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Posts Tagged ‘Videos’

Videos: Learn photography by playing video games

06 Apr

Can video games help teach you photography skills? Texas-based photographer Mir-or-Image believes they can. In his ongoing video series, ‘Photo Mode Perspective,’ Mir plays popular video games and uses their built-in photo modes to help viewers learn the basics of photography, including principles of composition, how shutter speed and aperture impact the look and feel of an image, and more. Mir loves video games and photography. With his educational video series, he combines these two passions in a distinct and educational way.

Photo modes in video games have become increasingly more sophisticated. For example, in the PlayStation 4 game ‘God of War,’ the included photo mode includes sliders for the field of view and focal length, which are, of course, interconnected. As you increase the field of view, the focal length decreases. This is something that experienced photographers take for granted, but for beginners, understanding how focal length changes perspective in a scene is important.

Likewise, for seasoned shooters, you understand how aperture changes the depth of field, all else equal. Still, the photo mode in ‘God of War’ and other games offers a helpful visual representation of how the plane of focus changes with aperture. Put in simple terms, ‘Here’s something to note with f-stop, the smaller the number, the blurrier the background gets,’ Mir says in the video below. Using ‘God of War,’ Mir also discusses ways to crop images and edit brightness, contrast and colors, and more.

Another PlayStation game with a very capable built-in photo mode is 2020’s ‘Ghost of Tsushima.’ The game, developed by Sucker Punch Productions, is set on Japan’s Tsushima island during the first Mongol invasion of Japan. Some creative liberties are taken in the game for narrative and gameplay purposes, but it nonetheless provides a stunning backdrop for taking in-game photos.

Like ‘God of War,’ ‘Ghost of Tsushima’ includes focal length and aperture sliders for your virtual lens. If you want to shoot a portrait of the main character, Jin, you can use a virtual 85mm f/1.8 lens, for example. You can even direct your subject, in a sense, by changing the character’s pose and facial expression. To add creative flair, you can adjust exposure compensation (bias), add particle effects, change the lighting, color grade your image and more. Also, as a warning, ‘Ghost of Tsushima’ is a violent video game and there is some virtual blood in the video below.

Over at Mir’s YouTube channel you can also see his ‘Photo Mode Perspective’ videos for two more video games, ‘Cyberpunk 2077’ and ‘Spider-Man: Miles Morales.’ To view Mir’s real-world photography, follow him on Instagram and visit his website. The photography bug bit Mir during a trip to Europe in 2018. He enjoyed using his smartphone in manual mode, and when he returned home to Texas, he went out and bought an interchangeable lens camera. He is now a professional car photographer based in Houston.

I captured this image in ‘Forza Horizon 4’ on Xbox. It’s exceedingly unlikely that I’ll ever have the chance to photograph a 1962 Ferrari 250 GTO in the Scottish highlands in real life, so it’s neat that I get to photography rare cars in different locations in a racing video game.

Videogames can do more than help aspiring photographers learn more about how camera and lens settings impact the photos they capture. For example, professional automotive photographer Sam Dobbins used Forza Motorsport on Xbox to plan out a real-world photoshoot. Others, such as Instagram user jk_fh4_pics has an entire account dedicated to photography from the game ‘Forza Horizon 4.’ In some cases, game developers even hold photography contests using their games, which is something that Playground Games does with Forza Horizon and Rockstar Games does with Red Dead Redemption 2.

If you’re like Mir and love both video games and photography, you may be able to combine your interests like him. ‘New Pokémon Snap’ arrives on Nintendo Switch later this month, and the entire purpose of that game is to capture photos of Pokémon in their virtual habitats.

The upcoming Switch title will allow Pokémon shutterbugs to edit and share their images online with other gamers. A similar game is a PlayStation 3 title from 2008, ‘Afrika,’ in which the player assumes the role of a photojournalist hired to take photos on an African safari. It’s a difficult game to find these days, but I remember importing a copy from Japan when I became interested in photography in high school. It wasn’t an amazing game, but it was a lot of fun to take wildlife photographs of animals I’ve never seen in real life.

