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The Fuji XF 18-135mm – a Versatile Travel Lens

08 Feb

From one article comes another – One plus of being a Fuji X Photographer is that Fuji will lend you gear to try. When I did an overview of the 18-55 Kit lens, a commenter asked about the difference between it and the Fuji XT 18-135mm. I don’t own that lens, but through my Fuji connection, I was able to borrow one for a short while and give it a go. So thank you to the commenter that allowed me to find out I could borrow stuff to test!

Fuji XF 18-135mm sunrise

The sunrise on New Years Day. I had no hesitation using the lens, over lenses I own already, to capture this image.

First thoughts on the Fuji XF 18-135mm lens

Straight up, I think this is a great travel lens, despite the issues with the lens that are common to most kit lenses. But, these issues are outweighed by the usefulness of this lens. The weight and size were fine in general use, and I never felt that I was being let down by the lens. When I got the lens, I did a walkabout locally where I familiarized myself with it.

Fuji XF 18-135mm

A wide shot of Long Walk in Galway. The Museum is on the left of the shot.

Fuji XF 18-135mm

Here’s the Museum from the same position at 135mm.

Fuji XF 18-135mm

Galway Cathedral at 18mm.

Fuji XF 18-135mm

A detail shot of the roof to the left of the some at 135mm.

Fuji XF 18-135mm

Salthill with the sun setting near Blackrock Diving Tower.

Fuji XF 18-135mm

I moved slightly to frame the sun in the tower, but still roughly the same distance away, zoomed in to 135mm.

Fuji XF 18-135mm

The sunset didn’t quite pan out, but I used the 135mm end of the lens to frame it with the diving tower.

Specs of the Fuji XF 18-135mm lens

The Fuji XF 18-135mm weighs 409 grams (just shy of one pound). It’s not lightweight, but it’s not heavy compared to similar lenses in this class. Aperture runs from f/3.5 at 18mm to f/5.6 at the 135mm end. The full frame equivalent is 27-200mm. I owned the Canon 28-200mm for a while and sold it because of the softness. This Fuji 18-135mm, while not as sharp as the XF 18-55mm, is not as soft as the Canon version.

The lens extends in length as you zoom it. The lens barrel doesn’t rotate, so attached filters remain in the same relative position. It comes with a plastic lens hood, and the filter ring is 67mm. As with the 18-55mm, the lens has OIS to reduce camera shake. Fuji claims that this offers up to an impressive 5-stops of camera shake reduction. It’s in the WR (Weather Resistant) range of lenses also, meaning you can use it out in the rain, something I did when visiting London.

Fuji XF 18-135mm

Travel and the Fuji 18-135mm lens

Super zooms, by and large, make for great travel lenses. The width is usually good enough for any situation. If you need more, it’s easy to shoot two overlapping shots and create a panorama later. The longer focal length means you can easily capture street portraits or zoom in to get details. Wide shots often have to include other tourists, especially when handheld. Detail shots can give a better flavor of an attraction, and give you something not everyone else thinks to shoot. The best part? Not having to change your lens to get both shots.

The weight of the lens isn’t a cause for concern, even carrying around all day. With a small messenger bag like the Think Tank Retrospective 10, you can use the lens mounted on a Fuji X-T2, while carrying a bottle of water and all your accessories. When traveling I had this combo, a 35mm f/1.4, a flash and trigger set, along with a small shoot-through umbrella. Also in the bag were an iPad mini, a power bank, and a foldable bluetooth keyboard. I never felt like I was weighed down and was quite productive with this setup. Whenever a shot presented itself, I simply grabbed the camera and was ready to go.

London

During the time I had the lens, I was at The Societies convention in London. It was a perfect chance to use the lens as a tourist. Some of the attendees organized a night shoot down by the river Thames. We walked along South Bank to the Millennium Bridge, shooting along the way.

Fuji XF 18-135mm

A shot of the London night skyline showing the OXO tower and St Pauls’ Cathedral.

Fuji XF 18-135mm

The same view at 53mm

Fuji XF 18-135mm

And again at 70mm, longer than the 18-55mm could do.

Fuji XF 18-135mm

The Millenium Bridge and St Pauls.

Fuji XF 18-135mm

Under the Millenium Bridge I light painted the beams with a torch (flashlight) to get a little more detail into them.

Fuji XF 18-135mm

A wide view of the river showing the Moon and the Shard

Fuji XF 18-135mm

A 135mm zoomed-in view of the Shard with a plane flying past.

I also did a little walkabout the morning I was leaving. It was raining, but I kept the lens in the bag when not in use and it performed perfectly. Knowing it was weather sealed also made me more inclined to shoot in these conditions.

Fuji XF 18-135mm

The Albert Memorial, complete with tourists.

