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Posts Tagged ‘Virtual’

Canon Unveils a Dual Fisheye Virtual Reality Lens, the RF 5.2mm f/2.8L

08 Oct

The post Canon Unveils a Dual Fisheye Virtual Reality Lens, the RF 5.2mm f/2.8L appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon unveils a dual fisheye VR lens

Canon has announced a one-of-a-kind lens for EOS R cameras: the RF 5.2mm f/2.8L Dual Fisheye lens, which looks exactly as strange as it sounds:

RF 5.2mm Dual Fisheye lens side view

And check out the lens again, this time mounted to the Canon EOS R5:

virtual reality lens mounted to a Canon EOS R5

So what is this bizarre new lens? What’s it’s purpose? 

The RF 5.2mm f/2.8L is designed for virtual reality (VR) recording; it’s “the world’s first digital interchangeable dual fisheye lens capable of shooting stereoscopic 3D 180° VR imagery to a single image sensor.” In other words, the twin fisheye lenses offer two frames covering a huge field of view in total; when processed, this footage turns into a single, 180-degree image, and with the proper equipment (the press release mentions the Oculus Quest 2), viewers can feel truly present in the scene.

It seems that, when the RF 5.2mm f/2.8L debuts, it will be available solely for EOS R5 cameras, though this could change once the lens hits the market. Such a unique lens is bound to turn heads, and Canon has certainly been hard at work, offering a product with an outstanding form factor – for filmmakers who record on the go or who simply prefer to minimize kit size – along with weather resistance, a very nice f/2.8 maximum aperture, and most importantly, Canon’s in-built filter system. The latter allows you to use neutral density (ND) filters when recording, essential for serious videographers.

Unfortunately, processing dual fisheye images isn’t done with standard editing software. Instead, Canon is developing several (paid) programs capable of handling VR footage: a Premiere Pro plugin, and a “VR Utility.” The company explains, “With the EOS VR Plug-In for Adobe Premiere Pro, creators will be able to automatically convert footage to equirectangular, and cut, color, and add new dimension to stories with Adobe Creative Cloud apps, including Premiere Pro,” while “Canon’s EOS VR Utility will offer the ability to convert clips from dual fisheye image to equirectangular and make quick edits.”

So who should think about purchasing this new lens? It’s a good question, and one without an easy answer. Canon’s decision to bring out a dedicated VR lens suggests a growing interest in creating VR content. But the day when most video is viewed through VR technology seems a long way off, at least from where I’m sitting. 

That said, if VR recording sounds interesting, you should at least check out this nifty new lens. Canon suggests a December release date with a $ 1999 USD price tag, and you can expect Canon’s VR post-processing software around the same time.

Now over to you:

Are you interested in this new lens? Do you do (or hope to do) any VR recording? Share your thoughts in the comments below!

The post Canon Unveils a Dual Fisheye Virtual Reality Lens, the RF 5.2mm f/2.8L appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Kodak Professional Select’s AI-powered virtual assistant speeds up image culling

05 Nov

Kodak has introduced a new application, Kodak Professional Select. The app relies upon proprietary artificial intelligence to cull hundreds to thousands of images based upon technical attributes and aesthetic qualities.

Kodak states that technical attributes include color, focus, brightness, exposure, contrast and sharpness. With respect to aesthetic qualities, the AI looks for eyes being open, smiles and centered faces in your images. Kodak Professional Select then uses this data to select your best images and showcases them in an ‘easy-to-use interface.’ Importantly, the user maintains total control over which images are included in a final selection. The AI has been designed to drastically speed up this process. Kodak promises that ‘image culling is completed in minutes.’

Along with artificial intelligence, Kodak Professional Select allows the user to tag images with keywords, adjust the orientation, add star-based ratings, organize your files and more. You can learn more about Kodak Professional Select and see it in action in Kodak’s video below.

