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Posts Tagged ‘swap’

NVIDIA’s latest AI project is ‘face swap’ for animals. Kind of…

30 Oct

NVIDIA researchers are back with another project that uses artificial intelligence to generate entirely new images from existing source images. Unlike past work that involved portraits of humans, however, this latest work — called GANimal — transforms an image of an animal into different animals, including other species.

Using an AI technique called generative adversarial networks (GANs), among other things, the researchers developed GANimal, an app that takes the expression of an animal from an image and recreates it on an image of a different animal. Examples include taking an expression from one breed of dog and replicating it on other dog breeds.

Though this is a fun example of the underlying technology, NVIDIA researchers say it could one day be put to use in more serious work. One given example of GANimal’s potential use is engaging filmmakers to shoot images of a tame animal doing stunts, such as a dog, and then using the AI to apply those movements onto a less tame animal, such as a tiger.

NVIDIA’s past artificial intelligence research includes an AI that can accurately scrub noise from images, generate portraits from source images, and transform simple sketches into photorealistic photos.

Articles: Digital Photography Review (dpreview.com)

 
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Lensbaby announces the Edge 35mm optic, a wide angle tilt lens for its Optic Swap system

15 Mar

Lensbaby has released Edge 35mm Optic, a new wide angle tilt lens for its Optic Swap system.

The lens, which works in conjunction with the Lensbaby composer Pro or Composer Pro II, can be mounted to Canon EF, Nikon F, Sony E, Fuji X and Micro Four-Third systems. It is the third selective focus lens in Lensbaby’s Optic Swap lineup, rounding out the existing 50mm and 80mm options.

The lens features an aperture range of F3.5-F22 and a minimum focusing distance of 18cm / 7in. It has an eight blade aperture diaphragm and can tilt 15 degrees. Lensbaby doesn’t have specific dimensions or weight available at this time.

‘The Composer Pro II swivels and tilts on a smooth metal ball and socket design, providing a fast and intuitive way to switch between traditional straight lens photos and tilt photography,’ says Lensbaby in the press release. ‘Tilting the lens up or down results in a horizontal slice of focus; left or right a vertical slice; diagonally for a diagonal slice. After setting the tilt, rotating the focus ring moves that slice of focus through the image, from one side of the frame to the other.’

Below is a sample gallery of photos provided by LensBaby:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_4595735092″,”galleryId”:”4595735092″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

The Edge 35mm Optic is available for pre-order alone for $ 249.95 or as a kit with the Composer Pro II for $ 449.95. The first lenses and kits will start shipping in early April.

Lensbaby Launches a New, Wide Angle Tilt Lens for their One-of-A-Kind Optic Swap System

Portland, OR — Lensbaby – makers of award-winning lenses, optics and accessories announces today the availability of its new wide angle tilt lens. The Composer Pro II with Edge 35mm Optic is available for use on Canon EF, Nikon F, Sony E, Fuji X, and Micro 4/3 interchangeable lens cameras. The Edge 35mm Optic is also available separately for anyone who already owns a Lensbaby Composer Pro or Composer Pro II lens body. Fans of this style of selective focus photography have been requesting a wider option beyond the company’s existing 50mm and 80mm lenses.

The Composer Pro II with Edge 35 Optic is a 35mm f/3.5 tilting lens designed for those looking for a wider focal length to create unique in-camera shots with a slice of tack-sharp focus and detail. By tilting this lens, users can place a slice of sharp focus through objects in both the foreground and background of an image at the same time, bordered by smooth blur. This in-camera effect helps artists tell their story in an uncommon way.

“Over the past 15 years, we’ve made optical tools to help you discover unique ways of seeing your world. A 35mm tilt lens, despite being our most requested new product offering since we introduced the Edge 80 in 2012, has been elusive and the results of our efforts have paid off in a lens that is far better than we thought possible when starting our design process. It was worth the wait.” said Craig Strong, Lensbaby Chief Creative Officer and Co-Founder.

