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How to Use Photo Studio Ultimate 2021’s Color and Tone Wheels for Amazing Results

04 Dec

The post How to Use Photo Studio Ultimate 2021’s Color and Tone Wheels for Amazing Results appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

ACDSee Photo Studio Ultimate Color and Tone Wheels

Color editing is an essential part of nearly every great photo.

Unfortunately, adjusting the colors in most post-processing programs is difficult – or downright impossible.

One impressive exception to this, however, is ACDSee Photo Studio Ultimate 2021, which offers two powerful tools for color editing:

  1. The Color Wheel
  2. The Tone Wheels
ACDSee Photo Studio Ultimate 2021 Tone Wheels

And that’s what this article is all about. I’m going to show you how to use the Color Wheel and Tone Wheels to apply gorgeous color adjustments to your photos. You’ll discover how the Wheels work, what they can do, and how to get a professional look in your own images.

Let’s dive right in.

The Color and Tone Wheels: overview

ACDSee Photo Studio Ultimate 2021

The Color and Tone Wheels come as part of Photo Studio Ultimate 2021, a recently updated, all-in-one photo editor that you can grab on ACDSee’s website for $ 8.90/month (you also have the option to purchase a lifetime license for $ 149.99).

ACDSee pricing

While Photo Studio Ultimate 2021 offers a lot of upgrades over its predecessor (including some major speed improvements that you’ll want to see for yourself), one of the biggest features for amateur and professional photographers is the set of color editing tools: the Color Wheel and the Tone Wheels.

Here’s a quick peek at the Color Wheel:

Color Wheel

And here is the Tone Wheels panel:

Tone Wheels

Together, these two tools can revolutionize your photo editing workflow.

And here’s why:

With the Color and Tone Wheels, you can make both broad and targeted adjustments to the colors in your images. You can shift, brighten, and saturate colors selectively, you can push colors into the shadows, highlights, and midtones separately, and so much more – all with a few easy-to-use wheels and sliders.

As someone who’s a bit color-obsessed, I’ve used quite a few color adjustment tools in many different post-processing programs. But I can honestly say that Photo Studio Ultimate’s version is one of the best implementations I’ve ever seen (if not the best). Yes, the wheels are amazingly powerful, and they should offer any amateur or professional all the color adjustment power they need. But they’re also just so fun and intuitive to work with, which is what’s really sold me on this program.

ACDSee Photo Studio Ultimate 2021 sample

Now let’s take a look at how you can actually use the Color and Tone Wheels for great results (and if you’re feeling intimidated, don’t be – I’ll give you simple, easy-to-follow instructions!).

How to use the Color Wheel to selectively adjust colors in your photos

You’ll find the Color Wheel in Photo Studio Ultimate 2021’s Develop mode, which you can select in the top-right corner of the screen:

the Develop mode in ACDSee Photo Studio Ultimate 2021

Then open the Color Wheel panel on the left-hand side, and you’ll see a color wheel with a series of sliders below it:

Color Wheel panel

Here’s what you need to know:

The color wheel itself lets you select the colors you’re targeting in the photo.

And the sliders below it allow you to adjust the targeted colors.

So once you have your Color Wheel panel open, here’s what I recommend you do:

Step 1: Select the colors you want to adjust

Selecting the colors you’d like to adjust pretty easy, and there are a couple of methods you can use.

First, you can simply hover your cursor over different parts of your photo, and watch as it turns into a dropper icon:

dropper tool

Then, by clicking once on the photo, you’ll select that color for adjustment.

So if you click on a pinkish-purple part of your photo, you’ll select all the pink-purple colors:

dropper example

And if you click on a yellow part of your photo, you’ll select all the yellow colors:

dropper example

Now, as soon as you click on a part of your photo, you’ll see the color wheel change. This is to show you the color range you’ve selected.

You can also use the display on the color wheel to either select colors (instead of the eyedropper), or to refine your color selection.

To select colors, just click on the relevant part of the wheel:

selecting a color on the color wheel

And to fine-tune the color selection, just narrow the range of colors on the color wheel – by dragging the edges of the selection inward or outward. That way, the adjustments you make via the sliders will affect a narrower or broader range of colors in your photo.

Here, I’ve narrowed the color selection:

narrow selection on the color wheel

And here I’ve broadened it:

broad selection on the color wheel

Also, if you want to get really picky with your selection, you can drag your color range upward from the center of the wheel:

selecting only saturated areas

And this will ensure you only select the more saturated colors.

You can also drag downward from the rim of the wheel to select only the less-saturated colors:

selecting only desaturated colors

By the way, if you want to see the areas you’ve selected displayed on your photo, just hit the Auto preview the selected range checkbox:

previewing the selection

Your selected colors will be highlighted on the image, while everything else will be grayed out:

previewing the selection

Cool, right?

