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Styled Photo Shoots with Suppliers: How, Why and What You Get

12 Nov

The post Styled Photo Shoots with Suppliers: How, Why and What You Get appeared first on Digital Photography School. It was authored by Carl Spring.

styled-photo-shoots

When it comes to business, the word-of-mouth referral is still king (or queen). Obviously, your past clients will be a great source of referrals, but one of the best sources of leads for a working photographer is to get referrals from other suppliers. But what can you do to make sure that you are the first business on the lips of local suppliers? The simple answer is to work with them. The best way to do this is with styled photo shoots.

A bride poses on the beach with props.

This is the result of a group of talented suppliers coming together. When you see the results, any issues melt away.

Now, as I mainly work in wedding photography, I will base this article on wedding suppliers. However, this can easily transfer over to portraits and, with a little imagination, various other fields of photography.

How do I begin?

Well the first stage is a portfolio – this is key to working with suppliers. They will want to know that you can deliver the images and that they aren’t wasting their time (and in many cases money) working with you.

What do I mean by their money?

Well, a wedding dress will generally need dry cleaning after a shoot, a florist will have to prepare flowers for the shoot that will die pretty soon afterward. Also, a venue will have to turn down bookings for the day that you hold the shoot there.

Obviously, there are time factors involved for everyone (including you), so bear this in mind. You will tend to work after the shoot on editing, whereas others will be working in the lead up to the day.

If you don’t have a portfolio, you can use friends and family to create your own styled photo shoots. Use a venue you have access to, and minimize your outlay in other ways too. Use supermarket flowers instead of paying for styled bouquets, for example. It’s a hard reality, but without work that you can show people, you won’t get very far.

You have to remember that these people are professionals. Most people do not have time to risk on a styled photo shoot with somebody with no portfolio. It takes time to build, but it is not a stage you can skip.

styled-photo-shoots-with-suppliers-dps

This totally unplanned styled photo shoot took place at a wedding fair. Having your gear and simply asking the question can get you great results.

The contact

Next is the hard part for some, contact a supplier you want to work with. I generally find email works best. Politely offer to meet up (I also bribe them with cake) and discuss an idea you have for a styled photo shoot. Make sure you compliment them on their work and be charming and polite.

Be prepared for a lot of “thanks, but no thanks” or sometimes no reply at all. By all means, follow up with a short, polite email a few days later, but that’s it. Some people don’t have time, some have people they already work with, and some simply don’t like your style.

Grow a thick skin, accept it, and move on. Eventually, though, you will find someone willing to chat. Just be patient and try not to get down in the dumps with rejections. It’s nothing personal; it’s business.

The initial meeting

Congrats, you have someone interested. The next step is meeting up.

The important thing here is to go with ideas, but be flexible. Always send a courtesy text or email the day before. A little tip is to call them when you are nearby and see if they want a coffee bringing in, or turn up with some treats. It’s just a nice thing to do, and, personally, I always remember people who give me free treats!

You will probably be nervous, but remember, they wouldn’t have come if they didn’t want to be involved. Talk over ideas and develop an outline plan. If they agree, you are on your way! Always follow meetings up with an email so that everyone is clear about what the idea is.

If you are starting out, a great way to expand your network is to ask the person you’re meeting if they have other suppliers they work with, people who model for them before, etc. Not only does this save you some hassle, but it expands your network as the other suppliers are being introduced to you by someone they trust.

Reading that last sentence back, it sounds like the wedding industry equivalent of the mafia.

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Not Exactly the Mafia, but a great group of people to work with.

Once you have one…

Once you have one supplier on board, it always seems to get easier. Your initial supplier may recommend some other people to involve. Alternatively, you can now email people telling them “Brand X and I are planning a styled photo shoot…”. 

Pretty soon, things will come together and you will have a team of people on board. Now comes the hard parts.

Co-ordination

Having a group of people wanting to work on a project is great. But, now comes the hard part – coordinating them all!

This can be a nightmare.