As you can see in the video above, to use Kodak Professional Select you must first sign up and install the required desktop application. This app interacts with Kodak’s cloud-based software. You then select and upload your images, which the software resizes for faster uploading and processing on the cloud. Once your images are uploaded, Professional Select goes to work and analyzes each image, ranking, and organizing your best images from the batch.

You can adjust how Kodak Professional Select prioritizes its evaluation criteria. Further, you can select how many images you desire from the batch. For example, you can prioritize exposure and sharpness and then select that you will want to keep 20 images from a batch of 500.

Kodak Professional Select judges images based upon multiple properties, including color, focus, contrast, and how the faces look in your images. Click to enlarge.

Once the analysis is complete, you will be able to adjust score criteria, add/remove selections, move images between groups, review images that the software determined were nearly identical and more. At this point, you can adjust the orientation of images, rate photos and add keywords. Once you’re all set with your selection, you export your selected images for the next step in your editing workflow.

Kodak Professional Select is compatible with Windows 10 and macOS Mojave (10.14.4) or newer and requires an internet connection. The following file formats are supported: DNG, JPG, RAW, TIF, CRW, CR2, CR3, RAF, 3FR, FFF, ARW, KDC, MRW, MOS, IIQ, NEF, NRW, ORF, RW2, PEF, X3F, SRF.

With its AI, Kodak Professional Select promises to make culling your images much easier and faster than traditional manual analysis. A free trial is available to try the software for yourself.

If you’d like to try Kodak Professional Select to see if it will fit in your workflow and speed up your image culling, there is a free 30-day trial available. After this trial, the ‘virtual assistant’ solution is available in monthly or annual subscriptions. Kodak Professional Select costs $ 29.95 USD per month. If you’d prefer a 12-month subscription, you pay $ 299.95, the equivalent of 10 months. To download the trial, head to Kodak Professional Select’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Taking virtual portraits of Major League Baseball players under quarantine

20 Jun

Billie Weiss, the Senior Manager of Photography for the Major League Baseball team the Boston Red Sox, had to get creative for this year’s team portraits due to lock-down restrictions. So, as many photographers have, he resorted to FaceTime to capture team portraits of eight players from afar.

‘I was with the team in Florida covering the tail end of Spring Training when the initial Coronavirus outbreak hit in the United States,’ Weiss told DPReview. ‘Games and all other activity at the training facility pretty much shut down immediately, so I flew back home to Boston. Days later, we learned the start of the MLB season would be delayed, and since basically everything in Massachusetts besides the essentials were shut down, I ended up not really leaving the house or shooting much of anything for about 3 weeks.’

It was during this time, in calls with other members of the Red Sox content team, the idea of doing virtual portraits was brought up and agreed upon. Weiss said of the concept (emphasis his):

‘I think the idea came mostly out of a desire to shoot something after sitting at home for nearly a month and missing being able to do what I love — interact with people through photography. I felt like this was a way we could still do something creative involving photography that worked within the limits of social distancing, quarantine, and lack of sporting events.’

For his setup, Weiss gathered up as many Red Six items as he could from around his home and built a mini studio to use as the backdrop. With a basic backdrop ready to go, he arranged the various pieces of equipment and memorabilia, switching it up with each player he photographed. Weiss told us the following about the gear he used:

‘I shot these on a Nikon D5 with the Nikon AF-s Nikkor 105mm f/1.4E lens. For lighting, I used a combination of both a Dracast LED 1000 Pro Daylight continuous light panel with a Profoto B1 Air 500 watt strobe light covered with colored gels. I switched the props and used different color gels from player to player to give the series a bit more variety. Overall, it was a pretty modest setup, but without access to the rest of my gear stuck at the Spring Training facility in Florida, I worked with what I had!’

Weiss photographed eight players, which thankfully ‘thought the concept was strange but cool!’ He attributes the willingness of the players to participate with the relationships he’s built over the years with them. ‘Our relationship is at the point where they trust me with most of our shoots, even something as weird as this,’ he told us. Even better, the players were happy with the results and some even shared the images across their social media profiles.

