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Posts Tagged ‘Valley’

Photogenic Death Valley salt flats damaged by driver who abandoned van

15 Mar

An abandoned van found on Death Valley National Park’s protected salt flats has been towed away, but tracks remain – and may be there for years. The park posted photos of the van to its Facebook page and says that the vehicle went into the salt flats at Badwater Basin on Wednesday last week. It was towed out on Friday by a small track vehicle, leaving more (unavoidable) damage to the salt crust.

It’s not the first time these flats have been damaged by drivers ignoring signs to stay on roadways. According to the Las Vegas Review-Journal, the park is prosecuting three cases of vandalism. It has also applied for a grant that would fund restoration of the site. This case also calls to mind the recent vandalism of the Racetrack Playa, where someone drove a vehicle over the dry lake bed.

According to the National Park Service website, the Badwater Basin salt flats are among the largest such flats in the world. The damage isn’t irreparable, but it does require some work smoothing the tracks over and spraying them with water to encourage salt to regrow.

The delicate salt flats are a photographer favorite. Photo by Rajesh Bhattacharjee

Responding to comments on its Facebook post, a park representative said that the driver of the van has not been charged yet, but could face a fine of up to $ 5,000 and up to 6 months in jail.

Articles: Digital Photography Review (dpreview.com)

 
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Excavated Sanctuaries: Building Beneath a Protected Valley in Jordan

10 Nov

[ By WebUrbanist in Architecture & Houses & Residential. ]

underground-architecture

Preserving the natural beauty of a UNESCO-protected valley in the Jordanian desert, this underground architectural complex is designed burrow and branch out beneath the surface.

underground-desert-complex

underground-open-space

This conceptual proposal by Rasem Kamal of Oppenheim Architecture features nearly 2,000,000-square-foot network of spaces containing a train station, museum and hotel. The idea aims to bring services to the area with minimal disruption to the natural beauty of the sand and sandstone of the Wadi Rum. In turn, these additions would set the stage for a residential development.

underground-in-jordan

underground-skylight

The so-called Excavated Sanctuaries bring in natural light from above via limited openings while using the thermal mass of the desert to regulate interior temperatures below ground. Inspired by the nests and warrens of ants and other subsurface creatures, the layouts are at once complex but organized, buildings semi-autonomous but interconnected. The renderings have a Dali-esque quality, highlighting the surreal as well as the serene beauty of simple architecture in a desert setting.

underground-swimming-pool

underground-from-above

Aside from its contextual response, there is a deeper thesis here as well: good architecture does not have to stand out – at times, it is called upon to blend in or be invisible.

underground-design-details

underground-section

“Lately, a great many prominent architectural practices have been focusing on developing dynamic forms, new building materials, sophisticated details and tectonics as well, while only the minority of these contribute to their internal spaces,” explains Kamal.

underground-buildings

“Consequently, this thesis aimed to flip the relationship between the explicit and implicit, by diminishing the power of external form along with exploiting all the previous efforts that were used for it to subtract spaces where we will live, experience and enjoy.”

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Urban Food Park: Scandinavia is Growing a “Silicon Valley for Agriculture”

03 Oct

[ By WebUrbanist in Architecture & Public & Institutional. ]

danish-food-park

An expansive master-planned complex to facilitate urban agriculture and private/public collaboration, The Agro Food Park is Denmark’s version of “Silicon Valley” for food research and development. From experimental greenhouses to vertical farm prototypes, the park is bringing together academics and businesses to work on creating a sustainable future via global food security.

scandanavian-food-park

Co-designed by an array of architecture, engineering, technology and agriculture firms, the food park was first opened in 2009 and already hosts nearly 100 companies in 44,000 square meters of space. The newly-expanded plan, however, will grow the park by 280,000 square meters over the coming decades, requiring careful strategic planning reflecting environmental considerations.

food-park-master-plan

The long-term master plan features a communal Lawn showcasing experimental developments, a main-street Strip hosting various gathers and activities, and a series of Plazas to facilitate interactions between companies and researchers. The huge complex is also designed to recycle its own waste efficiently and minimize its footprint, a “practice what you preach” approach to ecological urban agriculture.

food-park-plan

“Innovation occurs best when knowledge is concentrated in clusters and cross-pollinate. By linking food production to urban life, we have tried to create an environment where people, knowledge and ideas meet. The dream is to create the framework for agriculture’s answer to Silicon Valley.”