Articles: Digital Photography Review (dpreview.com)

 
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New DAIN algorithm generates near-perfect slow-motion videos from ordinary footage

09 Sep

Researchers with Google, UC Merced and Shanghai Jiao Tong University have detailed the development of DAIN, a depth-aware video frame interpolation algorithm that can seamlessly generate slow-motion videos from existing content without introducing excessive noise and unwanted artifacts. The algorithm has been demonstrated in a number of videos, including historical footage boosted to 4K/60fps.

Rapidly advancing technologies have paved the way for high-resolution displays and videos; the result is a mass of lower-resolution content made for older display and video technologies that look increasingly poor on modern hardware. Remastering this content to a higher resolution and frame rate will improve the viewing experience, but would typically be a costly undertaking reserved only for the most popular media.

Artificial intelligence is a promising solution for updating older video content as evidenced by the growing number of fan-remastered movies and TV shows. Key to these efforts are algorithms trained to upscale and, when necessary, repair the individual frames of videos, which are recompiled into a higher-resolution ‘remaster.’

The newly detailed DAIN algorithm is different — rather than upscaling and repairing the individual frames in a video, this AI tool works by generating new frames and slotting them between the original frames, increasing the video’s FPS for smoother and, depending on how many frames are generated, slower-motion content.

This is a process called motion (video frame) interpolation, and it typically causes a drop in quality by adding unwanted noise and artifacts to the final videos. The DAIN algorithm presents a solution to this problem, offering motion interpolation to boost frames-per-second up to 480fps without introducing any readily noticeable artifacts.

The resulting content is high-quality and nearly visually identical to the source footage, but with the added smoothness that comes with increasing the frames-per-second to 60fps. In addition, DAIN has been demonstrated as capable of transforming ordinary 30/60fps footage into smooth slow-motion videos without choppiness or decreased quality.

According to the researchers, DAIN is ‘compact, efficient, and fully differentiable,’ offering results that perform ‘favorably against state-of-the-art frame interpolation methods on a wide variety of datasets.’ The technology has many potential uses, including recovering lost frames, improving content to be more visually appealing for viewers, generating slow-motion from regular footage and more.

Such technology is arguably necessary for preserving aging media in a useful way, making it possible for new generations of people to experience historical footage, old TV shows and movies, home videos and similar content using modern high-resolution displays. As well, the technology could be useful for content creators of all sorts, enabling them to salvage the footage they already have, improve the quality of old clips for use in documentaries and similar things.

The researchers explain on their project website:

Starting from the birth of photographing in the 18-th centuries, videos became important media to keep vivid memories of their age being captured. And it’s shown in varying forms including movies, animations, and vlogs. However, due to the limit of video technologies including sensor density, storage and compression, quite a lot of video contents in the past centuries remain at low quality.

Among those important metrics for video quality, the most important one is the temporal resolution measured in frame-per-second or fps for short. Higher-frame-rate videos bring about more immersive visual experience to users so that the reality of the captured content is perceived. Therefore, the demand to improve the low-frame-rate videos, particularly the 12fps old films, 5~12fps animations, pixel-arts and stop motions, 25~30 fps movies, 30fps video games, becomes more and more urgent.

The public can view more examples of videos updated using the DAIN algorithm by checking out the related collection playlist on YouTube. As well, the full study is available in PDF form on the Arxiv website here.

Articles: Digital Photography Review (dpreview.com)

 
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Microsoft unveils a new AI-powered tool for spotting deepfaked images and videos

03 Sep

On Tuesday, Microsoft introduced Video Authenticator, a new AI-powered tool that analyzes still images and videos to determine the likelihood that they feature digital manipulation. The tool is designed to address the growing problem of ‘deepfakes,’ a type of highly realistic manipulated content generated or modified by artificial intelligence systems.

Deepfake refers to images, videos and audio modified using AI tools. Though this technology can be used creatively, it is most associated with manipulating media to present something that didn’t happen in real life. This could include, for example, a video of a politician saying something they never said or doing something they never did.