My advice is to set up a chat on your social media of choice, where everyone can chime in.

The most important part of the coordination is sorting out a date that works for everyone, which can be a nightmare in itself. There is no advice I can give here. You simply need to throw out dates until you can all agree.

There can be a case for swapping out a supplier if one person cannot make a date. But it is hard to tell people who have committed that you need to look for someone else who is more available.

Patience is key. Be prepared to keep working until you get the date.

Plan B (and C and D)

Problems are par for the course on styled photo shoots, no matter how amazing the final images look across social media.

In my experience, models are most likely to drop out of shoots first, but it can be anyone at any time, for any reason. Try to plan for issues as best as you can. What will you do if it rains on the day you planned your outdoor shoot? Not a problem, you have 3 more dates locked in for such things. What happens if you turn up to your woodland location, and there is a cycle race? (This actually happened to me.) Not a problem, you have two other locations where you can shoot.

Problems can (and will) occur. Just plan for them and be prepared to change to plan B at a moment’s notice. Usually, you can overcome these problems, but only with planning. Speaking of…

styled-photo-shoots-with-suppliers-dps

This wasn’t the original model. She only came on board two days before the shoot. However, you could not have asked for a better model to work with.

Entertaining everyone’s ideas

You need to nail down the overarching theme for the shoot quickly. The person who organizes the shoot (i.e., you) will decide on the theme and its use when initially chatting about the plan.

Once decided, Pinterest is a godsend. Set up a shared board, then get everyone to add things to it. From here, you can all pick a favorite selection to become the final mood-board.

Things will need to be flexible, as everyone has a slightly different vision. Just make sure that everyone feels part of this process. By being invested in the planning stages, people tend to bring their A-game to the final shoot. Make sure everyone is on board, has had their say, and you have come to the final vision together.

Show them who’s boss (or know who is)

Somebody has to be the boss, and as the photographer, often people will look to you for guidance or to take charge. Be firm, but accommodating. You need to be the one to smooth things out when the stylist brings something floral she really wants in the shoot. Or the makeup artist tweaks the hair just a little. People can get stressed, and as the person in charge, your job is to keep everyone relaxed and keep the shoot rolling.

You are part teacher, part parent, part best friend to everyone on the shoot. Just be mindful of everyone’s feelings and try your best.

Now, this may not be your strong suit. You may agree that someone else takes needs to take the lead, but you do need to make sure someone is in charge of final decisions. Otherwise, the little issues can end up in an argument, and everything will go downhill from there.

One of the key things you need to do is get everyone’s details. You need a list of all suppliers, all their social media links, all websites, etc. because everyone who worked on the project should get be credited with any use of the images. Be sure that everyone agrees to this before they use the images.

A model in a bridal dress looks down, showing her makeup.

This shot was solely for the makeup artist. Making a list of shots people want before the shoot is always helpful, especially when you’re starting out.

On the day

Hopefully, everyone turns up at the right time and the right location. Depending on your shoot, you may have all of the suppliers stay for the whole shoot or just a few of them. Obviously, it can be nerve-racking shooting with people around (especially when starting out), but it is something you need to get used to.

Remember, you are the expert (even if you don’t feel like it), and you will create images that everyone loves. Think positively, act positively, and believe in yourself. As a pessimistic introvert, I find this hard, but there is no alternative. Be charming, polite, helpful, and try not to let any panic show.

Once on the shoot, you need to work smoothly. You may be panicking, and the camera may be having a meltdown. Internalize it! No matter what happens, you need to come across with an air of calm and show that everything is fine. Even if you are not the person taking charge of the shoot, as the photographer, you are the person who is in charge of the final product.

Before you shoot, take your time and make sure you are happy with the lighting, etc. Lastly, make sure that you check the details. There is nothing worse than realizing somebody left a plastic bag in the background of the shot that you didn’t notice. Just check carefully and try not to get carried away.