Step 2: Adjust the colors using the sliders

Now comes the fun part:

Actually adjusting the colors.

While there are a number of sliders, I recommend you focus on three key options:

Hue.

Saturation.

And Brightness.

hue, saturation, and brightness sliders in ACDSee Photo Studio Ultimate 2021

These are the main adjustments you’ll want to make (I use them on almost every photo I edit).

By shifting the Hue slider, you shift the hue of your selected color range. So if I select the pink colors in this flower photo and want to make them more purple, I can just push the Hue slider to the left:

shifting the hue

I can also make them more red by pushing the Hue slider to the right:

shifting the hue

Speaking more generally, the Hue slider is useful for situations where you want to separate colors to create contrast, or where you want to make colors more similar to add harmony.

(How do you know what creates contrast and what creates harmony? Look at the color wheel! Colors that are opposite one another are contrasting/complementary colors, whereas colors next to one another are analogous colors.)

While color contrast will generally create a more powerful, in-your-face photo, analogous colors can result in a more peaceful final image.

Anyway, once you’ve adjusted the hue, I recommend turning to the Saturation slider. This works the way it sounds: It lets you selectively boost or reduce the saturation of your selected color range.

So by selecting the yellows in the image below, then adjusting the Saturation slider, you can boost the yellow intensity:

shifting the saturation

Or you can dial it back:

shifting the saturation

In general, boosting the saturation of your main colors looks pretty good, as long as you don’t overdo it. That way, a few colors in your photo will stand out and keep the viewer interested.

However, it can also be helpful to reduce the saturation of colors that distract from the main subject. So if your photo includes a red “Exit” sign in the background, you might reduce the saturation of those reds to keep the viewer focused on the foreground.

Finally, I recommend experimenting with the Brightness slider. This allows you to adjust the brightness of your selected color range. So you can brighten up your selection to make it pop:

shifting the brightness

Or you can darken the selection down to make it less impactful:

shifting the brightness

Step 3: Create additional color wheels for further adjustments

While one color adjustment may sometimes be enough, you also have the option to create more.

Simply click the Plus icon:

adding color wheels

Then follow the previous steps all over again!

Also, to toggle the effects of the color wheels on and off, you can just check and uncheck the box above each color wheel icon:

viewing the effects of color wheels

How to use the Tone Wheels to produce beautiful color grading

The Tone Wheels panel is located just below the Color Wheel panel in the Develop mode of Photo Studio Ultimate 2021:

using the tone wheels in ACDSee Photo Studio Ultimate 2021

Now, unlike the Color Wheel panel, you cannot select individual colors to adjust.

Instead, each of the three wheels corresponds to a different tonal range of your photo:

  • The top wheel corresponds to the highlights (the brightest tones)
  • The middle wheel corresponds to the midtones (the middle tones)
  • The bottom wheel corresponds to the shadows (the darkest tones)

And by adjusting the tone wheels, you change the color in the corresponding area of the image.

So by setting the Highlights wheel to yellow, your photo’s highlights will be tinted yellow:

adding yellow highlights

And by setting the Shadows wheel to green, your photo’s shadows will be tinted green:

adding green shadows

This is a fantastic way to add different looks to your images. For instance, you can create blue shadows and yellow highlights, which is a popular look on Instagram. Or you can make the highlights orange and the shadows teal, for a cinematic, movie-type result.

Now, the tone wheels themselves only allow you to select the hue and saturation of the color you’d like to add.

But by shifting the Brightness slider – found to the right of each wheel – you can also make the highlights, midtones, and shadows brighter or darker.

the brightness sliders

So how do you get great results using the Color Wheel panel? How should you approach this color adjustment tool?

Here’s what I recommend:

Step 1: Adjust the shadows

I like to start by adjusting the shadows in my images.

Now, you can choose your shadow color a few different ways:

One method is to select the Shadows eyedropper:

the shadows eyedropper

Then you can click on a part of your photo and the Shadows wheel will select its hue:

picking a shadow color

Alternatively, you can click around the wheel to select different colors:

clicking on the wheel

And you can further fine-tune the saturation with the left-hand slider:

using the saturation slider

Plus you can change the brightness of the shadows with the right-hand slider:

using the brightness slider

Personally, my favorite way to select colors is to use the wheel, but start by pushing the Saturation slider all the way up:

saturation pushed all the way to its maximum

That way, you can clearly see the effects of your color grade – and once you’ve chosen the right color, you can dial it back.

Also, while it’s always a good idea to experiment, the best shadow colors are generally cool – blues, greens, and purples.

