional competition.

The Photographer of the Year title, and $ 25,000 cash prize, was awarded to Pablo Albarenga for his series titled Seeds of Resistance. It explores the bond between defenders and their land, along with the consequences of protecting it. Tod Oldham’s Open Photographer of the Year image of musician Black Francis was previously covered by DPReview. Ioanna Sakellaraki won Student Photographer of the Year for her series on environmental sustainability while Hsein-Pang Hseih was recognized as Youth Photographer of the Year for his capture of a harried street performer.

We’ve featured the winning images from each category in this slideshow. All of this year’s winning and shortlisted images can be viewed here. Professional, Open, Student, and Youth competitions for 2021 will be open for submissions on July 1st and are free to enter.

Photographer of the Year and Latin America Professional Award Winner: ‘Seeds of Resistance 3’ by Pablo Albarenga (Uruguay)

About this Photo: Nantu is an indigenous young man from the Achuar Nation of Ecuador who leads a project of solar-powered river boats for collective transport. By installing solar panels on a specially designed boat’s roof, he is working to end Achuar’s dependence on petrol. Left: On his land, Nantu lies dressed in traditional Achuar clothing. Right: the pristine rainforest from the Achuar territory. Sharamentsa, Pastaza, Ecuador.

About this Series: Seeds of Resistance is a body of work that pairs photographs of landscapes and territories in danger from mining and agribusinesses with portraits of the activists fighting to conserve them. Pablo explores the bond between the defenders and their lands – a sacred area in which hundreds of generations of their ancestors rest. In the photographs, the main characters in the stories are seen from above, as though they are laying down their lives for their territory. View the full series here.

Student Photographer of the Year: ‘Aeiforia’ by Ioanna Sakellaraki (Greece)

About this Series: Aeiforia presents night-time photographs of solar panels, wind turbines and battery farms used across the small island of Tilos in Greece which is the first in the Mediterranean to run almost entirely on renewable energy. View it, in its entirety, here.

In an era of climate change and challenges around sustainability, islands are particularly vulnerable. Insular by their very nature, these land masses usually depend on fossil fuels and imports for energy (despite the high transportation costs). Until a few years ago, the idea of an island being fully reliant on clean energy was almost unthinkable, and yet it is about to become a reality on Tilos in Greece.

This tiny island in the Dodecanese archipelago is the first in the Mediterranean to run almost entirely on renewable energy. Over the years it has received energy from a diesel power plant on the neighboring island of Kos, via an undersea cable, but during the tourist season this has proven unreliable, leading to frequent power cuts. Since 2015, however, the supply on Tilos has been reinforced with a hybrid system exclusively powered by renewable sources including solar and wind power.

These images were taken in the island’s capital, Megálo Chorió, which is home to just 70 people during the winter. At night the passageways, rooftops and yards are illuminated by moonlight, presenting plenty of opportunities for photography. The islanders use various solar panels and energy devices including some handmade versions. The aim is to keep these running for as long as possible to help sustain households throughout the winter.

My series looks at how these strangely-shaped devices and wires become an organic part of the scenery at night. As darkness falls, a harmonic symbiosis exists between this technology and the dry and mountainous landscape of Tilos. Aeiforia is a Greek word for defining progress based on the use of natural ecosystems and energy sources to ensure future resources.

Youth Photographer of the Year: ‘Hurry’ by Hsien-Pang Hsieh (Taiwan)

About this Photo: Hurry, features a street performer who is seemingly walking in a hurry but is in fact standing still. Inspired by his experience as a newly arrived student in Germany, Hsien-Pang sees the image as his comment on the intensive pace of life and a reminder others to slow down.

This image was taken shortly after I came to Germany to study. It was the first time I had travelled abroad alone, and I felt under enormous pressure. There were so many things to learn at school, and I was also trying to fit in with everyone else.

Although this man looks as though he’s in a rush to get to work, he’s actually standing still – and it’s this dichotomy that appealed to me. These days, with life moving at such a frantic pace, it’s important for people to slow down. When I’m facing challenges I look at this picture and it reminds me to take a moment and just breathe.

Category Winner, Professional, Architecture: ‘Ice Fishing Hut XV’ by Sandra Herber (Canada)

About this Photo/Series: Winters in Manitoba, Canada, are long and often bitterly cold. When the temperature drops, and thick ice forms, lakes and rivers in the province play host to some amazing folk architecture in the form of ice fishing huts.

These huts, shacks or permies (as they are called in Manitoba) must be transportable, protect their occupants from the elements and allow access to the ice below for fishing. Once these requirements have been met, the owners are free to express their personalities in the shape, structure and decoration of their huts – they are large or small, decorated or plain, luxurious or utilitarian and everything in between.

I captured these images on Lake Winnipeg in December 2019. My hope for this series, which is a continuation of work I started in 2018, is to showcase the quirky charm of these huts by presenting a select few in a typology. The typology – showing the huts framed in the same, minimalist style and in the same lighting – allows the viewer to notice similarities in function and uniqueness in form, as well as to display these utilitarian structures as beautiful works of art.

Category Winner, Professional, Discovery: ‘Motherhood’ by Maria Kokunova (Russian Federation)

About this Photo/Series: It has been four years since I voluntarily isolated myself in a cosy cave of maternity, living in a country house in Leningrad Oblast. I deliberately restrict social contact and limit media consumption – my whole life is bound up in my home, children and art practice.

Against all expectations, however, my life is far from calm and quiet. The notion of the cave has become, for me, the quintessence of what a personal experience is made up of. It has been linked to the Anima and the cult of the earth mother, the symbol of fertile soil that both gives life and takes it away. Francis Bacon, developing the idea of Plato, stated that the “Idols of the Cave” arise from education and custom – in short, the past of each individual determines how they perceive things.

For me, isolation in my own cave triggered a childhood trauma that had not been resolved emotionally – a stress disorder triggered by a series of four deaths and a suicide in the family over a very short period of time. In this project, I am constructing my own personal cave by combining photographs I have made in my parent’s house with pictures of the place I am living in now.

I pair these images with the experience of a physical presence in Sablinskiye Caves, near my home. In a cave your senses are deprived, encouraging hallucinations. Under similar conditions, my memory produces its own illusions. My work explores the idea that motherhood, and the awakening of primitive instincts such as unconditional love, aggression and fear of death, make life extremely meaningful.

Despite its challenges, ‘in-cave’ living boosts creativity: it becomes a personal myth, provides a plot for the project and initiates reflective processes.

Category Winner, Professional, Documentary: ‘Wounds of Hong Kong 7’ by Chung Ming Ko (Hong Kong)

About this Photo: Chu, a 17-year-old Hong Kong Diploma of Secondary Education Examination (DSE) student, was hit by a police baton while taking part in a human chain at Tai Po Station, Hong Kong, on 7 September 2019. He was seen lying in his own blood on cable TV. Chu’s head needed stitches and the phalanx of the little finger on his right hand was broken, requiring six bone screws. He has decided to postpone his DSE for a year in order to tackle his PTSD (post-traumatic stress disorder).

About the Series: Protests in Hong Kong show no signs of abating after months of unrest. What began as an objection to the extradition bill has evolved into a wider protest regarding the future of the city.

Reports suggest that since the demonstrations began cases of depression and post-traumatic stress disorder (PTSD) have risen among the population. Author Milan Kundera said: ‘The struggle of men against power is the struggle of memory against forgetting.’ Scars and bruises may fade, but we must remember what caused them.

