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Posts Tagged ‘tool’

Researchers release free AI-powered Fawkes image privacy tool for ‘cloaking’ faces

13 Aug

Researchers with the University of Chicago’s SAND Lab have detailed the development of a new tool called Fawkes that subtly alters images in a way that makes them unusable for facial recognition. The tool comes amid growing concerns about privacy and an editorial detailing the secret scraping of billions of online images to create facial recognition models.

Put simply, Fawkes is a cloaking tool that modifies images in ways imperceptible to the human eye. The idea is that anyone can download the tool, which has been made publicly available, to first cloak their images before posting them online. The name was inspired by Guy Fawkes, the mask of whom was popularized by the movie V for Vendetta.

The Fawkes algorithm doesn’t prevent a facial recognition algorithm from analyzing a face in a digital image — instead, it teaches the algorithm a ‘highly distorted version’ of what that person’s face looks like without triggering errors; it cannot, the researchers say, be ‘easily detected’ by the machines, either.

By feeding the algorithm these cloaked images, it subtly disrupts the machine’s attempt to learn that person’s face, making it less capable of identifying them when presented with uncloaked imagery. The researchers claim their cloaking algorithm is ‘100% effective’ against top-tier facial recognition models, including Amazon Rekognition and Microsoft Azure Face API.

As well, the team says their disruption algorithm has been ‘proven effective’ in many environments through extensive testing. The use of such technology would be far more subtle and difficult for authorities to prevent compared to more conventional concepts like face painting, IR-equipped glasses, distortion-causing patches or manual manipulation of one’s own images.

These conspicuous methods are known as ‘evasion attacks,’ whereas Fawkes and similar tools are referred to as ‘poison attacks.’ As the name implies, the method ‘poisons’ the data itself so that it ‘attacks’ deep learning models that attempt to utilize it, causing more widespread disruption to the overall model.

The researchers note that Fawkes is more sophisticated than a mere label attack, saying the goal of their utility is ‘to mislead rather than frustrate.’ Whereas a simple corruption of data in an image could make it possible for companies to detect and remove the images from their training model, the cloaked images imperceptibly ‘poison’ the model in a way that can’t be easily detected or removed.

As a result, the facial recognition model loses accuracy fairly quickly and its ability to detect that person in other images and real-time observation drops to a low level.

Yes, that’s McDreamy.

How does Fawkes achieve this? The researchers explain:

‘DNN models are trained to identify and extract (often hidden) features in input data and use them to perform classification. Yet their ability to identify features is easily disrupted by data poisoning attacks during model training, where small perturbations on training data with a particular label can shift the model’s view of what features uniquely identify …

But how do we determine what perturbations (we call them “cloaks”) to apply to [fictional example] Alice’s photos? An effective cloak would teach a face recognition model to associate Alice with erroneous features that are quite different from real features defining Alice. Intuitively, the more dissimilar or distinct these erroneous features are from the real Alice, the less likely the model will be able to recognize the real Alice.’

The goal is to discourage companies from scraping digital images from the Internet without permission and using them to create facial recognition models for unaware people, a huge privacy issue that has resulted in calls for stronger regulations, among other things. The researchers point specifically to the aforementioned NYT article, which details the work of a company called Clearview.ai.

According to the report, Clearview has scraped more than three billion images from a variety of online sources, including everything from financial app Venmo to obvious platforms like Facebook and less obvious ones like YouTube. The images are used to create facial recognition models for millions of people who are unaware of their inclusion in the system. The system is then sold to government agencies who can use it to identify people in videos and images.

Many experts have criticized Clearview.ai for its impact on privacy and apparent facilitation of a future in which the average person can be readily identified by anyone with the means to pay for access. Quite obviously, such tools could be used by oppressive governments to identify and target specific individuals, as well as more insidious uses like the constant surveillance of a population.

By using a method like Fawkes, individuals who possess only basic tech skills are given the ability to ‘poison’ the unauthorized facial recognition models trained specifically to recognize them. The researchers note that there are limitations to such technologies, however, making it tricky to sufficiently poison these systems.

