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How to Use a Photography Ring Light in Unconventional Ways

03 Jun

The post How to Use a Photography Ring Light in Unconventional Ways appeared first on Digital Photography School. It was authored by John McIntire.

With a ton of options on the market, adding a ring light to your kit has never been cheaper.

Continuous photography ring lights seem to be everywhere nowadays. There are dozens of offerings from dozens of companies that you can choose from, and they are popular with photographers, make-up artists, and videographers. The main use of a ring light is on-axis lighting for an even, somewhat flat exposure.

However, what do you do if you don’t like that effect or the distinctive ring-shaped catchlight for that matter? Because these lights are continuous, and because of their size, they have more uses than ring flashes of the past. If you don’t like the straight-on effect, you don’t have to use a ring light in that way.

In normal use, you would place the light directly in front of your subject and shoot through the aperture of the light.

This article demonstrates six uses of a continuous ring light that isn’t their intended use. It will also (hopefully) show you that these relatively cheap and effective lights are useful to have for any photographer in the studio.

Normal use

While not to the taste of many photographers, ring lights can be used to create bold and vibrant images.

If you’re unfamiliar, a ring light is a circular, ring-shaped light with a large aperture designed to be placed directly in front of a subject. You then take your images by positioning your camera through the aperture of the ring.

Traditional ring flashes had the light attached to the camera. This front (on-axis) lighting provides an evenly lit image. This is one of those things that you either love or hate, but photographers who love it tend to really love it.

Versatility

With the continuous versions of these lights, you have a wealth of options with how to use a ring light. Because the light is always on, you can position it anywhere you want. With a lot of the options on the market, this gives you a high-powered, lightweight and versatile continuous light for around $ 100.

Because of the brightness of a continuous ring light, your subject’s pupils will be constricted, allowing you to see more of the color in their eyes.

Here’s a bonus if you’ve never used continuous lights before. Because the output is constant, your portrait subject’s pupils get constricted. This means you will see more of the color of their eyes in your photos.

Options

Below are five examples of ways you can use a continuous ring light to great effect without ever using it as a ring light.

1. As a normal light

Placed at a 45-degree angle and angled downwards, these ring lights work well as normal light source.

Despite its circular shape, ring lights are great when used as a normal light. Raise the light and angle it towards your subject to distort the effect the shape of the light has, and you can use it as a small softbox. You’re not limited to how you can light your subject this way, but I’ve found that all of the basic lighting patterns work well.

You are not limited to the shape of the ring. Use flags to block off portions of the light to shape it however you want.

If you have more than one ring light, you can use them together to create just about any two-light setup that you can imagine. If the ones you have have an adjustable output, managing your key to fill ratios should be pretty easy.

2. As a prop

Having your subject pose with the light itself can create some interesting and fun portraits. It can also help to lighten the mood during a session.

If you have an LED ring light, they don’t get very hot. Feel free to have your subject pose with the light itself for some very different images. The results will vary with ring lights of different sizes, and you have to worry about the plug and the cables, but it’s still a fun technique. Though you probably won’t use it very often thanks to its tendency towards uplighting.

3. As ambient fill

Modern ring lights are getting quite powerful and it is more than possible to use them as fill lighting in conjunction with studio flash.

You can mix any continuous light with studio flashes for some interesting effects. By using a strobe as your key light, you can then bring a ring light in for some gentle fill.

A couple of things that you will want to keep in mind is that your strobes are probably way more powerful than your ring light, so set the power accordingly. Also, you will probably want to have a ring light with an adjustable color temperature if you are going to be mixing light sources.

You could also reverse this and use the ring light as key and flash as fill. As before, make sure the power on your strobes goes down that far before committing to this.

4. As a compositional device

Putting the light behind your subject creates an interesting tool for composition. Also, it may just be me, but I love that rim light that it is producing.

In its normal use, I am a fan of creating a composition with the actual ring light framing the subject. I just like it for whatever reason. However, you are not limited to that. You can place the ring light anywhere in your frame for some cool effects. Try placing one behind your subject for a halo effect, or placing one at an angle just inside your frame for a curved band of light running through the composition.

5. Dragging the shutter

When you’re mixing a ring light with studio flash, it opens the door to some interesting techniques like dragging the shutter. Here, flash is acting as fill and the shutter speed is set to 1/15th of a second.

This is similar to using the ring light as ambient fill, but if you use your strobe normally, you can expose for the high-powered strobe and the low-powered ring light by dragging the shutter.

This technique is not for everyone, but it can produce some interesting results.

A little warning: if you’re a technically-minded photographer, you’re probably going to hate this technique, as the results tend to be a little soft. However, it can be used for some striking results. If you do like it, you still have to be careful with controlling the movement of your camera.