Category Winner, Professional, Environment: ’85 Trader, a Local Policeman in Ughelli, Niger Delta, Nigeria’ by Robin Hinsch (Germany)

About this Photo/Series: Covering 70,000 sq km (27,000 sq miles) of wetlands, the Niger Delta was formed primarily by sediment deposition. The region is home to more than 30 million people and 40 different ethnic groups, making up 7.5% of Nigeria’s total land mass. It used to boast an incredibly rich ecosystem, containing one of the highest concentrations of biodiversity on the planet, before the oil industry moved in.

The Nigerian department of petroleum resources estimates that 1.89 million barrels were spilled in to the Niger Delta between 1976 and 1996. What’s more, a report from the United Nations suggests there have been a total of 6,817 spills between 1976 and 2001, amounting to some three million barrels of oil.

So far, the authorities and oil companies have done little to clean up and neutralize the Delta, and oil spills are still very common. Half of the spills are caused by pipeline and tanker accidents, while others are the result of sabotage (28%), oil production operations (21%), and inadequate production equipment (1%). Another issue in the Niger Delta is gas flaring, a byproduct of oil extraction.

As the gas burns it destroys crops, pollutes water and has a negative impact on human health. Wahala was shot in Nigeria in 2019 and draws attention to untamed economic growth and its negative impact on ecology.

Category Winner, Professional, Landscape: ‘Torii Einootsurugi’ by Ronny Behnert (Germany)

About this Photo: Einootsurugi was one of the torii which was totally hidden. It was difficult to find that amazing spot but after a few hours of searching and exploring I found the torii. The special feature here was the symmetrical arrangement through the two lamps in the foreground. I spent more than three hours at this spot because of the spiritual atmosphere at this place!

About this Series: Evidence of Shintoism and Buddhism – the most common religions in Japan – can be found in every corner of the country. Shrines and torii (traditional Japanese gates commonly found at the entrance to Shinto shrines, marking the transition from mundane to sacred spaces) can be seen in the remotest of locations, from the middle of the Pacific Ocean to the highest mountains and the deepest forests.

Most of the time I use neutral density filters to force long exposures and keep my work minimalist in style. Some of my exposures last five minutes or more, which makes any distracting elements in the water or sky disappear – the longer the exposure, the clearer the photograph.

Category Winner, Professional, Natural World & Wildlife: ‘Pangolins in Crisis 1’ by Brent Stirton (South Africa)

About this Photo: A Temminck’s Pangolin learns to forage again after being rescued from traffickers on the Zimbabwe/South Africa border. Pangolin caregivers at this anonymous farm care for rescued, illegally trafficked pangolins, helping them to find ants and termites to eat and keeping them safe from predators and poachers.

This is one of only three true Pangolin rescue and rehabilitation sites in the world. Pangolins are the world’s most illegally trafficked mammals, with an estimated one million being trafficked to Asia in the last ten year. Their scales are used in traditional Chinese and Vietnamese medicine and their meat is sold as a high-priced delicacy. As a result, pangolins are listed as critically endangered and all trade or consumption is illegal.

The Tiki Hywood trust undertakes public awareness campaigns on Pangolins, trains law enforcement and judiciary personnel, conducts research, and rehabilitates pangolins that have been confiscated from the illegal trade. They are based in Zimbabwe but operate with partners across Africa and Asia.

About this Series: Pangolins are the world’s most illegally trafficked mammals, with an estimated one million trafficked to Asia in the last ten years. Their scales are used in traditional Chinese and Vietnamese medicine, and their meat is sold as a high-priced delicacy. As a result, pangolins are listed as critically endangered and anyone who trades or consumes them is breaking the law.

This body of work exposes the trade, while exploring aspects of illegality and celebrating the people who are trying to save these animals. There are only three true Pangolin rescue and rehabilitation sites in the world, they are extremely fragile animals and the vast majority die quickly in captivity.

Category Winner, Professional, Portraiture: ‘Malick. Gambia. (1998)’ by Cesar Dezfuli (Spain)

About this Photo: LEFT: Malick portrayed on 1st August 2016 on board of a rescue vessel in the Mediterranean sea. RIGHT: Malick portrayed on 26th June 2019 in Italy, where he currently lives.

About this Series: On 1st August 2016, 118 people were rescued from a rubber boat drifting in the Mediterranean Sea. The boat had departed some hours prior from Libya. In an attempt to give a human face to this event, I photographed the passengers minutes after their rescue. Their faces, their looks, the marks on their bodies all reflected the mood and physical state they were in after a journey that had already marked their lives forever.

It was the beginning of a project that has been evolving ever since. It soon became clear that the people I photographed on that August day were not themselves. Their identities had become diluted somewhere along the way – hidden as a result of fear, or stolen through past abuses and humiliations.

Over the last three years I have worked to locate the 118 passengers of the boat, now scattered across Europe, in a bid to understand and document their true identities. I wanted to show that each individual had a latent identity that just needed a peaceful context in order to flourish again.

Category Winner, Professional, Sport: ‘Senegalese Wrestlers 3’ by Ángel López Soto (Spain)

About this Photo/Series: Wrestling has become the number one national sport in Senegal and parts of The Gambia. It belongs to a larger West African form of traditional wrestling (known as Lutte Traditionnelle) and is more popular than football. Senegalese wrestlers practice two forms of the sport: Lutte Traditionnelle avec frappe and Lutte Traditionnelle sans frappe (international version).

The sport has become a means of social ascendance, making some athletes millionaires. Fights have been known to attract audiences of around 50 thousand in a stadium. For many, it’s a slice of African life, tradition and culture, in which there is a mix of animist and Muslim beliefs. These pictures show wrestlers training on a beach in Dakar.

Category Winner, Professional, Still Life: ‘Immortality 10’ by Alessandro Gandolfi (Italy)

About this Photo: Tokyo (Japan), Miraikan, The National Museum of Emerging Science and Innovation: a close-up of Alter, a robot on display at the museum. Some believe that the in the future, it will be possible to completely ‘download’ our minds into humanoids similar to this one, and therefore, by overcoming the physical limits imposed by the human body, it will be possible to live forever.

About this Series: ‘In the 21st century,’ writes Yuval Noah Harari in Homo Deus: A Brief History of Tomorrow, ‘humans are likely to make a serious bid for immortality […] A small but growing number of scientists and intellectuals have posited that the most important challenge facing modern science is to overcome death and achieve the promise of eternal youth.’

Can man really become immortal? Few truly believe it, and so research has focused on cryo-conservation, man-machine hybridization and mind downloads instead. The majority of scientists agree, however, that average life spans will extend up to 120 years of age and that our health will improve considerably, thanks in particular to the enormous progress being made in the sectors of bioengineering, nanomedicine, genetics and artificial intelligence. Research into longevity has already become a billion-dollar business.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: Winners of IPA’s One-Shot ‘MOVEMENT’ competition

13 Jun

Slideshow: Winners of IPA’s One-Shot ‘MOVEMENT’ competition

The International Photography Awards (IPA) recently announced the winners of their One-Shot “MOVEMENT” competition. Thousands of photos were submitted from around the world for the theme, movement, around 5 categories: Street Photography, Nature, Fine Art, People, and Technology/Machine. The jury selected the following entries for top prizes:

Grand Prize Winner: ‘Wild Carrots’ by Anne Mason-Hoerter

Category Winners:

Fine Art: ‘Wild Carrots’ by Anne Mason-Hoerter
Street Photography: ‘School Run, Rwanda’ by Benjamin Buckland
Nature: ‘Wallace Flying Frog’ by Shin Leong Teo
People: ‘Rice Growers’ by Jacopo Maria Della Valle
Technology—Machine: ‘The Urban Semiconductor’ by Youngkeun Sur

‘The idea that everything moves, changes, and evolves, is such a great concept to explore through photography. It’s been inspiring to see how photographers of all levels of expertise have captured this concept in its many forms—universal, abstract, human, and machine. Even though it seems the whole planet has almost come to a standstill, through these images we see that life goes on and moves forward,’ says Hossein Farmani, Founder and President of IPA.