Fuji XF 18-135mm

The Asia Group visible in the bottom left of the previous image at 135mm.

Fuji XF 18-135mm

The Houses of Parliament from Westminster Bridge. Technically the bell is called Big Ben, not the clock tower.

Fuji XF 18-135mm

The clock tower that houses Big Ben.

People

I also made use of the lens in the studio, where it performed equally well. Shooting in studio tends to be around f/8-f/11, which is the sweet spot of most lenses. The Fuji XF 18-135mm lens didn’t disappoint.

Fuji XF 18-135mm

A model shot taken in the studio.

Issues

The main problem with the lens is that shots are a little soft. It’s simply a function of producing the zoom range to a price point. This isn’t really a problem, as the files can be sharpened in Lightroom or another raw converter as a batch process.

Versus the Fuji 18-55mm lens

As both the 18-55mm and the 18-135mm are offered as kit lenses, you may wonder which is better for you. The 18-135mm is larger, heavier, and slower than the 18-55mm. It’s also not as sharp. If a smaller size and faster aperture are important to you, go for the 18-55mm. If you want more reach and don’t want to bring two lenses while traveling get the 18-135mm. Here’s what the two lenses look like side by side.

Fuji XF 18-135mm

The Fuji XF 18-135mm lens with the XF 18-55mm.

Here’s the full extension on both lenses. I had to tape the back of the 18-55mm to stop it from slipping (zoom creep) for this shot. The 18-135mm was solid the whole time.

TheFuji XF 18-135mm lens with the XF 18-55mm, both at full extension.

Verdict on the Fuji XF 18-135mm lens

This is a great travel lens that needs a little post-processing to bring out its best. Despite already owing the 18-55mm, I would consider getting this lens specifically for travel

Pros

  • Great reach (zoom or focal length range).
  • You only need one lens for travel making it really convenient.
  • It’s still compact compared to full frame equivalents, like the Canon 28-200mm or 28-135mm IS.
  • The built-in OIS (stabilization) is great for handheld shots.
  • It’s Weather Resistant.

Cons

  • It’s still heavier than the 18-55mm lens.
  • This lens is a  little softer than other Fuji lenses, especially at 135mm.
  • The edges of the frame are a little softer than the centre.

Shop for this lens on Amazon.com or on B&H Photo’s website.

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The post The Fuji XF 18-135mm – a Versatile Travel Lens by Sean McCormack appeared first on Digital Photography School.


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PRVKE 21 is a rugged and versatile camera backpack

30 Aug

Recently we have seen several camera bags that look like anything but camera bags, and Wandrd’s new Prvke 21 is the latest example for this trend. With its roll-top and rugged style it looks like a cross between a bike messenger bag and a mountaineering backpack. The Prvke 21 is made from ballistic nylon, water-resistant Tarpaulin and rugged YKK zippers, the combination of which should keep all your gear dry and safe. Magnetic loops and large buckles allow for easy conversion from backpack to tote. 

The Prvke 21’s design has been based on feedback from users of the original Prvke bag, many of whom were looking for a smaller version. The interior is customizable and its 21 liter capacity, that can be expanded to 25 liters, makes it a good option for the commute bag, for the occasional hike or even a quick weekend trip.  

That said, photographers will probably be most interested in the Prvke 21’s removable camera cube. It holds a mirrorless camera with up to four lenses or a full-frame DSLR body plus two lenses. Integrated straps allow for “hands-free” access to your camera gear and a camera sling keeps your camera ready without having it dangling from your neck. In addition the bag comes with a hidden passport pocket, front pockets for the small stuff, a padded laptop-sleeve and various other small pockets, for keys, mobile phone and memory cards. 

If you like the look of the bag you can now secure one by pledging $ 149 for the early-bird option on the Prvke 21’s Kickstarter page. Delivery is planned by Christmas 2016. More information can also be found on the Wandrd website.

Key specifications:

  • 21 liters capacity (expandable to 25)
  • 2.8 lbs / 1.3kg empty weight
  • 17 × 11 × 6.5 inches / 43 x 28 x 16.5 cm
  • water-resistant
  • $ 149 early-bird price on Kickstarter

Articles: Digital Photography Review (dpreview.com)

 
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Tablets for photographers: A versatile tool in your capture workflow

26 Sep

tablets.jpg

Tablets may be used as versatile tools in your photographic workflow, providing instant feedback as you shoot on a much larger format screen than your camera’s tiny LCD and helping you experiment with a final look while you still have the opportunity to make major changes on set. We’re looking at tools and tips for integrating a tablet into a live shoot with a DSLR, whether you’re shooting tethered or wirelessly. Learn more on connect.dpreview.com.

News: Digital Photography Review (dpreview.com)

 
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