[ By SA Rogers in Architecture & Public & Institutional. ]
Acclaimed Japanese architect Kengo Kuma brings traditional Japanese building techniques and aesthetics into the 21st century with dynamic structures making creative use of wooden elements. Known for his gridded installations and unusual ways of stacking and assembling small pieces of wood, the architect often works with joinery techniques that negate the need for any metal fasteners.
Japan House in São Paulo, Brazil
Three iterations of the ‘Japan House,’ an outreach initiative by the Japanese government aiming to nurture a deeper understanding and appreciation of Japan in international communities, are planned for São Paulo, Los Angeles and London, respectively. Kengo Kuma recently completed the first one in Brazil, creating a tranquil and hospitable space within the bustling metropolis with one of his signature facades, this one made of cypress.
GC Prostho Museum Research Center
An old Japanese toy called ‘Cidori’ consists of an assembly of wooden sticks with unusual joints that allow you to expand and contract the toy by twisting the sticks; no nails or other metal fasteners are necessary to hold it together. Kuma translates this concept to architecture with the GC Prostho Museum Research Center in Japan’s Aichi Prefecture. “Jun Sao, the structural engineer for the project, conducted a compressive and flexure test to check the strength of this system, and verified that even the device of a toy could be adapted to ‘big’ buildings,” says Kuma. “This architecture shows the possibility of creating a universe by combining small units like toys with your own hands. We worked on the project in the hope that the era of machine-made architectures would be over, and human beings would build again by themselves.”
One @ Tokyo
A facade of criss-crossed wooden beams gives the extruded cement panels on the front of the ONE@Tokyo hotel a more dynamic appearance. The architect wanted to “recall the rather rough but still approachable quality of this area,” which has historically been an industrial neighborhood full of small factories, but the beams also suggest abstracted tree branches as if to create a forest in a highly urbanized area.
Stacked Timber Museum
Stacked volumes clad in oversized wooden screens call to mind the childhood toy Lincoln Logs at the Odunpazari Modern Art Museum in Turkey. Kuma takes inspiration from the scale of traditional Ottoman wooden houses, and references the fact that the neighborhood is known as Odunpazari, which translates to ‘wood market’ in Turkish.
Towada Community Plaza
The series of gables in staggered sizes and angles seen on the exterior of the Towada Community Plaza aims to echo the rooflines of houses in the residential area surrounding it, helping it to blend seamlessly into the neighborhood. Wainscot panels are applied to the facade with spaces in between to add some warmth to the glass walls, and screen sunlight. Inside, undulating wooden floors made of cut and stacked plywood create a topographical playscape.
Next Page – Click Below to Read More:
Starchitect Spotlight 9 Wooden Wonders By Kengo Kuma Associates
[ By SA Rogers in Architecture & Public & Institutional. ]
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