Due to the COVID-19 crisis, IPA has matched all cash prizes awarded to winning and finalist photographers in the form of a donation to the charity of their choice. All winning and honorable mention photos can be viewed here. IPA is now accepting submissions for its Annual Photography Competition.

Grand Prize Winner + 1st Place – OneShot: Movement, Fine Art: ‘Wild Carrots’ by Anne Mason-Hoerter (Germany)

Date of Photograph: 2013

Technical Info: Nikon D70s, LeicaD-Lux, Canon scanner.

Artist Statement: Multiple scan data combined with digital camera data of a Wild Carrot, scientific name being Daucus carota. My photographic process involves first taking the plant apart and then scanning each piece. I then combine those images with images I have taken with my cameras. I wanted to reproduce the unseen movement of plants at night. There are over 50 single images and took over a month to complete.?

2nd Place – OneShot: Movement, Fine Art: ‘Almost Free’ by Patrizia Burra (Italy)

Date of Photograph: December 12, 2019

Technical Info: 1/125 sec, f/8, ISO 50.

Artist Statement: An artistic vision of movement.

3rd Place – OneShot: Movement, Fine Art: ‘Giant’s Causeway and Figure, Northern Ireland’ by Ugo Ricciardi (Italy)

Date of Photograph: 2018

Technical Info: 18 sec, f/11, 100 ISO. Pentax 645z camera. Long exposure with led light on a long pole.

Artist Statement: This picture, that is part of the ‘Nightscapes’ series, was taken in Northern Ireland. The Giant’s Causeway is an ancient part of the coast. Is an area of about 40,000 interlocking basalt columns, the result of an ancient volcanic fissure eruption. The tops of the columns form stepping stones that lead from the cliff foot and disappear under the sea.

This place, so still and immovable, is illuminated by the moving light, that is fluid and changing. Two elements in contrast, and between them there is the figure of a man, on the top of the rock.

1st Place – OneShot: Movement, Nature: ‘Wallace Flying Frog’ by Chin Leong Tao (Singapore)

Date of Photograph: November, 2018

Technical Info: 1/1250 sec, ISO 1250, f/13, Sony Alpha a6500 camera.

Artist Statement: Wallace’s Flying Frog is a moss frog found in Malaysia and western Indonesia. It is generally quite photogenic given its large size, brilliant colors and calm temperament. This is a shot taken of a specimen swimming in water, with full extension of its beautiful long legs.

2nd Place – OneShot: Movement, Nature: ‘Flying over the Sea’ by Claudio Piccoli (Italy)

Date of Photograph: September 6, 2019

Technical Info: 1/4000s, ISO 100, f/2.8, full frame.

Artist Statement: I love to represent the dog as a super hero in my action shots. This dog and its owner were practicing disc dog in the water. It’s very difficult to do such amazing performances in these conditions, since the water brakes every movement. It was sunrise and I love the colors.

The position of the girl is really focused on her dog and the launch of the disc was perfect. It’s a shot you can repeat more than one or two times since after that the dog needs to rest. The dog remain the main subject and his position in the air is perfect and extended with the maximum tension of muscles.

3rd Place – OneShot: Movement, Nature: ‘Surfacing’ by Jean-Christophe Girard Lemay (Canada)

Date of Photograph: March 2, 2020

Technical Info: 1/2000 sec, f/2.8 , ISO 400 , 125mm lens.

Artist Statement: Such a memorable day navigating the St. Lawrence (Quebec, Canada) on the CCGS Amundsen. A was assigned as official photographer for the scientific mission that took place on the ship, for two weeks and a half.

On the fifth day, a beluga came to visit us very closely when we were stopped at the last sampling station. I knew I saw one earlier, but very far offshore. This time, it couldn’t have been closer than; it dived right in front of our eyes, and then came out often on the other side of the boat about fifteen minutes later, each time blowing air just before it hit the surface.

2nd Place – OneShot: Movement, People: ‘Night Journey’ by Ken Browar and Deborah Ory (United States)

Artist Statement: ‘Night Journey’ is a photograph of the Martha Graham Company taken for our book ‘The Style of Movement’ The image is of 6 dancers performing the piece ‘Night Journey’ choreographed by Graham. The dance is based on the Greek myth of Oedipus and Jocasta with six women portraying the Greek chorus.

Martha Graham designed the dramatic costumes, which accompanied the text in our book discussing Graham’s influence on fashion design. We felt this piece worked well for the theme of ‘movement’ as the women are moving together in perfect harmony, both in their movement, and in their dynamic expression.

3rd Place – OneShot: Movement, People: ‘Good Sheepherd’ by F. Dilek Uyar (Turkey)

Artist Statement: The dusty and arduous journey of sheep herds in Bitlis. Sheep herds do this dusty path to reach the highlands where they graze until the middle of July after milking.

1st Place – OneShot: Movement, Street Photography: ‘School Run, Rwanda’ by Benjamin Buckland (Switzerland)

Date of Photograph: October 20, 2019

Technical Info: 1/15 sec, ISO 160, f/22, cropped sensor.

Artist Statement: I drove down here in a wild storm. South towards Lake Rweru and the deepest source of the Nile. Pools of water on the road. Hard enough that my creaking windscreen wipers couldn’t keep pace and I stopped for a while. Peering downhill at Burundi through the mist. Rain intense enough that even the usually indomitable Rwandese cyclists disappeared from the road. But like all rain here at this time of year, it was quickly over. And the cyclists were back before I knew it. Rwanda. October 2019.

2nd Place – OneShot: Movement, Street Photography: ‘Flying Boys’ by Dimpy Bhalotia (India)

Artist Statement: This was shot in Varanasi, India.

3rd Place – OneShot: Movement, Street Photography: ‘Momentum’ by George Stastny (Canada)

Date of Photograph: June 11, 2018

Technical Info: 1/1000 , ISO 100, f/1.8, Micro Four Thirds crop sensor.

Artist Statement: We all have a driving force that keeps us moving at a forward momentum.

1st Place – OneShot: Movement, Technology/Machine: ‘The Urban Semiconductor’ by Sur Young Ken (Republic of Korea)

Date of Photograph: January 24, 2020

Technical Info: 15 sec, f/11, ISO 64, Nikon D850 camera.

Artist Statement: We live in an age of massive and fast transmission.

2nd Place – OneShot: Movement, Technology/Machine: ‘Porsche Type 64 Ice Race’ by Richard Seymour (United Kingdom)

Date of Photograph: February 1, 2020

Artist Statement: Tracking shot of a replica Porsche Type 64 at the 2020 GP Ice Race at Zell am See, Austria.

3rd Place – OneShot: Movement, Technology/Machine: ‘Moonlight over the Atlantic’ by Christiaan van Heijst (Netherlands)

Date of Photograph: January 12, 2020

Technical Info: 4.0 sec, f/2.8, ISO 1250, Nikon D850, 10.5mm.