Because these deepfakes are created using machine learning algorithms, the resulting content is typically very high quality and difficult (or impossible) for someone to discern from authentic media just by looking at it or listening to it. The solution to AI manipulation is another AI trained to spot the changes.

Microsoft has introduced Video Authenticator under its Defending Democracy Program, pointing out that dozens of ‘foreign influence campaigns’ targeting countries around the world have been identified in the past several years. These campaigns are intended to manipulate the public into certain beliefs or ideologies; others attempt to stir up debate and further polarize groups against each other.

Of 96 different campaigns identified (PDF) in part with support from Microsoft, 93% of them involved original content, which can be particularly difficult to detect. Microsoft explains that while ‘no single technology will solve the challenge of helping people decipher what is true and accurate,’ its Video Authenticator is an important tool that will help counteract disinformation by detecting subtle evidence of AI involvement in its creation.

Though Video Authenticator isn’t a long-term solution to what is inevitably an evolving technology, Microsoft explains that ‘in the short run, such as the upcoming U.S. election, advanced detection technologies can be a useful tool to help discerning users identify deepfakes.’

Video Authenticator works by analyzing every frame in a video, as well as still images, and assigning them a ‘percentage chance,’ also called a confidence score, that indicates its likelihood of having been manipulated. When analyzing videos, Video Authenticator presents users with a realtime percentage for each frame.

In a sample provided by Microsoft, the tool isn’t able to detect evidence of manipulation in every frame; some pass without triggering the system, while others may have enough greyscale elements, blending boundaries, subtle fading or other aspects to trigger the detection system.

Ultimately, Video Authenticator is just the start. Microsoft explains:

We expect that methods for generating synthetic media will continue to grow in sophistication. As all AI detection methods have rates of failure, we have to understand and be ready to respond to deepfakes that slip through detection methods. Thus, in the longer term, we must seek stronger methods for maintaining and certifying the authenticity of news articles and other media. There are few tools today to help assure readers that the media they’re seeing online came from a trusted source and that it wasn’t altered.

Microsoft isn’t making Video Authenticator available to the public in order to protect it against manipulation that may hamper the effort.

Video Authenticator is the latest example of a deep learning algorithm designed to counter the negative use of other AI algorithms. Last year, for example, Adobe Research and UC Berkeley introduced a method for detecting subtle face manipulations made using the Face Aware Liquify tool in Photoshop.

Conversely, we’ve also seen AI-based technologies that empower users to better protect themselves in this new digital landscape. Most recently, researchers with the University of Chicago SAND Lab released a free tool that uses AI to subtly ‘cloak’ images of one’s own face in order to poison facial recognition algorithms trained to recognize them.

Articles: Digital Photography Review (dpreview.com)

 
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How to Setup For Doing Live Streaming and YouTube Videos at Home

10 May

The post How to Setup For Doing Live Streaming and YouTube Videos at Home appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

live streaming setup and youtube setup

Since many of us are spending most of our time at home at the moment, I thought I’d share this great video from the dPS founder, Darren Rowse, on how to do live streaming and YouTube videos from your own home as a way to reach your audience and promote your photography.

He shares his complete live streaming setup, which I have listed below so that you can see if you have some of this gear already. Of course, you can replace some of this gear with the equipment you already have too. Most DSLR and mirrorless cameras do video nowadays.

The great thing about this video is that Darren shows us how this equipment all works together too, which is perfect to see what parts may or may not suit your needs.

Want to do some photography videos for youtube, or post-processing videos? This could be an ideal setup for you too.