I’d also recommend paying careful attention to the colors already present in your shadows – by matching the shadow color with already-existing colors, you can unify the darker parts of your photo and make it even stronger.

For this flower photo, I like blue-green shadows:

blue-green shadows example

Step 2: Adjust the highlights

Selecting a color for the Highlights wheel is just like selecting a color for the Shadows wheel.

You can use the eyedropper tool:

the highlights eyedropper

Or you can click on the wheel directly.

Of course, you can also fine-tune with the Saturation slider and the Brightness slider:

the brightness slider

Generally, you’ll want a warmer color for the highlights: an orange, yellow, or red.

It’s also a good idea to pay attention to your existing highlight colors. For instance, if your photo has a lot of warm sunlight, such as in the shot of the Black-eyed Susan flowers, you might want to accentuate the yellows with some nice golden highlights:

warmer highlights example

I’d also recommend looking at your shadow colors even when adjusting the Highlights wheel. For a nice result, you might choose a color that contrasts with the shadows to create a complementary color pair (as I discussed in the Color Wheel section, above).

Step 3: Adjust the midtones

Adjusting the midtones is a bit less common than adjusting the highlights and the shadows.

For one, if you adjust the midtones, your photo will often take on a more obvious tinted look, because we humans expect midtones to be more neutral compared to colder shadows and warmer highlights.

Plus, the midtones can correspond to skin tones, which you (generally) want to keep as natural as possible.

So I recommend you be careful when experimenting with the Midtones color wheel. If you do decide you want to make changes, I’d recommend keeping things closely aligned with the highlights, because too many colors in your scene will start to look messy.

Make sense?

As you’d expect, adjusting the midtones is just like adjusting the highlights and shadows. You have the Midtone color wheel that you can click on:

midtones color wheel

Plus your eyedropper:

midtones eyedropper

Which you can use to give your midtones a slight color grade!

ACDSee’s Color and Tone Wheels: the next steps

Now that you’ve finished this article, you know how to make pro-level color adjustments.

And with Photo Studio Ultimate 2021’s Color Wheel and Tone Wheels tools, you have everything you need to take your color editing to the next level.

So make sure you grab ACDSee Photo Studio Ultimate 2021. It’s currently available for just $ 8.90 per month, or you can get a lifetime license for $ 149.99. And if you’re just interested in trying out the software, you can get a free trial right here.

ACDSee is a paid partner of dPS.

The post How to Use Photo Studio Ultimate 2021’s Color and Tone Wheels for Amazing Results appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Weekly Photography Challenge – Wheels

28 Nov

The post Weekly Photography Challenge – Wheels appeared first on Digital Photography School. It was authored by Sime.

They come in many shapes and sizes! ‘Wheels’ on a car, bike, whatever – wheels on their own, detail shots of wheels, there are many ways to approach this challenge – how will you make your photograph, this week, unique? Tag this week is #dPSWheels

Missed a challenge? Go back and do them all! Click Here

Weekly Photography Challenge – Wheels
The wheels on a motorbike when I was learning to pan.
Weekly Photography Challenge – Wheels
BMX’ers doing their thing (Bonus point if you say where this was taken in the comments!)
Weekly Photography Challenge – Wheels
Or your car, on the side of a hill!

Great! Where do I upload my photos?

Simply upload your shot into the comments field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see. Or, if you’d prefer, upload them to your favourite photo-sharing site and leave the link to them.

Weekly Photography Challenge – Looking Up

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on FlickrInstagramTwitter or other sites – tag them as #DPSWheels to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

Follow us on Instagram?

The post Weekly Photography Challenge – Wheels appeared first on Digital Photography School. It was authored by Sime.


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Hot Wheels new ‘Zoom In’ car is a GoPro mount with wheels

07 Jun

As a kid, did you ever wish you could capture what it would be like to have a first-person perspective inside a Hot Wheels car as it raced around the tracks you’d built? If so, be prepared to relive the glory days.

Hot Wheels manufacturer Mattel has partnered with GoPro to launch a special edition vehicle designed specifically to carry a GoPro Hero5 Session onboard—the ‘Zoom In’.

This little vehicle, which is part of Hot Wheels’ ‘Experimotors’ lineup, is effectively the bottom half of a standard Hot Wheels car with a square cutout in the middle and a latch to help hold the GoPro in place. It features GoPro’s signature black and blue branding for colors, with a splash of red on the wheels.

YouTuber Izzy’s Toy Time has already tested out the ‘Zoom In’ with a Hero5 Session and shared the results:

The best part is, the ‘Zoom In’ costs no more than a standard Hot Wheels car, meaning you can probably pick one up for a dollar or so at your nearest supermarket or toy store. Of course, you’ll need a GoPro Hero5 Session camera as well, which is retailing for about $ 120 at the moment. But if you have one on hand, it’s well worth it to wrangle up a few quarters and take this thing for a spin around the track.