You do have to manage any movement in your camera while using this technique. If in doubt, use a tripod.

Because the power output on your flash is not in any way controlled by shutter speed, you can set your shutter speed as slow as you need to make this work. However, you may want to use a tripod for really slow shutter speeds. This technique can provide some cool effects in its own right, but no two attempts are going to be the same.

That’s it

There you have it. That’s six ways that you can use a continuous ring light without ever having to use it as a ring light. Considering how cheap these things are, they are a very useful tool for any photographer who wants to get into off-camera lighting but for some reason is put off by flash.

Do you have other ways that you use a ring light? Please share with us in the comments below.

 

The post How to Use a Photography Ring Light in Unconventional Ways appeared first on Digital Photography School. It was authored by John McIntire.


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An Unconventional Composition Technique to Improve Your Photos

01 Feb

Last month I sat down and reread Michael Freeman’s book, “The Photographer’s Mind.” which I do occasionally. I find that by revisiting the words of other photographers I remind myself of the multitude of tools available to us. There’s so much we can do to create fresh and amazing photographs.

One of those ways is to push our skills and update our thinking. I think I’ve read through Freeman’s book about two or three times now. Every few years I take it off the shelf again. His books are insightful and interesting to read. Freeman offers up unique ideas for composition using both conventional and unconventional techniques. The books are readily available. You can also check out our review of one of Freeman’s other books here; “The Photographer’s Eye”. In this article, let’s journey through one of the concepts he discusses in his book, “Engineered Disorder”.

An Unconventional Composition Technique to Improve Your Photos

The details of the image are broken up into sections by the heavy shadows.

What is Engineered Disorder?

Freeman explains that Engineered Disorder is the active effort of a photographer to use non-conventional methods of composing photographs. Essentially, we are breaking the rules to create interesting images. Engineered Disorder means that we forget about conventional methods like unifying elements within the frame. We might allow ourselves to create uncluttered compositions. In one chapter Freeman talks about different methods of creating Engineered Disorder and bucking the system. He mentions using techniques such as disconnects, disruptive foreground, breaking the frame, superimposed layers and extremes of contrast. Maybe these terms sound complicated and a little too complex to understand, but they don’t have to be.

Let’s break down one of these techniques and see what’s involved in creating Engineered Disorder. We will discuss the use of extreme lighting or chiaroscuro to create disconnect within an image. It’s one of my favorite techniques. I love to include deep blacks and bright highlights in my compositions.

Chiaroscuro

Chiaroscuro – chi·a·ro·scu·ro – the treatment of light and shade in drawing, painting, and photography.

Using this technique means that we employ very hard lighting to break up the unity of a composition. The image becomes a series of pieces that communicate meaning but are broken up by dark shadows and bright highlights. Conventional composition techniques would say that using this type of technique makes for a bad photograph, but remember we are pushing the elements of composition.

An Unconventional Composition Technique to Improve Your Photos

The strong shadows in this image hide some details from the viewer. The leaf can only be viewed in pieces. This means a viewer has to pause and take in each part of the image separately and then piece together the whole scene. Making a viewer stop and study your image is important. Given the number of photographs out there you want to make viewers take some time to digest your images rather than scan through and move on. 

 

Experimenting with dark and light

Consider my careful experimentation with Chiaroscuro. This image portrays the common Canada goose in a much more unique fashion. In the opening moments of golden hours, these geese become elegant shadows. The different sections of light and dark create interesting graphic qualities within the image.

An Unconventional Composition Technique to Improve Your Photos

In this second image, I’ve used auto tone to create a more conventional image. While the actual shot is very similar, these two different treatments create considerably different photographs. Which one do you prefer?

An Unconventional Composition Technique to Improve Your Photos

A more conventional exposure.

Other examples

Here’s another example of Chiaroscuro. This is a photograph of a unique area near my home. Everyone calls this place The Badlands. The red and gray clay create these beautiful graphic designs which draw visitors to the area. The hills are in danger of being destroyed by visitors, but the area is truly beautiful. The shadows and the light create beautiful diagonal lines in this particular image.

An Unconventional Composition Technique to Improve Your Photos

This are is now off limits to visitors because of the damage caused by walking on the hills.

In this final image, the light and darks highlight different circular objects. Perhaps this image isn’t as disconnected as the others but it still presents a unique treatment for the door of a fishing boat. The image focuses on graphic design elements of the boat rather than the uses of the vessel. The image has been turned into an abstract and most viewers will need to analyze the image before they can determine the exact subject matter.

An Unconventional Composition Technique to Improve Your Photos

Conclusion – your turn

Experimenting with different techniques is never a bad thing. You can learn and improve your photos by playing with unconventional techniques. Creating these images certainly pushed the dynamic capabilities of my camera. Exposing for deep shadows can be a challenge all on its own, but it’s a lot of fun to try out these different techniques.