As for his final takeaways, Weiss told us the following:

‘Overall, I wanted to shoot something with our players that was representative of this crazy time we’re living in, and hopefully this achieves that goal. I think it’ll be interesting to look back on these photos years from now and be reminded of what a strange time this was.’

You can keep up with Weiss and his work on Facebook, Instagram, Twitter, TikTok and his website. You can also subscribe to his Youtube channel for more behind-the-scenes videos.

Articles: Digital Photography Review (dpreview.com)

 
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The Photography Show is going virtual (and free) for 2020, after initially being pushed back

04 Jun

Earlier this year, the organizers of The Photography Show and The Video Show 2020 announced the exhibition would be pushed back to September due to the COVID-19 pandemic. Now, it’s been announced The Photography Show and The Video Show 2020 will be going entirely virtual for 2020, with the organizers citing ‘the continued uncertainty around hosting large events.’

According to the above announcement on The Photography Show website, the virtual photography and video festival will be entirely free and take place on September 20 and 21 this year. ‘While we believe that there’s nothing quite comparable to the benefits of the live show,’ says the organizers in the announcement, ‘we know that this decision is the best solution for our community during these unprecedented times.’

The entire show will be free to ‘attend’ and all pre-booked entry tickets and passes purchased for the 2020 event will be valid for next year’s event. The Photography Show 2021 is set to take place at the National Exhibition Centre in Birmingham.

Registration for the online event will be ‘available shortly.’ You can keep up to date with the latest news on The Photography Show website.

Articles: Digital Photography Review (dpreview.com)

 
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IBC 2020 latest show to be cancelled, go virtual as organizers fear ‘many unknowns’

19 May

The International Broadcasting Convention (IBC), scheduled to take place in Amsterdam this September, has become the latest industry exhibition to get canceled as the coronavirus pandemic continues to disrupt events around the world.

Organizers cited ‘many unknowns’ around the shape of restrictions for social distancing and measures that would have to be in place to make the show safe for visitors and exhibitors alike. ‘It has become clear that a return to (a new) normal is unlikely to be achieved by September’ CEO Michael Crimp says in a statement on the show’s website.

Crimp says the decision to cancel now, while the show was still four months away, was to allow exhibitors to plan for the future and not spend money and time on the event only to have it canceled at a later date. He also says the show will use its digital platform, IBC365, to support the industry and hints that there will be some form of a virtual show on the channel this year, before the physical show returns in 2021.
For more information see the IBC Show website.

Press release:

IBC2020 Cancelled due to Covid-19

I hope you are safe and well, as we continue to adapt to the changing world in which we find ourselves. Following on from my previous statement I wanted to give you an update on the developments and situation at IBC.

As previously outlined, the IBC team has been focused on assessing and developing appropriate plans for IBC2020 this September at the RAI Amsterdam.

Within these plans it is crucial that IBC can deliver a safe and successful environment. However, as governments announce the route forward, it has become clear that a return to (a new) normal is unlikely to be achieved by September.

It has also become evident, through our dialogue with the IBC community, that an early decision is preferential for the industry so it can plan for the future.

Right now, despite the best work of the IBC team and our Dutch colleagues, there are still many unknowns. Therefore, we cannot guarantee that we will be able to deliver a safe and valuable event to the quality expected of IBC.

It is also evident that important aspects of a large-scale event such as IBC will be greatly altered by social distancing, travel restrictions, masks etc. so much so that the spirit of IBC will be compromised.

With that in mind and based on what we know at this point, it is with a heavy heart IBC has made the difficult decision to cancel the IBC2020 show. You may have seen IBC and the IABM surveys on this topic. Evidence gathered from these IBC stakeholders helps to confirm this decision.

Whilst this is hugely disappointing for us all, IBC will continue to play a vital role in supporting the industry to get back on track wherever we are able.