Articles: Digital Photography Review (dpreview.com)

 
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DJI’s new Master Wheels and Force Pro offer ultra-precise gimbal control

11 Apr

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Amid the wares DJI introduced at NAB 2018 this week are a pair of professional gimbal control tools designed for “every level of filmmaker and scenario.” Called the Master Wheels and Force Pro, these two DJI products are built to control the company’s Ronin 2 and Ronin-S gimbals, offering high precision control and hoping to simplify the shooting of complex and/or fast-moving scenes.

DJI Master Wheels

Master Wheels is a control device that adjusts gimbal movements using a trio of weighted wheels. These wheels control roll, pan, and tilt in part using ultra-high-res optical encoders capable of detecting “the subtlest” adjustments, DJI explains. Each wheel’s angle can be adjusted, and the wheels can also be detached.

Master Wheels supports both 2.4GHz and 5GHz wireless transmission and has an operating distance of more than 1.9 miles / 3km. Latency is as low as 10ms, and users have the option of detaching the wireless transmitter to remotely mount it with a 5m / 16ft cord, providing a stronger signal.

Other features include dials to control dampening, speed, and smoothness, support for 1/4″ and 3/8″ accessories, and a dedicated Mitchell mount on the main console’s base.

DJI Force Pro

The other product announced at NAB 2018, Force Pro, enables users to remotely control gimbals via a 2.4GHz/5GHz wireless transmission system and DJI’s remote control tech. Force Pro also offers latency as low as 10ms, plus a CANBUS cable physical tether with a 200Hz signal for avoiding interference issues.

The control tool also features a built-in Inertial Measurement Unit (IMU) and compass that work together to prevent gimbal drifting and improve movement precision. Force Pro features up to 5 hours of battery life and supports recharging using the CANBUS port, USB-C, and a DC-in port.

According to DJI, users unfamiliar with more complex systems, such as Master Wheels, can “quickly become proficient” with a product like the Force Pro. To improve efficiency, DJI offers an optional handlebar, which itself can be used to mount accessories including thumb controllers and monitors.

Availability

Both Master Wheels and Force Pro are available to preorder now from DJI flagship stores and authorized pro dealers, though shipping doesn’t start until June. Master Wheels is offered in three variants: a single wheel control module for $ 2,500, a 2-axis model for $ 6,000, and a 3-axis model for $ 8,000. Force Pro costs $ 1,200.

To learn more about either of these gimbal controllers, head over to the DJI website.

Press Release

DJI Reveals New Filmmaking Tools at NAB 2018, Providing Professional Gimbal Control Solutions For Every Level of Filmmaker

DJI Reveals New Filmmaking Tools at NAB 2018, Providing Professional Gimbal Control Solutions For Every Level of Filmmaker

DJI Master Wheels And Force Pro Offer Precise And Intuitive Control Over Gimbals

DJI, the world’s leader in creative camera technology, introduced new cinema grade tools at NAB 2018 with DJI Master Wheelsand DJI Force Pro that offer professional gimbal control solutions for every type of filmmaker and scenario. Built to deliver precise gimbal movements, these new products offer filmmakers reliable tools that help capture complex shots with ease while adding a cinematic quality to any scene. Master Wheels and Force Pro control DJI’s Ronin 2 and Ronin-S gimbals, expanding the creative possibilities for cinematographers of varying experience levels.

  • Master Wheels: A professional level, high-precision gimbal control system that applies a 3-wheeled form to control pan, tilt and roll. Smooth, stable and precise movements create a professional look, while an easy to use and functional design make filming complex footage simpler.
  • Force Pro: A motion sensing system that uses DJI’s industry-leading remote-control technology to precisely synchronize the movement of Force Pro with the gimbal, helping capture cinematic scenes with ease. Intuitive and easy to learn, Force Pro breaks down the barriers that come with understanding the operation of more complex gimbal control systems.

“Creating these gimbal systems demonstrates our dedication to every level of filmmaker, whether you are an amateur just beginning your journey or a seasoned veteran with decades of experience,” said Paul Pan, Senior Product Manager at DJI. “Force Pro offers simplicity and functionality for filmmakers seeking a more intuitive tool, and Master Wheels brings the highest degree of precision control when working with a gimbal setup.”

Master Wheels – Bring Precise Control To Your Scene

DJI Master Wheels are a high-precision gimbal movement tool that utilizes three weighted wheels to adjust pan, tilt and roll with extreme accuracy. Ultra-high resolution optical encoders detect the subtlest of wheel adjustments while complex algorithms translate that movement to enhance the level of accuracy of the gimbal. Master Wheels employ the latest sensor positioning technology along with dual-band low-latency 2.4/5.8GHz wireless transmission technology to ensure a stable and reliable connection from the main console to the moving rig with a latency as low as 10 milliseconds and an operating distance of over 1.9 miles.