food-park-systems

Though the plan is complex, the mission of the place is simple: to feed the world in a healthy way. The expressions of that mission, however, vary greatly, from initiatives to use clean energy and create biodiversity to facilitating healthy air and clean water. In short: it is not just about good food, but how best to produce edible goods in a sustainable way.

food-park-arrangement

“Embracing Agro-Urban Ecosystem Design, the AFP treats urban and agricultural development together as a unified, productive and restorative ecosystem,” said the project architects.

futuristic-silicon-valley-food

“By integrating the carbon cycle and other ecological processes into large scale urban systems and their surroundings – buildings and energy flows, water cycles and wastewater treatment, land use and food production – the AFP creates economic value within the urban and agricultural infrastructure.”

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The Racetrack Playa in Death Valley National Park marred by vandals

21 Sep

Landscape photographer Kurt Lawson captured these images while on a photography trip to complete a special project about this area.

Check out his Website, Facebook, Flickr and 500px.  

It seems like only yesterday, a few weeks ago really, that we were writing about the vandalism at Cape Kiwanda on the Oregon coast. Yet here we are again with yet another case of vandalism – this time in Death Valley, California’s Racetrack playa. The area is known for its ‘moving stones’ and it appears that vandals have driven onto the playa and caused irreparable damage to the landscape.

The Racetrack in Death Valley National Park is a protected area in which large stones seem to move of their own accord across the playa. In reality they move whenever it rains – as the rain water freezes and winds cause the rocks (sometimes boulders of up to 600lbs) to move across the playa floor leaving a meandering trail behind them. Evidence of this was actually captured for the first time back in 2014. There are only two places in the world where this occurs naturally.

As he documented on his blog, landscape photographer Kurt Lawson was in the area scouting shooting locations for a project when he discovered the damage. He entered the protected area in the park and began to notice car tracks. It appeared that a group of individuals had driven a car across the the playa, thus carving car tracks permanently into an area where rain is a rarity.

Deep tracks were carved across the rock trails that take years to form.

What this means is that these tracks will be there for a very, very long time – if not forever. Some of the tire tracks cross trails made by the rocks. There are three parking lots in the Racetrack area, so vandals would have likely ignored the signs and at each one of them in order to carve their own paths through the playa as they left the designated parking areas. 

What appear to be initials have been chiseled about 1/8″ deep into the rock.

The type of damage that they caused isn’t repairable. What’s even more concerning is that whoever is responsible for it more than likely knew exactly what they were doing – there are ‘No motor vehicles beyond this point’ signs posted at every parking lot and along the roads between them. 

The area that was vandalized is well marked with these ‘No motor vehicle’ signs. You can see tire tracks off in the distance.  

After Cape Kiwanda, Yellowstone and now this – I’m really starting to question if what we’re doing to protect these areas is enough. Only time will tell.

Articles: Digital Photography Review (dpreview.com)

 
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Yosemite Valley – Snow Transitions

26 Apr
Yosemite Valley Fog & Rain

One aspect of Yosemite National Park that makes it so magical is that Yosemite Valley sits at an altitude that requires just the right conditions for snow. While you can often visit the park in the winter months and see snow atop the cliffs encircling the valley, it’s not as common as you’d think for snow to last for long periods on the valley floor… well at least as of late with drought conditions. During my last visit for example it was cold enough for snow in the evening, but come morning it quickly warmed until the several inches of snow that fell had all melted.  This quick melt creates some stellar photographic opportunities with rising steam, fog, swollen streams & rivers, etc. Below are some favorite photos of mine from my recent trip highlighting the fleeting beauty of these conditions.

Yosemite Fog and Rain

A photo posted by Jim Goldstein (@jimgoldstein) on

Ice Forest

A photo posted by Jim Goldstein (@jimgoldstein) on

Merced River Morning

A photo posted by Jim Goldstein (@jimgoldstein) on

Ice Forest II

A photo posted by Jim Goldstein (@jimgoldstein) on

Sights & Sounds: A Yosemite Winter Landscape

A video posted by Jim Goldstein (@jimgoldstein) on

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Allen & Company Media Conference, 2015 — Sun Valley, ID

13 Jul

Tesla and SpaceX CEO, and Solar City Chairman, Elon Musk, Sun Valley Idaho, Allen & Company Conference, July 2015

I published I set of 247 billionaires and media moguls from last week’s Allen & Company Media Conference in Sun Valley, Idaho. You can see the entire set here.


