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Posts Tagged ‘Strobist’

Announcement: Strobist Full-Day Shooting Workshop, June 7th in Washington, DC

10 Mar

Just a quick heads-up that I’ll be teaching a small-class lighting workshop in Washington, DC this June 7th. It is part of the Focus on the Story International Photo Festival being held June 7-10.

This class is small — a maximum of 16 people — and we will be shooting all day. It is designed for people who are new to intermediate in their lighting skills. If you are comfortable with shooting in manual mode, you will not be out of place. If you already have some experience, we will happily stretch you out a bit.

If you have your own lighting gear (small flash only, please) feel free to bring it. But you need not, as lighting gear will be provided for the class. Just bring a camera, normal range lens (a kit zoom would be fine) a storage card and batteries and you are good to go.

I teach this class a lot; it’s my favorite course. But oddly, almost never in the U.S. In fact, this is the only time I am scheduled to teach a small shooting workshop in the U.S. this year.

Here is my promise: if you show up as an “available light” photographer, you will leave as a lighting photographer. Period. I guarantee it. (In fact, I won’t let you leave until you understand it. So if you are intimidated, maybe… bring a sleeping bag.)

The class, which includes lunch, is $ 230. You need not sign up for the whole festival to take this class. (But the festival has a really strong speaker lineup, and a 40% off early bird discount until March 18.)

Links below, hope to see you there. (Hit me on Twitter if you’re coming!)
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FOTS International Photo Festival
My Lighting Workshop
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Our Next Two Strobist X-Peditions:Havana, Cuba and Hanoi, Vietnam

20 Feb

We are back from our inaugural Strobist X-Pedition, which was held last month in Havana, Cuba. The attendees are readjusting to life back on the grid, and busy editing photos and trading stories via email.

Havana X-Pedition, January 2018


Photo by Jeremy Langsky

Our week in Havana was filled with photography, new friends, eye-opening experiences and perhaps even a spot of Cuban rum. Now that we are back, I wanted to send a quick note out to Strobist’s readership both to show off some of the student work and give you a heads-up about plans for next year’s X-Peditions.


Photo by Martin Stephens


Photo by Michael Grigoriev


Photo by Bob Plotkin

Upcoming X-Peditions

If you would like to learn more about our planned X-Peditions for next year, you can read all about them here. We are planning to return to Havana in the winter and then we’re off to Hanoi in the fall. (I am headed to the latter on a shooting/scouting trip in three weeks.)

The info page linked just above is also where to sign up to ensure you’ll get advance notice about next year’s trips. As with 2018’s Havana X-Pedition, these will certainly sell out. There are only 12 slots available for each of the two trips. And because of the advance interest sign-up sheet, they may not be publicly announced.

I hope to see you next year, someplace really interesting.

-David
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Strobist Lighting Cookbook

29 Nov

Introducing the Strobist Lighting Cookbook. Read more »
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Upcoming Strobist Events: Buenos Aires, Dublin and Havana

20 Oct

Just a quick heads-up on upcoming Strobist events. If you are local to Buenos Aires or Dublin—or have ever wanted to spend a photo-centric week in Havana—check out the details below.

Buenos Aires, Argentina: November 17-19

I’ll be doing a seminar and two workshops in Buenos Aires in November. In the half-day seminar on the 17th, we’ll move beyond F/stops and shutter speeds and take a step back to look at photography from a broader perspective. How can you approach your photography in a way that also incorporates your other skills and expertises? How can you turn this approach into sustainable business models and ecosystems?

Whether your goal is to make money or just to become more aware of and focused on who you are as a photographer, this talk is designed to prompt deeper thought. And because of the Contrastes Magazine’s sponsorship, the talk is *free*. Well, at least for subscribers of the magazine. (Which means that if you are not yet a subscriber, the half-day seminar will only set you back the cost of a magazine subscription.)

On the 18th and 19th, I’ll be teaching small-class workshops on lighting. These are shooting workshops, and are appropriate for anyone who wants to learn (or learn more) about small-flash lighting. Because of the sponsorshop, they are also economically priced.

More details are here: Buenos Aires Workshops

Dublin, December 3-5

I’ll be both speaking and teaching for the Irish Professional Photographers Association in Dublin in December. More important: Italian photographer Sara Lando will also be teaching here during this time.

Sara and I will both be speaking on Sunday the 3rd. Sara will talk in the morning about the thousand things you wouldn’t think about that go into a successful conceptual portrait session. I’ll be talking in the afternoon about how to incorporate your photographic expertise into a wide range of external possibilities—and how to build digital and economic ecosystems around that.

On Monday and Tuesday the 4th and 5th, I’ll be running a two-day, small-flash speedlight bootcamp. This is a small class, and we’ll be shooting the whole time. But between us, where you really want to be is in either or both of Sara’s two classes. Her unique approach to creative portraiture will cause you to completely re-examine your own approach. Honestly, the less creative you feel you are, the more you can benefit from spending a couple of days with her.

