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Posts Tagged ‘Studio’

Practice your portrait lighting in lockdown with this virtual studio program

16 Apr

With many people being off work at the moment it might seem the perfect time to practice our photography – except that in so much of the world we’re not allowed to go out of the house let alone meet up for a portrait shoot. Software company Elixxier claims to have a neat solution in its recently updated set.a.light 3D application that allows us to keep experimenting, perfecting and testing studio set-ups even when we have to stay at home.

Users of the application can create a virtual studio filled with lights, modifiers, backgrounds as well as a host of models to choose from. Photographers can pose their models and add lights to the scene while previewing exactly how each move and position will change the way the picture looks.

The program allows us a 3D view of the set-up we are creating so we can view the relationship between models and lights from the side or even above, and users have a choice of manufacturer-specific studio lights, speedlights and continuous light sources. A range of softboxes, snoots, barndoors and grids are available to alter the way the light looks, and colored gels can be added for atmosphere.

Users are able to shift the position of the lights and alter their intensity while seeing the effect immediately in the camera preview window. There is also a choice of lenses, apertures, shutter speeds and, of course, camera positions that all have an impact on the way the picture looks. You can even select the size of the sensor to match that of your camera so the settings, lens effects and looks can be mirrored in your real-life set-ups with a live sitter.

Not only can you experiment with your lighting set-ups using set.a.light but the complex range of options allows users to have precise control over the model’s poses. Legs bend and props can be placed under feet to get more shape into a pose, and even individual fingers can be carefully arranged. Models can be dressed, or undressed, the way you want them and glasses can be added for an extra challenge – in a range of colors and styles.

Once you are happy with the way the model looks you can actually ‘take’ the picture and the result is rendered out as a normal picture file. You can also save the lighting diagram and 3D plan so you can refer to it at a later date when preparing to shoot a person for real. The program is great to allow us to practice during this lock-down, but in normal times it lets us test and experiment at leisure without the cost of studio and model hire, and it should make us more prepared when we arrive at a real shoot.

The latest version of the program adds a community discussion area where users can share their setups with others and chat about how images could be improved.

The Basic version of the application costs €79 (approx. $ 90) at the moment, while the Studio version is €154 (approx. $ 170), and company offers a free trial of the full version for 15 days. For more information see the Elixxier website.

Articles: Digital Photography Review (dpreview.com)

 
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NVIDIA’s new GeForce RTX Super GPUs join forces with Intel’s 10th generation H-series CPUs in RTX Studio laptop line

03 Apr

NVIDIA has announced the arrival of ten ‘Studio’ laptops announced that use Intel’s newly-released 10th generation H-series mobile processors. The NVIDIA RTX Studio-branded laptops include the company’s newest GeForce RTX Super GPUs. The RTX Studio notebooks come from Acer, Gigabyte, MSI and Razer, with new RTX Studio laptops from HP to be announced in the coming weeks.

All the announced RTX Studio laptops include NVIDIA’s flagship RTX 2080 Super Max-Q GPU and Intel’s 10th generation H-series mobile processors. Each Studio laptop is designed and catered to creatives, and thus include features important to creative enthusiasts and professionals. For example, the Acer ConceptD 7 Ezel and ConceptD 7 Ezel Pro laptops have built-in Wacom pen support and include color-accurate touchscreen displays. The MSI Creator and Razer Blade 15 Studio display 100 percent of the DCI-P3 color space, which is important for videographers. It is worth noting that some RTX Studio notebooks include 100 percent coverage of the Adobe RGB color space as well.

In total, 10 new RTX Studio systems were announced today. They each focus on different features, but all cater to creative applications. The Acer ConceptD Ezel 7 and ConceptD Ezel 7 Pro feature Acer’s Ezel design allowing flexibility in usage and have Wacom pen support. The Gigabyte Aero 15 OLED and 17 HDR machines include 4K OLED displays and display 100 percent of the DCI-P3 color space. MSI’s Creator 15 and Creator 17 notebooks have 4K IPS displays and can display 100 percent of the Adobe RGB color space. The Razer Blade 15 models have a striking aluminum unibody design and 4K OLED displays.

