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Posts Tagged ‘structure’

Shutterstock announces new earnings structure and contributors are anything but happy

28 May

Stock photography company Shutterstock is taking heat after announcing in a post on its contributor forum that it’s putting a new earnings structure in place starting June 1, 2020.

Under the new structure, photographers and videographers will get compensated via a percentage of the sales price based on the ‘level’ their photo and/or video are rated, with the level being determined by the number of times their content is licensed. Previously, there were lifetime earnings tiers, which took into account total sales made during the lifetime of the contributor, but Shutterstock will do away with that and instead reset all contributors to ‘level 1’ for both images and videos every year on January 1.

Shutterstock breaks down what the various levels consist of in the two graphics below — one for photos and one for video, each of which are calculated independently of one another:

This effectively means that no matter how many sales a contributor has made, on January 1 each year, said contributor will always be demoted back to ‘Tier 1’ wherein they only receive a 15% commission on sales.

Shutterstock says it’s ‘making this adjustment in order to reflect changes in the market for creative content, help to create fair opportunities for all our contributors, and reward performance with greater earnings potential.’ But contributors aren’t convinced and are voicing their concerns and frustrations in the announcement forum post; especially members who have been long-time contributors with massive lifetime earnings numbers, as they will be most affected by this change.

Shutterstock member Richard Whitcombe, who’s been a member since 2010 and has posted more than 3,200 pieces of content, replied to the announcement post saying, ‘Just when you think Shutterstock couldn’t completely and utterly screw the contributors more you’ve gone and done it.’ He continues, ‘Effectively with a January reset everybody gets a cut of 20% or more of earnings to a new laughably tiny amount and it’ll take months to claw back the level they’ve been earning previously. So most people are going to go most of the year for half or less than they currently get.’

He shared in a later post that a Shutterstock team member sent him a private message suggesting they will be moderating his posts for his feedback. The private message read:

‘Hi Richard,

I know you have a lot of questions and you’re fighting for clarity. But you are refuting and questioning everything I post today, and not very constructively.

I’m going to start hiding your posts.

Thanks,

[Shutterstock team member]’

Other members have also chimed in on the changes, echoing Whitcombe’s concern and disbelief about the new earnings structure. As of publishing this article, there are 66 pages of replies to the original forum post, few of which are positive.

Articles: Digital Photography Review (dpreview.com)

 
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USB 3.2 specification arrives this year with confusing new naming structure

01 Mar

The USB 3.2 specification announced by the USB Implementers Forum (USB-IF) in 2017 will be arriving soon, and it’ll bring a relatively convoluted new naming structure with it. As was the case when the USB 3.1 specification launched, the new USB 3.2 spec will absorb the previous generations before it, designating them as Gen 1 and Gen 2.

The new USB 3.2 specification, which brings speeds up to 20Gbps, will be known as USB 3.2 Gen 2×2. Joining this will be USB 3.2 Gen 1, which originally launched as USB 3.0 and was later renamed USB 3.1 Gen 1; this specification supports transfer speeds up to 5Gbps.

Between the two will be USB 3.2 Gen 2, which originally launched as USB 3.1 and was late renamed USB 3.1 Gen 2; this specification supports transfer speeds up to 10Gbps. In order to hit the 20Gbps speed, USB 3.2 Gen 2×2 will utilize two of these 10Gbps high-speed channels.

To help consumers understand which version they’re getting, the USB-IF suggests manufacturers use the following terms:

  • USB 3.2 Gen 1: ‘SuperSpeed USB’
  • USB 3.2 Gen 2: ‘SuperSpeed USB 10Gbps’
  • USB 3.2 Gen 2×2: ‘SuperSpeed USB 20Gbps’

According to The Verge, the new USB 3.2 specification will hit the market sometime this year.

Articles: Digital Photography Review (dpreview.com)

 
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Structure: Moving 4K close-ups shot at up to 1000x magnification

18 Jan

District 7 Media owner Drew Geraci recently published a short film titled “Structure” that takes viewers on an up-close journey inside everyday objects. The video was shot with a Sony A9 camera, as well as an AmScope Microscope with a camera attachment, Kessler Second Shooter control unit with a Stepper Motor, and Manfrotto Lykos Lights.

Geraci uploaded the video to Vimeo, where he explains that “Structure” presents organic objects magnified up to 1000x. Those objects include a variety of fruit, bell pepper seeds, mushrooms, carbonated water, soap bubbles, beet leaf, and more.

Everything was shot in 4K using the Sony A9, according to Geraci’s video description, where he explains that the process took place over 30 days, after which the shots were edited into the two minute video using Adobe Premiere Pro CC 2018 and After Effects CC 2018. In describing the inspiration for “Structure,” Geraci said:

It all started with a single shot—a small frozen snowflake I captured using a 100mm macro lens. I’ve shot plenty of macro photography in the past, but for some reason this image ignited my imagination and passion to shoot. So I did what any sane person would do—bought a microscope with camera capabilities and started to shoot everyday objects at 1000x+ magnifications.