For more than 50 years, IBC has provided the central annual meeting place for the Media, Entertainment & Technology community. For example, over the coming months IBC will continue to engage with the industry through its digital platform IBC365. Details of our plans will follow soon.

Your views continue to help shape IBC. If you have suggestions, questions or concerns regarding this decision and announcement please do not hesitate to contact us using our dedicated email address: use our dedicated email address statusupdates@ibc.org

My very best wishes to all of you during this time of unprecedented challenges and I look forward to welcoming you next year at IBC2021, in Amsterdam.

Kind regards,
Michael Crimp
CEO IBC

Articles: Digital Photography Review (dpreview.com)

 
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DPReview Virtual Camera Museum Exhibit 1: Digital Camera Hall of Shame

13 May

Oh hi, didn’t see you there! Welcome to the DPReview Virtual Camera Museum.

Feel free to look around, we have an impressive collection. Down this hall you’ll find Unique Cameras from the Dawn of Digital Photography. And beyond that is the Samsung NX1 Memorial Garden – it’s really lovely this time of year. But you’re probably here to see our special exhibit: the Digital Camera Hall of Shame.

Please note that the museum is not responsible for any emotional damage caused by this exhibit, and the curators would like to stress that it is meant in good humor. At least the manufacturers featured here were trying to do something different with their cameras – not just the usual black-or-silver-rectangle with a lens on the front. They just missed the mark, in our opinion.

As you navigate the exhibit you’ll notice a progression from what we consider minor infractions – mere lapses of judgement – at the beginning, to the most egregious transgressions in camera design history towards the end.

Take your time, and please fill out the survey at the end and let us know if you’d rank them differently!


Exhibit A: Compacts gone wrong

Here you’ll find a range of design missteps from manufacturers trying to break free of the mold. Don’t worry, they’re harmless.

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Exhibit B: Homely, but great personalities!

These cameras dared to do something different and look different. They aren’t all-out abominations, they’re just a little… unusual.

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Exhibit C: Just… no

As Werner Herzog once said of WrestleMania, “A poet must not avert his eyes.”

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Thanks for visiting! Do take a moment to answer the survey below, and fill out a comment card to let us know what exhibits you’d like to see us host in the future. Our curators are always listening!

Have your say

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Digital Camera Hall of Shame: Pick your top 3 most unfortunate-looking cameras of all time
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Hasselblad Lunar

Pentax K-01

Leica M-P Rolf Sachs Special Edition

Brikk 24k gold Nikon Df

Sony a330

Sigma dp2 Quattro

Lytro Light Field Camera

Olympus E-300

Canon PowerShot TX1

Fujifilm Q1

Sony DSC-F505V

Canon PowerShot D10

Fujifilm 3D W1

Nikon Coolpix 300

Articles: Digital Photography Review (dpreview.com)

 
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Adobe’s 12th Annual 99U Creative Conference will be free and virtual this year

07 May

Adobe has announced its 12th Annual 99U Creative Conference, which is usually a paid, in-person event, will be hosted on Adobe Live for free as a virtual event this year amidst the ongoing COVID-19 pandemic.

Tickets for the annual event normally cost around $ 1,000, so being able to take in the event for free, in the comfort of your own home, is quite the discount. This year’s event will take place on Wednesday June 17 and will feature a mix of keynotes, creative workshops and masterclasses throughout the day. The presentations will be available stream via Adobe Live or available on-demand shortly after completion of each event.

A few of the individuals who will be presenting at this year’s virtual conference.

You can find out more information and register to ‘attend’ the event for free on Adobe’s Behance website.

Articles: Digital Photography Review (dpreview.com)

 
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Practice your portrait lighting in lockdown with this virtual studio program

16 Apr

With many people being off work at the moment it might seem the perfect time to practice our photography – except that in so much of the world we’re not allowed to go out of the house let alone meet up for a portrait shoot. Software company Elixxier claims to have a neat solution in its recently updated set.a.light 3D application that allows us to keep experimenting, perfecting and testing studio set-ups even when we have to stay at home.