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Snowy Sunrise at Gates of the Valley

29 May
Snowy Sunrise at Gates of the Valley, Yosemite National Park
Snowy Sunrise at Gates of the Valley, Yosemite National Park

Snowy Sunrise at Gates of the Valley, Yosemite National Park

via 6×12 ONDU pinhole camera

I never thought I’d say it, but it’s been fun dabbling with film again. While I still haven’t resorted to 35mm film in my old SLR I have been enjoying my time with an ONDU pinhole camera. I bought this camera via a Kickstarter campaign in 2013. Turns out ONDU is running a Kickstarter campaign for their 2nd generation pinhole cameras. If this type of photography interests you I highly recommend their cameras.

Copyright Jim M. Goldstein, All Rights Reserved

Snowy Sunrise at Gates of the Valley

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Death Valley: One of America’s Worst National Parks?

22 Mar
An ages old mesquite tree looking up at one of the darkest rated night skies in America.

An ages old mesquite tree looking up at one of the darkest rated night skies in America.

I recently came across an article by Bill Fink on Yahoo titled “Our Tax Dollars Pay for What? The Nation’s Worst National Parks.” In all fairness, there are some pretty lame national parks and monuments, I’m not going to argue that. Certainly a few of them ended up on this list as expected. But when I got to number five on the list and saw Death Valley National Park, I was astonished.

Fink writes in the brief article that the best way to simulate a visit to Death Valley is to “heat a pan full of sand to about 200 degrees, then pour it on your head,” and that “when it’s not hot [in Death Valley] it’s bitterly cold, so at least you get some variety in your misery.”

I’ve been to Death Valley National Park five times now. Twice on photography trips and three times to lead workshops through the park. All three workshops in Death Valley sold out in less than 24 hours. So either I (and my students) have terrible taste in beauty or Bill Fink doesn’t know what he’s talking about. In fact, after reading through his brief writeup a few times, I’d wager that Bill hasn’t even been to the park. If that’s true, it just goes to show how far we’ve come from true journalism in today’s age of click bait articles.

Death Valley is, in my opinion, one of the absolute best national parks in the country. Here’s a few ways to make certain you agree after your next visit:

Visit the park between January and March

The second time I visited Death Valley was in early September back in 2013. The reported temperate at Stovepipe Wells was right around 118 degrees fahrenheit (47.8c). We knew it was going to be hot in the park, but we didn’t know it would be that hot. We were after some Milky Way images and figured we’d give it a go. Since it was still daylight, we decided to hike out into the Mesquite Flat Sand Dunes where the temperatures were around 10 degrees higher (128f or 53c) because of all the reflective sand.

I had a Camelback on to stay hydrated but if I didn’t continuously drink out of it, the water that gets stuck in the tube would get piping hot. Suffice it to say, the last thing you want to do when you’re experiencing the highest temperatures you’ve could ever imagine is to drink it a mouth full of piping hot water. It was, in a word, miserable.

As sunset approached, we decided to head to Badwater Basin. There, temperatures had cooled down to a much more manageable 113f (45c). The crazy thing is, the temperature didn’t drop as the sun set and darkness approached. It was pitch black outside and my tripod was too hot to touch and my Canon 1Ds Mark III was flashing warnings at me saying it was overheating. Yes, Canon’s flagship (at the time) pro level camera made to endure the harshest elements couldn’t handle the heat.

Badwater Basin at a scorching 113?F.

Badwater Basin at a scorching 113f (45c).

You may be thinking at this time that Bill Fink was pretty spot on, and if that had been my only visit to the park, I might be inclined to agree. If you want to enjoy everything Death Valley has to offer, you shouldn’t go when the temperatures are unbearable. The average high/low temps in fahrenheit in January for Death Valley are 67/40 (19.4/4.4C), February is 73/46 (22.8/8C)and March is 82/55 (28/13C). Anything past that and you’re looking at possible highs in the 90s and 100s. All three workshops I’ve done in the park have occurred during these months and they all had absolutely beautiful weather.

