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Posts Tagged ‘violence’

Photos of violence and escape win 2018 Pulitzer Prizes for photography

17 Apr

The 2018 Pulizer Prizes were announced yesterday, and in the two photography categories, images of violence and escape from violence took home the coveted gold medals.

In the Breaking News Photography category, photojournalist Ryan Kelly won for his shocking image of a car plowing into counter-protestors of the Unite the Right protest in Charlottesville, VA on August 12th, 2017. As Poynter reports, this photograph was actually taken on Kelly’s final day as a staff photographer for The Daily Progress. He left the job due to the “state of the industry, stress and schedule,” but not before capturing a photograph seen around the world:

In the Feature Photography category, not one photographer but an entire staff received the award. The medal went to “The Photography Staff of Reuters” for the publication’s coverage of Rohingya refugees fleeing violence in Myanmar. Reuters has shared several GIFs and still images on the Reuters Pictures Twitter (embedded below), but you can see the full series at this link.

The winners highlight the importance of photojournalism on vastly different scales. As Kelly told Poynter, his Pulitzer Prize win “is a super valuable reminder for people of the power of local journalism.” The Reuters win, meanwhile, highlights the role photojournalism can play on a global scale, exposing the rest of the world to realities it might otherwise never see, or choose to ignore.

As always, the winners each receive $ 15,000 prize money and the coveted gold medal.

Articles: Digital Photography Review (dpreview.com)

 
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Still Life with Smoke Bombs: Artist Live-Paints Berkeley Protest Violence

19 Apr

[ By WebUrbanist in Art & Street Art & Graffiti. ]

This past Saturday, Trump supporters and counter-protesters from the left clashed violently in liberal Berkeley, all while one intrepid street painter captured the scene live on canvas. As reporters filmed and photographed the chaos, John Paul Marcelo biked his mobile painting station into place.

The alt-right rally organizers and their opponents arrived ready for a brawl, variously equipped with shields, helmets, wooden poles, pepper spray and other weapons. “By mid-afternoon,” reports Blake Montgomery, “the dueling protesters were screaming insults at each other over a flaming pile of trash and using a dumpster as a battering ram.” In the end, dozens were arrested on both sides.

But in the midst of the mayhem (or at least: slightly off to one side) was perhaps the most unexpected sight of all — Bay Area street artist John Paul Marcelo standing his ground and calmly painting the chaotic scene as it unfolded before him.

Marcelo is a fixtures of the San Francisco community, a fifteen-year resident who can be found painting ordinary street scenes as well as timely and tragic still lifes, like: a building just after a fire, burnt out and abandoned.

His artistic gear collapses on demand, folding neatly for transportation by bike to events unfolding in around the Bay or calmer, more everyday still-life subjects (below: Morning on Broadway and Telegraph in Oakland as seen in Cafe 817).

John Paul Marcelo studied graphic design and advertising, then started painting the urban decay of Chicago streets and decided to “reject modern technological mediums” and “paint exclusively en plein air, and migrate to the majestic California coastline.” And although he reports being “very content with painting existing idyllic scenes like Big Sur and Marin, past expeditions have brought him to places like post Katrina New Orleans and Cabrini Green housing projects.” His influences “include Claude Monet, James Nachtwey, and Ai Wei Wei.” (Images via AP, SfGate & KQED)

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[ By WebUrbanist in Art & Street Art & Graffiti. ]

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Photojournalist unexpectedly documents domestic violence

02 Mar

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Freelance photojournalist Sara Naomi Lewkowicz recently recounted the events that led her presence during an incident of domestic violence. The harrowing images that she captured illustrate, among other things, the extent to which this photographer was able to ‘blend’ into the lives of her subjects, capturing a scene in which you’d imagine an outsider would be prohibited from documenting. Yet Lewkowicz’s account has drawn online detractors who question whether intervention, not documentation was the appropriate response. Read on for more details.

News: Digital Photography Review (dpreview.com)

 
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