Users of the application can create a virtual studio filled with lights, modifiers, backgrounds as well as a host of models to choose from. Photographers can pose their models and add lights to the scene while previewing exactly how each move and position will change the way the picture looks.

The program allows us a 3D view of the set-up we are creating so we can view the relationship between models and lights from the side or even above, and users have a choice of manufacturer-specific studio lights, speedlights and continuous light sources. A range of softboxes, snoots, barndoors and grids are available to alter the way the light looks, and colored gels can be added for atmosphere.

Users are able to shift the position of the lights and alter their intensity while seeing the effect immediately in the camera preview window. There is also a choice of lenses, apertures, shutter speeds and, of course, camera positions that all have an impact on the way the picture looks. You can even select the size of the sensor to match that of your camera so the settings, lens effects and looks can be mirrored in your real-life set-ups with a live sitter.

Not only can you experiment with your lighting set-ups using set.a.light but the complex range of options allows users to have precise control over the model’s poses. Legs bend and props can be placed under feet to get more shape into a pose, and even individual fingers can be carefully arranged. Models can be dressed, or undressed, the way you want them and glasses can be added for an extra challenge – in a range of colors and styles.

Once you are happy with the way the model looks you can actually ‘take’ the picture and the result is rendered out as a normal picture file. You can also save the lighting diagram and 3D plan so you can refer to it at a later date when preparing to shoot a person for real. The program is great to allow us to practice during this lock-down, but in normal times it lets us test and experiment at leisure without the cost of studio and model hire, and it should make us more prepared when we arrive at a real shoot.

The latest version of the program adds a community discussion area where users can share their setups with others and chat about how images could be improved.

The Basic version of the application costs €79 (approx. $ 90) at the moment, while the Studio version is €154 (approx. $ 170), and company offers a free trial of the full version for 15 days. For more information see the Elixxier website.

Articles: Digital Photography Review (dpreview.com)

 
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Virtual trade show from Cinema5D in the works to replace canceled NAB 2020 April event

18 Mar

The canceled NAB 2020 event will live on in the form of a ‘virtual trade show’ from Cinema5D, according to Johnnie Behiri and Nino Leitner. The team first revealed intentions to hold a virtual trade show in the place of NAB 2020 on March 12, stating at the time that they were approaching manufacturers about the plan.

As with Mobile World Congress, GDC and multiple other events before it, the NAB 2020 show originally scheduled to take place in April has been canceled. The announcement was made by NAB President and CEO Gordon Smith last week, who cited the ongoing coronavirus outbreaks as the reason for the cancellation.

In a statement to DPR, Behiri explained:

‘We were not shocked to hear that NAB was canceled because of the current developments, but we were surprised that no alternatives were offered to manufactures and visitors alike. Other canceled trade show events are moving to some kind of online event but NAB seems unable to do so too.’

GDC 2020 is one of the previously canceled events that is now holding online talks in substitution for the physical gathering. Cinema5D’s virtual trade show will be similar, according to Behiri, who said the talks will take place in hosted, moderated live streams on April 20 – 22 from 9 AM to 6 PM PST.

The hosted broadcasts will be mixed with prerecorded new product announcements and virtual studio talks with various guests; topics will include trends, new products and industry analyses. As well, Behiri says that the team plans to integrate streamed live press events from major manufacturers into the virtual trade show.

According to Behiri:

‘All of this is an evolving plan but we invite manufacturers to get in touch with us via our contact page to share NDAs about new products so we can interview them beforehand and align plans to integrate them into our coverage. We are also happy to consider working together with other online publications.’

Though the virtual trade show will attempt to offer ‘a bit’ of coverage on a broad range of subjects, Behiri says that it will focus on production tech aimed at aspiring and professional filmmakers.

