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Posts Tagged ‘WellPriced’

Sigma Announces the 28-70mm f/2.8 – Small, Light, and Well-Priced

26 Feb

The post Sigma Announces the 28-70mm f/2.8 – Small, Light, and Well-Priced appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Sigma 28-70mm f/2.8 announcement

Earlier this week, Sigma announced its upcoming lens:

The 28-70mm f/2.8 DG DN Contemporary, designed for Sony E-mount and Leica L-mount, and billed as “the world’s smallest f/2.8 standard zoom for mirrorless systems.”

Sigma already sells a 24-70mm f/2.8 ART lens, but the new 28-70mm features a few key improvements, including the smaller size, plus a near-50% weight reduction for an impressively portable package.

Unlike most f/2.8 zooms, the Sigma 28-70mm is ideal for travel photography, street photography, and even casual walkaround photography. I’m not sure I’d label it as truly compact, but it’s certainly small for an f/2.8 zoom, and will appeal to plenty of on-the-go photographers who require both low-light capabilities and flexibility.

If you’ve previously found yourself frustrated by the mirrorless, big-lens-on-a-small-body problem, the 28-70mm may be exactly what you need. Take a look at the lens mounted on a mirrorless body:

Sigma 28-70mm f/2.8 announcement

The setup looks comfortable, well-balanced, and just all-around nice to use.

Compared to most standard f/2.8 zooms, you do lose a few millimeters on the wide end. Is that a problem? That depends on your shooting style, because the difference between 24mm and 28mm isn’t trivial – you’ll lose out on the opportunity to get that sweeping wide-angle look – but assuming you don’t plan to use the 28-70mm for frequent landscape or architecture shooting, you should be fine.

Sigma claims “superb build quality,” and from the pictures, I can certainly believe it. Check out the 28-70mm f/2.8 up close:

Sigma 28-70mm f/2.8 announcement

There’s just something about the modern Sigma design that screams quality, and – bonus! – the lens looks pretty darn sleek.

Of course, no great lens is complete without stellar optics, and the 28-70mm f/2.8’s sharpness remains to be seen. But Sigma is confident in the 28-70mm’s performance, stating that “this large-aperture standard zoom delivers outstanding image quality that rivals Art line lenses.”

If Sigma’s evaluation is accurate, then I can certainly see the 28-70 making its way into the bags of quite a few photographers – including the aforementioned travel photographers and street photographers, but also portrait photographers, event photographers, and even landscape photographers who don’t mind the limited focal length.

As for the price, it’s a very reasonable $ 899. That’s cheaper than the Sigma 24-70mm f/2.8 and the Tamron 24-70mm f/2.8 (plus there’s the Nikon and Canon versions for mirrorless, but those are unmentionably expensive).

So if you’re a Sony mirrorless or L-mount shooter and you’re after a compact f/2.8 zoom that won’t put a huge dent in your wallet, the Sigma 28-70mm f/2.8 is certainly worth a look.

It’ll begin shipping on March 12th, but you can currently preorder the Sony version here and the L-mount version here.

Now over to you:

What do you think of this new lens from Sigma? Is it one you’ll consider purchasing? Share your thoughts in the comments below!

The post Sigma Announces the 28-70mm f/2.8 – Small, Light, and Well-Priced appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Tamron 70-300mm for Sony Review: A Compact, Well-Priced Telephoto Lens

02 Jan

The post Tamron 70-300mm for Sony Review: A Compact, Well-Priced Telephoto Lens appeared first on Digital Photography School. It was authored by Suzi Pratt.

Tamron 70-300mm for Sony review

The new Tamron 70-300mm f/4.5-6.3 lens is the “world’s smallest telephoto zoom lens for Sony E-mount full-frame mirrorless cameras.”

But does this lens live up to the hype?

Let’s find out in this Tamron 70-300mm for Sony review!

Tamron 70-300mm for Sony review

Tamron 70-300mm for Sony: Overview

The Tamron 70-300mm is made to be used on a full-frame camera, but you can also mount it on an APS-C camera; the equivalent focal length just gets cropped to 105-450mm. This can be an advantage if you prefer getting more zoom out of your lens.

Besides its compact and lightweight build (more on that below!), the biggest appeal of this lens is the price. At just $ 550 USD, the Tamron 70-300mm is more than half the price of the Sony alternative.

For comparison’s sake, the Sony FE 70-300mm f/4.5-5.6 has a slightly faster f-stop and also comes with image stabilization. But it is larger, heavier, and more expensive than the Tamron model. So if budget, size, and weight are a concern, the Tamron 70-300mm is the way to go!