Rent a Jeep from Farabee’s

Much of what Death Valley has to offer isn’t accessible with the Ford Fiesta you rented in Vegas. Places like Racetrack Playa, Eureka Sand Dunes and Titus Canyon simply can’t (and shouldn’t) be reached without a good 4×4 vehicle. I’ve been to Racetrack Playa three times now. Once in a VW Toureg, once in a Chevy Tahoe and once in a Jeep from Farabee’s. The Toureg is a great SUV but it wasn’t 4-wheel drive. We got to the playa without any problems, but on the way out we busted something in the transmission and had to limp back to Vegas for three days while we waiting to get the car repaired. The second trip, with the Tahoe, resulted in a flat tire on the way in at Teakettle Junction. I think it goes without saying that the rest of the drive in, as well as the drive out was pretty nerve racking, considering our only spare tire had already been used.

The third trip (and my most recent), I finally decided to rent Jeeps for our workshop group from Farabee’s Jeep Rentals in Furnace Creek. We had to rent three because we had nine students and two instructors so we got two 4-door Jeeps and one 2-door. Getting out to Racetrack Playa in the Jeeps was like a dream. Sure, the road was still rough and unforgiving, but the Jeeps handled it without a problem. They also include coolers in the back full of ice cold water and a radio beacon in case you run into trouble, which will send them to your location immediately.

A "sailing stone" at the Racetrack Playa.

A “sailing stone” at the Racetrack Playa.

Parking lots are for tourists – don’t be a tourist

Two of the most incredible places in Death Valley are the Mesquite Flat Sand Dunes and Badwater Basin. Both have large parking lots that can be totally full at any given time and both locations can be pristine or totally useless depending on the recent weather conditions in the park. When the winds calm down for days or weeks on end, the sand dunes get covered in foot prints quickly and become totally un-photogenic. The salt plates at Badwater Basin are always changing and depend on rain to get back to their pristine condition with white salt and low, thin borders. As the plates dry and time goes on, the salt turns brown and the edges rise until they become totally unrecognizable.

The best thing to do at the Mesquite Sand Dunes is to park about a half mile before or after the parking lot on the side of Highway 190. Then, just hike out to the dunes from there. You’ll be free of nearly 90% of all foot traffic and will have mostly untouched dunes at your disposal. Just be smart and do your very best to tread lightly. Only walk were you have to and try not to trample the most beautiful dunes.

If the salt patterns at Badwater Basin look terrible from lack of rain, head over to West Side Road. You’ll actually drive right past this road on the way to the Badwater Parking lot, but most people just keep driving because it just looks like a dirt road. Drive about half mile or so down this road and you’ll have a great chance at finding some incredible patterns here. Just keep in mind that Badwater Basin is always changing and this information could be totally reversed during your visit.

From our location at sunrise (looking toward the parking area) we could see the circus or photographers already underway at sunrise.

From our location at sunrise (looking toward the parking area) we could see the circus or photographers already underway at sunrise.

Scout during the day – shoot at the edges

Blue skies are the norm in Death Valley. So don’t be surprised if you don’t see much in the way of clouds on your trip. I’ve actually lucked out quite a bit during my visits to the park and have experienced some incredible conditions. All that aside, don’t go photographing this place in broad daylight thinking that you’re going to come out with a bunch of keepers. This is the same with any landscape photography, all over the world. If you want to experience this park in all its glory, you need to capture it at sunrise, sunset or at night.

Zabriskie Point at dawn as storms move through the park.

Zabriskie Point at dawn as storms move through the park.

Conclusion

Death Valley is one of the most magnificent, diverse and photogenic national parks in America (USA). You just have to know how to do it right. You can either listen to some editor on Yahoo who just threw a list together (probably) without even going to the places in the article. Or you can listen to the throngs of photographers who visit the park each and every year, including ones like me who keep coming back again and again.

What do you think? Should Death Valley have made this list of worst national parks? Let’s talk in the comments below!

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Return of Film: Snowy Sunrise at Gates of the Valley

22 Aug

It’s been 10 years since I last took photographs with film. My backing a pinhole camera Kickstarter project, the Ondu camera, is what swayed me to take another stab at shooting film. The camera I chose from the project is a 6×12 medium format pinhole camera. It has an aperture equivalent to f/133 and a focal length of roughly 40mm (in 35mm camera terms).  I’ve never used a pinhole camera so it’s been quite an exciting exploration of a very primitive form of photography. No view finder, no glass lens, no CF cards, no histogram and being an extended piece of the camera as the human shutter (I open and close it) is a sure fire way to kick oneself into a new way of thinking and seeing.