One of these images has been cloaked using the Fawkes tool.

For example, the person may be able to cloak images they share of themselves online, but they may find it difficult to control images of themselves posted by others. Images posted by known associates like friends may make it possible for these companies to train their models, though it’s unclear whether there exists the ability to quickly located people in third-party images (for training purposes) in an automated fashion and at a mass scale.

Any entity that is able to gather enough images of the target could train a model sufficiently enough that a minority of cloaked images fed into it may be unable to substantially lower its accuracy. Individuals can attempt to mitigate this by sharing more cloaked images of themselves in identifiable ways and by taking other steps to reduce one’s uncloaked presence online, such as removing name tags from images, using ‘right to be forgotten’ laws and simply asking friends and family to refrain from sharing images of one’s self online.

Another limitation is that Fawkes — which has been made available to download for free Linux, macOS and Windows — only works on images. This means it is unable to offer cloaking for videos, which can be downloaded and parsed out into individual still frames. These frames could then be fed into a training model to help it learn to identify that person, something that becomes increasingly possible as consumer-tier camera technology offers widespread access to high-resolution and high-quality video recording capabilities.

Despite this limitation, Fawkes remains an excellent tool for the public, enabling the average person with access to a computer and the ability to click a couple of buttons to take more control over their privacy.

A full PDF of the Fawkes image-cloaking study can be found on the SAND Lab website here.

Articles: Digital Photography Review (dpreview.com)

 
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Loupedeck CT Review – Could This Be The Best Editing Tool?

28 May

The post Loupedeck CT Review – Could This Be The Best Editing Tool? appeared first on Digital Photography School. It was authored by Carl Spring.

dps-loupedeck-ct-review

If you’ve read my previous review of the Loupedeck+, you’ll know I am a massive fan and it is now a firm part of my editing routine. As I said in that review, it was something that I was honestly wary of before trying it, but something I do edit without now. So when I got the chance to do the new Loupedeck CT review, I jumped at it. 

The Loupedeck CT is a completely new editing station. Loupedeck has marked this as their professional tool, designed to deliver a premium editing experience. Along with the dials and buttons familiar to those who have used the Loupedeck+, the Loupedeck CT features a touchscreen interface system of virtual buttons, that you can fully customize to your editing needs.

Loupedeck CT wrapped in a cable

Compatibility

The CT is compatible with a wide range of software right out of the box. And it has the ability to add even more software via an ever-growing library of custom profiles.

Here is a list of compatible software out of the box (takes deep breath):

  • Abelton live
  • After Effects
  • Audition
  • Capture One
  • Final Cut Pro
  • Adobe Illustrator
  • Adobe Lightroom Classic
  • Adobe Photoshop
  • Premiere Pro
  • System (Windows & Mac)

Profiles exist for many more programs, including Davinci Resolve, Photomechanic, and Logic Pro X, amongst others. This is a serious list of professional software, and the ability to customize the Loupedeck CT means that there is an almost limitless opportunity to create your very own tailored workspace.

A Loupdeck CT with the unit in action for colour grading

Design and build quality

The Loupedeck CT is very different from the Loupdeck+. It is much more compact in its footprint. The size is about the same as two mobile phones placed side by side. This smaller footprint not only makes having the CT on a smaller desk much easier, but it also means it is simple to add to your bag when editing on the road or on location. 

The packaging looks and feels premium. It reminded me of an Apple device in the way that the quality oozes out before you even see the product.

Jet black packaging with an embossed and foiled logo on the side really does make this product feel luxurious. It may sound silly, but when packaging is this good, I feel that it shows the importance of attention to detail to the company.

Once the Loupedeck CT is removed from the packaging and those, oh so satisfying, clear plastic covers get removed, the quality of the Loupedeck CT shines through.

A photo of the box of a Loupedeck CT against a black background

The build quality on this device is excellent, with the device itself comprised of an aluminum top plate (save the virtual buttons workspace) with a solid plastic underside. All buttons and dials are all reassuringly firm, with the dials having a tactile click when turning, whilst the virtual buttons have haptic feedback, which you turn on or off.