Whilst I would not advise showing every shot to those on the shoot, I would advise to show them some that you nail. Especially early on. By doing this, it shows everyone you have got some great images, and it will relax everyone, yet make them work harder. Always check with the model too. Make sure they are happy with the photos. They may notice some things that you miss. They also tend to relax when they see the first photo of the shoot they like.

styled-photo-shoots-with-suppliers-dps

A public location can cause problems. Just out of shot are a couple of hecklers. On the plus side, the model did get a couple of marriage proposals.

After the event

Get the images to everyone for picks as soon as you can after the shoot. It is tempting to put all images up and let people choose, but if you are not careful, you can end up with people all choosing different shots and leaving you with a mammoth editing job.

Really trim the images down. I aim for around 40 maximum from a styled shoot. This way, I put out images that I love. If you add images you are not sure about, someone will choose it as a favorite, and you will regret adding it to the initial edit.

From here, get everyone to make some selections. The key is to ask people to choose 3-5 each that they love. That way, you are not left with a massive editing job. If you tell everyone to pick as many as they wish, you will generally end up having to edit about 90% of the images you show them.

When it comes to editing, start with the ones that multiple people have chosen, then work your way through the rest. Again, the key here is letting everyone know where you are up to.

Try to get a few out straight away, but if life or work stops you from being able to edit the rest quickly, just let everyone know. They will be understanding. But if you don’t let them know, they will begin to wonder. Communication is key in a styled photo shoot, from the first conversation to the delivery of the last image.

When you share images, make sure you credit everyone. Make sure you do exactly what you said you would and make sure that you check everyone is happy. That way, it leaves a good lasting impression, which is what you want.

What do you get?

There is a lot of time, effort, and occasional headaches involved in a styled photo shoot. Is it worth it? Yes.

The aim of this is to spread your name. If the dress shop has an appointment the next day, they may strike up a conversation about photography. If they do, they will likely speak of you. If you do a good job, your name will be the first one that comes up whenever they discuss photographers.

You will be seen on several companies’ social media, which again can turn into followers and customers.

Most importantly, you are putting your name out there as someone who takes great photos, is great to work with and you are widening your network. It may not count as money in the bank straight away, but it will eventually.

The more people who know your name, the more people will speak it. The more who speak it, the better known you become. Add in the fact that they will speak of you in high regard (if you delivered on the shoot), and you have a recipe for success.

Have you worked on styled photo shoots with others? What was your experience? Share with us in the comments section below.

The post Styled Photo Shoots with Suppliers: How, Why and What You Get appeared first on Digital Photography School. It was authored by Carl Spring.


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Greek Gods Graffiti: Classically Styled Street Art by Spanish Duo PichiAvo

14 Sep

[ By SA Rogers in Art & Street Art & Graffiti. ]

Greek gods and other figures from antiquity tower over a very different world from the one in which they were born, entwined with contemporary graffiti on building facades and other urban surfaces across the globe. The style of PichiAvo, a Spanish street art duo composed of individuals nicknamed Pichi and Avo, is undeniably distinctive, taking imagery usually associated with static, immobile stone statues and enlivening it with a sense of movement and lots of vivid color.

Sometimes, these figures are playfully interacting with the imagery around them; at other times, they’re translucent against their colorful backdrops, almost like ghosts temporarily visiting our realm and checking out what we’ve done with the place. The duo began working together in 2007, painting their creations all over the streets of Spain. Since then, their work has only become more complex.

They were particularly prolific in 2016, splashing a cherub across a five-story apartment building in Denmark and completing a mural of Prometheus in Murcia, Spain for the Festival Arte Urban Mar Minor. They also painted a pair of Greek figures on the side of an abandoned factory building in Valencia, Spain. For the latter, they tried some new techniques, including using spray paint for the background and mixing it with acrylic paint to create the statues.

The duo recently did an interview with Global Street Art, explaining how their styles work together and why they choose these particular visuals.