Click to enlarge. Image credit: NVIDIA

In our coverage of Intel’s new H-series mobile processors, (LINK) we discussed the advantages of maximum CPU speed for photography applications. For video editors, GPU plays a more significant role, which is where NVIDIA’s new RTX Super GPUs come in. More than 45 applications support NVIDIA’s RTX acceleration to improve performance, including Adobe After Effects, Lightroom, Photoshop and Premiere Pro. Popular video-centric software such as Cinema 4D, Davinci Resolve, Redcine-X Pro and Vegas Pro also support RTX acceleration.

More than 45 applications include RTX acceleration to improve performance. Click to enlarge. Image credit: NVIDIA

Alongside today’s announcement, NVIDIA published video editing performance gains users can expect with the new GeForce RTX Super GPUs when compared to Apple’s latest 16-inch MacBook Pro. Click to enlarge the chart.

Click to enlarge. Image credit: NVIDIA

With RTX Studio laptops being designed specifically for creative professionals, they will be bundled with three months of Adobe Creative Cloud for a limited time. This offer is valid for both new and existing Adobe customers.

Articles: Digital Photography Review (dpreview.com)

 
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Elinchrom launches ELC 125 and 500 studio strobe lights for preorder

26 Feb

Elinchrom has launched two new studio strobes for preorder, the ELC 125 and ELC 500. Both products are wired lights that feature TTL with manual lock, HSS up to 1/8000s and support for 100V and 240V AC power sources. The two models share a number of other features, as well, including a metal tilt-head, Smart Pro-Active Cooling, Auto-On from standby mode and support for powering the lights down to 7 watts.

The two products vary in size and capabilities. The smaller ELC 125 model features a 7 to 131W power range with 5 F-stops, +/- 150K color stability across the power range, 2kg (4.4lbs) weight, 23 x 16.7 x 26.30cm (9 x 6.5 x 10.3in) dimension and a recycle time that varies based on the power source.

At 120V, Elinchrom says the ELC 125 features a recycling time of 0.1 to 0.8s, a duration that drops to 0.06 to 0.45s at 230V.

The ELC 500 model is similar, but with larger dimensions at 28.0 x 16.7 x 26.3cm (11.2 x 6.57 x 10.35in), 2.5kg (5.5lbs) weight, 7 to 522 watts power range with 7 F-stops, and +/- 200 color stability over the power range. This model also features a recycle time that varies based on power: from 0.09 to 1.9s at 120V to 0.06 to 1.1s at 230V. The ELC 125 has a flash duration of 1/7750s and the ELC 500 of 1/9430s.

Other mutual features between the two products include a customizable Favorite button, 120W-equivalent daylight 20W 92 CRI LED modeling lamp, auto power dumping, a cooling fan, group color indicators built into the side logos and what Elinchrom calls an intuitive interface.

The ELC 125 and ELC 500 studio strobes are available to preorder from retailers like B&H Photo now for $ 619 / €529 and $ 899 / €769, respectively.

Articles: Digital Photography Review (dpreview.com)

 
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CAKE Ösa electric utility motorcycle can function as an off-grid mobile studio

14 Feb

Swedish motorbike company CAKE has launched Ösa, an electric utility motorcycle with off-road capabilities and a uni-bar extending from the back of the bike. The company offers a modular clamp-on system with baskets that attach to this bar, enabling owers to transport a variety of gear. The company specifically demonstrates Ösa as useful for photographers, describing the bike as a ‘mobile studio.’

Ösa was first introduced in late 2019 as CAKE’s second model following its Kalk platform. The new electric utility motorcycle is designed to function as a ‘power station on wheels,’ according to CAKE; it features a top speed of 100 km/h (63mph), range up to 100km (63mi), 65kg (143lb) weight, 6061 aluminum frame, 7050 aluminum handlebars and both medium and large battery options to suit different user needs. The full bike specs are available on CAKE’s website.

Buyers can get Ösa with an optional power converter that enables them to power lights, speakers, laptops, and other electronic items with the motorcycle’s battery. The converter supports 110/220V devices and offers standard US and EU power outlets. The bike itself is charged using standard 110/220V wall outlets and takes around three hours to go from zero to 100% charged.

In addition to the outlets for powering larger equipment, the motorcycle also features a built-in 5V outlet for charging smaller items like phones and a single 12V outlet for ‘medium duty’ items.

CAKE is currently accepting $ 200 deposits on Ösa with the remainder of the $ 8,500 price (or higher, depending on configuration) to be paid when the customer’s order ships. The company will start shipping the bikes on a first-come, first-serve basis in March. DPReview has inquired about getting a review unit, but we can’t promise we’ll get our hands on one.