Articles: Digital Photography Review (dpreview.com)

 
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Floating Tent: Pole-Free Inflatable Structure Pops Up in Minutes

17 Oct

[ By SA Rogers in Design & Products & Packaging. ]

Camping season may be just about over for the casual fair-weather enthusiast, but in any case, here’s a fun piece of gear to add to your Christmas wishlist. Have you ever gone paddle boarding or kayaking, and wished you could just sleep out on the water? Or maybe you’ve fantasized about living in a houseboat, but owning one is a bit impractical. The ‘Shoal Tent’ by SmithFly is like a cheaper, more casual version of heavy-duty floating fishing tents, and it’s way easier to set up.

Noting that 70% of the surface of the Earth is covered in water, the Ohio-based outdoor goods retailer offers an inflatable floating raft with a tent topper that lets you sleep out on the water, and requires no poles to set up. You just use a pump to fill the three raft body air chambers and tent frame with air to make the world “your waterbed.”

Since the tent floor is inflated, your air mattress is built right in, and it features a 6” drop to keep you dry, along with heavy-duty waterproof fabric and sturdy #8 zippers. The top and sides attach with velcro, so you can get in and out easily if you need to (no struggling to position the door just right.)

The tent features an 8’x8’ footprint and can sleep people up to 6’3” tall, with the same standing room height in the center. It packs down to a burrito-roll-style bag and comes with a patch kit and manual foot pump. At 50 pounds, it’s not exactly lightweight, but depending on your plans, it’s probably worth it. It’s currently on pre-order sale at a discount for $ 1274.15, with an MSRP of $ 1499.

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[ By SA Rogers in Design & Products & Packaging. ]

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Nikon reshuffles management structure

20 May

Nikon Corporation announced today the reorganization of its corporate structure. Nikon’s Core Technology Division will be closed and replaced by Research & Development Division and Production Technology divisions. As you’d expect, the former is dedicated to research and development, the latter integrates the functions of group production strategy planning and production technology development. The objective of this move is to clarify functions and responsibilities and enhance the efficiency of the production system.

In addition Nikon is integrating its Medical Business Development Division and Microscope Solutions Business Unit to form a new Healthcare Business Unit with the goal to create business synergies. 

The Japanese company has also decided to close its Business Support Division and distribute its functions across other divisions. By doing so, Nikon is hoping to optimize functions such as procurement, engineering and logistics, as well as quality- and environmental-management.

New organization:

Nikon announces reorganization of corporate structure

May 19, 2017

Nikon Corporation (Kazuo Ushida, President, Tokyo) announced today the reorganization of its corporate structure as outlined below, scheduled for June 29, 2017.

The Core Technology Division is to be closed, establishing the Research & Development Division and the Production Technology Division

Nikon has decided to close the Core Technology Division and establish the Research & Development Division which dedicates to research and development, and the Production Technology Division which integrates the functions of group production strategy planning and production technology development, etc.
With this change, Nikon reorganizes the corporate structure in a way that clarifies functions and responsibilities in order to revitalize the group-wide research and development structure and enhance the efficiency of the production system.

Establishing the Healthcare Business Unit

Nikon is integrating the Medical Business Development Division and Microscope Solutions Business Unit, to establish a new Healthcare Business Unit. This will enable the company to integrate/optimize organizations and functions rapidly, creating business synergy.
Nikon will boost existing businesses and accelerate creation/nurturing of new businesses in the healthcare, medical and biological fields, which are anticipated to grow in the future.

Closing the Business Support Division

To optimize group-common functions regarding procurement, engineering and logistics, as well as quality- and environmental-management, Nikon has decided to close the Business Support Division and relocate each function formerly handled by it.

Articles: Digital Photography Review (dpreview.com)

 
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Urban Planet: How the Whole World Would Fit into a Single City or Structure

08 Mar

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

life in one city

Cities often feel like dense and crowded places, and it is hard to imagine everyone on Earth living in urban environments let alone a single city or even (yes, it’s possible) one gigantic megastructure. In a series of videos, filmmaker Joseph Pisenti asks: what if everyone lived in one city? Then he takes it further with: what if everyone lived in just one building?

It sounds like an absurd proposition, but our planet’s population of billions could, in fact, but contained in a relatively small amount of space if needed (perhaps in case of a worldwide evacuation to space?). Images of single cities in the videos show places that already have populations in a single frame larger than countries like, say, Australia have spread across an entire continent.

A few billion cubic meters in a structure set on, say, Manhattan, could uncomfortably house the human race. It would be twice the height on the world’s largest building, but we would fit if we had to.