“We started our style thinking we should bring everything we know about art together and adding graffiti to help bring classical art back to life. The best way we could think of to do this was by working with classical sculpture, sculptures that today are white but people don’t realise they used to be covered in paint, so our painting the figures with the graffiti is our small tribute to the classical sculptures that have marked many historical recognised artists.”

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[ By SA Rogers in Art & Street Art & Graffiti. ]

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Drawing Sculptures: 3D Architectural Art Styled After 2D Sketches

01 Dec

[ By WebUrbanist in Art & Sculpture & Craft. ]

stick-frame-drawing-sculpture

This ongoing series of sculptural floating cities and suspended towns could be mistaken for pencil drawings when glanced on a wall or seen in a two-dimensional medium like photography.

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white-on-dark

Spanish artist David Moreno sees it that was as well: at attempt to draw sculptures, but using steel rods lashed together with piano wire rather than a pen on a pad. Background depth, shadows and other slight dimensional clues cue viewers into what they are really seeing.

sticks-on-stilts

These stick-figure structures correspondingly look deceptively simple: what would normally be a single stroke is instead a meticulous assembly process, the rods tied together by hand and piano wire wrapped and clipped to support them.

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chair-sculpture

The Barcelona-based artist has also toyed with 3D-printing extrusion devices to shape similar works in more colorful formats, combining, for instance, a series of stylized chairs into a mass of interconnected hanging sculptures.

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In other cases, strings and wires are looped and stretched to form complex shapes or interact with other objects – stories and figures emerging from a combination of materials and forms.

wire-artwork

staircase-wall

While the specifics of his work shifts from one installation to the next, a common theme is clear: taking traditions of line art into the third dimension and seeing what can come of the process (via Colossal).

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Photographing People: To do Styled Portraits or Not?

25 Aug

When I was a senior in high school, there was one local photographer that nearly everyone went to for their portraits. Part of her process included each person bringing in a bag of clothing to model for her. She would then help select the outfits that would ultimately be worn for the portraits. She also gave specific instructions for hair, makeup, and grooming. Quite often, the photographer hired a makeup artist to be present for the portraits – in effect she was doing styled portraits.

styled portraits two girls

The end result was portraiture that was extremely consistent in style. Even to this day, I can look through my high school yearbook, and pick out exactly whose portraits were taken by that particular photographer. Parents loved her because her output was high-quality, consistent, and you knew exactly what you were getting aesthetically when you booked a session. Essentially, the photographer was offering what has since become known as a “styled session”.

Similar to debating how much (or how little) to post-process images, whether or not to style sessions when photographing people is hotly debated. Let me make one thing very clear – the point of this article is not to take an ultimate stance as to whether or not you should style your own sessions. Rather, this article will discuss circumstances in which it may be beneficial to style sessions, as well as some of the possible disadvantages. Hopefully, this will also start some discussion about what works well for you.

styled portraits newborns

A styled newborn session. I provided the blanket, flowers, and newborn wrap.

Styled Portraits – Definition

In general, a styled session can be defined as being any time the photographer selects the clothing, hair, location/backdrop, and props for a particular session. In other words, the photographer has control and decision making power in all aspects of the session, and controls the end aesthetic look or style of the session.

Pros to Styled Portrait Sessions

  • As the photographer, you have complete control over all the sessions with your name on them.
  • It’s easy to create a signature style or look to your photography.
  • Clients (paid or unpaid) know exactly what to expect when they book a session with you.
styled portraits - A styled child portrait session.

A styled child portrait session. I selected the dress, flower crown, location, and lightly curled her hair.

Circumstances That Lend Well to Styling

In my experience, some types of photography lend themselves to styling more than others. For example, newborn photography is one genre of photography in which the clients often have a desired aesthetic that may be difficult (though not impossible) to capture organically in the client’s home. Many times, newborn photographers have a studio setup with all their blankets, posing bags, and backdrops. If they shoot on location, they often bring blankets, hats, headbands, and various other props to style the sessions to fit their individual style of photography.

styled portraits couples

An image from a styled session with a 1940s theme. I provided the hat, and helped select the makeup and outfits to fit within the theme.