Articles: Digital Photography Review (dpreview.com)

 
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GANPaint Studio uses neural network to ‘paint’ new elements into images

24 Jan

A team of researchers with IBM Research, MIT CSAIL and MIT-IBM Watson AI Lab has launched a new online tool called GANPaint Studio that utilizes a GAN neural network and semantic brushes to ‘draw’ entirely new elements into existing images. In the case of this particular tool, the elements include grass, clouds, brick, doors, trees, sky and domes.

Unedited before image.

As demonstrated in the images above and below, GANPaint Studio is more of a fun demonstration rather than a serious tool for modifying images. The input images are stripped down to a very low resolution when uploaded; the resulting images are clearly edited, though the neural network is capable of some surprisingly realistic edits.

After adding grass, trees and clouds.

In addition to drawing elements into the images, the tool also features an eraser icon that, when clicked, enables the user to erase elements from the input image. This isn’t the first time we’ve seen a demonstration of a neural network capable of producing realistic elements in an image using a basic ‘drawing’ tool.

In March 2019, for example, NVIDIA Research demonstrated a similar tool it calls GauGAN to generate a photorealistic image from a series of crudely painted marks, each mark made to represent types of elements like water, trees and sky. NVIDIA has published a sizeable body of research on AI and its potential for generating photorealistic images.

As for GANPaint Studio, anyone can access the photo editor here; it comes populated with a selection of preloaded images, but users also have the option of uploading their own image. While using the tool, we found that the images need to be at a fairly low resolution, such as 800 x 500, for the editor to successfully upload the input image.

The MIT and IBM researchers have made their research on the project publicly available [Note: This is a 48MB PDF].

Articles: Digital Photography Review (dpreview.com)

 
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Portable Portrait Studio in a Bag: Now You Can Take Portraits While on the Road

19 Jan

The post Portable Portrait Studio in a Bag: Now You Can Take Portraits While on the Road appeared first on Digital Photography School. It was authored by Mat Coker.

portable-portrait-studio

It is wonderful having a permanent studio to work in. But imagine being able to pack that studio into your camera bag and take it with you anywhere you want. You can do this by creating a portable portrait studio.

The problem is, portable studios tend to take up a lot of space.

I traveled from school to school with a portable studio. But it would take up my entire car, leaving no room for a passenger!

Half the fun of being a photographer is embracing constraints. So I decided to see how minimal I could get with a portable studio. Could I create a studio that fits into one small camera bag?

This is an important project because when you are confident that you can make nice portraits with minimal gear, you can take your studio down any road and into any situation. Your limits fade away, and the whole world becomes your studio.

portable portrait studio

This is my portable portrait studio. One camera, one lens, two speedlights, a rainbow of colored gels, one light stand, one umbrella, one reflector, and one piece of white fabric.

A studio is a place to study. By making your studio small and portable, you can study anywhere you desire.

Three things to consider as you travel with your portable studio

1. The person

The person you’re photographing is more important than your gear, your schedule, or anything else. Put all your focus on the person you’re photographing in order to achieve a good portrait. I tested out my new studio with a person, but if you don’t have a model you can practice with toy figures.

2. The light

When you need to make a portrait, look for a good light source.

A larger light source creates softer shadows and a smaller light source creates crisp shadows. Often, softer shadows are pleasing for a portrait.

The first thing I look for is a large window for my light source. If I can find a large window, then I don’t even need to use the lights in my bag. In that case, my portable portrait studio whittles down to a camera and a reflector.

But if I need to create my own light source, then I use a speed light and umbrella or softbox. By itself, the speedlight is a small light source. But the umbrella converts it into a larger light source and softens the shadows.

3. A clean background

You don’t want distractions in the background of your photo. Either keep the background clean and simple or make it part of the story. There isn’t much in your portable portrait studio, so you’ll have to work with the backgrounds you find on location.

The goal for all of these photos is a simple portrait with nice light and a clean background.

Portraits with a large window

Let’s begin with a simple scenario using a large window as the light source.

When you place your subject near the window, and you expose properly for their skin tone, much of the background will fall into darkness.

portable portrait studio

This is not a pleasing environment for a portrait. However, don’t be concerned with what the whole room looks like, only how your final portrait will look. Notice where the girl is positioned in relation to the window.