As the video series unfolds, its creator gets increasingly realistic with respect to actual needs for people beyond simply space to exist, imagining a world where we all could actually live on a small part of South America. Hopefully, of course, it will never come to this, but as sea levels rise it’s good to know we have options (and fun to engage in these thought experiments, regardless). By the time you finish watching this series, however, you may find you would rather simply escape it all:

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[ By WebUrbanist in Architecture & Cities & Urbanism. ]

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Prison Reformed: Amsterdam Structure Now Hosts Refugee Center & Art Hub

26 Jan

[ By SA Rogers in Architecture & Cities & Urbanism. ]

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A structure that once housed thousands of prisoners now hosts up to 1,000 refugees as well as a creative hub, offering space “in a time of fear and division.” Amsterdam’s Bijlmerbajes first opened in 1978 and closed in 2016, and the complex, which consists of six towers, went up for sale shortly thereafter. It’s set to be demolished later this year – but until then, it’ll function as a temporary home for those seeking asylum in addition to art studios, offices for entrepreneurs and other projects.

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The new ‘Lola Lik’ cultural hub opened on January 20th in the former main building of the prison, neighbor to the refugee center known as Wenckebachweg. The complex’s courtyard has been transformed into gardens, and will host Solar World Cinema, a project bringing free films to open-air public spaces.

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Lola Lik also hosts The Favela Painting Foundation, which “invigorates public urban spaces by turning them into inspiring and colorful artworks of monumental size.” The group, which is responsible for large-scale art projects in Haiti, Philadelphia and Rio de Janeiro, also helped give the drab concrete prison buildings a cheerful makeover.

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The space aims to be an incubator for inspiring projects and businesses operated by both the refugees who live next door and residents who have lived in Amsterdam a bit longer. The space is open to the public, and its studio spaces can be rented. The prison’s former kitchens have been transformed into a ‘Start-Up Kitchen’ run by Jay Asad, a Syrian entrepreneur who formerly owned several restaurants, a hotel and specialty donut shops in Damascus.

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Volcanic Architecture: World’s Largest 3D-Printed Structure

18 Oct

[ By WebUrbanist in Architecture & Public & Institutional. ]

3d printed time lapse

Inspired by the complex organic shape of a volcanic eruption, this 1,086-piece pavilion in Beijing has just been awarded a Guinness Book of World Records distinction for the largest 3D-printed structure in the world.

3d whole structure

3d printed structure above

Created by the Laboratory for Creative Design, the VULCAN stands nearly 10 feet tall and spans 24 feet across, named after the Latin name for the Roman god of fire.

3d printed silk cocoon

Its robust geometric components reference the divine, while a fragile web of cocoon-inspired interconnections between panels are inspired by man.

3d printed pavillion

Human-scaled arches overhang an open space below, formed by three ramping forms flanking each entry and rising up from fragile points of floor contact.

3d under dome

Th endeavor took 30 days and 20 large-scale 3D printers to complete, then 15 people for 12 days to assemble the pieces on site into the whole pavilion.

3d details

3d selfie

“VULCAN represents a new reality – that modern architects are able to achieve their ideal design quality from concept to construction using digital design and fabrication methodologies,” said Yu Lei at Beijing Design Week. “This development will increasingly blur the boundaries between technology and art.”

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Dr. Seuss Tower House: Storybook Structure Grew with the Trees

03 Apr

[ By Steph in Architecture & Houses & Residential. ]

Screen Shot 2015-04-03 at 9.56.04 AM

One odd slightly off-kilter story after another was added to this once-modest house in Alaska as the trees decimated by a wildfire grew taller and taller, the owner insistent upon maintaining his view of Mount McKinley. Located in the woods of Willow overlooking the Denali National Park, the tower house began as a one-story that wouldn’t look out of place in any Alaskan neighborhood.

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The forest recovered and the trees got taller and taller, obscuring the mountain. So, the story goes, the owner tacked on a second story. And then a third. After a while, it apparently just became a fun challenge to see how many tiny rooms could be stacked on top of each other until locals began calling the structure the Dr. Seuss House.

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Alaska Aerial Footage swung by the house to capture a dizzying video that really gives you an idea of just how tall and whimsical the house really is. From the footage, it looks as though the upper levels are unfinished, their windows covered in ripped plastic sheeting. The snow-topped roofs and balconies on each level just add to the slightly surreal effect.

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Rustic Swiss Structure Hides Modern Underground Home

05 Feb

[ By Steph in Architecture & Houses & Residential. ]

hidden modern home 1

Set into a landscape of grassy hills and deteriorating stone walls, a rustic 200-year-old wood and stone structure hides a wholly unexpected modern residence. The renovation in Linescio, Switzerland by Buchner Bründler Architekten adapts an existing country home that had fallen into ruin, setting the new concrete shell into a hillside so that it’s partially subterranean. From the outside, a few streamlined concrete elements are the only signs hinting at a modernized interior.

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All new elements are made of concrete, including the recessed bathtub, open fireplace, basins and the kitchen counter. The architects wanted to leave as much of the existing fabric of the historical structures as possible, adding minimalist complementary elements that don’t fight the aging textures for attention.

hidden modern home 5

High, folding wood shutters cover the original front windows, which have partially lost their glass, while a new glass door leads out to the garden. The concrete was brought in layer by layer and still bears the marks of the formwork. The existing walls act as an extra layer of insulation, though the home is only meant for use in the summer.

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“The plastic, evocative qualities of the exposed concrete intensify the archaic character and the calm atmosphere of this stone house,” say the architects.

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