Livestreaming gear setup:

live streaming setup and youtube video setup
  • Sony A7 III – https://geni.us/BM6gBHA
  • Sony 28mm f/2 lens – https://geni.us/sony282
  • Sony 55mm f/1.8 Lens – https://geni.us/sony5018
  • Sony A6400 – https://geni.us/udaP
  • Sony 16mm f1.4mm – https://geni.us/qLanFq
  • Rode PodMic – https://geni.us/rodepodmic
  • Rode Podcaster (USB) – https://geni.us/rodepodcasterusb
  • RodeCaster Pro – https://geni.us/rodecasterpropb
  • Shure SM58 – https://geni.us/shuresm58mic
  • Neewer 480 LED Lights – https://geni.us/neewer480led
  • Softbox for Neewer 480 – https://geni.us/neewersoftbox
  • LEDGO LG-B150 – https://geni.us/ledgo
  • Manfrotto magic arm – https://geni.us/mfmagic
  • Manfrotto superclamp – https://geni.us/mfsc
  • Ecamm Live – https://geni.us/ecamm
  • Elgato Camlink – https://geni.us/camlinkpb

Do you have a setup that you use already and would like to share with us? Please do so in the comments section!

The post How to Setup For Doing Live Streaming and YouTube Videos at Home appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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DPReview TV: How to look good and sound great on videos (and video conferences) from home

02 Apr

Lots of people are suddenly working from home. For many, that means creating online videos for others to watch or logging time on video calls. We review some simple techniques to make your videos look and sound great, so you’ll look more professional.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Better audio
  • Coverage
  • Coverage example
  • Better video calls
  • Better live audio
  • Camera angle
  • Lighting
  • Conclusion

For more tips, watch Chris and Jordan’s earlier video about coverage on The Camera Store TV.

Articles: Digital Photography Review (dpreview.com)

 
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How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide

18 Mar

The post How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide appeared first on Digital Photography School. It was authored by Theodomentis Lucia.

How to repair corrupted videos featured image

Earlier today, I thought about playing some videos that I shot on my digital camera during my last vacation. Sadly, every time I tried to play them on VLC or Windows Media Player, I got a gray or green display on the screen instead. I realized that my videos were corrupt and thought of digging up and finding an ideal solution for it. To be honest, after some failed attempts, I was finally able to repair my corrupted videos. If you have also encountered a similar situation in the past, then you may learn something from my experience.

Read on to find out how.

What could have caused your videos to become corrupt?

Before we head into the details on how to repair corrupted videos, it is important to discuss a few things in advance. You should know the major reasons why a video gets corrupt or damaged so that you can avoid it in the future.

These reasons include:

  • The transfer process of videos from your digital camera to the computer could be halted mid-transfer.
  • You may have restarted the system while the video was still playing in the background.
  • Sometimes, a third-party tool like a video editing software can also end up corrupting a file.
  • The location (drive or partition) where your video is stored could be corrupted.
  • The meta content or the header of the video might be tampered with as well.
  • If you have forcefully tried to change the video extension or type, then it can corrupt the file.
  • The audio-video components of the file might not be synced properly or could be missing.
  • You have played the video with an unsupported media player, or there could be an issue with the video encoding.
  • Other logical issues related to video playback, picture, sound, etc. can also cause this problem.
How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide

How can you repair corrupted videos on Windows or Mac?

If your videos have been corrupted, then you need to look for the right tools to fix them. 

Since there are so many tools out there to repair corrupted videos, I asked a friend of mine, who is an expert in the field. He recommended Recoverit Video Repair, so I decided to give it a try as well. 

Ideally, Recoverit is a dedicated application to recover the lost or corrupt data of all kinds. However, it also has a dedicated video repairing tool that can fix various issues related to a video file.

After getting to know these features, I wanted to give Recoverit a try and found its click-through process pretty easy. 

Once you have installed the Recoverit Video Repair application, you can follow these steps to fix your corrupt files.

Steps to repair corrupted videos and files

Step 1: Launch the Video Repair tool

If you have some videos to fix, then just launch the Recoverit application on your system and launch the “Video Repair” tool from its home page. Also, attach your digital camera to the computer and move your damaged videos to the system.

How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide

Step 2: Add corrupt videos to repair

Once you launch the Recoverit Video Repair application, you can just click on the “add” button to load the corrupted videos.

How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide

This will further launch a browser window, letting you locate and load the videos that are damaged. If you want, you can load multiple videos and repair them at the same time.

How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide - Adding the videos screenshot

Step 3: Start the repairing process

After you have added the corrupted videos to the application, the interface will let you know. You can view the details of the added videos and even remove them from here. 