Articles: Digital Photography Review (dpreview.com)

 
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How to Use the Lightroom Editing Trifecta: History, Snapshots, and Virtual Copies

05 Aug

I often find myself knee-deep into editing a photo when an idea hits me to try something totally different. Maybe it’s exploring different cropping options, creating a black-and-white version, or getting crazy with the adjustment brush. One useful feature of a Lightroom editing workshop is that it gives you the flexibility to explore as many different paths as you want for a picture. While always giving you the freedom to jump back to different editing points or start over entirely.

Three of the best ways to do that are with the History, Snapshot, and Virtual Copy options. Let’s dig deeper into each one separately.

butterfly on a red flower - How to Use the Lightroom Editing Trifecta: History, Snapshot, and Virtual Copies

Lightroom History

Decades ago in the early days of personal computers, you were lucky if you could click undo more than once. Even the first version of Photoshop did not allow more than one undo!

This meant that you had to be extraordinarily careful when creating or editing digital images because any changes were basically permanent. Whereas today most programs allow virtually limitless error-correction when it comes to undoing your work. Lightroom is no different and if you want to fix a mistake just choose Edit > Undo and any errors or changes will be immediately wiped away.

Better than undo

History in Lightroom is sort of like undo but it is infinitely more flexible. It’s a veritable time machine that gives you the freedom to revert back to any aspect of your editing even if you have made dozens and dozens of changes to an image.

Whereas Undo lets you go back to earlier versions of your image one step at a time, the History panel actually lists all the changes made since you imported an image into your Catalog including the numerical values of each edit. If you make a change that involves a numerical value those will show up in the History panel as well, including the amount of the change and the resulting value.

For example, if you adjust the Exposure by +0.5, the History panel will show you Exposure +0.50 and then the resulting exposure value of +0.50. If you make another exposure adjustment of 0.2, you will see that in the History panel along with a final value of +0.70. This helps you see a written description of all the edits you have made to an image as they were applied.

lightroom history - How to Use the Lightroom Editing Trifecta: History, Snapshot, and Virtual Copies

The complete history of all my edits to the butterfly image at the top of this article. Clicking on any of the edits listed will instantly let me jump back in time to that particular step of the editing process.

History is saved within your catalog

Every image’s complete editing history is saved in your Lightroom Catalog so you can revisit changes you made to photos years ago just as you can with photos you take today.

Using the History panel is fairly straightforward. Click on any edit and your image will instantly revert back to when that change was made.

However, if you then make any subsequent edits at that point, the changes will be reflected at the top of the History panel and therefore will not take into account all the additional edits you already made. This is where the Snapshot tool comes in handy.

Lightroom Snapshots

You can use Snapshots in combination with the History panel or all by themselves. Either way, it opens up a great deal of editing flexibility that is light years beyond what the Undo/Redo commands have to offer.

As you work through your edits on a photo you might find yourself wanting to save the current state of your image so you can make additional changes but still have the option of reverting back to a specific point in time or a specific set of edits later.

Snapshots let you do that easily with one click. They are extremely useful for trying new things or even just saving various versions of a single image.

countryside weather vane - How to Use the Lightroom Editing Trifecta: History, Snapshot, and Virtual Copies

The above image was taken on a recent trip through the state of Kansas. I got it printed as a canvas for my wife to hang on the wall.

Creating and naming a snapshot

After creating this version of the picture I wanted to make some additional changes and even try a black and white version. But I did not want to lose the original image in case I ever want to get it re-printed. Lightroom makes this a simple one-click step. All I had to do was click the + button under the Snapshot panel. Lightroom then created a version of the image frozen in time at that exact point in the editing process.

name your Snapshot in LR - How to Use the Lightroom Editing Trifecta: History, Snapshot, and Virtual Copies

After creating the Canvas Print Snapshot I did a black-and-white conversion, changed the Blue color slider to adjust the brightness of the sky, and re-cropped it to be a 3:2 aspect ratio.

