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Posts Tagged ‘strong’

28 Images with Strong Black and White Compositions

16 Aug

This week on dPS it’s all about black and white photography. We are featuring a series of tips and articles around that topic. You can earlier ones below and more daily over the next few days.

  • 5 Simple Ways to Create Expressive Photos in Black and White
  • Tips for Black and White Wildlife Photography
  • 7 Tips for Black and White Portrait Photography

Now, let’s take a look at some images that use this medium to their advantage in strong black and white compositions:

Photograph The great migration by Nicole Cambré on 500px

The great migration by Nicole Cambré on 500px

Photograph Awoken Despair by Alexandre Deschaumes on 500px

Awoken Despair by Alexandre Deschaumes on 500px

Photograph Snowy Owl by Kevin Pepper on 500px

Snowy Owl by Kevin Pepper on 500px

Photograph Biorhythms (2011) by Nik Barte on 500px

Biorhythms (2011) by Nik Barte on 500px

Photograph Farewell, dear friend! by Victoria Ivanova on 500px

Farewell, dear friend! by Victoria Ivanova on 500px

Photograph Story_IV by ? DrakSpirit ?  on 500px

Story_IV by ? DrakSpirit ? on 500px

Photograph Silhouette by mahmood Al-jazea on 500px

Silhouette by mahmood Al-jazea on 500px

Photograph Magical forest by Damian Cyfka on 500px

Magical forest by Damian Cyfka on 500px

Photograph Hide by  PortraitsBySam on 500px

Hide by PortraitsBySam on 500px

Photograph Art of road surface 2 by Junichi Hakoyama on 500px

Art of road surface 2 by Junichi Hakoyama on 500px

Photograph Six Steps by Dave MacVicar on 500px

Six Steps by Dave MacVicar on 500px

Photograph Lone Tree by Phil Buckle on 500px

Lone Tree by Phil Buckle on 500px

Photograph K. by pkfruen  on 500px

K. by pkfruen on 500px

Photograph pray by Muhammad Berkati on 500px

pray by Muhammad Berkati on 500px

Photograph Street Noir by András Sümegi on 500px

Street Noir by András Sümegi on 500px

Photograph Cold morning by Junichi Hakoyama on 500px

Cold morning by Junichi Hakoyama on 500px

Photograph Parisian Morn by Cubz Cubbon on 500px

Parisian Morn by Cubz Cubbon on 500px

Photograph Onwards and upwards by Lex Schulte on 500px

Onwards and upwards by Lex Schulte on 500px

Photograph *** by Turgut Kirkgoz on 500px

*** by Turgut Kirkgoz on 500px

Photograph LoaD IN # by Guillaume Rio on 500px

LoaD IN # by Guillaume Rio on 500px

Photograph Blues by Pascal-Ludovic Saissi on 500px

Blues by Pascal-Ludovic Saissi on 500px

Photograph Glass B&W by jenrygraphy on 500px

Glass B&W by jenrygraphy on 500px

Photograph Capitolio by Liban Yusuf B&W on 500px

Capitolio by Liban Yusuf B&W on 500px

Photograph I won't forget my roots by Cimone  on 500px

I won't forget my roots by Cimone on 500px

Photograph The Eye by John Steven Fernandez on 500px

The Eye by John Steven Fernandez on 500px

Photograph La batalla by alfonso maseda varela on 500px

La batalla by alfonso maseda varela on 500px

Photograph HERBAL TEA by Acken Li on 500px

HERBAL TEA by Acken Li on 500px

Photograph Taj Mahal - India by Christophe Paquignon on 500px

Taj Mahal – India by Christophe Paquignon on 500px

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Spines of Steel: 12 Super Strong Exoskeleton-Inspired Designs

30 Dec

[ By Steph in Gadgets & Geekery & Technology. ]

exoskeleton design

Durable and strong, protecting the soft flesh contained within them, exoskeletons in nature have inspired innovative designs for everything from wearable personal mobility vehicles to full-scale skyscrapers. In these 12 futuristic designs, exoskeletons expand the range of human movement, change the way architecture bears weight, shield vulnerable gadgets from damage and just plain look cool.

Human-Controlled Exoskeleton Anti-Robot

Man creates Prosthesis the first human-piloted racing robot, Vancouver, Canada - 21 Jan 2014

exoskeleton design robot vehicle 2

prosthesis_robot

The developers of ‘Prosthesis’ call it an ‘anti-robot’ because it was built ‘by humans, for humans,’ meaning it’s not going to take off on its own, functioning more as an extension of the body. Dependent on the driver strapped into its cockpit, the vehicle stands 16 feet tall and runs like an animal. Says project leader Jonathan Tippett, “Prosthesis is neither a weapon, nor a tool. It is a sports machine, and the pilot is the athlete. It’s Formula One, meets the future.”