Even with my digital camera I’ve been in a “slow photography” mode. Ironic considering I have been shooting a lot of time-lapse work. While my camera is running capturing a time-lapse I usually have a second camera in the wings where I very selectively take a dozen or so photos. To take that approach to another extreme I picked up the pinhole camera to capture a few frames here and there. I get 6 photos per roll with this camera so depending on the lighting conditions I’ll run through a roll quickly during the day or use the same roll of film over a few night shoots.

The photo above of a very foggy and snowy view of Gates of the Valley in Yosemite National Park was taken this past March. This brief window in the fog lasted but a minute. This was one instance when I was in the right place at the right time. Expect to see a few more pinhole photos in the future. As I venture around in the coming months we’ll see what other “right place at the right time” photos come about.

 

Copyright Jim M. Goldstein, All Rights Reserved

Return of Film: Snowy Sunrise at Gates of the Valley

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Is Visiting the Racetrack Playa in Death Valley Worth It?

03 Jun

racetrack-playa-workshop

I probably won’t ever go again. That’s how bad it’s gotten. Not unless something changes.

If you’re into travel and landscape photography you’ve likely either been to or have on your bucket list the Racetrack Playa in Death Valley National Park. I’ve been twice now, which is really a lot harder than it sounds if you haven’t been before. In this article, I want to go over my current thoughts on this peculiar and incredible place and the impact that tourists and photographers are having on it. I think it’s an important dialogue to open up, so I hope you’ll join in the conversation once you’ve read the article.

What is the Racetrack Playa?

Perhaps you’ve never heard of the Racetrack Playa, or maybe you’ve heard of it but just don’t know much about it? The Racetrack Playa is a remote location deep within Death Valley National Park. It is a massive playa (dry lake bed) that measures 2.8 miles long by 1.3 miles (4.5 km by 2.1 km) wide. The playa is famous amongst tourists and photographers because of its mysterious “sailing rocks” that leave trails behind them on the playa. It’s said that nobody has ever witnessed the rocks moving. Because of that, there is no shortage of theories about how they move about the playa. While the Racetrack Playa is incredibly remote, in reality it’s really not all that far away from the main attractions at the park like the Mesquite Sand Dunes. The problem is that a mountain range sits in-between the two (so you have to drive all the way around).

Screen Shot 2014-05-19 at 3.53.48 PM

Getting there

Once you’ve driven the two hours on Scotty’s Castle Road and stopped at Ubehebe Crater, you still have a daunting 27 mile washboard gravel road to contend with. From Furnace Creek to Racetrack Playa, you’ll be driving uphill the entire way and will gain around 3,500 feet in altitude. The gravel road is fine in a few areas, but absolutely frustrating most of the way. The entire time you’re dodging large rocks and boulders in the middle of the road, pulling over to let oncoming traffic pass by and trying to ride that balance between going safe and slow to avoid a flat tire, and fast and dangerous to avoid the washboard style road and all the bumps and vibrations.

Both of my trips into the Racetrack Playa had potentially horrendous outcomes but both also produced some great images for my portfolio. The first trip in was with my buddy Cliff Baise in his VW Toureg. We made it in just fine, but on the way out the road just proved too much for the SUV. His drive train got damaged at some point and we had to limp into Las Vegas for three days while the car got repaired. The second trip was during the first of two photography workshops I led inside the park with Mike Mezeul II back in February of this year. During that workshop, we took another SUV in and got a flat tire when we pulled into Tea Kettle Junction. Luckily we had a spare tire and got out fine (but it could have ended a lot worse if we had gotten another flat on the way out).

All of this to say that by the time we actually got to the playa parking lot–after 3 hours of driving and a flat tire–I wasn’t in the best of moods, and I was doing my best to stay calm and happy for my workshop students. After all, this place is a bucket list item for most photographers and just being here is a huge blessing. So if just getting to the Racetrack isn’t bad enough, here’s what we were greeted with as we walked out onto the playa…

racetrack-damage

We anticipated this, but had no idea the extent of how bad it was. The Death Valley National Park Facebook page had shared a similar photo at the beginning of the month but we had heard rumors that the photo was taken well off the beaten path of the playa. Here’s that photo:

Image originally posted on the Death Valley National Park Facebook page. Used with permission.