Artist Statement: Full moon. About to cross 30 West, halfway a stormy Atlantic Ocean when the radiant moon ascents above the horizon. Blinding out most stars, the bright lunar spell adds a touch of magic to the world around me. Silver-painted clouds drift by while the capsule of the 747 cockpit allows me to breathe, live and appreciate this alien-like landscape. Far beyond, the gently glowing horizon marks the delicate edge of space. Almost home.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: GDT Nature Photographer of the Year 2020 winners

15 May

GDT Nature Photographer of the Year 2020 winners

Members of the Society for Nature Photography have selected the GDT Nature Photographer of the Year. The 7th annual competition received 5,046 submissions from 307 GDT (German Society of Nature Photography) members across 11 countries. Peter Lindel was declared the Overall Winner with ‘A Hare’s Dream.’

‘The European hare, once a common inhabitant of open country all over Germany, has become a rare sight. While the large number of hares that I used to spot every morning on my way to work in the fields and meadows North of Dortmund, prompted me twelve years ago to explore this area with my camera, it has now become increasingly time-consuming to find hares and present them in an appealing photograph,’ Lindel explains.

For the first time, voting was conducted online instead of a general meeting on account of the pandemic. 70 winners and finalists were selected by judges and members for the following categories: Birds, Mammals, Other Animals, Plants and Fungi, Landscapes, Nature’s Studio, and the Special Category: Water. All winning and finalist photographs can be viewed here.

While GDT Nature Photographer of the Year is open to the society’s members only, GDT’s European Wildlife Photographer of the Year competition is open to all photographers residing in Europe.

Overall Winner: ‘A Hare’s Dream’ by Peter Lindel

GNPY 2020, Peter Lindel, GDT

About this photo: ‘A hare’s dream was taken in July of 2019 when months of
searching a suitable location led me to a dirt road, which offered the most
beautiful morning light, lovely vegetation and … three hares. Dreamy,
curious, careful, anxious. These are the adjectives that I find describe the
expression of “my hare” best,’ says Lindel.

Winner, Other Animals: ‘Danger in the Mud’ by Jens Cullmann

GNPY 2020, Jens Cullman, GDT

About this photo: Crocodile in a drying mud pool.

Winner, Nature’s Studio: ‘Flooded with Light’ by Jan Piecha

GNPY 2020, Jan Piecha, GDT

About this photo: A blackbird perches on a branch in North Hesse, Germany.

Winner, Landscapes: ‘Magic Light’ by Benjamin Waldmann

GNPY 2020, Benjamin Waldmann, GDT

About this photo: Tree in the mist at the Albtrauf.

Winner, Birds: ‘Take-off’ by Flurin Leugger

GNPY 2020, Flurin Leugger, GDT

About this photo: Coyote panics geese.

2nd Place, Mammals: ‘Glowing Fox’ by Mohammed Murad

GNPY 2020, Mohammed Murad, GDT

About this photo: Arabian red fox in Kuwait City.

2nd Place, Special Category, Water: ‘Milk and Honey’ by Sandra Bartocha

GNPY 2020, Sandra Bartocha, GDT

About this photo: Reflection of the chalk coast, England.

4th Place, Special Category, Water: ‘Poseidons Wrath’ by Christian Wappl

GNPY 2020, Christian Wappl, GDT

About this photo: A top-down view of Waves, La Palma.

5th Place, Nature’s Studio: ‘Refraction’ by Burkhard Hillert

GNPY 2020, Burkhard Hillert, GDT

About this photo: Refraction of light in the cobweb.

10th Place, Atelier Natur: ‘Iceland Going Abstract’ by Uwe Hasubek

GNPY 2020, Uwe Hasubek, GDT

About this photo: Painting of a river, Iceland.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: Winners and finalists of the Academy’s annual BigPicture competition

11 May

Winners and finalists of the Academy’s annual BigPicture competition

San Francisco’s California Academy of Sciences recently announced the winners and finalists of its 7th annual BigPicture: Natural World Photography Competition. Over 6,400 images were submitted by photographers from 65 countries across categories including Terrestrial Wildlife, Winged Life, Landscapes, Waterscapes & Flora, Aquatic Life, Art of Nature, and Human/Nature.

Competition entries were selected by a panel of judges including wildlife photographer Suzi Eszterhas along with award-winning nature and conservation photographers Shin Arunrugstichai, Roie Galitz, Daisy Gilardini, Margot Raggett, and Tony Wu. The Grand Prize entry was awarded to Andy Parkinson of Crich, United Kingdom, for his image ‘Hare Ball.’ He spent 3 years familiarizing himself with the territory and behavior of his subject before capturing it braving a winter storm.

‘Only a highly-skilled photographer can present a common subject in an extraordinary way,’ says Suzi Eszterhas, BigPicture’s Jury Chair. ‘In this photo we see a hare as we’ve never seen it, curled up in a ball and looking rather like a sculpture as it’s bathed in sub-arctic light. Andy has created an image that has it all: technical perfection, artistic skill, and behavior. To me this is an image of beauty and resilience that speaks to weathering a storm. An image that I believe the world needs now more than ever.’

All 49 winning and finalist images will be featured at the annual BigPicture photography exhibit. It’s set to take place later in the summer at the California Academy of Sciences. BigPicture is currently accepting applications for its Emerging Photographer Grant, which will provide a cash grant and mentorship to 2 aspiring photographers between ages 18-25, through May 31st.

Aquatic Life Finalist: ‘Hold on Tight’ by Mathieu Foulquie?

© Mathieu Foulquie?. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Lez River, France

Artist Statement: Beneath the turbulence of a small waterfall in France’s Lez River, a male common toad (Bufo bufo) holds on for dear life. Not his own life, though—the male is helping to ensure his species’ survival by fertilizing his female companion’s eggs as she lays them. Known as amplexus—Latin for ‘embrace’—this mating behavior is common among amphibians and other animals whose eggs must be fertilized externally.

Males temporarily develop glands on their toes, known as nuptial pads, to help them grip the swollen abdomens of the females. Then, as the female releases thousands of eggs in pearly, gelatinous strands, the male coats them with sperm. ??Scores of toads seeking partners for this ancient dance of procreation are killed each spring by motor vehicles. Fortunately, some European communities have built canals and even enlisted toad-shuttling volunteers to help them cross roads and reach their mates.

Photo Story Winner (one of six images): ‘Guardians of the Giraffes’ by Ami Vitale

© Ami Vitale. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Reteti Elephant Sanctuary, Kenya

Artist Statement: Too often, says Ami Vitale, nature photography excludes the humans whose lives are intertwined with the natural world. Her decade-long project documenting the bonds between Samburu people and wildlife in northern Kenya reverses this oversight, telling the story of how Samburu people became advocates for wild animals and their habitat.

For as long as Samburu people have grazed livestock, their livelihood has been seemingly at odds with the elephants, rhinos, giraffes, and other large mammals with whom they share their homeland. But as poachers decimated elephant (Mammalia proboscidea) populations in recent decades, Samburu herders realized their cattle were also suffering.

Elephants promote grass growth by clearing brush and small trees, so as their numbers shrink, there’s less grass for cows to graze on. In response, the Samburu launched a sanctuary to rehabilitate orphaned elephants, along with other conservation programs that benefit threatened species like the reticulated giraffe (Giraffa camelopardalis reticulata), shown here.