The center dial is used as a touch screen interface for some adjustments, and again, it works perfectly. It is responsive and has worked flawlessly during my time with the unit.

This is a very well-made piece of equipment that is another step forward in quality from the already well-made Loupedeck+.

The Loupedeck CT also has a Bluetooth chip, which will eventually, via an update, make the unit connect wirelessly.

It also comes with 8GB of storage, which mounts as an external drive when you connect the Loupedeck CT. This storage allows you to save all settings and preferences within the device. So, when you transport the product, all your settings travel with you. This is great for those that travel regularly or use different computers for different projects.

Ergonomically, the unit is made for one-handed operation. This is not to underestimate the amount of editing this thing can do on its own. Whilst the Loupedeck+ feels like something that is aimed to replace your keyboard, the CT feels like an addition to your keyboard and mouse. It is an incredibly powerful enhancement to your workflow.

A closeup of the Loupedeck showing the different LED button colours.

Buttons on the Loupedeck CT are backlit in a way that aids your use of the device. The buttons’ color shows how it is mapped at a glance. The three colors are green, purple, and blue.

Green buttons are assigned to workspaces (of which you can have multiple per application). The purple buttons are assigned to actions (such as applying a preset or creating a copy of the image, etc.). Finally, the blue buttons are there to take you into page-based layouts. This allows you to create sub-menus within a workspace, such as a page dedicated to your image presets, without the need to change the entire workspace.

Installing the Loupedeck CT

Installing the Loupedeck CT is a simple affair. You just download and install the software from the Loupedeck website, then connect the Loupedeck.

The Loupedeck itself is USB-C, which helps future-proof the product. However, it comes packaged with a USB-C to USB-A braided cable, which will be welcomed by a lot of people. The cable itself is of high quality, reinforcing the attention to detail that Loupedeck has put into this product. 

The step Screen for the Loupdeck CT showing Lightroom Classic Settings
The installation and setup is easy. But you will need to spend some time with the software to set the Loupedeck CT to your preferences.

Learning curve

The learning curve is the part of Loupedeck CT that is the thing that you will find hardest. It’s not that the CT is hard to use, in fact, it is the total opposite of that. It is more about remembering which button is where, how you have your dials set, and moving your hands away from existing workflows.

With the Loupedeck+ everything is set and you quickly become accustomed to where everything is. However, whilst the flexibility of the Loupedeck CT is its strongest feature, it does mean you have a larger learning curve. As an example, when moving from Lightroom to Photoshop, the button layout changes, so it takes more time to become a power user across multiple software. 

The initial setting up of custom workspaces will take time and effort from the user. However, this is the step that is essential for those looking to get the most out of this device.

The software makes it simple to set up, but you need to customize the layout of the deck for your specific editing style. You will then need to do this on a software-by-software basis. This process may take a few hours, but it is so worth it. The profiles supplied by Loupedeck are great and get you started instantly, but every editing workflow is different and the Loupedeck profiles are unlikely to match your specific workflow.

A view of the Loupdeck CT editing console in video editing mode
As with the Loupdeck+, the CT makes using software easier. It does have a learning curve though, one for each software you use it with.

The Loupdeck CT in use

The first thing I noticed about the Loupedeck CT was its software awareness. Switching over to Photoshop from Lightroom, the Loupedeck instantly changed to its Photoshop workspace. There was no lag or waiting. It was ready to go. This smoothness is the same for every software. You can even set it up to control your Spotify, so you can keep your hands on the Loupedeck whilst you decide what music you want to  listen to whilst you edit. 

This key feature makes the Loupedeck CT amazing for those who work in several different pieces of software. It really does make this device a huge step up from the Loupedeck+.

I know when I reviewed the Loupedeck+, I said that video editing wasn’t great. With the CT, it really performs.

Moving to Premiere Pro, you get the tools you use the most right at your fingertips. As someone who isn’t a huge video editor, it makes editing easier for me. I have also been experimenting with Final Cut Pro, and again, the Loupedeck saves me having to search through menus when I am looking for a tool.