The Composer Pro II swivels and tilts on a smooth metal ball and socket design, providing a fast and intuitive way to switch between traditional straight lens photos and tilt photography. Tilting the lens up or down results in a horizontal slice of focus; left or right a vertical slice; diagonally for a diagonal slice. After setting the tilt, rotating the focus ring moves that slice of focus through the image, from one side of the frame to the other.

“The Edge 35 has changed my traveling & portrait sessions for the better. I’m able to get into tight spaces and buildings and still be able to show the whole aspect of the story I’m trying to create,” said renowned portrait, travel and lifestyle photographer Stephanie DeFranco. “I find the wider slice of focus makes it easier to find the area I want to draw the viewer’s eye toward. With its 35mm focal length, this optic lets me create the same dreamy feel as the Edge 50 and Edge 80, but because of the wider slice of focus, also allows me to include more of a scene in the story.”

The Composer series of lenses are lenses that tilt to move a spot or slice of focus anywhere in the frame. They feature Lensbaby’s Optic Swap System. Users can simply purchase one lens, made up of a lens body with an included optic, for their camera system, then, swap out the optic that it came with for a new optic to completely change the effect and focal length of their Lensbaby lens.

The Composer Pro II with Edge 35 Optic will be available in April for $ 449.95, and by itself as an Optic for those who already own a Composer series lens, for $ 249.95.

Composer Pro II with Edge 35 Optic Product Specifications

  • 35mm focal length
  • f/3.5 – f/22
  • Focuses from 7” from the front element to infinity
  • Compatible with Full Frame; APS-C; and 4/3rds Sensors
  • Manual Focus
  • Internal 8-blade aperture
  • Up to 15 degrees of tilt
  • Dimensions: to come
  • Weight: to come
  • Mounts: Nikon F, Canon EF, Sony E, Fuji X, Micro 4/3

Articles: Digital Photography Review (dpreview.com)

 
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How to Swap Colors in Photoshop – Two Methods Explained

12 Jan

Color swapping in Photoshop is both a fun thing to do and a very handy tool for product photographers with clients in need of options. It’s not a hard technique and it only takes a try or two to get it right. This article outlines two methods for how to swap colors in Photoshop.

final-side-by-side-color-swap

 

The first is a quick method and the second tends to do a better job. I’ll be using this the image below from my review of the Lowe Pro Photo Sport 100/200 AW bag. This demonstration was created with Photoshop CC 2017.

The Quick Method

This method is a quick color swap that may or may not cover your needs. If your subject has nice, solid colors without very much tonal difference, you can likely use this method by itself. Go ahead and open your file in Photoshop and let’s get started!

How to Swap Colors in Photoshop - Two Methods Explained

Sample Image

Step #1 Create a Hue/Saturation Adjustment Layer

Click on the “Create New Adjustment Layer” button on the bottom of the Layers panel and choose “Hue/Saturation”.

How to Swap Colors in Photoshop - Two Methods Explained

Choose Hue-Saturation

In the Properties window that pops up, there is a little hand with a pointer finger in the upper left side of the box. Click that.

How to Swap Colors in Photoshop - Two Methods Explained

This is where my method deviates from some others. As you can see in the image above, there is an option to hold Cmd/Ctrl as you drag the mouse, and change the Hue straight away.

This is a tempting method, for sure. But it won’t always get you as close to your desired results as if you follow the rest of these instructions. For instance, I used that method to try to change the orange pack to blue and this was the result.

How to Swap Colors in Photoshop - Two Methods Explained

Not what I wanted. So….

Step #2 – Select a color range

After you click that little finger and hover over your source color (the orange bag), click there to select the color. Your screen will change depending on which color you pick, but more or less it will look a little like this.

How to Swap Colors in Photoshop - Two Methods Explained

I chose a dark spot so my saturation for all orange dropped and now there is a little slider in the color bands at the bottom of the properties box. You will be using those bands and the saturation slider to refine your selection.

Step #3 – Adjust to get all the color

To know you have the right colors you want to work with, move the Saturation slider all the way down, essentially turning off the source color. If that doesn’t get all the color you want, move the little white bands on the color slider on the bottom until it captures all your source color.