black and white version - How to Use the Lightroom Editing Trifecta: History, Snapshot, and Virtual Copies

I was happy with the result, so I saved a new Snapshot which I titled according to the edits made.

black and white snapshot named - How to Use the Lightroom Editing Trifecta: History, Snapshot, and Virtual Copies

Benefits

This process lets me switch between two versions of the same image with the click of my mouse. I can also create as many Snapshots as I want while also re-naming or deleting them by right-clicking on any given Snapshot name. In addition, I can use the History panel to create Snapshots by hovering over any of the edits listed in the History, right-clicking, and choosing the “Create Snapshot” option.

Finally, one nice but an often-unnoticed benefit of Snapshots is that you can move the mouse over your list of Snapshots and see a preview of each one in the small window in the top-left corner of Lightroom. It’s a handy way to see what each snapshot looks like without clicking and loading them one by one.

snapshot version of windmill - How to Use the Lightroom Editing Trifecta: History, Snapshot, and Virtual Copies

Three renditions of the windmill photo now exist, each with its own Snapshot that I can click on at any time to load that particular version.

Virtual Copies

One limitation of the Snapshots is that you have to manually click through your Snapshots one by one by one if you want to export them as individual photos. This is fine if you have one or two snapshots of a single image, but if you need to export multiple snapshots from multiple photos the process can become cumbersome right away.

This is where Virtual Copies really shine. While they are similar to Snapshots there are some key differences that make them highly useful in certain situations.

maternity portrait - How to Use the Lightroom Editing Trifecta: History, Snapshot, and Virtual Copies

I cropped this image into a square and while the client loved it, she asked if I could send her a vertical version. I used Lightroom to make a Virtual Copy and re-cropped that so I would always have my original crop.

How they work

Virtual Copies function in a manner almost identical to Snapshots in that you can create what is basically a saved state of your edits at any point in the editing process. After that, you can add more changes to each saved state without impacting the other Virtual Copies.

To create one, right-click on any image in the Library or Develop module and choose “Create Virtual Copy” or choose “Create Virtual Copy” from the Photo menu (or use the keyboard shortcut Cmd/Ctrl+’). This essentially duplicates the photo in your library (as a new thumbnail) but does not actually create a copy of the original file.

Virtual Copies are duplicate versions of images that can be edited like any other photo in your library, and function almost identically. A Virtual Copy has its own unique editing history, can be cropped and adjusted like any other image, and can utilize editing presets as well.

The only way to distinguish Virtual Copies from other photos is that they have a small triangle icon (like a page turning) in the lower left corner of their thumbnail.

How to Use the Lightroom Editing Trifecta: History, Snapshot, and Virtual Copies - virtual copy in thumbnail strip

The small triangle icon in the lower left corner of an image thumbnail indicates that it is a Virtual Copy.

Snapshot or Virtual Copy?

Snapshots are fine when I’m experimenting with different editing techniques, but I prefer Virtual Copies on client work, particularly when I want to give them multiple versions of a single image.

For example, when processing a recent session I was able to edit an image for white balance, sharpness, tonality, etc., and then create a virtual copy with those same edits that I cropped much closer. When I exported my images from Lightroom both versions got rendered and saved to my computer, which is not the case when working with Snapshots.

How to Use the Lightroom Editing Trifecta: History, Snapshot, and Virtual Copies

I had two different crops of this image that I wanted to send to the clients. I used Virtual Copies instead of Snapshots so both would be exported when I created the final batch of images to send to them.

Conclusion

Lightroom has a host of small but powerful features like this that, once learned, can greatly streamline and enhance your workflow.

Do you use History, Snapshots, or Virtual Copies? If so what are some of your favorite tips and tricks that help you get your work done more efficiently? Leave your thoughts in the comments below.

The post How to Use the Lightroom Editing Trifecta: History, Snapshots, and Virtual Copies appeared first on Digital Photography School.


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