I am sure that in the hands of a more capable editor, this tool will be huge in speeding up workflow. For an amateur like me, it makes things easier and encourages me to dig deeper.

This is also true of Adobe Illustrator and Adobe Audition, which I profess to be completely lacking in in-depth knowledge. However, I can see how this, in the right hands, will be incredibly useful.

A person using a Loupedeck to edit colour in a photograph
The centre wheel is one of the highlights of the CT. Being able to use it for things such as colour grading is so intuitive.

Moving on to photography (the reason I am sure most of you are reading this), to sum it up, it is amazing. If the Loupedeck+ is a high-quality, off-the-peg suit, the CT is a custom-tailored suit from Saville Row; every button and dial customized to fit your editing needs. 

In Lightroom Classic, it performs beautifully. Editing is effortless and the Loupedeck makes the whole process quicker, easier, and more tactile. The ability to customize a setup to be exactly how you want is something that gives this an advantage over the Loupedeck+ for those who use more advanced features regularly. This is shown in the ease of adding your own presets to buttons. Simply create the preset, then ask Lightroom Classic to update, and instantly, it is available to add to your layout. 

It is when you move to Photoshop that the Loupedeck CT really shines. The ability to customize your button layout combined with size means using this with a mouse or graphics tablet is a joy. Also, the ability to use the touchscreen center button makes working in color an amazing experience. The Loupedeck CT is a much more enhanced experience than the Loupdeck+ when it comes to Photoshop.

The integration with Adobe products is still deeper than with other software, though. Switching to Capture One Pro, the experience is simply not quite as fluid. Capture One is in Beta mode even though it comes pre-installed. In use, it lacks the level of integration found in Lightroom and can’t offer the same functionality. 

This is due to Loupedeck relying on keyboard shortcuts rather than the software API. Loupedeck has released an enhanced plugin profile, which allows greater integration for Capture One users. This does help, but it relies on you having to set your keyboard to the US setting, which as a UK user, is an annoyance.

I know discussions have taken place with Phase One on fully integrating the Loupedeck CT, and for many professionals who use Capture One, this would be a game-changer. Until that happens, the best way to describe the Capture One experience is good, but not as good as Lightroom.

A closeup of the Loupedeck CT showing Adobe software symbols

What I love

There is a lot to love about this product. The main things for me are:

  • Size
  • Look and build quality
  • Unlimited customization options
  • Multi-software usage 

What could be better 

  • Integration with non-Adobe products
  • No wireless option (although this may be coming)

Is it worth it?

This is the big question. This Loupedeck CT is not cheap. It currently retails at £469.

It warrants that money to those who spend a lot of time editing and those who use a variety of software daily. It is much more suitable for a wider variety of programs than the Loupedeck+. If you use Adobe products, it is pretty much flawless.

However, if you mainly edit in Lightroom, you will possibly be better served with the Loupedeck+. It has all the features you need and comes at a lesser cost. 

The other question is whether it is better to invest in the Loupedeck CT or a graphics tablet. Again, this depends on your usage and editing style. Personally, I would make more use of the Loupedeck CT. However, you may not. 

The Loupedeck CT is aimed at a certain group of people. To those that will get the most out of this product, the £469 price tag is easily justified in the time saving and workflow enhancements the CT will give them. The Loupedeck CT is no mere editing gadget – it is a tool that takes your editing workflow to another level.

I really suggest you try a Loupedeck before dismissing it out of hand. Be warned though, you will probably fall in love.

The post Loupedeck CT Review – Could This Be The Best Editing Tool? appeared first on Digital Photography School. It was authored by Carl Spring.


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Loupedeck’s latest software update adds new Profile Creator tool for custom profiles

28 Mar

The company known for its video and image editing consoles, Loupedeck, has announced a software update that enables users to create custom profiles for third-party applications. With the new Loupedeck Profile Creator, Loupedeck CT owners can create various custom profiles for all of the software they use, including for applications like Davinci Resolve, Logic Pro X, Capture One and more.