These efforts are changing long-standing Samburu attitudes toward wildlife, and show how the health of human and animal communities are connected. ‘Indigenous communities hold the key to saving Africa’s great animals,’ says Vitale. ‘Where these communities are intact, poaching has dramatically decreased.’

Grand Prize Winner: ‘Shelter in Place’ by Andy Parkinson

© Andy Parkinson. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Tomatin, Scotland

Artist Statement: To get this intimate shot of a mountain hare (Lepus timidus) curled up against a Scottish winter storm, Andy Parkinson endured weeks of ferocious cold and wind that drove shards of ice into his face. Britain’s only native rabbit species, on the other hand, is utterly at home in these inhospitable conditions.

Groups of twenty or more hares gather each winter to nibble heather on leeward slopes, where the snow tends to be shallower. Before resting, they jump away from their tracks to confuse predators. And while some ride out storms in burrows or depressions, this female created her own shelter, tucking herself into a ball to conserve heat and minimize exposure to the elements.

It’s a nifty strategy for surviving the kind of weather that drives most creatures indoors or underground. Despite their fortitude, mountain hares are Britain’s fastest-declining mammal, due to unregulated hunting and habitat loss. Parkinson hopes that calling attention to these remarkable rabbits will convince legislators to protect them.

Landscapes, Waterscapes, & Flora Finalist: ‘Mushroom Magic’ by Agorastos Papatsanis

© Agorastos Papatsanis. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Deskati, Greece

Artist Statement: Despite the ethereal appearance of this photo, these edible mushrooms (Macrolepiota procera) won’t induce any hallucinations. But that doesn’t mean they aren’t magical. Indeed, the more we learn about mushrooms, the more magic they seem to harbor. From helping trees communicate to producing cancer-fighting metabolites, scientists have only begun to uncover the fantastic features of fungi. ??

At the root of many of these capabilities is the unique role that mushrooms play in the environment. As primary decomposers, mushrooms break down the organic matter of dead plants and animals. In return, the fungi become flush with essential nutrients and minerals, a number of which can confer antioxidant, antimicrobial, and anticancer benefits to humans. This same ability also makes mushrooms exceptional environmental remediators, ingesting the toxins and heavy metals that various industrial practices have leached into the soil.

Winged Life Winner: ‘Pond Skim’ by Piotr Naskrecki

© Piotr Naskrecki. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Gorongosa National Park, Mozambique

Artist Statement: In Gorongosa National Park, at the southern tip of Africa’s Great Rift Valley, water breathes with the seasons. Lakes and rivers that overflow during the winter months are reduced to puddles and trickles come summer. For many species — including the Mozambique long-fingered bat (Miniopterus mossambicus) — the dry season means longer journeys for a much-needed sip of water.

As our planet warms and droughts increase in both frequency and intensity, the seasonal oases that bats depend on are drying up. Without adequate water, healthy bats begin to weaken, making them more susceptible to diseases that are already devastating populations around the world.

Those that survive are sometimes forced to drink from human-made bodies of water — a boon for bats, but a potential risk for people who drink from those same water sources, since bats carry a host of zoonotic diseases. It’s often at these interspecies interfaces that killers like Ebola and the novel coronavirus emerge.

Terrestrial Wildlife Winner: ‘Speed and Strategy’ by Yi Liu

© Yi Liu. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Maasai Mara National Reserve, Kenya

Artist Statement: Although they’re the fastest land animals in the world, catching prey is no easy feat for a cheetah (Acinonyx jubatus). The mostly treeless terrain of the African savanna gives antelopes, impalas, and other ungulates ample time to spot approaching predators, and even a slight head start can be the difference between life and death. To avoid alerting their prey, cheetahs start out hunting low to the ground, where their spotted coat helps them blend into the terrain.

When they get within 60 meters (200 feet) of their target, cheetahs accelerate at a blistering pace, reaching 95 kilometers (60 miles) per hour in a matter of seconds. But the feline predators still have to account for the speed of their prey — in this case an impala (Aepyceros melampus), which can zig-zag at upwards of 80 kilometers (50 miles) per hour. To close the gap, this cheetah tripped its quarry as it attempted to escape, proving that sometimes, strategy is just as important as speed.

Landscapes, Waterscapes, & Flora Winner: ‘A Sticky Situation’ by Edwin Giesbers

© Edwin Giesbers. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Hatertse Vennen Nature Reserve, Netherlands

Artist Statement: Innocently poised on the thin red spines of an oblong-leaved sundew (Drosera intermedia), beads of nectar beckon insects like sweet garnishes on a lethal cocktail. When an insect lands to sip the nectar, the carnivorous sundew slowly curls its leaves around it, releasing digestive enzymes that liquify its unsuspecting prey into a digestible meal. If a sundew ensnares something inedible, it promptly releases the non-nutritious offender from its grasp.

Nitrogen and phosphorus from eating insects allows sundews to thrive in places where most plants can’t survive, like the acidic, nutrient-poor soil of swamps and bogs. These adaptations fascinated Charles Darwin, who wrote in 1860 that he cared ‘more about Drosera than the origin of all the species.’ Nonetheless, Darwin would wait 15 years before publishing his controversial suspicions that, indeed, some plants eat animals.

Terrestrial Wildlife Finalist: ‘Hippo Huddle’ by Talib Almarri

© Talib Almarri. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Okavango Delta, Botswana

Artist Statement: Each winter, as the waters of Botswana’s Okavango River spread across its vast delta, an array of African wildlife congregates to eat, drink, splash, and soak. This seasonal wetland was especially important in 2019, when severe drought left human and animal populations alike desperate for water. Cattle, elephants, crocodiles, and other creatures were left to vie for any water they could find in the delta’s shrinking pools.

??Among those seeking refuge were herds of hippopotamuses (Hippopotamus amphibious). These semi-aquatic herbivores are well-equipped for spending hours each day in the water—their nostrils and eyes located so high on their head that they can breathe and see while mostly submerged.

They’re also graceful swimmers, and can hold their breath for up to five minutes. But even their aquatic abilities and impressive heft were no match for last year’s muddy, drought-stricken delta. At least 200 hippos became trapped in the mud, and managed to survive only because Botswana wildlife officials pumped in water to help them escape. As the climate warms, such droughts may become more frequent across much of Africa.

Art of Nature Winner: ‘A River Gone Awry’ by Juan Jesús González Ahumada

© Juan Jesús González Ahumada. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Río Tinto, Spain

Artist Statement: Along the Río Tinto in western Spain, layers of multicolored sediment combine with blood red water to produce an otherworldly effect. But the strange coloration—shown here in a photo of cracked mud at the river’s edge—has familiar origins: Runoff from millennia of mining in the surrounding Sierra Morena has caused rampant acidification and toxic levels of dissolved metals.

The pollution is so extreme that NASA has used the river and the resilient microbes that call it home as a proxy for the conditions for life on Mars. ??Unsurprisingly, the water is unusable for the communities that live near it—at least for now.

In 2016, a collaboration between a team of Spanish researchers looking into the mineralogy of the river and a group of French researchers seeking to decontaminate it made an important discovery. When the water was purified, the leftover solids contained a high concentration of microscopic aluminum particles, a valuable commodity which can be sold to offset the cost of decontamination.

Human/Nature Winner: ‘The Cost of Cats’ by Jak Wonderly

© Jak Wonderly. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: WildCare Wildlife Hospital, San Rafael, United States

Artist Statement: Every year, the staff at WildCare, a California animal rescue organization, is tasked with rehabilitating hundreds of birds and other wild animals mauled by outdoor house cats. The 200 pictured here did not survive. ‘I wanted to create an image to show some of the impacts our pets have on the wildlife around our homes,’ says Jak Wonderly. ??