Exo Prosthetic Leg

exoskeleton design prosthetic leg 1

Not only is this 3D-printed artificial limb by Adam Root faster and less expensive than conventional prosthetics, it’s way cooler looking. The technique uses a combination of 3D scanning, printing and modeling software to create a custom-fit prosthetic inspired by exoskeletons that’s essentially an accessory, “a customizable intimate addition to your body taking on your form.”

Exo iPhone Case

Exoskeleton design iphone case 1

exoskeleton design iphone case 2

This smart protective phone case design absorbs impact without interfering too much with the visual profile of your phone – important for those Apple fans who love the slimline look of the iPhone. Exo by Lucidream snaps onto the back of a phone in seconds with a spring-damped impact absorption system and non-snagging bezels.

Lobster-Inspired, Robot-Created Pavilion

exoskeleton design lobster pavilion 1 exoskeleton design lobster pavilion 2

Researchers programmed a robot to wind carbon fiber into a full-scale pavilion inspired by a lobster exoskeleton. The resin-saturated glass and carbon fibers used to create it are based on research into the load-bearing efficiency of the layers of chitin in protein that make up a lobster shell. The glass fibers act as a framework while the carbon fibers take on most of the weight. The pavilion was wound around a steel frame, which was later removed.

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Exoskeleton Inspired Design

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[ By Steph in Gadgets & Geekery & Technology. ]

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Wilderness Protection – Only As Strong As The Wilderness Act

20 Aug
Caribou Pass, Arctic National Wildlife Refuge

View of the Kongakut River Valley, looking south towards the Brooks Mountain Range over Caribou Pass at midnight

This weekend an interesting OpEd hit the New York Times titled Rethinking the Wild,  The Wilderness Act Is Facing a Midlife Crisis. If you haven’t read it I highly recommend you do, as you’ll hear much of this narrative in the coming months and years as various forces continue to try to chip away at it to weaken it if not undo it.

The Wilderness Act of 1964 did something amazing, it protected 9.1 million acres of federal land and now protects 109.5 million acres. This act oversees the protection of national parks, national forests, U.S. fish and wildlife services and the bureau of land management. What this piece of legislation defined as wilderness is such:

DEFINITION OF WILDERNESS 
(c) A wilderness, in contrast with those areas where man and his own works dominate the landscape, is hereby recognized as an area where the earth and its community of life are untrammeled by man, where man himself is a visitor who does not remain. An area of wilderness is further defined to mean in this Act an area of undeveloped Federal land retaining its primeval character and influence, without permanent improvements or human habitation, which is protected and managed so as to preserve its natural conditions and which (1) generally appears to have been affected primarily by the forces of nature, with the imprint of man’s work substantially unnoticeable; (2) has outstanding opportunities for solitude or a primitive and unconfined type of recreation; (3) has at least five thousand acres of land or is of sufficient size as to make practicable its preservation and use in an unimpaired condition; and (4) may also contain ecological, geological, or other features of scientific, educational, scenic, or historical value.

The Rethinking the Wilderness Act OpEd” in short argues “we need to accept our role as reluctant gardeners.” Unfortunately this argument assumes that we have a full understanding of our environment and opens the doors to the organizations and people the act was put in place to protect the land from. Who will the “gardeners” be and what will their motivation be? Yes climate change is real, but it is also a very convenient excuse and lever for foes of the Wilderness act to weaken its strict protections.

The OpEd had one incredibly relevant quote that still holds true from Frank Egler:

“Ecosystems are not only more complex than we think, they are more complex than we can think.”

Humanity suffers from a good deal of well intentioned ignorance when it comes to our environment.  While we’ve made great strides technologically advancing our civilization, but we’ve done a very bad job managing and fully understanding the impact we make on our environment. Just because we can make changes, even well intentioned changes, it doesn’t mean that we fully understand environmental systems let alone the ramifications of counter efforts.   Case in point, as a teenager in the 80′s & 90′s they had signs up in Yosemite stating that Mirror Lake was drying up and was due to disappear in a decade or two. Now they know its a seasonal lake that ebbs and flows with snow melt. It’s a good thing they didn’t build a dam to try and preserve the lake.