Image originally posted on the Death Valley National Park Facebook page. Used with permission.

This is what happens when logic flies out the window. This is pure stupidity and selfishness at it’s worst. Matt Kloskowski wrote an article that somewhat defended the actions of whoever did this. He wasn’t by any means saying it was ok, just that they didn’t know any better and that it’s just dirt. I respectfully disagree. When I took my workshop group out onto that playa, it was plenty dry enough to walk on without leaving any trace. If it was still damp or muddy, we would have turned right around and left (the group knew that going in). As we explored the Racetrack during sunset, it was virtually impossible to find a good composition that didn’t have footprints littering the scene. It was far, far worse than I had expected. Nobody could have done this without at least thinking to themselves that maybe they shouldn’t be doing it. I refuse to believe otherwise.

But it’s just dirt – who cares?

It matters because the playa, and the park as a whole, only get around one to two inches of rain per year. That means that these footprints will likely be on the playa for years and years. Unfortunately, that’s not where the problem ends.

Childish playa mischief

Another thing that becomes painfully obvious while exploring the Racetrack Playa is the increasingly high amount of mischief going on. The very first rock trail that I came to on the playa had no rock at either end. The next trail I came to was around 15-20 inches wide (quite large for the playa) but only had a tiny rock (maybe 6 inches) at the end. Yet another rock trail I found was just the opposite; around 6 inches wide but with a much larger rock at the end. There were trails with no rocks, trails with rocks at both ends, rocks with far too extravagant trails behind them and so on.

It’s quite clear that people tamper with the rocks at Racetrack Playa. Unfortunately, the likely source of this mischief is other photographers. It takes a LOT of walking and a LOT of patience to find the perfect rock, with a perfect trail behind it, with a perfect backdrop behind that. The problem is, some people don’t have the amount of patience it requires to get a shot like that. My guess is that photographers are finding good trails and good backdrops, and then replacing the rocks in front of them with larger rocks from somewhere else. I talked to one photographer out there who heard a rumor that another photographer took a picture of a rock and then move it as far away as he could, ensuring that nobody else would ever get the same photo.

There have also been tire tracks both times I visited the playa, leading out toward the rocks. So who’s responsible for that? Is it tourists, or photographers who just don’t want to make the hike out to good rocks? Is it people who take their trucks out on the playa to drag the rocks around? Who knows. Either way, there are plenty of signs prohibiting driving onto the playa.

So what can we do?

I think the most important thing we can do is just get the word out. I’m convinced that the overwhelming majority of photographers are good people and respect the things they photograph. It’s just unfortunate that the small percentage of people who don’t fall into that category can completely ruin a good thing like the Racetrack Playa.

I hate to say it, but at this point I think I would totally support Death Valley National Park changing the Racetrack Playa to a permit only destination and even making it a lottery system much like Vermillion Cliffs National Monument. Those who get accepted to go in will be educated on the playa, how to take care of it and precautions to take when going out. The footprints would disappear, the mischief would go away and photographers everywhere would rejoice.

racetrack-playa-rock-james-brandon

Conclusion

My experience with the Racetrack Playa has been a frustrating one to say the least. That’s why I really want to get the word out about the shape that it’s in and get people talking about it. What do you think about all this? What’s your opinion? How should we fix it? Let me know in the comments below!


Editor’s note: I think this is an important topic for discussion. Some photographers like Ansel Adams were key in the conservation of National Parks in the US and he was a big advocate for leaving nature natural. So how have we gotten so off track since Ansel Adam’s time? If photographers of his era were as careless and selfish there might not even be parks for today for us to enjoy. So what legacy will be leave our future generation? How can we make a stand and make a difference? I just used this quote on someone else and thought it appropriate to share here also:

I am only one,
But still I am one.
I cannot do everything,
But still I can do something;
And because I cannot do everything,
I will not refuse to do the something that I can do.

Edward Everett Hale (often wrongly attributed to Helen Keller as she has used it in her writing as well)

So what will you do?

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