One of those impacts is a world with less birdsong. In the United States alone, more than 2 billion birds are killed by cats annually. Other nations, including Australia and New Zealand, have tried to protect native wildlife by imposing restrictions on cat owners, such as ‘cat curfews’ that require cats to be indoors after dark.

But because such measures are unlikely to gain traction in North America, Wonderly took this devastating photo. By illustrating the suffering that free-roaming house cats cause, he hopes to spark discussion about alternative solutions for reducing the death toll caused by our pets.

Human/Nature Finalist: ‘Snack Attack’ by Gunther De Bruyne

© Gunther De Bruyne. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Kasungu National Park, Malawi

Artist Statement: After an unsuccessful attempt at grabbing a snack, this African savanna elephant (Loxodonta africana) took out its frustrations on the roof of an open-air kitchen in Malawi’s Kasungu National Park. Photographer and biologist Gunther De Bruyne says such destruction was common during his stay at a research station there. But, De Bruyne adds, there’s a reason why Kasungu’s elephants are unusually dangerous: He and other scientists have found that elephants from heavily poached regions tend to be more aggressive.

In 1977, more than 1,000 elephants roamed Kasungu. By 2015, poaching had reduced the population to just 50. While recent ivory bans might be turning the tide—there are now over 80 elephants in the park—recovery takes time, especially among animals as intelligent and long-lived as elephants. Maybe on De Bruyne’s next visit, the kitchen roof will remain standing.

Aquatic Life Winner: ‘Berg Buffet’ by Greg Lecoeur

© Greg Lecoeur. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Antarctic Peninsula

Artist Statement: French photographer Greg Lecouer braved frigid waters to catch this rare glimpse of life below Antarctic ice, where he encountered a crew of crabeater seals (Lobodon carcinophaga). Clumsy and laborious on land, crabeater seals are elegant and agile swimmers that spend their entire lives in the pack ice zone surrounding the frozen continent.

Buoyed by polar currents, icebergs calve off mainland glaciers, carrying minerals and nutrients from land into the ocean. Once sea bound, the icebergs slowly melt, releasing critical nutrients in their wake and providing seals with both food and shelter. The fertilized waters prompt a bloom of phytoplankton that attracts krill—which, despite the crabeaters’ name, is a favorite meal of the seals.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: Winners of All About Photo Awards, the Mind’s Eye, 2020

06 May

Winners of All About Photo Awards, the Mind’s Eye, 2020

The 5th Annual Mind’s Eye competition from All About Photo attracted submissions from all over the world. Even though a majority of the entries were color photographs, 4 out of the 5 top category winners are black and white and came from women. The Photographer of the Year 2020 was awarded to Monica Denevan (United States) for her image ‘Across the River, Burma’ from the series ‘Songs of the River: Portraits from Burma.’ She received a $ 5,000 cash prize.

A panel of 7 jurors selected the 40 winning and finalist images. Compared to previous years, they were more inclined to choose calming images compared to those depicting unsettling or violent situations. ‘Perhaps a subconscious need has arisen in each one of us to escape the terrible events that are happening in the world right now,’ reads the official press release.

In a field dominated by men, women received a majority of the top honors in this competition. Elena Paraskeva was recognized in the Particular Merit Mention category for her image ‘The Lost Swimmer.’

Winners will be showcased on the daily fine art photography site Lenscratch, art streaming platform Daylighted, All About Photo’s online gallery, and in the print edition of AAP Magazine. All About Photo hosts a variety of competitions, year round, that can be found on their ‘Photo Contests’ page.

1st Place Photographer of the Year: ‘Across the River, Burma’ by Monica Denevan (United States)

Artist Statement: From the series ‘Songs of the River: Portraits from Burma.’

2nd Place Winner: ‘Florida’ by Gabriele Galimberti (Italy)

Artist Statement: Avery Skipalis (33) – Tampa, Florida / THE AMERIGUNS – In the States there are more guns than people. ‘120.5 registered firearms for every 100 residents’ and the statistic doesn’t count ‘not-registers firearms.’ As a European, I started wondering if owning many weapons by a single person or family is a common habit in the US. I traveled across the US and created a series of 45 portrait of families or single individuals, including all races and beliefs, together with their firearms.

3rd Place Winner: ‘Philomena’ by Rebecca Moseman (United States)

Artist Statement: A little Irish Traveler girl looks out of her family car before going home to her family’s Illegal encampment.

4th Place Winner: ‘Sustenance 4’ by Nadia De Lange (Switzerland)

Artist Statement: Desert: ‘a waterless, desolate area of land with little or no vegetation, typically one covered with sand.’ And yet, there is life in the desert. More than most people realize. In the Namib this is thanks to the wonderful miracle of fog – the clouds that roll in from the Atlantic Ocean bring with them moisture that sustain the fauna and flora living in this beautiful, harsh landscape.

5th Place Winner: ‘Jump of the Wildebeest’ by Nicole Cambre (Belgium)

Artist Statement: Annual migration of the wildebeest at Northern Serengeti, Tanzania. This wildebeest did not wait for its turn and jumped on top of the others.

Particular Merit Mention: ‘Polarbearpet’ by Marcel Van Balken (Netherlands)

Artist Statement: Climate change, and the loss of sea ice habitat, is the greatest threat to polar bears. More and more polar bears are being forced ashore, away from their sea-ice hunting grounds. But it does not make sense to make your home (or bathroom) available as a haven for the polar bear. It’s better to spread awareness about the real and pressing threat of climate change.

Particular Merit Mention: ‘Untitled’ by Kosuke Kitajima (Japan)

Artist Statement: A monkey entering a Japanese hot spring. Had various expressions like a person.

Particular Merit Mention: ‘Break Away’ by Tony Law (Australia)

Artist Statement: A man falling off a bull in a rodeo event held in Taralga, Australia.

Particular Merit Mention: ‘Untitled’ by Yoni Blau (Israel)

Artist Statement: This image was taken while on a trip to the Suri tribe in the Omo Valley in Southern Ethiopia.
The model was not dressed, simply recorded as is. No artificial lighting was used.
The picture was taken within a dark tent with the light coming in from the entrance of the tent.

Particular Merit Mention: ‘Woman Mursi’ by Svetlin Yosifov (Bulgaria)

Artist Statement: The Mursi tribe are an African tribe from the isolated Omo valley in Southern Ethiopia near the border with Sudan.

Particular Merit Mention: ‘Eye Sea’ by Anuar Patjane (Mexico)

Artist Statement: A school of Bigeye trevaly and divers at Cabo Pulmo National Park, Mexico.

Particular Merit Mention: ‘Beyond the Wall’ by Francesco Pace Rizzi (Italy)

Artist Statement: Sometimes a shot cannot contain emotions, memories, moods…you need more … you have to ‘chisel’ the image to make that evolutionary-creative leap necessary to reach the right size.

This photo is intended as a small tribute to a great Master: Henri Cartier Bresson, the one who first knew how to show me the reality of ever with new eyes: more human, artistic, poetic. His photos taken between the 1950s and 1970s in Basilicata (my homeland) and around the world have changed the perspective of things in me, creating a fantastic ‘imprinting’ and becoming a source of great inspiration.