According to Loupedeck, creators don’t need any programming skills to create custom profiles for their favorite applications. Profile Creator can be used for adjustments and actions using everything from mouse movements to shortcuts, macros, keys, run applications, links and text. The new capability is found in software version 3.2 and higher.

Users can find a series of custom profiles for popular applications available to download on the Loupedeck website here. The company’s Founder and CEO Mikko Kesti explained, ‘The possibility for all users to create custom profiles is an important step in delivering an increased level of functionality and flexibility the digital creator community requires with their editing tools.’

In addition to announcing the Profile Creator’s Custom Profiles feature, Loupedeck has also revealed that its Creative Tool now has native integration for Streamlabs, a live streaming app that is popular with creators. Going forward, Loupedeck CT owners will be able to use the console to directly control their stream, including the ability to adjust audio, quickly mute and skip content, hide and unhide sources, and more.

Kesti calls the native integration a ‘natural addition’ to the company’s Creative Tool, which is available to purchase for $ 549. Users who are new to the device can download its companion software from Loupedeck’s website, where the company also offers User Guide downloads for everything from general usage to using Loupedeck CT with specific photo and video applications like Photoshop and Lightroom.

Articles: Digital Photography Review (dpreview.com)

 
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Photoshop Elements 2020 Smile Tool – What it is and How to Use it

16 Feb

The post Photoshop Elements 2020 Smile Tool – What it is and How to Use it appeared first on Digital Photography School. It was authored by Mat Coker.

photoshop-elements-2020-smile-tool

You’ve likely faced that frustrating moment when you can’t get kids or families to smile for a portrait. Maybe it’s even worse and you make people grumpier when you try to take their picture. If you look through your photos and wish there were more smiles, the Photoshop Elements 2020 Smile Tool can help with that.

You can retouch facial expressions and not have to be intimidated by the process anymore. Photoshop Elements 2020 (a simplified version of Photoshop) allows you to put a smile on faces using a simple slider tool.

Let’s look at how this tool works and the best situations to use it.

frown portrait

Photoshop Elements claims that the Smile Tool can turn a frown upside down. Let’s see if it really works that well.

What is the Photoshop Elements 2020 Smile Tool?

Photoshop Elements is a simplified version of Photoshop. Adobe has introduced many automations that make Photoshop’s essential tools easier to use. Photoshop Elements gives you the power of Photoshop without the overwhelming number of complicated features found in the full Photoshop program.

The Photoshop Elements 2020 Smile Tool allows you to easily put a smile on your subjects face using a slider rather than the usual complicated tools.

So, if you’ve made a mess of faces with the liquify tool, this will give you better results!

Before and after editing portrait facial features

It took less than 10 seconds to enhance his smile.

 

Who is the Photoshop Elements 2020 Smile Tool for?

The Photoshop Elements 2020 Smile Tool is for you if you want the power of Photoshop to retouch smiles without the learning curve of Photoshop’s many tools.

If you’re hoping that you won’t have to make people smile anymore because you can “just fix it in post,” this tool isn’t for you.

Think of this tool as an insurance policy. If you fail to make your subject smile for real, there is hope that this tool can help. But you should try your best to get a good smile in the first place.

How does the Photoshop Elements 2020 Smile Tool work?

This tool is very simple to use.

  1. Open your photo in Photoshop Elements 2020.
  2. Go to the Enhance dropdown menu.
  3. Then go to Adjust Facial Features.

Photoshop Elements 2020 Smile Tool

Photoshop Elements will auto-detect your subject’s face.

The Photoshop Elements 2020 Smile Tool is now available as a slider on the right-hand panel.

You’re ready to adjust the overall smile and even make fine detail improvements to the lips, eyes, nose, and face shape.

But before you get too excited, you should keep your adjustments as small and subtle as possible. You can too easily distort a face.

photoshop elements smile tool auto detect

The tool has no problem detecting a face that takes up a significant portion of the frame. But it does have trouble detecting small faces, especially in a group photo.

How well does the Photoshop Elements 2020 Smile Tool work?

Adobe claims that you can transform frowns into smiles. Will it really work that well for you?