 

portable portrait studio

The large window has created soft shadows on her face. The catchlights bring her eyes to life. There are some distractions in the background that could have been taken care of with a slightly different composition. 50mm, ISO 1600, f/4.0, 1/400 sec.

Portraits with a small window

Smaller windows can produce harsh shadows. The secret is to keep your subject as close to the window as possible. The closer they are to the window, the larger the light source becomes in relation to your subject.

Image: She is placed extremely close to the window.

She is placed extremely close to the window.

 

portable portrait studio

The light on her face is quite nice but the background is distracting. 50mm, ISO 1600, f/4.0, 1/400 sec.

 

Image: I moved her to the other side of the window.

I moved her to the other side of the window.

portable portrait studio

I used the wall as the background for the portrait. 50mm, ISO 1600, f/4.0, 1/320 sec.

A portrait using a neutral-colored wall

I found a really good bit of neutral-colored wall but it was not near a window. This is when you need to set up your speedlight and umbrella.

Neutral color background

This patch of grey wall will be perfect as a background.

 

portable portrait studio

The umbrella illuminated both her face and the wall but didn’t cast any harsh shadows. 50mm, ISO 100, f/8.0, 1/200 sec.

 

Creating a white background

You can create a white background by using a white wall or a white piece of fabric in your portable portrait studio. Make sure to illuminate the white background with the second speedlight in your bag.

how to make a white background for portraits

The white piece of fabric will be taped to the wall to use as a background. The second speedlight will light up the fabric so that it turns pure white instead of grey.

Creating a white background

 

portable portrait studio
Portable Portrait Studio in a Bag: Now You Can Take Portraits While on the Road

Turn any background into black

You can turn any background black with two simple steps.

  1. Move your subject as far away from the background as you can
  2. Light your subject with your speedlight but don’t let the light fall onto the background (this is why we’re keeping the background so far away).
how to make your background black

The background is about 20 feet away

 

portable portrait studio

You may need to darken the background a tiny bit more in post-processing. 50mm, ISO 100, f/9.0, 1/200 sec.

 

Make a colored background with gels

You can turn that neutral wall a different color using gels on your speedlight.

how to use gels with your speedlight

Place the colored gel over the speedlight to transform the color of the wall.

 

portable portrait studio
Portable Portrait Studio in a Bag: Now You Can Take Portraits While on the Road

Go crazy with the light!

There comes a moment in every session when you just have to try something completely different.

Being a fan of backlight, I put both speedlights with colored gels in the background and pointed them right toward the camera.

portable portrait studio

Don’t settle for the same old photos every session. Always try at least one new thing. This was her favorite photo.

 

How to make your studio infinitely larger

It’s good to have a permanent studio as a home base, but even a full-scale studio can become a limiting place. Figure out the minimal amount of gear that you need to make a portrait, pack it into one bag and then go and explore your world with your portable portrait studio.

Here are more tips for portrait lighting as you travel:

  • 5 creative portrait lighting tricks using only phone light
  • How to create awesome portrait lighting with a paper bag an elastic band and a chocolate donut
  • 6 portrait lighting patterns every photographer should know/
  • One speedlight portrait lighting tutorial
  • 5 places perfect natural portrait lighting
  • How to use an outdoor studio for natural portraits
  • Portrait lighting project rainy day

The post Portable Portrait Studio in a Bag: Now You Can Take Portraits While on the Road appeared first on Digital Photography School. It was authored by Mat Coker.


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HP Envy 32 all-in-one PC with built-in wireless charging is an NVIDIA RTX Studio system

09 Jan

During its time at CES 2020, HP has unveiled its new Envy 32 all-in-in PC with built-in wireless charging and a 31.5-inch 4K HDR600 display. This PC AiO model is offered with up to a 9th-gen Intel Core i7 processor and the NVIDIA GeForce RTX 2080 graphics card, as well as up to 1TB of storage and 32GB of RAM. The Envy 32 has the widest display available in an all-in-one system.

According to HP, its Envy 32 is the first all-in-one PC to join the NVIDIA RTX Studio program, which means that it is capable of running more than 40 design and creativity apps that feature RTX-accelerated ray tracing and AI-based features. This is particularly useful for filmmakers who engage in real-time high-resolution video editing and photographers who deal with large quantities of high-resolution images.

