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Posts Tagged ‘Square’

Weekly Photography Challenge – Square

23 Sep

This week for the photography challenge let’s keep it simple and look for shapes. One in particular – the square.

Weekly Photography Challenge – Square

Look for square subjects. You can even crop your image into a square and make a composition that is suitable for that format. Shooting for a square is a bit different than using the regular camera format – try it and see how you do.

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

The post Weekly Photography Challenge – Square by Darlene Hildebrandt appeared first on Digital Photography School.


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Mobile Urbanism: Wheeled Benches & Planters Let Public Reconfigure Square

08 Sep

[ By WebUrbanist in Design & Furniture & Decor. ]

A former parking has become a Green Oasis in front of Poznan, Poland’s city hall, but beyond providing seating and greenery the redesign adds another key element: effectively endless flexibility.

Custom-created benches and planters (filled with an array of taller trees and shorter flora) create a system of mobile street furniture that can be configured in an infinite variety of ways.

Normally, independent islands allow small groups to gather. As needed, though, the benches can be matched up for anything from public speeches to in-the-round performances — the modular geometry of the 14 benches and 20 planters allows them to befit together like pieces of a puzzle.

Developed by Atelier Starzak Strebicki, this modular courtyard serves as a gathering space, open-air amphitheater or auditorium — the street furniture elements can also be moved out of the way entirely if the entire square is needed.

The seats are also doubled-up, allowing people to sit on a higher or lower tier (or both simultaneously for crowded events). At the same time, the furnishings are sufficiently heavy that no one need worry about someone walking (or rolling) away with them at the end of the evening.

These fairly simple but robust steel-and-wood designs provide a nice industrial-style contrast with their historic surroundings, and suggest another way of thinking about public furniture, one which allows it to serve different functions on demand.

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[ By WebUrbanist in Design & Furniture & Decor. ]

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Lomography unveils foldable Lomo’Instant Square instant film camera

29 Aug

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Lomography just launched their latest creation on Kickstarter: The Lomo’Instant Square instant film camera. Following hot on the heels of Fujifilm’s Instax Square SQ10, the Lomo’Instant Square uses the same film as the Fuji camera, but puts it in a foldable, fully-analog body. We have a feeling lovers of Lomography’s retro style and shoot-for-the-joy-of-it culture will flock to the Lomo’Instant.

The Lomo’Instant Square’s tagline is that it’s the “world’s first fully analogue camera to work with Fujifilm Instax Square Film.”

Featuring a 95mm (45mm equivalent) F10 glass lens for sharper photos than the plastic lenses in some of Lomography’s toy cameras, the Lomo’Instant Square can be used in “advanced automatic mode” for hassle-free perfect exposures, or more creatively through features like unlimited multiple exposures or the 30-second ‘bulb’ mode.

Here’s a psychedelic intro video to get you acquainted with the new instant camera:

And here are some sample photos captured on the Lomo’Instant Square:

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The Lomo’Instant Square has only been up on Kickstarter for a few hours, but already it’s blown past its $ 100,000 funding goal and the number just keeps getting bigger with every reload. In other words: this camera will definitely get made, but there is still a good reason to order yours today if you’re interested.

Lomo is offering a special 35%-off-retail discount for everyone who orders the Lomo’Instant Square during the first 24 hours of the Kickstarter campaign. That means you can get the White or Black versions for $ 130 instead of the $ 200 it will cost you when it hits shelves early next year.

To learn more about this quirky camera or put down a pledge of your own, head over to the Kickstarter campaign by clicking here.

Articles: Digital Photography Review (dpreview.com)

 
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The Fujifilm Instax Square SQ10 is less fun than it should be

16 Jul

Fujifilm Instax Square SQ10
$ 280/£249 | www.fujifilm.com | Buy Now

The Instax Square SQ10 represents two firsts for Fujifilm’s Instax line. It’s the first to use the brand’s new square format film, which looks more like a classic Polaroid than the credit card-sized Instax Mini film used by all of the company’s other instant cameras. It’s also the first ‘hybrid’ instant camera offered by Fujifilm, meaning it’s actually a digital camera with the ability to print photos on instant film. You can do this as soon as you snap the shutter for a just-like-instant experience, or manually once you’ve had the chance to review it.

That’s right, this is a digital camera imitating a mobile app that imitates the effects of film cameras. What a time to be alive.

Since it is a digital camera, the SQ10 offers some modern conveniences that its instant-only peers don’t. For one, there’s a real LCD for image composition and menu navigation. There are also a few straightforward image setting adjustments available, like exposure compensation (+/-3 EV).

Key specifications

  • 3.6MP 1/4-in CMOS sensor
  • 3″ 460k-dot LCD
  • microSD card slot / built-in memory for 50 photos
  • Fixed 28.5mm equiv. F2.4 lens
  • Auto ISO only (100-1600)
  • Shooting modes: Standard, double exposure, bulb mode
  • Self timer: 10 or 2sec
  • Built-in NP-50 battery rated to 160 prints
  • Micro USB charging
  • 119mm x 47mm x 127mm / 4.7 x 1.9 x 5″

You can also save photos to internal memory and microSD. The camera automatically stores the last 50 images it printed to internal memory, so you can re-print photos. The SQ10 includes a selection of Instagram-style filters that can be used while shooting or added to images later, as well as a vignette effect. That’s right, this is a digital camera imitating a mobile app that imitates the effects of film cameras. What a time to be alive.