Climate change certainly is happening, but nature is resilient. It will only remain resilient and in a wild state when left alone and protected as it has been, strictly as wilderness, free from natural resource hungry companies (oil, mineral, developers, etc.) To experience true wilderness you should make every effort to visit a U.S. National Wildlife Refuge. They’re not as easily accessible as National Parks, but you’ll quickly get an idea of how strictly these lands are protected. My favorite National Wildlife Refuge is the Arctic National Wildlife Refuge (pictured above), but many smaller refuges are near major urban centers. If you’re a nature or wildlife enthusiast then pay close attention to up coming discussions on revising the Wilderness Act as what you know and love may be irrevocably changed.

Copyright Jim M. Goldstein, All Rights Reserved

Wilderness Protection – Only As Strong As The Wilderness Act

The post Wilderness Protection – Only As Strong As The Wilderness Act appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

        

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Wilderness Protection – Only As Strong As The Wilderness Act

07 Jul
Caribou Pass, Arctic National Wildlife Refuge

View of the Kongakut River Valley, looking south towards the Brooks Mountain Range over Caribou Pass at midnight

This weekend an interesting OpEd hit the New York Times titled Rethinking the Wild,  The Wilderness Act Is Facing a Midlife Crisis. If you haven’t read it I highly recommend you do, as you’ll hear much of this narrative in the coming months and years as various forces continue to try to chip away at it to weaken it if not undo it.

The Wilderness Act of 1964 did something amazing, it protected 9.1 million acres of federal land and now protects 109.5 million acres. This act oversees the protection of national parks, national forests, U.S. fish and wildlife services and the bureau of land management. What this piece of legislation defined as wilderness is such:

DEFINITION OF WILDERNESS 
(c) A wilderness, in contrast with those areas where man and his own works dominate the landscape, is hereby recognized as an area where the earth and its community of life are untrammeled by man, where man himself is a visitor who does not remain. An area of wilderness is further defined to mean in this Act an area of undeveloped Federal land retaining its primeval character and influence, without permanent improvements or human habitation, which is protected and managed so as to preserve its natural conditions and which (1) generally appears to have been affected primarily by the forces of nature, with the imprint of man’s work substantially unnoticeable; (2) has outstanding opportunities for solitude or a primitive and unconfined type of recreation; (3) has at least five thousand acres of land or is of sufficient size as to make practicable its preservation and use in an unimpaired condition; and (4) may also contain ecological, geological, or other features of scientific, educational, scenic, or historical value.

The Rethinking the Wilderness Act OpEd” in short argues “we need to accept our role as reluctant gardeners.” Unfortunately this argument assumes that we have a full understanding of our environment and opens the doors to the organizations and people the act was put in place to protect the land from. Who will the “gardeners” be and what will their motivation be? Yes climate change is real, but it is also a very convenient excuse and lever for foes of the Wilderness act to weak its strict protections.

The OpEd had one incredibly relevant quote that still holds true from Frank Egler:

“Ecosystems are not only more complex than we think, they are more complex than we can think.”

Humanity suffers from a good deal of well intentioned ignorance when it comes to our environment.  While we’ve made great strides technologically advancing our civilization, but we’ve done a very bad job managing and fully understanding the impact we make on our environment. Just because we can make changes, even well intentioned changes, it doesn’t mean that we fully understand environmental systems let alone the ramifications of counter efforts.   Case in point, as a teenager in the 80′s & 90′s they had signs up in Yosemite stating that Mirror Lake was drying up and was due to disappear in a decade or two. Now they know its a seasonal lake that ebbs and flows with snow melt. It’s a good thing they didn’t build a dam to try and preserve the lake.

Climate change certainly is happening, but nature is resilient. It will only remain resilient and in a wild state when left alone and protected as it has been, strictly as wilderness, free from natural resource hungry companies (oil, mineral, developers, etc.) To experience true wilderness you should make every effort to visit a U.S. National Wildlife Refuge. They’re not as easily accessible as National Parks, but you’ll quickly get an idea of how strictly these lands are protected. My favorite National Wildlife Refuge is the Arctic National Wildlife Refuge (pictured above), but many smaller refuges are near major urban centers. If you’re a nature or wildlife enthusiast then pay close attention to up coming discussions on revising the Wilderness Act as what you know and love may be irrevocably changed.