If you are ready, then just click on the “Repair” button to commence the repairing process.

How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide

Step 4: Wait for the repairing process to be over

As soon as you click on the “Repair” button, the application starts fixing the loaded videos and displays the progress. Kindly be patient as of now and let the application complete the process.

How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide - waiting for the repair process screenshot

Once the repairing process is completed, Recoverit will let you know by displaying the following prompt.

How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide

Step 5: View the repaired videos

You can now preview the results of the repaired process by clicking on the play icon adjacent to the video.

How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide - View repaired videos screenshot

This opens a pop-up window with a video player that will let you play the repaired video. In this way, you can check the results of the application before saving the videos.

How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide

Step 6: Save the repaired videos

If you are satisfied with the results, then click on the “Save to Folder” button right next to the video. 

If you want, you can also click on the “Save All” button to save all the videos. This opens a browser window, letting you select a secure location to save the videos.

How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide

Step 7: Run an advanced video repair (optional)

In the case that you are not satisfied with the standard video repairing results, then click on the Advanced Video Repair feature, which you can find at the bottom of the video player.

How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide - Advanced video repair screenshot

To run an advanced repair, you need to load a sample video to the application. The sample video should be shot on the same device as the corrupted video and must be in the same format. 

After loading the sample video, you can start the advanced video repair process and view its results as well.

How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide

Conclusion

When using Recoverit, it’s easy to repair corrupted videos. Recoverit is able to fix all sorts of issues related to videos like missing fragments, gray/green screens, video not loading error, and so on and supports a wide range of video formats like MOV, AVI, FLV, 3GP, MP4, MKV, MTS, and more. It can fix all kinds of videos shot on a wide range of devices like digital cameras, drones, camcorders, and smartphones.

The video repair tool is available in three different purchase options – $ 29.95 a month, $ 39.95 a year, or $ 49.95 (lifetime purchase) for the Windows version. If you get it now, you can get 30% off Recoverit for windows or 30% off for mac.

Download and Get 30% off Recoverit video repair now by using the exclusive coupon code: LENOP09

Disclaimer: Recoverit is a dPS paid partner.

The post How to Repair Corrupted Videos Shot on Digital Cameras and Other Devices: A Step-by-Step Guide appeared first on Digital Photography School. It was authored by Theodomentis Lucia.


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Tips for Posing Models (videos)

07 Dec

The post Tips for Posing Models (videos) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

If you are interested in portrait photography, one of the hard parts (after learning your lighting and camera skills) is knowing how to pose your models. Particularly, if they aren’t professional models.

When you are taking portraits of men and women, their poses can be quite different because their bodies have different shapes and bend in slightly different ways. A pose that looks great for a guy, may look totally wrong for a girl and vice-versa.

So, to help you on your way to achieving better portraits by getting better poses from your models, I have compiled some videos for you to take a look at.

If, however, you don’t like to watch videos, you can grab yourself the dPS e-books, Portraits: Striking The Pose or 67 Portrait Poses (Printable).

Alternatively, see the list of articles you can read on posing models down below the videos.

Tips for posing men in portrait photography

This video is by photographer, Anita Sadowska.

This video is by photographer, Julia Trotti.

This video is from the perspective of a model agency, DLM Model Lifestyle, giving posing tips.

Tips for posing women in portrait photography

This video is by CreativeLive, featuring photographer, Lindsay Adler. These tips are for photographing people in a seated position.

?

This video by AtchatChannel Ubonratchathani, gives 60 model poses in 1 minute.