Crafted for efficiency and ease of use, Master Wheels have an intuitive user interface offering quick access to gimbal settings along with the status of equipment. Three user customizable buttons offer the ability to save shortcuts while on-board motion capture storage enables the filmmaker to easily repeat the motion of the rig, allowing filmmakers to dedicate their attention to other aspects of the scene such as the actresses and actors. Built-in three-stop switches are capable of adjusting direction for each axis while dials manipulate speed, smoothness and dampening. Additionally, Master Wheels can change vital camera settings from the main console for a rapid response to any modifications an operator might need to make.

A modular design makes Master Wheels functional and versatile, helping to achieve the shot, no matter the situation. The three stainless steel wheels and the control modules have the ability to be swiftly detached from the main console and connected with a wire for space constrained shooting situations. The wireless transmitter can also be detached and remotely mounted via a 5-meter cord in order to gain a stronger signal when needed.

Filmmakers have the flexibility to attach various accessories using multiple 1/4” and 3/8” threads located on the main console such as external monitors. For added comfort during operation, the angle of one control module can be manually adjusted based on the preference of the user. Master Wheels can be mounted on a variety of platforms including inside vehicles, tripods and more with a dedicated Mitchell mount on the base of the main console.

Compatibility with an ecosystem of DJI products, as well as support for third-party gimbals, broaden the versatility of Master Wheels on set. Operators can direct gimbal movements using DJI’s professional products including the Ronin 2 and Ronin-S, taking full advantage of the latest in gimbal technology. DJI TB50 intelligent batteries, the same model used on the Ronin 2 and Inspire 2, power the system for up to 18 hours. For filmmakers with non-DJI equipment, Master Wheels support various third-party gimbals and can be powered through the DC-IN port to utilize V-Lock batteries from third-party manufacturers.

Force Pro – Natural Movements Through Intuitive Design

Utilizing DJI’s state-of-the-art remote-control technology, Force Pro precisely synchronizes the movement of the operator with the movement the gimbal, helping capture smooth imagery even in complex or fast-moving scenes. An embedded compass and Inertial Measurement Unit (IMU) work in tandem to ensure precise movement and prevent the gimbal from drifting to maintain a consistent frame. Its low-latency dual-band 2.4/5.8GHz wireless transmission system offers near real-time control with a communication latency as low as 10 milliseconds. Force Pro can also be physically tethered to the gimbal using a CANBUS cable touting a 200Hz signal to eliminate any chance of connection interference while on set.

Designed for ease of use, Force Pro is an intuitive tool that filmmakers will quickly become proficient using, even with minimal familiarity operating gimbal control systems. Those lacking experience working with more complex products such as Master Wheels or even joysticks, the operation of Force Pro is quickly understood, breaking down barriers that come with using more advanced equipment on set. An optional lightweight handlebar adds to the efficiency of Force Pro, offering a total solution for handheld operation with the ability to mount various accessories to the handlebar, including monitors, video transmission systems, and thumb controllers. Operators can conveniently set two custom speed profiles and a built-in ultra-bright OLED screen provides equipment status along with the ability to control gimbal and camera settings for fast adjustments to a changing scene.

Force Pro is compatible with DJI Ronin 2 and Ronin-S gimbals along with other third-party systems. Operators can rely on Force Pro during extended film shoots with a battery life of up to 5 hours when fully charged, and recharging can be achieved several ways, via the USB-C, CANBUS port, or the built-in DC-IN port compatible with third-party V-Lock batteries.

Price and Availability

Master Wheels will be available for pre-order on April 10th, 2018 at authorized pro dealers or through DJI flagship stores. The complete 3-Axis Model will retail for $ 8,000 USD, 2-Axis Model for $ 6,000 USD and Single Wheel Control Module for $ 2,500 USD. Master Wheels will begin shipping in June 2018. For more information on all the new features and capabilities of Master Wheels, please visit www.DJI.com/Master-Wheels.

DJI Force Pro will be available for pre-order on April 10th, 2018 at authorized pro dealers or through DJI flagship stores. Retail cost will be $ 1,200 USD and will start shipping in June 2018. For more information on all the new features and capabilities of Force Pro, please visit www.DJI.com/Force-Pro.

Articles: Digital Photography Review (dpreview.com)

 
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Think Tank Photo updates TurnStyle sling bags and adds wheels to StreetWalker series

26 May

Bag and accessories manufacturer Think Tank Photo has updated two of its ranges, adding more internal space and a rolling option to the StreetWalker series and a new waist strap to the TurnStyle sling-type bags.