Particular Merit Mention: ‘Untitled’ by Chin Leong Teo (Japan)

Artist Statement: The Wallace’s Flying Frog is a moss frog found in Malaysia and western Indonesia. It is generally quite photogenic given its large size, brilliant colors and calm temperament. This is a shot taken of a specimen swimming in water, with full extension of its beautiful long legs.

Particular Merit Mention: ‘Step by Step’ by Mustafa AbdulHadi (Bahrain)

Artist Statement: Impression Lijiang is a cultural show which demonstrates the traditions and lifestyle of local Naxi, Yi, and Bai ethnics of the area. It is the second outdoor production of famous film director, Zhang Yimou, which debuts an open-air performance at the foot of Yulong Xueshan (Jade Dragon Snow Mountain) about 3,500 meters above sea level. The performance stage is specially designed to showcase the mountain as the best backdrop of the show. More than 500 local people from ten ethnic groups (participate).

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: Winners and finalists of Smithsonian Magazine’s 17th Annual Photo Contest

02 May

Winners and finalists of Smithsonian Magazine’s 17th Annual Photo Contest

Smithsonian Magazine recently announced the winners and finalists of their 17th Annual Photo Contest. Over 36,000 images were submitted by more than 10,000 photographers from 145 countries. A judging panel consisting of the magazine’s photo editors selected 60 images across 6 categories: Natural World, The American Experience, Travel, People, Altered Images, and Mobile.

London-based photographer Jon Enoch’s ‘Hanoi Fish Man,’ captured in Vietnam’s capital city, depicting a biker lugging around massive loads of live fish contained in plastic bags, is the Grand Prize winner. If this image looks familiar, it was shortlisted earlier this year by Sony’s annual World Photography Awards.

All 60 finalist images can be viewed here. Smithsonian Magazine is currently accepting entries for their 18th Annual Photo Contest. For more inspiration, you can follow along on Instagram, Facebook, and Twitter.

Reader’s Choice, American Experience: ‘Home Survives Direct Hit From Tornado’ by Matt Gillespie (United States)

© Matt Gillespie. All rights reserved.

Photo Location: Ellerslie, Georgia, United States

Artist Statement: This home was in the direct line of a tornado that hit Ellerslie, Georgia. Most of the trees on the property had fallen, but the house stood with minimal damage.

Winner, Natural World: ‘Adélie Penguin on an Iceberg’ by Conor Ryan (United Kingdom)

© Conor Ryan. All rights reserved.

Photo Location: Antarctica

Artist Statement: Ice-dependent animals are in perilous danger of losing their habitat. This photo shows an Adélie penguin standing on an iceberg off Devil Island, Antarctica. I like how the half-lit, sea-eroded iceberg gives the scene a sense of dichotomy. Perhaps the penguin’s indecision on which way to go, or perhaps ours.

Finalist, Natural World: ‘Tender Eyes’ by Tamara Maria Blazquez Haik (Mexico)

© Tamara Maria Blazquez Haik. All rights reserved.

Photo Location: Monfragüe National Park, Spain

Artist Statement: A gorgeous griffon vulture is seen soaring the skies in Monfragüe National Park in Spain. How can anyone say vultures bring bad omens while looking at such tenderness in this griffon vulture’s eyes? Vultures are important members of the environment, as they take care of recycling dead matter. When looking at them flying, we should feel humbled and admire them.

Winner, The American Experience: ‘Shields Strikes Back’ by Terrell Groggins (United States)

© ?Terrell Groggins. All rights reserved.

Photo Location: Detroit, Michigan, United States

Artist Statement: Olympic champion Claressa Shields (right) meets Hanna Gabriels in a boxing match at the Masonic Temple in Detroit, Michigan on June 22, 2018. Shields suffered a first-round knock-down by Gabriels—the first time that had happened in Shields’ career—but went on to win the match by unanimous decision. Shields is the first American woman to win an Olympic gold medal in boxing, and the first (male or female) to win a gold back-to-back in successive Olympic Games.

Finalist, The American Experience: ‘Playground Landscape’ by Juan Osorio (United States)

© Juan Osorio. All rights reserved.

Photo Location: Verona, New Jersey, United States

Artist Statement: This series documents the interaction of the shapes, colors and functionality of playgrounds and the people who use them with an emphasis in the color contrast between the outfits and the environment.

Winner, Travel: ‘Iceberg Tower’ by Natnattcha Chaturapitamorn (Thailand)

© Natnattcha Chaturapitamorn. All rights reserved.

Photo Location: Ilulissat, Greenland

Artist Statement: Sunset over an iceberg tower in Disko Bay.

Finalist, Travel: ‘Blooming’ by Thien Nguyen (Vietnam)

© Thien Nguyen. All rights reserved.

Photo Location: Phu Yen, Vietnam

Artist Statement: A fishing net moving underneath the water’s surface. Many local fisherman families along the coastline of Phú Yên province in Vietnam will follow the near-shore currents to catch the anchovy during peak season.

Only a small proportion of the entire catch is sold fresh, with most of it being dried or salted. Salted anchovy is the most important raw material to create traditional fish sauce; the humble anchovy becomes the spirit of Vietnamese cuisine.

Finalist, Travel: ‘Larung Gar Buddhist Academy’ by Attila Balogh (Hungary)

© Attila Balogh. All rights reserved.

Photo Location: China

Artist Statement: The world’s biggest Tibetan Buddhist institute.

Winner, People: ‘Dungan Wedding’ by Yam G-Jun (Malaysia)

© Yam G-Jun. All rights reserved

Photo Location: Bishkek, Kyrgyzstan

Artist Statement: Madina, 20, an ethnic Dungan, is covered by a red veil before she leaves for the groom’s house during wedding ceremony in Milyanfan, Kyrgyzstan. Dungans wear traditional Chinese-influenced wedding gowns, follow traditional Hui Chinese wedding ceremonies from the 19th century and practice endogamy, but due to shrinking population size, they have stopped the practice and allowed Dungans to marry other ethnicities.

Finalist, People: ‘Portrait of Endurance Athlete Anders Hofman’ by Jesper Gronnemark (Denmark)

© Jesper Gronnemark. All rights reserved.

Photo Location: Copenhagen, Denmark

Artist Statement: Portrait of endurance athlete Anders Hofman before his attempt to complete a triathlon at Antarctica.

Finalist, People: ‘The Young Dreamers’ by Sujan Sarkar (India)

© Sujan Sarkar. All rights reserved.

Photo Location: India

Artist Statement: Childhood, youth, old age. Among the three, the childhood is the most beautiful part of our life…It must be enjoyed to the fullest.

Finalist, Altered Images: ‘Follow the Herd’ by Tuan Nguyen Tan (Vietnam)

© Tuan Nguyen Tan. All rights reserved.

Photo Location: Vietnam

Artist Statement: The buffalo follow each other to new food sources at Dau Tieng Lake, Vietnam.

Winner, Mobile: ‘At Sunset’ by Victoria Gorelchenko (Russia)

© Victoria Gorelchenko. All rights reserved.

Photo Location: Moscow, Russia

Artist Statement: I was waiting for my husband in the parking lot and noticed this beautiful light.

Finalist, Mobile: ‘Loneliness in Capital’ by Farnaz Damnabi (Iran)

© Farnaz Damnabi. All rights reserved.