Another instance in which photographers may elect to offer a styled session is when they’re trying to break into a new genre of photography. For example, it’s not uncommon for a photographer looking to break into the wedding business, to hold a styled bridal session in order to create images to use for advertising. The photographer will arrange for various vendors to provide a wedding dress, flowers, a cake, furniture, and other prop items for the purpose of photographing, as if it were an actual wedding. This allows the photographer (and other vendors) a way for their work to be seen via social media and similar venues, before they’ve even booked their first wedding. It’s also a good opportunity to try something new and push yourself in a relatively low-risk scenario.

A third instance in which styling can be appropriate is when you’re trying to create (or recreate) a specific artistic vision. If you’ve been tasked with photographing a 1920s themed engagement session, or one based on a particular book, painting, or movie, then providing a styled session may be the best way to ensure an end product that is consistent with the desired aesthetic.

A senior portrait session that was not styled.

A senior portrait session that was not styled.

Cons to Styling Sessions

On the other hand, going back to the initial example of the senior portrait photographer, the drawback to selecting that one photographer was that the end portraits all looked basically the same, and in some cases, the portraits looked very little like what the person looked like in real life. This anecdote perfectly captures two of the potential drawbacks to offering styled sessions:

  • Sessions can tend to look very similar to one another.
  • Sessions do not always adequately capture the person’s or family’s personality.

Child portrait session that was not styled.

Circumstances That May Not Lend Well to Styling

Although children can be photographed well in any scenario, I prefer not to photograph kids in styled sessions. In my own experience, when I try to style children’s sessions I can become so focused on the outfits, props, and the look of the session, that I can easily overlook capturing the genuine emotion and personality of the child, which is really where my passion lies.

I don’t have this same issue with newborns, engagements, senior portraits, or other types of people photography, but have noticed it particularly when photographing children. As with any genre of photography, there are no absolutes – I’ve seen styled children’s sessions that are unique to each child, and absolutely do capture their personalities, but in my personal practice, I’ve found that my preference is not to style children’s sessions.

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An newborn photo that was not styled – I used their own blanket, swaddle, and knit rabbit.

When I’m talking with clients prior to a session, if I hear them say the words “candid” or “lifestyle”, it’s a good indicator for me that they probably aren’t interested in a styled session. There’s definitely a range of what people are really asking for when they use those terms in regards of photography, but regardless of where they fall on that particular spectrum, they are probably not looking for images in which every aspect has been carefully curated. This is where knowing your client – whether they’re paid or unpaid – and understanding their needs, is absolutely key to a successful portrait.

Meeting in the Middle

Most often I find that clients really want something in between a styled session and photojournalism. These clients want me to capture the best version of themselves and their lives, which requires a bit of guidance, but not necessarily styling.

They may need some guidance regarding what to wear, but they don’t want or need me to select their outfit for them. They may need me to suggest moving a group of bottles and pacifiers visible on the coffee table during a newborn session, but they don’t need or want me to bring a box of books and succulents to completely stage their home. There’s a balance between the two ends of the spectrum that seems to meet the needs of most of my clients, while also allowing me to have some creative control as the photographer.

styled portraits

For this session, we talked about having each girl wear a white dress and a flower crown, but their moms ultimately selected both the dresses and the crowns. This is an example of “meet in the middle” styling.

Just like any area of photography, there’s a range of beliefs and practices in regards to styling sessions. Some photographers elect to exclusively style sessions, because it gives them the most control over the final image. Other photographers prefer to take more of a photojournalism approach and capture their clients exactly as they show up. Still others land somewhere in the middle.

What about you? Do you offer styled sessions, a photojournalism approach, or are you somewhere in between? What works well for you? Please share your thoughts in the comments below.

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The post Photographing People: To do Styled Portraits or Not? by Meredith Clark appeared first on Digital Photography School.


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