Let me give you a spoiler. No, the Photoshop Elements 2020 Smile Tool won’t transform a frown into a smile. At least I couldn’t figure out how to do it.

Photoshop Elements 2020 Smile Tool

I brought up the corners of his lips, which produced only a hint of positivity in his mouth. His eyes have also been enlarged. But how do you remove the furrowed brow? You can’t. It’s too late to fix this smile in post-production. The right moment to fix this smile was the moment the photo was being taken.

 

Photoshop Elements 2020 Smile Tool

Again, even after extensive use of the tool, there is very little difference between these two photos. It takes more than upturning the mouth to make a frowny face look happy.

What if you start with a neutral face?

You can not fix a frown with the Photoshop Elements 2020 Smile Tool. But when you begin with neutral emotion the results are more impressive.

Photoshop Elements 2020 Smile Tool

The first photo looks more serious, while the second has a small smile. Moving the slider too far seemed to produce a very fake-looking smile.

 

Before and after editing a head and shoulders portrait

Again, the tool works well when beginning with neutral emotion and adding a subtle smile.

Sometimes it won’t detect a face

While experimenting with different photos, I discovered that Photoshop Elements will often fail to detect all the faces in group photos. But I found that when I cropped in closer and the faces became more prominent, they could then be detected.

I had to rotate a newborn photo so that Photoshop Elements would detect the face.

Error messages when editing portraits

Perhaps the program can only detect a face when a person is sitting upright.

 

Photoshop Elements 2020 Smile Tool

Rotating the photo allowed the program to detect the face.

 

Photoshop Elements 2020 Smile Tool

But upturning the lips and enlarging the eyes only produced an awkward expression.

Begin with a photo that has potential

The Photoshop Elements 2020 Smile Tool will not turn a frown or awkward expression into a smile. You need to begin with a neutral expression or a small smile if you want the tool to works it’s best.

The human face is too complex and meaningful to transform a deep expression with a simple slider. When it comes to scowls and frowns, the entire face is involved.

Perhaps someday the tool will be able to detect the unique contours and subtleties of the emotions written on our face. But for now, you’ll need to use other magical powers to manipulate the human face.

Yes, you can manipulate the human face without needing Photoshop or any other post-processing software.

How to make people smile for real

Your goal is a portrait of smiling people. You need a plan in order to make that happen.

For most photographers, the plan is to just tell their subject to smile. That’s an okay place to start, but that doesn’t always work.

You may have to confront the fact that you don’t always know how to make people smile or bring out the best in them. Perhaps you even upset people when you’re trying to make them smile.

Here are three ways to help people smile for their photo without simply commanding them (or using Photoshop later on):

  • Energy
  • Comedy
  • Praise

The amount of positive energy that you bring to the session will be reflected back at you. Negative energy will always come back worse, positive energy will always come back better. Do not bring harsh tones and negative energy to your photo sessions.

Comedy makes people laugh. Notice that comedians don’t tell people to laugh, they just say funny things and (most) people laugh spontaneously. Be funny for the people you’re photographing and they will smile.

Happy portrait

People normally have a nice smile in real life but a fake smile for the camera. They need to be praised and told whenever they are showing a good natural smile. That way they know how it feels when they have a natural smile and can produce it for the camera. Also, praise will make them smile even more. Eventually, they’ll smile just because you tell them they have a nice smile.

I’ve learned all this the hard way. As a family photographer, I could make other people’s kids smile but not my own. I made my kids miserable by becoming a dictator when I wanted a photo. Very few people smile when being bossed around by a dictator.

I realized they will smile naturally if I stop barking orders and turn the photo session into a comedy routine. I got far better results as an engaging person.

Dealing with grumpy kids during photo sessions

The result of commanding them to smile.

 

Making kids come alive for portraits

The result of being a comedian.

 

Use it sparingly

The Photoshop Elements 2020 Smile Tool will help put a smile on your subject’s face, but it won’t help you to become a better photographer or the sort of person that makes others happy.

This tool is not for you if you consistently miss smiles and hope to fix them in post-production. I think the solution for all of us is to learn to engage other people and bring out the best in them.

