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Never before seen photos of Mount St. Helens eruption found in thrift shop camera

27 Jun
Photographer Kati Dimoff found this camera at a Goodwill in Portland, OR. The undeveloped roll of film inside contained never-before-seen photos of the Mount St. Helens eruption in 1980.

Photographer Kati Dimoff has developed a curious habit. Whenever she enters a thrift shop, she makes a B-line for the used camera section and checks each and every 35mm camera for exposed but undeveloped rolls of film. Recently, this habit yielded an incredible discovery.

On May 26th, Dimoff found herself in southeast Portland, OR. And as is her habit, she stopped by the Goodwill on Grand Ave to have a look at their film cameras. This time, she struck pay dirt.

“I found an Argus C2—which would have been produced around 1938—and it had a damaged roll of kodachrome slide film in it,” she tells DPReview over email. Naturally, she bought it and took it to the folks at Blue Moon Camera and Machine in the St. Johns neighborhood to have it developed.

When I picked up the prints on Monday, June 12th, there was a note on the package that said ‘Is this from the Mount St. Helens eruption?’

Kati tells us Blue Moon Camera is one of the last, best places to get old, expired, and out-of-production film processed, and though they couldn’t breathe color back into the iconic Kodachrome film—the developing chemicals were discontinued years ago—they were able to develop the roll in black and white. What awaited her when she picked up the prints was a short note.

“Blue Moon developed it for me,” she tells us, “and when I picked up the prints on Monday, June 12th, there was a note on the package that said, ‘Is this from the Mount St. Helens eruption?'”

It was. Three of the photos on the roll were taken on or around that fateful day in 1980 when Mount St. Helens erupted violently—considered by many to be the most disastrous volcanic eruption the United States has ever seen.

There were three photos in all. The first, which Dimoff says was likely taken from Highway 30, shows St. Helens in the distance with just a puff of ash coming out from the top. That photo may have been taken during the two months prior to the eruption, when the volcano was occasionally causing earthquakes and venting steam.

The other two photos are more striking. Captured from in front of John Gumm elementary school in St. Helens, Oregon, they show a massive ash cloud—mushroom-like and dramatic.

But this story doesn’t end with three never-before-seen photos of a historic event captured in 1980 and re-discovered in a thrift shop in 2017 (even though that would be enough for us). There was another photograph on the roll: a family portrait.

This photo actually helped Dimoff to identify the owner of the camera. Pictured are Mel Purvis, his wife Karen, his grandmother Faye, and his son Tristan. Mel saw the portrait in The Oregonian and reached out to the paper, who put him in touch with Dimoff.

Now, his grandma’s camera, negatives, and prints are on their way back to their rightful owner.


All photos courtesy of Kati Dimoff, and used with permission.

Articles: Digital Photography Review (dpreview.com)

 
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Just Add Monsters: Chris McMahon’s Modified Thrift Store Art

27 Jul

[ By Steve in Art & Drawing & Digital. ]

Chris McMahaon Empty Swing monster thrift store painting
Artist Chris McMahon looks at cheap thrift store landscape paintings and sees something missing. Then he paints in the hidden monsters for all to enjoy.

Chris McMahon Empty Swing monster thrift store painting original

Artist Chris McMahon first began buying thrift store landscape paintings for economic reasons: often costing a mere dollar apiece, the paintings were far cheaper than new, unused canvases and McMahon saved plenty by covering the dime-a-dozen scenes with gesso and starting anew. That all changed one day when McMahon bought a landscape scene that caught his attention – not for what it showed but for what appeared to be missing. Check out the original “The Empty Swing” painting above and you’ll probably agree, though McMahon’s “completion” of the scene might not sit well with overly imaginative squeamish types.

The Mountain Monster

Chris McMahon Mountain Monster painting

“I’ve always liked giant monsters,” admits McMahon at his website, Involuntary Collaborations, “from rubber-suit Godzilla to Cloverfield.” We think The Mountain Monster, above, is a worthy addition to the pantheon. Stalking ominously through a backlit landscape of stunted conifers and fetid mist, the crazed creature appears to fit the scene perfectly. One wonder if the original artist would agree should they be presented with McMahon’s respectful augmentation.

The Swamp Monster

Swamp Monster thrift shop painting Chris McMahon

Somehow the swamp monster in the eponymously titled painting above, McMahon’s third such dip in the Involuntary Collaboration pool, doesn’t seem all that monstrous given he (or she) is giving the viewer a friendly wave. Even so, the scene is disconcerting to say the least. “This is the first one that I added my signature below the original artist’s,” states McMahon. “I feel better if the original artist has signed his or her landscape – that way it doesn’t look (as much) like I’m taking credit for another person’s work.”

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Just Add Monsters Chris Mcmahons Modified Thrift Store Art

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[ By Steve in Art & Drawing & Digital. ]

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