How to Swap Colors in Photoshop - Two Methods Explained4

Move Saturation to -100, and adjust the bands (bottom green arrow) left or right, or apart, until there is no more of the selected color showing.

Can you see how that lighter gray box on the sliders at the bottom is larger (they were moved farther apart) in this image compared to the one above? That is to make sure I gobbled up all the orange, including some reds and yellows. Fiddle with this option to capture all your source color.

Step #4 – swap the color for a new one

Now that you know you have the right source color, jack up the Saturation slider then move the Hue slider until you get a color you like.

How to Swap Colors in Photoshop - Two Methods Explained

If you’re looking for quick and easy, you are essentially done! Save the file with a new name and you’re good to go.

But wait! Things aren’t as good as they could be with this method. For one thing, there is now a slight tint to the entire image as the mask was applied to the entire image. Let’s clean that up a little.

Method #2 for swapping colors

Method #2 picks up where Method #1 left off and continues:

Step #5 – Apply a layer mask

In this step, you want to apply a mask to the Hue/Saturation adjustment layer (seen on the right side of the layer) just to the backpack so it doesn’t tint the whole image. Click on the layer mask and the information panel will change to show mask options.

How to Swap Colors in Photoshop - Two Methods Explained

Choose “Color Range…” from the “Refine” options at the bottom.

How to Swap Colors in Photoshop - Two Methods Explained

This should bring up a mask with the color range you have already selected and changed in the steps above. Your mask should show the area of color you are swapping as white, like so:

How to Swap Colors in Photoshop - Two Methods Explained

Click OK to apply the layer mask.

Step #6 – Refine the layer mask

Now you need to refine the layer mask just a little as Photoshop is not always perfect. Take a look close in my example and you can see some orange peeking through.

How to Swap Colors in Photoshop - Two Methods Explained

To eliminate this effect, click on “Select and Mask”, once again in the “Refine” options area.

How to Swap Colors in Photoshop - Two Methods Explained

Choose to use the “Marching Ants” View to make it easy to find the missing areas.

How to Swap Colors in Photoshop - Two Methods Explained

Then in the upper left corner, choose the Brush Tool and make sure the “add” feature (+) is selected. Lastly, choose a radius size to make the selecting easy. In this case, I used 365.

How to Swap Colors in Photoshop - Two Methods Explained

Now paint all over the area you want to change to the new color. It’s okay to go slightly over the edges to ensure all of the color is changed. If you are making drastic changes or if your background color will interfere, you may need to be more careful with your painting.

How to Swap Colors in Photoshop - Two Methods Explained

Zooming in, you can see that I missed some edges here and there and overlapped a little too much. Take your time and make it look good.

How to Swap Colors in Photoshop - Two Methods Explained

You can also see in the image above that there is still an orange cast on the armrest of the chair. To make the scene complete, I’ll swap that color as well.

Click OK when you are finished painting in the area to swap. You’re just about done!

Step #7 – Layer blend mode

Depending on what you’re swapping and the textures and colors involved, you may be able to get a slightly better result by choosing a different blend mode option for this layer. Click the word “Normal” above your layer and play around with the different layer blend mode choices.

How to Swap Colors in Photoshop - Two Methods Explained

You’re done!

From here, you can fiddle until your heart is content. Try new blending modes and opacities. Refine your masks. Then sit back and enjoy your handy work!

final-side-by-side-color-swap

 

Cautions

  1. Watch out for white objects when there is a lot of white in the scene. These can be tricky.
  2. For that matter, watch out for the color you want to swap appearing anywhere else in the image. You’ll need to remove the mask from those areas manually (Step #6 but use the “minus” option).

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The post How to Swap Colors in Photoshop – Two Methods Explained by Peter West Carey appeared first on Digital Photography School.