Copyright Jim M. Goldstein, All Rights Reserved

Wilderness Protection – Only As Strong As The Wilderness Act

The post Wilderness Protection – Only As Strong As The Wilderness Act appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

Related Stories

  • Exhibit & Book Not To Miss – Carleton Watkins: The Stanford Albums
  • Exhibit & Book Not To Miss – Carleton Watkins: The Stanford Albums – Enclosure
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Behind the photo: Sports Illustrated’s ‘Boston Strong’ cover

24 Apr

si_boston.jpg

About a week prior to Monday’s running of the Boston Marathon, and a year after the bombing at the 2013 marathon, photographer Gregory Heisler addressed a crowd of thousands gathered at the finish line. The group included runners, first responders and Boston Mayor Marty Walsh, all ready to pose for Sports Illustrated’s ‘Boston Strong’ cover photo. Directing the crowd through a megaphone and standing on a raised platform, Heisler captured a portrait of 3,000 proud, resilient Bostonians. Take a peek behind the scenes of this large scale photo shoot. Learn more

News: Digital Photography Review (dpreview.com)

 
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The Secret of Creating a Strong Image – 5 Tips for Creating a Story in Your Image

18 Apr

Article and photos by Oded wagenstein.

In an era when we are drowning in images and lots of people and talents are competing for the viewers’ eyes or the magazines’ attention, have you ever wondered what makes you have a longer look at an image?

Is it the person that was photographed? Perhaps a certain color or an angle?

What is the secret of the photographers that mange to get their work published on magazines and newspapers? What is the secret of taking a strong image that lasts?

1.jpg

The secret of all strong images is their ability to provide the viewer a story .

Since the dawn of time, People gathered around the fire and shared stories with each other.

It doesn’t matter what subjects you like to shoot. If you want to become a good photographer, you have to be a good storyteller first. An image with a story, one that evokes emotion and curiosity will rise above other images and catch the viewer’s attention.

So what is the stuff of which “visual stories” are made from?

In most cases it is an emotion that the image creates. It can be empathy, curiosity or even negative emotions such is anger.

Even if you are dealing with macro or landscape photography it is better to have an image that tells a story. However, the best way for me to get a story is with people photography, as people are a large “pool” of stories and emotions.

Here are 5 tips for finding your “visual story” in Travel photography before departure, and on the road:

1. Preparation needed

The thing that makes the difference between an amateur and a professional in almost every field is usually preparation.

A professional photographer will start working even before leaving home, while an amateur photographer will wait for things to happen in front of their eyes in the field. Professionals will gather information that will help them exceed the potential of getting those photogenic stories on the road in minimum time and by doing so, increase the amount of good strong images.

2.jpg

What are the things that are worth checking before going to shot on a trip for example? Here are some classic examples:

Will there be any festival or photogenic event during your stay? Festivals are a great place for finding stories. Is there any taboo related to photography or culture in general in the country you are going to visit, that you must know? For example, the hill tribes that can be found on the mountains of Asia (as the woman from the Karen tribe in photo number 2) mostly believe that taking their photo would also take their soul. And trust me, the custom officers in your home country would not like the “soul” attached to your camera.

The best thing you can do to get this kind of information is to get the advice of a photographer who has already been there. Online photography forums would love to help you with that.

Want to take your photography to the next step? – Take a journey deeper into the place and read a little bit about the culture and history, prior to arrival.

The best tip someone has given me is to learn a few words of the local language. Locals appreciate people who try to speak their language (even if they laugh at them a bit at first)

Learning “Hello”, “Thank you” and ” may I take your photo?” will do wonders to your story telling images.

2. Getting closer

3.jpg

Taking photos of people from a distance with telephoto lens may be safer and will not ruin the spontaneity of the story, but there’s nothing like the narrative and emotional quality of close-ups in people photography.

Sometimes I want to photograph people from just a few inches away and still keep the spontaneity and intimacy.

What do I do? – I look for this moment in which the person returns to routine activity, after creating a bit of a connection with them and letting them understand that my camera and I don’t have any bad intentions.

I never approach people while the camera is hanging from my neck. It is threatening and may result in negative responses from the locals.

After greeting the person (in their language) I sit with them for a while, let them get used to my camera and me and only later I begin taking photos

Never ever forget- people don’t like to feel they are on a show for you. Always treat them with respect. The best way to do so is with the help of a local. So go to the next Section

3. Best ice breaker

4.jpg

Professional photographers use a fixer, which is a local who knows their needs as photographers and helps them to get around.

You can use a fixer, but you can also find your “fixer” in a much more interesting way and for free, in most cases. You can connect with local at your age in advance to your visit on the basis of “culture exchange”. The local will help you get to the best places and will also recommend which places to avoid. They will speak for you in their local language and will be the best “ice breaker”. All you have to do is be polite but it won’t hurt to bring your host something for your own country, like postcards or a unique product related to your place.

If you can find a photography student to be your fixer, it can be an exciting experience for both of you.

Hanging with a local as a friend or with a professional fixer does not give exemption from the previous section of “getting closer”.

4. The Stories generators

5.jpg

Feeling lost? Feeling unpleased with the photos you took? You can always try to visit a “story generator”. It can be anywhere that people Gather: a market, a central square or a festival. Just be alert and keep your eyes open and the stories will simply appear before your eyes.