You may also like:

  • 8 Posing Guides to Inspire Your Portraiture
  • Posing Guide: 21 Sample Poses to Get You Started with Photographing Women – Part I
  • Posing Guide for Photographing Women: 7 Poses to Get You 21 Different Photos
  • Tips for Posing People in Outdoor Portraits
  • How to do Gentle Posing: A Collection of Prompts to Get You Started
  • Tips for Posing Muscular Female Body Types
  • Portrait Tips for Posing Women
  • Beginner Tips for Posing People with Confidence

 

The post Tips for Posing Models (videos) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Ricoh shares 360º photos, videos from space captured in partnership with JAXA

20 Oct

Editor’s note: The below video is best viewed in Chrome or Firefox browsers, as they support 360-degree video:


Ricoh has published photos and video captured with a specialized version of its Ricoh Theta 360-degree spherical camera developed in partnership with with the Japan Aerospace Exploration Agency (JAXA).

‘The camera was installed to monitor the operation of the biaxial gimbal of the SOLISS (Small Optical Link for International Space Station),’ says Ricoh in its press release. ‘It was carried aboard the H-II Transfer Vehicle (HTV8) “KOUNOTORI-8”, the cargo transporter to the International Space Station (ISS), which was launched on September 25 , 2019.’

The specialized Ricoh Theta camera was modified so it could withstand the heat and radiation in space. The images and video from the camera were captured from the Exposed Facility of the Japanese Experiment Module (JEM), nicknamed ‘Kibo,’ and subsequently sent back to ground stations on Earth.

A flattened version of the above interactive image.

In addition to the images in this article, Ricoh has also posted the photos and videos on the JAXA Digital Archives and on its Theta Lab website, where the content can be viewed interactively in 360-degrees.

Articles: Digital Photography Review (dpreview.com)

 
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Sony releases promotional videos to highlight Xperia 1 pro-oriented video features

02 Jun

The Sony Xperia 1 was announced back in February but has become available to buy in the shops only this week. It’s Sony’s first triple-camera phone and comes with a range of enticing imaging features, including a 21:9 OLED display with 4K resolution, 4K HDR video as well as ultra-wide and tele-cameras.

In order to highlight the camera’s video capabilities Sony has now released several promotional videos, explaining some of the more advanced new features.

Cinema Pro is a set of features aimed at mobile videographers. Users can choose from a range of color presets and footage can be recorded at a cine-compatible 24 frames per second and 21:9 aspect ratio. You can also shoot with any of three lenses and select manual shutter speeds.

Optical Steady Shot is another highlighted video feature. It combines electronic and optical image stabilization for smooth and shake-free footage. The results in the sample clip below look pretty impressive but we have seen similar results on other high-end devices. That said, Sony claims the Xperia 1 comes closest to ‘cinema-grade’ results.

Articles: Digital Photography Review (dpreview.com)

 
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Unreal Engine’s latest demo videos show just how photorealistic the digital world has become

23 Mar

At this year’s Game Developers Conference (GDC), Epic Games showed off a new pair of demo videos that show just how capable its Unreal Engine has become thanks to advanced ray tracing technologies.

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The first video, seen above, is titled Rebirth and showcases just how photorealistic scenes can be when developed with the gaming engine’s technology. The demo, designed by the studio Quixel, highlights how realistic the lighting technology inside Unreal Engine 4 has become.

The demo was created by just three artists who developed it all using a standard version of Unreal and real-world scans from Quixel’s Megascans Icelandic collection. The result is a stunning showcase of textures and details that rival reality, as seen in the gallery of screenshots above, captured from the 4K stream.

The second demo is a teaser for an upcoming movie titled Troll. Still in the works, the movie is a collaboration between Deep Forest Films and Goodbye Kansas Studios. The short glimpse we get of it once again highlights just how realistic the animated lighting is in the scene, with the face of a woman being dynamically illuminated by little fire fairies of sorts.

As for what this means in the world of photography, the possibilities are seemingly endless. Aside from the inevitable point in time when we can no longer tell a rendering from an actual image — if it’s not already here — the ability to replicate precise lighting situations could open up the door to new software and technology that could not only help to simulate lighting setups in the digital world before testing them out in the real world, but also open up the door to adding realistic lighting to scenes and portraits in post-production.

Keep in mind that unless you’re viewing the videos in Google Chrome on a 4K monitor, you won’t be able to see them in their 4K glory. Even in 1080 though, the videos look incredible.

Articles: Digital Photography Review (dpreview.com)

 
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