All three of the existing StreetWalker backpacks have been enlarged to create more depth in the interior compartments so they can carry more kit, and particularly large bodies with wide-ranging zoom lenses still attached. The series also now features a version with wheels and a retractable handle in the StreetWalker Rolling Backpack V2.0, which can operate as a backpack or a rolling case.

The company has also revamped its Turnstyle series of sling bags, adding a new waist strap to hold the bag securely when the user is taking pictures. There are three sizes of bag, and each is now available in grey or blue.

The StreetWalker Rolling Backpack V2.0 costs $ 299.75 while the Turnstyle bags are priced $ 74.75 , $ 84.75 and $ 99.75 for the 5, 10 and 20 versions. For more information see the Think Tank Photo website.


Press release

Think Tank Photo Releases New StreetWalker® Rolling Photo Backpack
and Upgrades Classic StreetWalker® Series Backpacks

Santa Rosa, Calif. – Legendary durability and award winning comfort have made Think Tank Photo’s StreetWalker® series one of the most sought-after products in the photographic world. Now Think Tank announces the new StreetWalker Rolling Backpack V2.0, featuring the ability to switch from a backpack to a roller. Also released are upgraded versions of all three classic StreetWalker backpacks. Photographers get the same comfort and quality as the original series but with new features such as increased depth for modern DSLR systems, and dedicated pockets for both tablets and smartphones.

The new StreetWalker Rolling Backpack V2.0 is so spacious, it will fit two DSLR
bodies with lenses attached (including a 200-400mm f/4), and a 15” laptop. The StreetWalker HardDrive V2.0 backpack fits two bodies with lenses attached or a gripped body with a 200–400mm f/4 attached, a 15” laptop and a 13” tablet. The StreetWalker Pro V2.0 backpack fits two bodies with lens attached or a 400mm f/2.8 unattached, and a 10” table. And, the StreetWalker V2.0 backpack fits one gripped DSLR with 70–200mm f/2.8 attached, one standard DSLR with 24–70mm f/2.8 attached, a 16–35mm f/2.8, and a 10” tablet.

“With the release of the new StreetWalker Rolling Backpack and the new versions of the three classic StreetWalker backpacks, we made three of the best pro-level backpacks in the photo industry even better,” said Doug Murdoch, Think Tank Photo’s CEO and lead designer. “The one thing we’ve heard over and over since they first launched is how comfortable and durable they are.

Now, with the hybrid rolling backpack and the upgraded core backpacks, we’ve integrated even more photographer feedback to expand their functionality.”

KEY FEATURES

StreetWalker Rolling Backpack V2.0

  • Comfortable harness system allows you to roll the bag or carry it on your back
  • Dedicated laptop compartment that holds up to a 15” laptop
  • Fits two bodies with lenses attached including a 200–400mm f/4
  • Specially designed interior to maximize gear for carry-on, meets most U.S. and International airline carry-on requirements
  • Reinforced telescoping handle with rubberized touch points
  • Tripod mount on front panel
  • Dedicated smartphone pocket fits today’s large phones with a 5.5” (14cm) screen size
  • Lockable YKK® RC Fuse zipper sliders (lock not included)
  • Two side water bottle pockets and two side zippered pockets
  • YKK® RC Fuse zippers, ballistic nylon, high-density velex and closed cell PU foam are the highest quality materials in the industry
  • Custom-designed, high-performance, 80mm wheels with sealed ABEC grade 5 bearings for quiet rolling
  • Seam-sealed rain cover included
  • User-replaceable retractable handle, wheels, wheel housings, feet and kick plate extends product life
  • Adjustable dividers allow a customized fit for your DSLR or Mirrorless gear
  • Hypalon reinforced rear panel for increased durability
  • Shoulder harness pockets, D-rings, daisy chain and adjustable sternum strap

Think Tank Photo’s Upgraded TurnStyle V2.0 Camera Bags Offer Greater Stability

Santa Rosa, Calif. – Ideal for a casual day of shooting with a DSLR or Mirrorless system, Think Tank Photo’s slim, body-conforming TurnStyle V2.0 sling bag allow photographers to move and shoot freely. The updated version of this popular series offers a new stabilizer strap that holds the bag steady while actively shooting or tucks away when not in use. Think Tank’s sling bags’ design promotes easy rotation for rapid access to gear and accessories.

The TurnStyle 5 fits a mirrorless body plus two to four lenses, and an eight-inch tablet. The TurnStyle 10 fits a standard size DSLR plus one to two lenses, and an eight-inch tablet. The TurnStyle 20 fits a standard size DSLR plus one to three lenses, and a 10” tablet. These new version releases come in the traditional Charcoal and in a new color, Indigo Blue.