More details here, with early bird prices in effect until October 31: Dublin Workshops

X-Pedition Havana, January 12-19

Our inaugual Strobist X-Pedition is set for Havana, Cuba, from January 12-19. This is not a photo junket. This is an intensive week in perhaps the most photographically (and culturally, economically, etc.) interesting city in the western hemisphere.

The US government makes it a total pain in the butt to get to Cuba, and it is becoming far more so under the tightening restrictions. But having been there, I can tell you it is well worth the trouble. Go while you still can.

Our week is designed around learning and photography in a tight, small-group environment. When the light is crap, we’ll be indoors learning how to think and see more like a photojournalist. When the light is right, we’ll be out shooting. We have several location shoots lined up, and you’ll get plenty of time to explore on your own as well. Throughout the week, we’ll also be learning to bridge the perception-reality gap for lesser-traveled destinations.

Our goal by the end of the week is threefold: to make you a more observant and focused traveling photographer, to learn to shoot efficiently while retaining time for yourself and/or family while on the road, and to have the knowledge and experience to grab your camera and confidently head to nearly any place in the world.

This trip is nearly full. As of this writing, we have only two spots left in our Havana X-Pedition.

More details: X-Pedition Havana
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I’m stoked about each of these, and very much hope to see you there.

-DH
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Major Updates to Strobist Lighting Kits

23 Aug

Strobist lighting kits are the modern day version of the basic speedlight-based setup I carried on my daily newspaper assigments for the better part of 20 years.

Over the past ten years, the recommended kit has gone through several evolutions. But recently there have been significant updates to several of the components (and a cool addition) making the kit better now than at any other time. I thought the updates merited a shoutout.

The kits are built around the idea of strong value with thoughtfully chosen components, many with unique features. All components carry best-in-class warranties, and can be expected to give you good service for years. If I was talking to myself as a 20-year-old, I’d advise me to get this before even buying a second lens.

The lighting kits come in several variations: Single with flash, single without flash, two-light version (two of everthing; but one remote) and add-a flash (one of everything, no remote).

Current components are as follows, with updates/additions noted:

Flash: LP180

The LumoPro LP180 is basically a bullet-proof (not literally, but relatively) manual flash that comes with the stuff you need, without the bells and whistles that you don’t.

Notable features include four-way sync, 1/1 – 1/128 manual power, variable slave, selectable ready tone, smart thermal protection, power equal to or greater than OEM flagship flashes, 1/4″x20 side mount and built-in gel clips. (It also includes a gel kit that covers the most commonly used CC and theatrical colors.)

Build quality of the LP180 borders on ridiculous. (One was famously destroyed in the field by a leopard. It was replaced.)

Warranty: twice as long as OEM flagships.

Price: one-third of OEM flagships.

Remote: Phottix Ares Original Model

A legit remote trigger for not much more than the cost of a sync cord. Features include: AA-powered (no weird batteries to find) 8 channels, hot-shoe based mount and excellent reliability. Backed by a two-year warranty.

I have been teaching with (and using) these remotes for several years now. They are solid.

Stand: LP605S

Recently updated; best in class. The LP605S is the classic, 5-section compact stand — except beefier build, and with a couple of unique added features.

One, it comes with folding ground spikes that will add to stability when used outside. Un-sandbagged umbrellas are always a risk in wind. But you can at least spike this stand and use bare flashes outdoors in a stiff breeze.

Two, the LP605S come predrilled for a strap, and includes the strap. This is somethng I DIY’d for many years, and the idea has now found its way to what was already the best compact stand on the market.

Umbrella: LumoPro 3-in-1 Double Fold

Recently swapped; best in class. Functionally similar to my older Westcotts, but with better build quality, more durability and added features.

The LP version gives you the choice of the best umbrella surface for any given job. It converts from white shoot-thru, to white reflective (black-backed) and silver reflective.

Unlike most double-folds, LP 3-in-1 umbrellas do not feel like fragile little flowers right out of the box. They are more substantial, and have lasted far longer than other models in daily use.

They also come with a slip case the does not make it feel like your umbrella is trying to squeeze into skinny jeans every time you try to case it.

Swivel: LP679-v2

Recently updated; best in class.

Finally, someone has nailed the swivel. The 679-v2 has all of the things common sense dictates in a swivel: removable cold shoe, big arm/smooth hinge, and a cold shoe post lockdown that does not bump up against your flash.

The recent improvement that sets it apart is in the umbrella lockdown screw. It is big and knurled. God only knows why, but most every other swivel I have seen puts a tiny thumb-mangler lockdown nub there. Why?

The LP679-v2 is LumoPro listening to photographers’ upstream suggestions. As a result it is much better in practical use, comparatively speaking, than other swivels.

Bonus: Lighting in Layers

Lighting in Layers was a 6-DVD, 8-hour video tutorial series that sold for $ 159.99 from 2011 to 2016. (Full info here.) After six printings, the idea of physical DVDs had run its course. And since those DVDs had been very good to our family, I wanted to pay it forward to the next generation of lighting photographers.