The best tip for finding a “story generator” place is just to go to the places that interest you. It could be a church, a busy street, a quiet beach or even an abstract shooting of a building. Go with your passion and you will find your stories.

5, Last one for the road – get lost

We talked about the preparations and the work needed for good story finding, but sometimes all you need is to leave the tour guidebook in the hotel room and just go outside to walk the streets and roads looking for the unexpected.

Some of my best stories and photos came to me with this way of traveling.

Don’t forget to check with the locals or your fixer about the places that should be avoided and always, but always, check the time of your last ride home.

Oded Wagenstein is a travel photographer. His photographs were published on numerous magazines and websites world wide.

He is known for his intimate culture portraits. In his works he put the emphasis on understanding the culture and achieving good relationship with the person being photographed pre-shooting.

You can join his Travel photography group on Facebook and continue to discuss on travel and people photography:

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

The Secret of Creating a Strong Image – 5 Tips for Creating a Story in Your Image


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3D Printed Car is Strong, Light and Close to Production

08 Mar

[ By Steph in Technology & Vehicles & Mods. ]

Urbee 2 3D Printed Car

The Urbee 2 is strong as steel, half the weight of a conventional vehicle, and can be manufactured in a warehouse full of plastic-spraying 3D printers. The teardrop-shaped 3D-printed car is an ecologically sound hybrid, and it looks cool, too. Aerodynamic and futuristic, this car could be a total game-changer for the automobile industry, leading to a rise of small-batch automakers.

Urbee 2 3D Printed Car 3

The three-wheel, two-passenger prototype vehicle with a generously sized, curved transparent roof (also made of plastic) was constructed by Kor Ecologic at RedEye, an on-demand 3D-printing facility with a Fused Deposition Modeling printer that sprays molten polymer one microscopic layer at a time to create the desired shape. The whole car takes about 2,500 hours to manufacture, but the process is fully automated.

The Urbee 2 3D-printed car’s light weight makes it so fuel-efficient, creator Jim Kor aims to make it from San Francisco to New York City on ten gallons of gas. Kor Ecologic’s design ideals for the project include causing as little pollution as possible during manufacturing, operation and recycling of the car, using local or regional and/or recyclable materials whenever possible, and making it affordable.

Urbee 2 3D Printed Car 2

You might wonder just how safe a plastic car can really be, but Kor is aiming high in that department, too. The bumpers will be just as strong as their sheet-metal equivalents. The final goal for the Urbee is not just to exceed all current automotive safety standards, but be able to pass the tech inspection required for race cars.

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3D Printed Car is Strong, Light and Close to Production

06 Mar

[ By Steph in Technology & Vehicles & Mods. ]

Urbee 2 3D Printed Car

The Urbee 2 is strong as steel, half the weight of a conventional vehicle, and can be manufactured in a warehouse full of plastic-spraying 3D printers. The teardrop-shaped 3D-printed car is an ecologically sound hybrid, and it looks cool, too. Aerodynamic and futuristic, this car could be a total game-changer for the automobile industry, leading to a rise of small-batch automakers.

Urbee 2 3D Printed Car 3

The three-wheel, two-passenger prototype vehicle with a generously sized, curved transparent roof (also made of plastic) was constructed by Kor Ecologic at RedEye, an on-demand 3D-printing facility with a Fused Deposition Modeling printer that sprays molten polymer one microscopic layer at a time to create the desired shape. The whole car takes about 2,500 hours to manufacture, but the process is fully automated.

The Urbee 2 3D-printed car’s light weight makes it so fuel-efficient, creator Jim Kor aims to make it from San Francisco to New York City on ten gallons of gas. Kor Ecologic’s design ideals for the project include causing as little pollution as possible during manufacturing, operation and recycling of the car, using local or regional and/or recyclable materials whenever possible, and making it affordable.

Urbee 2 3D Printed Car 2

You might wonder just how safe a plastic car can really be, but Kor is aiming high in that department, too. The bumpers will be just as strong as their sheet-metal equivalents. The final goal for the Urbee is not just to exceed all current automotive safety standards, but be able to pass the tech inspection required for race cars.

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Alone yet strong

23 Sep

Alone yet strong, originally uploaded by hitkaiser.

It’s been a while since I haven’t featured Nottingham on the site so here goes…

Took this shot on a lazy sunday, the market square was quite alive; kids playing, tourists snapping and the locals enjoying the (rare) sun. It isn’t very common for Brits to dress up like this man (anymore), but it is still very common in Spain so for a moment I felt as if I was back home.



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