“This new version of our popular TurnStyle sling bags reinforces their reputation as the ideal ‘grab and go’ camera bag,” said Doug Murdoch, Think Tank Photo’s CEO and lead designer. “One thing we’ve learned from serving professional photographers for so long is that they always need one, pre-conformed gear kit that gives them access to their core gear. The TurnStyle is that bag.”

KEY ADDITIONAL FEATURES

  • Slim, contoured, body-conforming design with a wide shoulder strap provides a very comfortable fit
  • Lightweight materials and construction
  • Breathable 320G air-mesh back panel keeps your back cool during long days
  • Easily accessible front organizer pocket for batteries, memory cards or other small accessories
  • Rear internal pocket holds documents
  • Fully customizable interior dividers
  • Seam-sealed rain cover included in dedicated pocket

MATERIALS

Exterior: All fabric exterior is treated with a durable water resistant coating while fabric underside is coated with polyurethane for superior water resistance, YKK® RC Fuse zippers, 420D velocity nylon, 550D polyspun, 320g air mesh, nylon webbing, 3-ply bonded nylon thread.

Interior: Removable closed-cell foam dividers, P210D, polyurethane backed velex liner, 2x polyurethane coated 210T seam-sealed taffeta rain cover, nylon binding tape, 3-ply bonded nylon thread.

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Wheels of Steel: Full-Sized Art Cars Made of Nothing But Scrap Metal

09 Sep

[ By SA Rogers in Art & Sculpture & Craft. ]

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Their body panels consist of a lacework of metal gears, their windshields no more than mesh, their seats steel and the spaces under their hoods hollow, but these life-sized car sculptures still manage to look like they could fly down the street at top speeds at any moment. A group of 50 artists raids the scrapyards of Pruszków, Poland for trash they can integrate into their Gallery of Steel Figures, a museum full of impressively lifelike recycled art.

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The art collective previously wowed the internet with their sculptural recreations of pop culture figures, including Predator, the Na’avi from Avatar and Transformers. Their latest creation includes faithfully reproduced replicas of iconic cars, including a Bugatti Veyron, Lamborghini Aventador, Fiat 500, Maserati GranTurismo and a Mercedes-Benz 300 SL.

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scrap metal sculptures

Built to scale with operable doors and interiors that match the originals down to the insignias and dash instruments, the models are made entirely from scrap metal welded into shape. The exposed engine of the Bugatti is a particularly impressive detail. Check out the whole gallery on their Facebook page.

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Save Ferris! 12 Abandoned & Overgrown Ferris Wheels

21 Dec

[ By Steve in Abandoned Places & Architecture. ]

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What goes around comes around, especially for these dozen abandoned Ferris Wheels whose former clockwork precision has spun down to a permanent turn off.

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Originally centering the Kulturpark Plänterwald (1969-1989) and, after German reunification, the Spreepark Berlin, this magnificent Ferris wheel was abandoned in 2002 along with the rest of the amusement park when its criminally negligent owner high-tailed it to Peru. Mired in debt and steadily deteriorating, the park was bought by the City in 2014 though future plans for the site remain unclear.

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Flickr user gordon.shumwaay snapped these vertigo-inducing HDR images of the Spreepark’s Ferris wheel on August 9th, 2014, and one must say his timing was most fortuitous… about a day later, delinquent teen arsonists set two fires that burnt down much of the park (though the Ferris wheel was unaffected). Maybe they could rename it Post-Jurassic Park.

Kudzu Never Sleeps

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The South’s relentless “green menace” appears to have devoured this former Ferris wheel located somewhere in North Carolina. Flickr user Kyle Telechan (City Eyes) captured the astonishingly overgrown state of the once-charming amusement park ride while on vacation in June of 2009, noting that “when the remnants of Katrina hit the area (in 2005), a few places were left abandoned.” Could kudzu grow so much in just a few years? Yes, yes it could!

8 Arms to Hug You

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Looking disturbingly like a malevolent metallic sea monster, this de-seated Ferris wheel from the former Fun Park Fyn in Mollerlund, Syddanmark, Denmark seems to be waiting silently for some ancient signal to rouse it from its dreams… much like C’thulhu. Flickr user Troels Dejgaard Hansen brilliantly captured the long-abandoned ride on April 3rd of 2010.

No Joy in Joyland

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Joyland Amusement Park in Wichita, Kansas styled itself as “The Southwest’s Finest” and during its run boasted a Ferris wheel offering unparalleled views over the windswept prairies. All that would end in 2006 when, after 55 years of continuous operation, Joyland’s management pulled the plug and the big wheel ground to a permanent halt. Flickr user Kenzie Alizabeth snapped Joyland’s abandoned Ferris wheel’s spidery yellow skeleton on June 10th of 2011.