In addition to its considerable graphics capabilities, the HP Envy 32 is the first all-in-one PC to feature Advanced Audio Stream and the loudest volume level among AiOs, according to HP. A pair of integrated front-firing tweeters and subwoofers with Bang & Olufsen tuning offer audio even when the PC is turned off, eliminating the need to use an external speaker.

Other features include an aluminum stand with built-in wireless charging, edge-to-edge display glass, an included multi-device keyboard, heathered acoustic cloth, Nightfall Black matte finish and Dark Ash woodgrain accents. The HP Envy 32 AiO is available from HP, Amazon, Best Buy and other retailers with a starting price of $ 1,599.99.

Articles: Digital Photography Review (dpreview.com)

 
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Profoto A1X studio light and Off-Camera Kit now support Fujifilm cameras

06 Dec

The Profoto A1X, a model the company says is the smallest studio light d on the market, can now be used with Fujifilm cameras. The new support covers the Profoto A1X AirTTL-F model, as well as the Off-Camera Kit featuring a button-free trigger and the Profoto Connect.

The Profoto A1X AirTTL-F studio light connects to a camera’s hot shoe, offering up to 450 full-power flashes, a rapid full-power recycling speed at 1 second, as well as 20 wireless channels and an updated UI from the previous A1 model.

The A1X likewise features a 6.9cm (2.75in) round tilting and rotating head with 76W of flash output via an LED modeling light, as well as auto-zoom functionality with a manual override, support for high-speed sync (HSS), shutter speeds as fast as 1/8000s, and a built-in white-on-black LCD.

The Profoto A1X AirTTL-F studio light for Fujifilm is available from B&H Photo now for $ 1,095; the A1X Off-Camera Kit for Fujifilm is currently listed for preorder at $ 1,195.

Articles: Digital Photography Review (dpreview.com)

 
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How to Light and Photograph Smoke and Steam in a Home Studio Setting

03 Dec

The post How to Light and Photograph Smoke and Steam in a Home Studio Setting appeared first on Digital Photography School. It was authored by Ana Mireles.

photograph-smoke-and-steam

Every subject has different properties according to shape, color, and material that determine the way you light it. With smoke, you want to keep a dark background and a grazing light. Here are a few things to consider when you light and photograph smoke in a home studio setting.

How to Photograph Smoke in a Studio Setting

Have you ever tried to photograph smoke or steam? Perhaps you’re doing a portrait of a smoker or a steaming cup of coffee. Odds are that sooner or later you may face this challenge. Fortunately, the lighting technique is not as elusive as the subject.

Safety first

Before you start to photograph smoke, keep safety in mind – even if it is just smoke. If using a cigarette, always place the cigarette on an ashtray, or place incense on a burner, etc. Remember, you are working with ignited materials – you can never be too careful to avoid burning yourself or starting a fire. Also, it’s always good to have a fire extinguisher handy.

Backdrop

To photograph smoke, you first need to set up a lightbox. If you don’t have one, make the set by putting a piece of cloth as a backdrop. Black or any dark color will create more contrast.

How to Photograph Smoke in a Studio Setting

Subject

To create the smoke, you can use an incense stick. It’s the best way to create continuous smoke for a long period of time.

home studio set up

Place the incense far enough from the background so that it’s well separated and the light won’t spill into it.

Light

Set up your flash to the side of the subject. Never place it directly in front of the smoke or it will illuminate the background. Then put a piece of cardboard to direct the light towards the subject. For more tips on this, you can check How to Control Your Background Tones by Manipulating Light Fall-Off.

It also works best if it’s a hard light.

You can always use a continuous light source too, but be sure to narrow the light fall-off by using a modifier or barn doors.

front light

If you place the light in front you won’t get the dark backdrop you need.

Camera

Place your camera in front of the subject, the distance will depend on the focal length of the lens you’re working with. I recommend a telephoto lens because you will get better background compression. To help you decide which one is good for you, see this article.

focal length, wide angle, telephoto

With a telephoto lens, you can work with a smaller background. The left image was made with a 35mm lens, and the one on the right with a 75mm.

Also, if you work with a telephoto, the background can be smaller. And not less important, you can position your camera further away, which will protect your lens from any damage by the smoke.

Settings

Again, this will depend on the focal length, the distance between camera and subject, and the intensity of your flash. However, I can give you some pointers to take into consideration.