  • Released: September 2020
  • Focal Length: 70 to 300mm
  • Maximum Aperture: f/4.5 to f/6.3
  • Minimum Aperture: f/22 to f/32
  • Lens Mount: Sony E (full-frame)
  • Minimum Focus Distance – 31.5″/0.8 m
  • Focusing: Autofocus
  • Image Stabilization: No
  • Filter Size: 67 mm
  • Dimensions: 5.8” x 3″/148 mm x 77 mm
  • Weight: 19.2 oz/545 g
Tamron 70-300mm for Sony review

Lens design

The Tamron lens follows on the coattails of some impressive Tamron releases, such as the 28-200mm f/2.8-5.6. And if you’ve used any recent Tamron lenses, the 70-300mm will feel very familiar in your hands. It has a similar look and feel to other Tamron lenses, and it takes a 67 mm front filter, just like many other Tamron lenses.

While the build is mostly plastic, the lens is weather-sealed with a dust- and moisture-resistant construction. This makes the 70-300mm ideal for shooting in a variety of outdoor conditions. I wouldn’t take the lens out in pouring rain, but a light drizzle is totally fine.

Aside from its low price point, the biggest advantage of the Tamron 70-300mm is its compact size. With a weight of just 545 g (1.2 lb) and a length of 5.8 in, it’s easy to forget that you’re hauling a rather long-range telephoto lens. The small size also makes it easier to hold the lens for long periods of time, especially compared to bigger lenses like the Sony 100-400mm. 

Tamron 70-300mm for Sony review

Ease of use and performance

The Tamron 70-300mm is a very straightforward lens. There’s a zoom ring and a manual focus ring with no additional buttons or switches on the lens.

It would be nice to have a lock switch to prevent the zoom barrel from sliding out when you use the lens – and while it’s not a dealbreaker, the lack of a lock is something to be aware of.

All Sony autofocus modes (including Eye AF) are as snappy as they’d be if using a native Sony lens. If you have any concerns about using a third-party lens, rest assured that all modern Tamron lenses work flawlessly with Sony E-mount cameras.

Image quality

Snowy owl
300mm | 1/1600s | f/6.3 | ISO 400

Photos on the 70-300mm Tamron are razor sharp. Color rendition is also accurate, with absolutely no chromatic aberration or distortion.

While this lens doesn’t have a fast f/2.8 or f/1.8 aperture, beautiful bokeh can still be achieved with sufficient distance between the subject and the background. The bokeh is pleasing and smooth. The lens’s sweet spot seemed to be between f/4.5 and f/11.

The lens also has a nice minimum focusing distance of 31.5 in (0.8 meters) when shooting at 70mm. This allows you to get pretty close to your subject and still get crisp shots. 

autumn leaves
186mm | 1/800s | f/5.6 | ISO 1600

Best uses

Given its focal range and features, the 70-300mm is best used as a complementary lens to a wide-angle or mid-range zoom, such as the 24-70mm.

Shooting purely at 70-300mm may suit some photography styles, but most photographers will want to occasionally get a shot wider than 70mm, which is when a wider second lens will come in handy.

snowy landscape
70mm | 1/320s | f/6.3 | ISO 640

However, you can use the Tamron 70-300mm as your sole lens and get some great wildlife, landscape, and portrait shots. Just make sure you have enough light or a camera that can shoot at high ISOs because of the narrower maximum lens aperture. If you plan to shoot indoors or in low light, the Tamron 70-180mm f/2.8 will better suit your needs.

The Tamron 70-300mm can also work as a great video lens. Just note that it lacks image stabilization (IS), so it is best used on a tripod or a gimbal stabilizer if shooting video.

Tamron 70-300mm for Sony review: Conclusion

For the budget-conscious photographer, or for those wishing to have the smallest and lightest camera kit, the Tamron 70-300mm is a bargain of a lens.

One of the only reasons why you may not opt for this lens is if you prefer the all-in-one Tamron 28-200mm lens. The 28-200mm is smaller and slightly more expensive, and it gives you a much wider focal range at the expense of not being able to zoom as far as 300mm. 

If you are interested in purchasing the Tamron 70-300mm for Sony, you can grab it here.

So what do you think? Would you buy the Tamron 70-300mm, or would you opt for a different lens? Let me know in the comments below!

The post Tamron 70-300mm for Sony Review: A Compact, Well-Priced Telephoto Lens appeared first on Digital Photography School. It was authored by Suzi Pratt.


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