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Save Ferris 12 Abandoned Overgrown Ferris Wheels

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Wall on Wheels: Sliding Facade Swaps Indoor for Outdoor Space

01 Oct

[ By WebUrbanist in Boutique & Art Hotels & Travel. ]

modular hutong wall facade

Tucked into an historic winding Hutong of Beijing, this work of convertible architecture featuring a modular moving wall to make maximum use of flexible interior and exterior space on demand.

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The so-called Humble Hostel by Chinese architect Cao Pu is a tiny 130-square-foot apartment with beds that can be rented out for just $ 20 a night. Its novel modularity is a reflection of complex courtyard politics of these intertwined neighborhoods.

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modular workstation area

modular bunk beds

Over centuries the lines have become blurred regarding ownership of communal open pedestrian space shared by the aged dwellings that surround them, attached organically over time to branching streets, paths and alleys.

modular hostel front view

modular shared courtyard seating

In pulling back the facade of the structure, the design effectively gives space back for public use when the interior volume is not needed, creating space for seating and socializing in otherwise cramped quarters. The resulting roofed patio can host card games, a tea table, pop-up shop or temporary bar.

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Wall On Wheels Sliding Facade Swaps Indoor For Outdoor Space

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Truck-A-Tecture: 2 Convertible Nomadic Dwellings on Wheels

14 Aug

[ By WebUrbanist in Technology & Vehicles & Mods. ]

truckatecture scissor lifted shelter

With participating design studios from around America, this exhibition features a series of amazing mobile spaces that use technology and ingenuity to explore new possibilities for the modern nomad. Two of the four projects in particular are worth a closer look, whether or not you are able to visit and see them on display in Omaha, Nebraska this month (images by Tom Kessler via Kaneko).

truckatecture truck based architecture

The Office of Mobile Design contributed the Aero-Mobile to the Truck-A-Tecture collection, using a scissor lift system to raise up and deploy a pod that then extends over the cab of the vehicle.

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Fold-down walls expand usable space while the elevated platform allows for a smaller footprint and thus more versatile parking options (not to mention some safety in areas with aggressive or curious wildlife).

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The Pneumad by Min|Day is an inflatable structure that takes up relatively little space but spreads out to create a geodesic shelter with modular furniture.

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truckatecture inflatable dome home

The idea is, in part, to reduce the spatial and energy requirements of a portable shelter, making it possible for smaller vehicles to tow a part-time dwelling.

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On display through for two more weeks, the exhibition was organized “to explore the potentials of mobile living and adaptable architecture [and] generate conversation on current-day trends toward nomadic lifestyles. [It] offers new perspectives on transformable spaces. the projects utilize various mechanical techniques to provide the itinerant individual, traveling by vehicle, the ability to spread out when temporarily stopped.”

“A mash-up of popular and elite cultures, Truck-A-Tecture will transcend the current definitions of ‘pre-fab’ and ‘mobile architecture.’ Topics of nomadism, transportation, trucking culture and the nature of ‘home’ are among the topics to be explored in this exhibition. Other issues to be considered in this dialogue are sustainability and technological advances that have led many to a leaner, more efficient lifestyle.”

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Rooms on Wheels: Mobile Kitchen, Bedroom & Office Spaces

12 Mar

[ By WebUrbanist in Design & Furniture & Decor. ]

compact modular rooms spaces

A step beyond flip-down beds and foldaway furniture, this series of modular rooms packs whole kitchens, bedrooms and offices into a highly portable form, so much so that they be bought online at stores like Amazon Japan and shipped right to your door.

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Consider the possibilities, too, for on-demand residential conversions: with these you can make anything, from a cargo container to an old warehouse, into an instant apartment.

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Set on wheels and made narrow when closed, each room-in-a-box can be rolled easily through opening and navigate narrow corridors to arrive at its destination.

compact fold out bedroom

compact modular bedroom

The bedroom unit is the largest – it uses central breakpoints to allow overhead lighting as well as the bed and its supports below to collapse in half then fold up or down into empty spaces in the shell.

compact fold out office

The mid-sized office features interlocking solids and voids to maximize shelving and storage when open. Meanwhile, the wheeled chair below detaches from the primary structure on demand.

compact fold out kitchen

The small kitchen flips up and out to reveal a sink, work surface and hot plate at hip height with space for storage and refrigeration below.

modular moveable rooms boxes

Square footage is a serious commodity in cities like Tokyo and Kyoto, making the four-figure price tag for these units from Atelier OPA (dubbed Kenchikukagu) also a lot more palatable in the right urban context.

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