Shutter speed

When setting your shutter speed, try to keep your settings fast so that the lines of the smoke are well-defined, instead of a blurry cloud. This is particularly important if you’re working with a wide source, as with this pot of boiling water. If you’re using something smaller, like a stick of incense, the effect is less drastic. Still, don’t underestimate it.

How to Photograph Smoke in a Studio Setting

A longer shutter speed creates a stronger motion blur. This image was made with a 1/30 of a sec.

Aperture

Keep in mind that the smoke is not a flat, static surface. You want your aperture to be wide enough to keep it all in focus. But you don’t want it to be too much that it will capture the texture of the background. Don’t forget to consider other elements of the composition if you have them.

How to Photograph Smoke in a Studio Setting

A small aperture creates a deeper depth of field. This image was taken with an f/11.

Focus

Using manual focus, set it before you turn off the lights. Focus the source of steam or smoke you’re using. For example, the tip of the incense stick if you’re going to do some abstract smoke shots. For this to work, you need to use a tripod so you don’t change your distance.

How to Photograph Smoke in a Studio Setting

Extra tip: to create more smoke, capture the image just after you put out the flame. If you placed it inside a container, keep it covered to concentrate the smoke, then uncover it to let it all out at once.

ISO

Keep your ISO as low as your lighting and other settings allow you to go. This is because you want to avoid noise as much as possible, and dark colors make it more evident.

How to photograph smoke in a studio setting

Higher ISO settings create more digital noise. This image was taken with a 12800 ISO. Notice all the color speckles? That’s the noise.

Conclusion

This is a very basic studio set-up to photograph smoke that can be done at home with minimum equipment. As you can see, it can still be very effective to photograph smoke. While this can be very easy, capturing the perfect smoke shot may not be, so keep shooting until you’re happy with it.

smoke, abstract, low key photography

If you have any other tips to photograph smoke, or would like to share your smoke photos with us, please do so in the comments!

The post How to Light and Photograph Smoke and Steam in a Home Studio Setting appeared first on Digital Photography School. It was authored by Ana Mireles.


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News: ACDSee Photo Studio Ultimate 2020 Released

14 Nov

The post News: ACDSee Photo Studio Ultimate 2020 Released appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

News: ACDSee Photo Studio Ultimate 2020 Released

ACDSee has just released its latest post-processing software, Photo Studio Ultimate 2020. ACDSee’s software is meant to pose a challenge to some of the big-name programs out there, most notably Lightroom and Photoshop, though Ultimate 2020 is somewhat unique in that it aims to take on both programs at once.

While Adobe’s Lightroom plus Photoshop package has remained a favorite of photographers over the past few years, programs like ACDSee continue to give them a run for their money. Especially when you can do with a single program that Lightroom and Photoshop can only do in conjunction.

ACDSee Ultimate 2020 isn’t just a full-fledged photo editor (like Photoshop), nor does it confine itself to digital asset management with moderate processing capabilities (like Lightroom). Instead, it offers both file management and advanced, layer-based editing for those photographers who’d like to keep their workflow all in one place.

ACDSee Ultimate 2020 promises a host of new and upgraded features in order to improve both organization and editing workflows, including:

  • Enhanced face detection features, which allow you to easily find photos of specific people within the ACDSee database
  • An HDR function that allows you to combine several exposures to create one high-quality HDR image
  • Focus stacking capabilities, in order to produce a deep depth of field image out of several photos focused at different distances
  • And a Blended Clone tool, which allows you to quickly and efficiently remove distracting areas from your photos for a seamless result

ACDSee Ultimate 2020 also offers RAW support for a slew of additional cameras, including Sony, Panasonic, Fujifilm, Hasselblad, and Canon bodies.

The most unfortunate thing about ACDSee Ultimate 2020 is that it’s only available for Windows. But if you’re already a PC user, there’s a lot to love about this program. You can download a copy of ACDSee Photo Studio Ultimate 2020 for $ 150 USD, or for $ 69 per year as part of a subscription program.

Now I’d like to know your thoughts:

Are you planning on purchasing ACDSee Photo Studio Ultimate 2020? If not, what is your favorite photo editor, and why? Do you think that single programs like ACDSee will ever be able to take the reigns from Lightroom and Photoshop?

The post News: ACDSee Photo Studio Ultimate 2020 Released appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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