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Layer Chair: Mod Slots Let You Swap Out Panelized Acrylic Decor

10 Jan

[ By WebUrbanist in Design & Furniture & Decor. ]

layer chair

Treating the seat and back as blank slates for expression, the Layer Chair allows its owner to slip in and slide out works of art and design, transforming the look of the furniture on demand.

layer hologram pop art

layer print insertion

The clear acrylic framework “allows for a see-through structure. Both the back and the base of the chair have a void where the user can fit three different layers of printed or colored acrylic, or even wood, glass, or any other material that comes in mind.”

layer chair mod effect

layer chair diy mod

The approach by South Korean graphic and industrial designer Sohyun Yun is intended to address aesthetic limitations of traditional chairs, which are locked into a single style or look. Instead, through layers, this seat is visually refreshed through user-driven modifications.

layer normal seat use

layer seat insert

Anything is possible, from pairing a hologram back with an Andy Warhol seat print, to slotting in more conventional looking pieces and parts aligned with other furniture looks and styles.

layer custom chair color

layers sliding into place

layer simple colors seat

The layers also allow for experimentation and playful interactions between sheets, since their patterns can be partial and/or semi-opaque. A number of layers come with the initial object, but others can be created or bought by users as well.

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[ By WebUrbanist in Design & Furniture & Decor. ]

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How to do a Head Swap using Photoshop

26 Oct

When looking through your pictures, have you ever had that sinking feeling of seeing everyone in a single image perfectly happy and smiling except for one person who was sneezing, sniffling, or looking at a squirrel? I can recall several times when I have returned from photo shoots being all optimistic about the experience, but realized as I combed through my images, that while I had several good shots where most people were perfectly posed, I didn’t have any shots where everyone looked just right.

It can be intensely frustrating, especially if you know you did everything in your power to get just the right shot. Fortunately Photoshop can help. With a few simple steps, you can learn how to load up a couple of images and perform a face or head-swapping maneuver with surgical precision, that would make Nicolas Cage blush (as in from the movie: Face Off). If it’s done correctly, no one will ever be able to tell that the final image has been altered.

Face-swapping can be incredibly useful when dealing with squirmy kids. This impromptu photo at a birthday party is actually a composite of three separate pictures.

Heade-swapping can be incredibly useful when dealing with squirmy kids. This impromptu photo at a birthday party is actually a composite of three separate pictures.

When going through my pictures, I always start with Lightroom to cull the images down to the best ones, and do initial edits, such as exposure and color adjustments. If I come across a situation where I need to take a face from one photo, and put it in another, I open both pictures in Photoshop (which is a simple matter of right-clicking and choosing: Open as Layers in Photoshop). For example, the following picture turned out fine except for the boy who was distracted by something off to the side.

This family picture I took on July 4 is fine, but the boy's expression is not the greatest.

This family picture I took on July 4th is fine, but the boy’s expression is not the greatest.

Fortunately I had another picture that looked great, but in this one the mother was blinking. No worries though – Photoshop was there to save the day!

He has a much better expression in this photo, but his mother was blinking.

The little guy has a much better expression in this photo, but his mother was blinking. Photoshop to the rescue!

When working with edits like this it’s a good idea to use as high-resolution of pictures as possible, so you have the maximum amount of data to work with. Do not export your images from Lightroom as low-res JPG files, and then import them into Photoshop. Instead use full-size originals, though I do like to make sure the exposures are as closely matched in each picture first. Edit your white balance, color adjustments, and other parameters such that both images are as close as possible before going into Photoshop, or your composite will look painfully obvious. (Some photographers take the exact opposite approach and do all the Photoshop work first, and then do color adjustments and cropping in Lightroom. Either way works, but I prefer the former method.)

If you’re unfamiliar with Photoshop, and it seems a bit overwhelming at first, don’t think about all the buttons, menus and options available to you just yet. This face compositing really only requires two sections: the Layers panel in the bottom right corner, and the Brush tool on the left side.

photoshop-face-swap-workspace

Open both images as layers in Photoshop

Select both images in Lightroom and right click, then choose: Open as Layers in Photoshop. Once your images are open in Photoshop, rename one or both so you can tell which is the one to use most people, and which is to copy the new head from.

photoshop-face-swap-edit-as-layers

 

You now have two layers in one image: the background (in this case, the one where everyone but the mother is smiling) and the layer you just copied over (in this case, the one where only the mother is smiling).