While we’ve only discussed one of the methods for creating Engineered Disorder, these three examples clearly highlight the technique. It’s better to fully understand just one compositional method rather than scratching the surface of several techniques. Give it a try, and go a little bit extreme. Break away from the conventional and search for ways to compose images that harness the power of Engineered Disorder in your photography. Please share your results in the comments below.

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The post An Unconventional Composition Technique to Improve Your Photos by Erin Fitzgibbon appeared first on Digital Photography School.


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Unconventional COVR Photo case launches for iPhone SE

05 May

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The COVR Photo iPhone case promotes shooting from an unconventional angle. Rather than holding your phone with the screen facing toward you, a prism in the case redirects the camera’s angle of view so the user can hold the phone as they would a remote control. Previously available for the iPhone 5/5S and 6/6S, it’s been released for the iPhone SE.

The app that is used with the device has also been improved to allow control of contrast, brightness and manual focusing, as well as a square shooting option and a burst mode.

The guiding principle behind the device’s design is that it allows more comfortable one-handed operation of the iPhone. Because the user points the ‘wrong’ part of the phone towards the subject, it isn’t obvious that a picture is being taken. The inventor, photo journalist Thomas Hurst, says that the design lets parents take more natural pictures of their children. He claims it is also useful for street photography and photo documentary work.

The device consists of a rigid case that snaps around the iPhone and a sliding prism with a lens unit that can be pushed over the phone’s camera unit or pulled back for ‘normal’ shooting. An app converts the image so that it doesn’t appear upside down on the screen.

The COVR Photo lens case for the iPhone SE costs $ 59.95 and comes in black, white, blue and purple. The case is also available for the iPhone 5/5S and 6/6S.

For more information visit the COVR Photo website.


Press release:

COVR Photo Releases App and New Case for iPhone SE

COVR the world with the only case that allows for one-handed iPhonography

As the only iPhone case with a built-in lens and custom app, COVR Photo is pleased to announce its case for the new iPhone SE. COVR Photo is the only case that allows users to take photos and videos while holding the phone one-handed and from a horizontal angle, like holding a TV remote.

“As a professional photographer for 20-years, I know how difficult it can be to capture a timeless moment,” said COVR Photo Founder, Thomas Hurst. “COVR came from a desire to help my wife easily capture the natural moments of our four children with the camera she always had with her – her smartphone.”

He adds, “COVR is the first smartphone case with a sliding lens built directly into it – so it’s always with you, at your fingertips, ready to help all of us capture the spontaneity of life with of our family, friends, and loved ones.”

Accompanying the new iPhone SE case, COVR Photo has just launched an updated app. In addition to adding manual contrast and brightness adjustment, the new app also features a “burst” mode, improved social media sharing, square camera mode and manual focus abilities.

The iPhone SE COVR case is available online now in black for $ 29.95 and $ 24.95 for white, blue and purple. Along with the case for the new iPhone SE, COVR Photo also offers cases for the iPhone 5/5S and iPhone 6/6S.

Parents, grandparents, professionals, photo-enthusiasts and travelers around the world use COVR to take photos and videos from a unique angle to capture once-in-lifetime moments using just one hand.

The case features include:

  • Patented sliding feature– Allows users to shoot using the COVR case similar to a remote control, or slide the COVR lens back and take pictures or videos with the regular iPhone camera lens.
  • Built-in Lens– COVR Photo is the only iPhone case with a built-in lens.
  • Protective case– Shock absorbent rubber core and a hard outer shell provides durability and protection without the bulk and weight.
  • Mobile app– The free COVR Photo app complements the COVR case by redirecting pictures through the COVR Photo lens as well as allows users to adjust focus, exposure and formatting.

Based out of Renton, Wash., COVR Photo was founded in 2014 by award-winning photojournalist Thomas Hurst. Designed with a high-quality prism, COVR Photo sits at just under a half inch tall, fitting comfortably in most pockets.

About COVR Photo: Created by photographer, Thomas Hurst, COVR Photo produces revolutionary products to equip and inspire people to document the world around them through photographs and videos. To learn more, visit covrphoto.com.

Articles: Digital Photography Review (dpreview.com)

 
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In Photos: Sebastian Luczywo’s unconventional family portraits

14 Jun

children-family-photography-rural-sebastian-luczywo-14.jpg

Polish photographer Sebastian Luczywo takes an unusual approach to family photos. His clever and mood-filled photos depict his wife, their two children and family pets in the countryside, often with a touch of the surreal. The resulting images are anything but your standard family portraits. Take a look at his work. See gallery

News: Digital Photography Review (dpreview.com)

 
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