So, all versions of the Jumpstarter kits purchased directly from Midwest Photo now include SD or thumbdrive versions of the Lighting in Layers video series. This is especially cool because one of the Jumpstarter kit versions (single/no flash) actually sells for less than the original cost of the DVDs.

VERY IMPORTANT, PLEASE NOTE:

Jumpstarter kits are available both on Amazon (finally!) and directly from Midwest Photo. Only the kits purchased directly from Midwest Photo include the video series. So if the video is important to you, choose Midwest. If not, you can go the easy two-click route through Amazon.

And A Case

All Jumpstarter kits (except Add a Light kit, which presumes you already have a case) include a padded shoulder case that big enough to hold a two-light kit and various odds and ends.
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A Caveat for Sony Users

If you are a Sony user, your camera may have a non-standard hot shoe. Sigh. Thanks Sony. Which means that this flash and remote (and, sadly, many other lighting components) may not fit your camera.

Fortunately, there are workarounds. Sony shooters are advised to email Midwest Photo and they will step you through any adapters you may need.

Different Versions / Where to Buy

The Jumpstarter kits are now also available via Amazon, which makes for a super-easy (two clicks) way to order. If you go that route, understand that the Amazon versions do not come with the lighting videos. That is a Midwest Photo in-store exclusive. Other that that, they are identical to the Midwest versions.

• If you already own a flash, single version without flash:

Midwest Photo (includes Lighting in Layers video): $ 147.99

Amazon, DOES NOT INCLUDE VIDEO: $ 147.99

• Single version, includes LP180 flash:

Midwest Photo (includes Lighting in Layers video): $ 276.99

Amazon, DOES NOT INCLUDE VIDEO: $ 276.99

• Two-light kit (portable, wireless 2-light studio, professional quality, for less than the cost of a single Nikon or Canon flagship flash):

Midwest Photo (includes Lighting in Layers video): $ 479.99

• Single add-a-light kit (includes flash but no remote or case):

Midwest Photo (includes Lighting in Layers video): $ 203.00
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Strobist Location Workshops in 2017

06 Dec

Are you more the "learn by doing" type? As in, "Don't tell me, show me?"

Then you may be interested in one of the 2017 Strobist location workshops that are already planned. Or perhaps you would like to know how to schedule an in-person workshop of your own—for your photo exposition, camera club, or right in your damn living room.

Keep reading to learn how to make the monkey dance… Read more »
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Warning: “Strobist” Flashes

28 Jan

There is a disreputable company out of the UK and Australia persistently referring to their flashes as “Strobist Flashes.” Over my protest, they are deliberately implying an association with this site where none exists.

I have zero connection with either these people or their gear. Had they asked for any kind of endorsement, five minutes worth of research would have warned me off any association with them.

Of course, they did not ask. They merely appropriate the name and hope enough people are stupid enough not to know the difference. As such, they are merely using my company’s name and brand to try to get into your pants. Which should tell you all you need to know about the company’s ethics.

The flashes themselves are (surprise) rebranded Chinese mystery meat flashes. For the record, there are no genuine “Strobist” branded flashes. Even the LumoPro LP180, while highly recommended, is not a Strobst-branded flash. For many conflict of interest reasons, I do not sell gear.

I have asked them to stop, to no response. Clearly, they don’t give a whit about IP. Although they do of course claim copyright over the content of their site, natch. Intellectual property is important—when it suits them.

Please do not infer any type of endorsement of these (at best) bozos. I obviously do not trust them as far as I can throw them.


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Strobist Video Vault

03 Jan
Over the last eight years many cool videos have graced the pages of Strobist.com. Here, in the order in which they originally appeared, are the Top 100.

Windows open in tabs for easier multi-video browsing:

Read more »
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Best of Strobist: 2013 Edition

27 Dec

The end of the year is a great time to take a moment to reflect on what you have learned and/or accomplished in the last 365 days. Traditionally on Strobist, we take the last few days to look back, to buy a little family time and plan for the next year's adventure.

2014 holds some big changes for me. And because of the format and project changes coming up, this may well be the very last "Best of" post I'll ever write. So let's get on with it…

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The Updated, Essential Strobist Bookshelf

30 Nov
A great photo book (whether lighting or otherwise) is an amazing value. You get to rent someone else's brain for the price of a good dinner. And depending on who's brain you're renting and what you do with the info, the return on investment can be hundreds or even thousands of time what you invested.

Now more than ever, it is a wonderful time to be a lighting photographer. I have long maintained a book list on Strobist, but it has gotten out of date. Today I am correcting that with a tight, "without reservation" list of books that I can absolutely recommend for photographers who want to learn.

The list includes just four books on lighting, a book on the interpersonal aspects of photography and a massive, magnum opus that is not even out yet. (But I've seen it!)

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