Be thankful for the Photoshop Elements 2020 Smile Tool, but plan to use it in case of emergency. You’ll feel really good letting people know that you don’t have to “Photoshop” the smiles in your photos.

Have you used the Photoshop Elements 2020 Smile Tool? What are your thoughts? Share them with us in the comments.

The post Photoshop Elements 2020 Smile Tool – What it is and How to Use it appeared first on Digital Photography School. It was authored by Mat Coker.


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How to Use Camera Calibration Tool in Lightroom (video)

25 Jan

The post How to Use Camera Calibration Tool in Lightroom (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video from Lucy Martin, you’ll learn how to utilize the camera calibration tool in Lightroom to help with your post-processing workflow and get your photos looking awesome!

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How to use the Camera Calibration Tool in Lightroom

The Camera Calibration tool is at the bottom of all your panel tools.

You want to use the camera calibration tool right at the beginning of the editing process, as this will inform the colors in your image.

Open the panel so that you can see the Shadows, Red Primary, Green Primary, and Blue Primary Sliders.

These sliders allow you to adjust the Tint of the Shadows and the Hue and Saturation level of Red, Green, and Blues (the RGB colors).

What you change in this panel will affect all the pixels of your image because every pixel is made up of RGB values.

If you hover over a section in your image, check the histogram, and it will show you the RGB values. Understanding this will give you a better understanding of how the camera calibration panel works.

It works differently to the HSL panel that specifically targets just the individual color ranges.

Again, color Camera Calibration affects everything.

Each camera renders color slightly different depending on the brands. They will each have a different idea of what a true red, blue, or green is. You may want to alter these slightly to what you see, or you may like to get creative with it.

Lucy likes to bring up the saturation of the Blue Primary slider to give more life to her images. She also works with the Green Primary by changing the Hue and Saturation for landscape photos.

The Red Primary is great for working with skin tones and warm sunset photos.

This is a great starting point before making further edits.

Lucy also gives you some other examples of creative editing using these sliders. So check it out to see what you can do to make your photos pop!

Bonus: If your image has a red, green, or blue color cast, you can use the saturation slider of that primary color and reduce it to remove the cast.

 

You may also like:

  • RAW Photo Editing in Lightroom: How to Make Your Photos Look Real to Life
  • Why Using Smart Previews in Lightroom CC and Classic is a Good Idea (and How to Set Them Up)
  • Understanding the HSL Panel in Lightroom for Beginners
  • Unlocking the Power of the Basic Panel in Lightroom
  • The Basics of Simulating Vintage Film in Lightroom
  • Tips for Understanding the Lightroom Adjustments Panel
  • How to Use the New Enhance Details Feature in Lightroom
  • How to Use Import and Export Presets in Lightroom Classic CC

The post How to Use Camera Calibration Tool in Lightroom (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Kessler Mag Max 3A adapter uses ordinary power tool batteries to charge cameras

17 Jan

Kessler, a company that specializes in accessories for filmmakers, has launched a new product called the Mag Max 3A, an adapter that works with select DeWalt power tool batteries for charging cameras, smartphones and certain other equipment. The adapter can be used with the DeWalt 20v Max and 60/20V Flex Volt models.

The adapter is quite unusual, but it’s easy to see how some users may benefit from this arrangement. Power tool batteries are available at most hardware stores, are fairly affordable, compact and something many people already own.

Kessler explains the reason it launched this product, saying, ‘The Mag Max 3A was developed to fill a void in the market for an inexpensive battery solution with a readily available common battery that can be found in almost every country in the world and at most hardware stores.’

The company selected DeWalt batteries for its adapter due to the brand’s popularity in a variety of industries, according to Kessler, including filmmakers and audio recordists.

The Mag Max 3A adapter is capable of powering DSLR and mirrorless cameras, Kessler’s motion control systems, LED accessory lights, monitors and other common gear that draw up to 3 amps of power. The device is made from high-grade aluminum, includes multiple 3/8-16 and 1/4-20 mounts, embedded neodymium magnets, as well as optional accessories that include a gold mount stud kit, V-lock kit and belt clip.