photoshop-face-swap-multiple-layers

Make a layer with just the new head to be added

From here there’s a couple different ways to go about combining them, but when doing a simple head swap the method I prefer is to get rid of everything in the second layer except the face I want to put into the first image. To do this, use the Lasso tool to draw an active selection around the face, and create a new layer which consists of just the face itself. I like to use New Layer via Copy just in case I want to go back to the original for something, but it’s up to you. Make sure to leave plenty of padding around the face so you have enough room to blend it in as you make your adjustments.

photoshop-face-swap-new-layer-via-copy

You now have three layers in the side panel: the original background, the new one you copied over, and the face itself. Since you only need the face, you can click the eye icon just to the left of the layer you copied over, which leaves it intact but invisible (hidden layer).

photoshop-face-swap-three-layers-hide-one

Compositing or blending them together

Now comes the fun part – compositing the face! I like this step because I get to be a little creative, and play around with exactly how I want the final image to look. The first thing you’ll notice is the face you are working with is probably going to be out of place, unless your camera was on a tripod, and everyone was perfectly still.

photoshop-face-swap-initial-composite

To get the face into the proper position, select it in the Layers panel and change its opacity to about 50%. That way you can see both faces at the same time, which will help you as you start lining them up. (Note: alternatively you can change the face layer’s blend mode to Difference. That will show it sort of inverted (negative) and it makes it easy to position them or align the layers. Then just change it back to normal when done.)

photoshop-face-swap-opacity

With the face layer still selected, choose “Transform” from the “Edit” menu, or press command-T on a Mac (control-T on Windows). Use your mouse to drag the face into the proper position, and press the arrow keys on your computer to fine-tune your movements on a per-pixel basis. You can also use the Transform command to rotate the face in case the person has turned his or head slightly. To do this, put your mouse cursor just outside the border near one of the corners, where it will change to a rounded arrow which means you can now click and drag to rotate.

photoshop-face-swap-line-up-facial-features

Once you that have the second face lined up properly over the first one, press the [Enter] key to lock it in place, then bring the layer opacity of the face back up to 100%. Don’t worry if you didn’t get things just right: you can always made additional Transformations later by selecting the layer and choosing “Transform” just like before.

At this point things are looking pretty good, but right away you will notice a harsh border around the face where your selection box was. This needs to be eliminated so you only have the facial features you want, and not the person’s hair or any background elements that might have changed between the shots.

photoshop-face-swap-harsh-border

At this point you might be thinking “No problem! I’ll just use the eraser tool to get rid of the parts I don’t need,” but that’s a rookie mistake you will soon regret. The eraser tool is permanent, so instead we’ll use what’s called a layer mask to get rid of any parts we don’t want. It works similar to the eraser tool, but is fully adjustable and even altogether reversible (it’s called non-destructive editing) so that any edits you make can easily be undone at any point. With the face layer selected, click the “Add Layer Mask” button at the bottom of the Layers panel.

photoshop-face-swap-new-layer-mask

Now you can use the brush tool to paint out (using black) any areas of the face layer you do not want, or paint them back (paint with white) in if you do decide to keep them. This layer mask method is far more flexible than using the eraser tool, and it allows you to use varying levels of opacity as well. You can partially erase something, while retaining just enough to allow for a smooth transition, instead of a harsh line. Select the brush tool and choose a brush with soft edges. Play around with your flow rate and opacity settings too. I don’t like to go all the way to 100% opacity right away, so I usually start with 50%-70% to leave some wiggle room. Remember, you can always change your adjustments later.

photoshop-face-swap-brush-selection

Now you can start blurring the line between the background photo and the face you are compositing onto it. Use the brush tool to gradually erase around the edges of the face, and if you find yourself wanting to brush anything back in just press the X key to reverse the process (X switches your foreground and background colors, in this case black and white) as you apply the brush. Notice that you’re not actually painting on the image of the face, but on a mask that has been applied to the layer. You are basically telling Photoshop which parts of the face layer you want to see, and which parts you want to erase (hide) or mask out. In the Layers panel you will see this mask show up to the right of the original layer as a mostly white box with some dark spots that indicate where you have painted with the brush.

photoshop-face-swap-edit-layer-mask

Using brushes on the layer mask is the most part of this whole process as I get to see my edits in realtime, and get as detailed as I want with brushing in the smiling face.

photoshop-face-swap-final-image

The final image

You can use this technique to composite as much as you want, including background elements, multiple faces, or even individual features such as eyes or teeth. Learning this simple head swapping technique is not only handy for creating the perfect group portrait, but can also be your gateway into a much broader world of Photoshop editing in general.