Photo Location: Tehran, Iran

Artist Statement: When I was going back home from work, this scene—women taking naps on public transportation— attracted my attention.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: 6th annual Fine Art Photography Awards winners and finalists

20 Apr

6th annual Fine Art Photography Awards winners and finalists

Last week, winners and finalists of the 6th annual Fine Art Photography Awards (FAPA) were announced. Dutch portrait artist Ewa Cwikla won $ 3,000 in prize money and the title of Professional Fine Art Photographer of the Year for her photo ‘Candy Smoke.’ Greek photographer Ioanna Natsikou was declared Amateur Fine Art Photographer of the Year. She received $ 2,000 in prize money for her series ‘Interlude in the Blue.’

The competition received 4,300 entries from 89 countries across 20 categories including abstract, architecture, night photography, and travel. Winners and nominees were selected by a panel of international judges including Marietta Varga, Per Schorn, Simon Åslund, Julien Palast, Ekaterina Busygina, Per Kasch, Dainius Sciuka, Aleksei Boiko, and Salvatore Matarazzo.

FAPA is now accepting entries for their 7th annual competition. In the spirit of discovering emerging talent, per the organization’s press release, it is open to professional and amateur photographers from all countries. This year’s full professional winners gallery and full amateur winners gallery are currently available to view on FAPA’s official site.

Grand Prize, Professional Fine Art Photographer of the Year: ‘Candy Smoke’ by Ewa Cwikla

Artist statement:

Amateur Fine Art Photographer of the Year: ‘Interlude in Blue (Series)’ by Ioanna Natsikou

Artist Statement: ‘Interlude in Blue’ is a body of work that portrays the female figure in personal spaces enclosed in a world of silence and desire, touching upon themes of loneliness, isolation and alienation.

Through the repetitive process of ‘iteration,’ the viewer can see all these phenomenologically identical, yet different unidentified female characters unfold; an attempt to puzzle out, discover and understand the enigma and the complexity of identity; how many different personas can I/we be on the ‘stage’ of everyday life?

This series seeks to engage the viewer in a private world of reverie and self-absorption.

1st Place Winner, Professional Category, Abstract: Micro Images of Teepee Canyon Agate (Series) by Randy Fullbright

Artist Statement: These images are an exploration of the varied and incredible patterns In Tepee Canyon Agate from South Dakota USA using a 10 power microscope objective and focus stacking to gain depth of field. I have always been amazed by the patterns in agate that are not visible to the human eye. When I discovered Micro Photography it opened up an entirely new range of possibilities and discoveries with my photography.

1st Place Winner, Professional Category, Architecture: ‘Building Constructs (Series)’ by Tom Leighton

Artist Statement: In my ‘Building Constructs’ series of work, my intention is to focus in on individual buildings, their architectural form and defining features, accentuating these elements through distortion and manipulation. This allows a freedom from concern for logistics and practicality, but the images are nevertheless a tribute to the minds that go into creating functioning superstructures, a celebration of the boundaries being pushed by the evermore gravity-defying architecture of the world.

1st Place Winner, Professional Category, Wildlife/Animals: ‘Rays of Light’ by Nadia Aly

Artist Statement: Rays of Light showcases the astonishing annual aggregation of mobula rays off the coat of Baja Mexico.

1st Place Winner, Professional Category, Fashion: ‘The Fire Within (Series)’ by Tonya Polskaya

Artist Statement: ‘The fire within’ is a story about emotions penetrating physical structure and setting blood vessels aflame. It is about adaptation to one’s self and the new habitat. The flame is a metaphor of purification and rebirth, and ascendance to one’s true self.

Professional Nominee, Photojournalism: ‘Under High Tension (Series)’ by Alexandra Berger

Artist Statement: The intention behind this series is not to show crime or poverty, this is obvious. The idea behind these photos is to generate empathy and understanding for people in other life situations and to break down prejudices against others.The series shows the daily life of a family living illegally in the electromagnetic field of overhead power lines in Playa del Carmen / Mexico.

Flor and Romero, originally from Chiapas, have arrived 5 years ago, together with their 6 sons to ‘Las Torres’ a squatter settlement under high voltage towers in Playa del Carmen / Mexico. It is an area that has been invaded by 700 families in the right-of-way of the overhead electric power lines and spreads over 10 km. The series shows moments of their lives under this ‘charged’ circumstances.

A life in a legal blackhole which makes it one of the most dangerous parts of the city, neither police nor ambulances dare to enter. Due to the Mexican law, that forbids housing under the electromagnetic field of the high voltage cables, the government doesn’t provide basic requirements, like water, electricity and a sewerage system.

Giving up is not an option.

Professional Nominee, Travel: ‘Way Back’ by Tuan Nguyen Tan

Artist Statement: The Cham girl is returning home with herds of sheep in Ninh Thuan, Vietnam.

2nd Place Winner, Amateur Category, Abstract: ‘Mar De Plástico’ by Agustin Busselo Ortega

Artist Statement: The presence of plastic in the sea represents a serious problem in our habitat. The purpose of this photography is to represent the sea through plastic sheets, but from a creative point of view.

Amateur Nominee, Fine Art: ‘Poetry of Death Valley (Series)’ by Marek Boguszak

Artist Statement: Poetry of rocks and sand in Death Valley.

2nd Place Winner, Amateur Category, Landscape: ‘The Girl on the Icelandic Horse’ by Lars Roed

Artist Statement: The sun had set in the Wadden Sea. Suddenly out of nowhere the girl came on the Icelandic horse and rode out into the sea where there was low tide. Beautiful picture with insight into the infinitely changing moods and expressions of the Wadden Sea in Denmark.

Amateur Nominee, Nature: ‘Tears of the Nature (Series)’ by Anna Kropf

Artist Statement: The magic influence of the Water in the Nature.

3rd Place Winner, Amateur Category, Night Photography: ‘Rushing (Series)’ by Dominique Weiss

Artist Statement: Dominique created this series out of her passion for the dramatic landscapes of the Swiss alps. To her understanding, it is crucial to persevere this region that gives
us air to breathe, water to nourish our bodies and beauty to caress our souls.

Rushing portrays the speed with which our competitive society is racing through their lives.
In rush we are barely able to hear our surroundings.
In rush we are barely able to see what is in front of us.
In rush we are barely able to comprehend what our behavior causes.
Rushing not only blurs our sight, but all of our senses.
We are numbly rushing into an unknown future…

For this series Dominique travelled across Switzerland portraying dramatic landscape scenes to encourage people to see beyond their accelerated every day life routines. She suggests it is time to implement more harmony into our lives and respectfully treat them as one of our most important relationships.

1st Place Winner, Amateur Category, Street Photography: ‘The Pursuit of Being and Belonging (Series)’ by Manuel Martins

Artist Statement: Hi, my name is Manuel Martins, I’m a 27 years old Portuguese national living in Lisbon. With my street photography I like to create beautiful, surreal or even puzzling constructs, that have reality, it’s scenarios from our daily lives and light and it’s absence as prime matters. Along with this I also try to distill who I am, my life experiences, my feelings and perceptions of reality into the photograph itself.

By nature I’m an introverted and shy person, and for those same reasons, I’ve never been able to fully understand society and find my place in it. That changed though, on the first time I picked up a camera and found street photography. This series then, ‘The pursuit of being and belonging,’ is my homage to street photography and what it means to me.

Because when I’m out, slowly walking the pavement step by step, I not only pursue photographs, but also a way of belonging in our world, by being there with the camera on my hand, to tell my story and to show the hidden gems of our day-to-day world, those that many manage to disregard and so hopefully, bring some magic back to the viewer’s lives.

Articles: Digital Photography Review (dpreview.com)

 
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