The Mag Max 3A adapter is available from Kessler now for $ 250, though it is currently discounted to $ 200. The DeWalt Flex Volt battery costs around $ 129 from most retailers, meanwhile, and the DeWalt 20V Max battery costs around $ 189.

Articles: Digital Photography Review (dpreview.com)

 
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Facebook rolling out new tool to transfer your Facebook photos to Google Photos

03 Dec

In 2018, Facebook announced its participation in the Data Transfer Project, a collaboration between tech giants Apple, Google, Microsoft and Twitter designed to make it easier for users of online services to move data securely and easily between those services.

Facebook is now getting the Data Transfer Project moving by announcing an open-source tool that lets you move all your Facebook photos to Google Photos. For now the tool is only available to some users in Ireland but should be available globally in early 2020.

Facebook also says the tool will work with other services which are likely Apple’s iCloud and Microsoft’s OneDrive.

Articles: Digital Photography Review (dpreview.com)

 
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Google Photos is rolling out image markup tool for annotating on the go

25 Nov

A few weeks ago new Google Photos features, including an image markup feature, were discovered by a Twitter user in the app code but had not been activated yet.

Now Google is officially rolling out the markup feature and it should be available globally on Android devices in the near future. The company has already amended its editing instructions for Google Photos accordingly.

The tool lets you draw on your images, choosing from several colors and two-line types, a marker or a brush. Those users who already have the function available can access it via an icon within the editing toolbar at the bottoms of the app UI.

Overall, this looks like a very simple tool that’s not meant to be used for any complex image editing but will certainly be helpful in certain situations. The feature has not arrived on any of our devices yet but let us know in the comments if you’ve been able to try it out.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe teases new Sensei-powered Object Selection Tool for easy masks and more

31 Oct

Adobe has shared a new sneak peek of its new Sensei-powered Object Selection Tool that will soon be available inside Adobe Photoshop CC.

As demonstrated in the video, the new tool uses Adobe Sensei AI to automatically select an object within the frame when a selection is made via the Marquee or Lasso selection modes. It’s also possible to add or remove individual elements within the image using the same Object Selection Tool for more precise edits.

This new feature appears to be a more refined version of the Select Subject Tool Adobe revealed in early 2018. It’s unknown when this new feature will make its way into Adobe Photoshop CC, but it seems as though teaser videos like this are released no more than a month or two before the feature makes it into the public version of the app.

Articles: Digital Photography Review (dpreview.com)

 
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The new Loupedeck Creative Tool editing console packs improved software integrations

30 Oct

Loupedeck has introduced Loupedeck Creative Tool (CT), the latest product in its line of editing consoles for creatives. The Loupedeck CT is small and nearly square at 160 x 150 x 30mm (6.3 x 5.9 x 1.2in) with a weight of 365g (12.9oz). The new model joins the previously released Loupedeck and Loupedeck+ consoles, offering a design that can ‘work in sync with all editing tools and software.’

The Loupedeck CT is a plug-and-play console with native integrations for a variety of popular software, including Final Cut Pro X, Photoshop, Premiere Pro, and Lightroom Classic. This model also introduces Loupedeck console support for Adobe Illustrator and music production software Ableton Live; later on this year, there will also be support for Autodesk Fusion 360.

The ‘fully adaptable’ Loupedeck CT is made with a high-quality aluminum cover and dials, plus it features LED backlighting, touchscreens, and what Loupedeck says are machine-quality ball bearings. The console packs preset workspaces designed for each software product integration, as well, though users retain the ability to customize the workspaces to meet their own needs.

Loupedeck designed its latest console with portability in mind; joining its small size is a removable USB cable. In addition to its software integrations and various buttons, dials, and touchscreens, the Loupedeck CT features Bluetooth 5 LE connectivity and support for macOS 10.12 or later and Windows 10. Below is a short intro tutorial shared by Loupedeck:

The new model is available to preorder now for $ 549 from Loupedeck and B&H Photo; shipping is expected to start on November 11.

Articles: Digital Photography Review (dpreview.com)

 
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