What are your favorite tips for doing simple edits in Photoshop? Do you have any other techniques that have worked for you over the years? Leave your thoughts in the comments below.

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Swap Your Funnies for Munnies

21 Jun

You’re itching to liven up someone’s Monday with good laugh, right? Well, hop on over the shop and tell us a joke!

TODAY ONLY (10am-4pm EST), we’re doling out dough for jokes. The more you make us laugh the bigger the discount we’ll throw at you.

The absolute ringer of the day will win a whopping $ 150 coupon! We really like jokes. No joke!

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Swap Your Funnies for Munnies

08 Jun

You’re itching to liven up someone’s Monday with good laugh, right? Well, hop on over the shop and tell us a joke!

TODAY ONLY (10am-4pm EST), we’re doling out dough for jokes. The more you make us laugh the bigger the discount we’ll throw at you.

The absolute ringer of the day will win a whopping $ 150 coupon! We really like jokes. No joke!

Hit Us With Your Best Punch(line)
(…)
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Funnies for Munnies (0 words)


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DISCUSS: What Would It Take to Get You To Swap to a New Camera System/Brand?

21 Oct

switch camera system brandThis last week Sony released a couple of cameras that caused a big stir around the online photography community – the Sony A7 and A7R cameras (pictured right). These full frame, interchangeable cameras come in a compact body with lots of features and the initial hands on reviews being published from around the web say that they are going to be really popular.

I’ve seen a lot of DSLR owners say that they’re pre-ordering these cameras already and it has made me wonder – what would it take for me to switch from one camera system to another?

The thing that stops most DSLR owners from switching brands is their investment in lenses and accessories that tie them into a brand. But increasingly we’re seeing adapters released that allow using lenses with one lens mount on other brands. For example these new Sony cameras can be fitted with an adapter that allows for my Canon lenses to be used.

The barriers to switching are slowly being removed.

I’m not yet ready to make a switch but I’m seeing more and more people do so. For some reason I’m particularly seeing disillusioned Canon DSLR users make the switch – maybe its just that there are more of them but quite a few feel frustrated by the lack of development by Canon of late.

So here’s my Question

What would it take for you to switch from one camera system to another?

Are you tempted to do so by some of the new cameras announced in the last year?

Or have you already made the switch and do you have any regrets?

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

DISCUSS: What Would It Take to Get You To Swap to a New Camera System/Brand?

The post DISCUSS: What Would It Take to Get You To Swap to a New Camera System/Brand? by Darren Rowse appeared first on Digital Photography School.


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RED camera lens mount swap part 2

14 Feb

Douglas Underdahl of Long Valley Equipment www.longvalleyequip.com shows you how to swap the PL mount on the RED camera to Nikon mount; part 2 of 2
Video Rating: 4 / 5

This was filmed on the south side of Redondo Pier on Sunday, March 18, 2012. It was windy and very cold. The video was shot with a Nikon D3x at about 1 frame per second. Over 800 frames were taken than exported into a video using Photoshop 5 set to about 6 frames a second.
Video Rating: 0 / 5

 
 

MJCQ Field and Swap Meet 2008 Part 1

21 Jan

Part 1. A three-day event held by the Military Jeep Club of Queensland, from Friday 17th through to Sunday 19th October 2008. I arrived on the Saturday. In this footage you can see: Willys MB and Ford GPW jeeps Diamond T wrecker demonstrating how to lift a Studebaker US6 truck The ultra-rare australian Scout Car S1 of which about 40 were built for the americans for airfield defence. There are only two in existence and this is the only restored and driveable one.
Video Rating: 5 / 5