In use

In my first few outings with the camera I was determined to treat it like a true instant camera and left it in Auto print mode. But when not everybody in the photo was looking the right direction, or it turned out that I’d left the flash turned off when it was needed, it felt like I’d really screwed up and wasted a print. Just knowing that it could have been different made the experience less enjoyable than the carefree “Oh well, that’s film!” attitude I can take with my Instax mini 90.

If you dial in exposure compensation or turn the flash off, the SQ10 will continue to honor those settings even if you turn the camera off and back on. But it’s easy to forget they’re enabled as there’s no information displayed on the shooting screen. Before switching to manual printing I lost a few precious prints that way.

I also found that in printed images, shadow tones tend to come out significantly darker than they appear on the screen when viewed straight on. Features that were visible when I previewed images ended up being crushed in shadows when printed. Tilting the camera and viewing the LCD at an angle actually gives a more accurate print preview in some cases than viewing the image straight on.

The good news is that any modern digital camera will take nice photos in the right light

The good news is that any modern digital camera will take nice photos in the right light, and in ample sunshine the SQ10 produces very nice images. I got the best results leaving exposure compensation alone and embracing the punchy contrast. Flash portraits with subjects at a reasonable distance also look pleasant. Images taken in shade or under cloudy conditions have a noticeably cooler tint, and there’s no way to adjust white balance.

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When you do end up with a nice exposure, print quality is the Square’s strong point. It’s expensive, but I prefer Fujilm’s Instant film’s deep blacks and rich colors over the zero-ink Polaroid-branded competitor any day. And the square format is a selling point for my money – it’s the format associated with instant photography and if it’s good enough for OutKast, it’s good enough for me.

Fujifilm claims you can print photos from other cameras using the SQ10 if you load them onto a microSD card. I followed the instructions in the manual to the letter and never got anything but a read error when trying to view it on the camera. Your mileage may vary. Even if you can get it to work, it’s a pretty clumsy process. There’s no Wi-Fi included for printing from a phone or Fujifilm camera, which is a shame.

The SQ10 is also significantly heavier than the Instax mini 90 – at least it felt significant to my shoulders. The SQ10 weighs about a pound (450g) fully loaded; the 90 is half that Not back-breaking, but noticeable when you carry it around all day. The built-in battery is rated to 160 prints, and indeed it never needed a recharge during the course of this review.

Summing up

The Instax Square SQ10 offers a convincing imitation of instant photography, plus some of the modern comforts of digital. And there are plenty of benefits from this mashup of digital and instant technology. Having the ability to save the printing step for a convenient time is very nice if you’re say, on a hike, and don’t want to carry around a developing photo. Being able to make multiple prints is another bonus, and if you run out of film, great news – you can still take pictures.

But the truth is, if you opt to print manually rather than as you go, you’re basically just carrying around a mediocre digital camera that’s glued to an instant printer. The camera in the SQ10 is just not as good as a modern smartphone camera, plain and simple.

To be sure, smartphone cameras are awfully sophisticated these days, and if you count the phone they’re attached to, cost well more than the SQ10. And the great thing about the year 2017 is that even a bad digital camera will take nice photos in many conditions. If bright-light snapshots and flash portraits are your aim, then the SQ10’s digital camera component will serve you just fine. But if you plan to take photos without flash in lighting that’s less than ideal, you’d be better off using your phone.

The camera in the SQ10 is just not as good as a modern smartphone camera

If instant photography appeals to you but you want more control over the output than an all-film camera, the Instax Square SQ10 is worth a look. But it’s hard to recommend over Fuji’s standalone Instax SP-2 printer used with a smartphone. The camera that’s already in your pocket or purse likely offers a better automatic exposure mode, a polished user interface, infinite film-simulation filters and better control over exposure settings.

Shortcomings like poor image quality in low light are much easier to forgive in an all-film instant camera, but somehow feel more egregious in the SQ10 simply because it seems like the camera should be able to do better. To me at least, it feels less fun than all-instant photography, with not enough of the convenience of digital to make up for it.

What we like:

  • Digital conveniences like saving images and printing later
  • Lovely square format film
  • Good battery life

What we don’t like:

  • Small sensor struggles in low light
  • Prints are expensive at around $ 1.50 each
  • Tendency to crush shadows can make it difficult to judge exposure

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm’s SQ10 Instax Square camera is an instant/digital hybrid

19 Apr

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Fujifilm’s first square format Instax camera is here, and it’s a half-digital, half-analog beast with a $ 280 price tag.

The SQ10 uses a 1/4″ CMOS sensor to capture 3.6MP color images, and offers a 3″, 460k-dot LCD for composition and camera operation. It’s a departure from the all-analog cameras in Fuji’s current Instax lineup, but provides benefits of digital capture like adding filters in-camera and saving files to microSD. Auto exposure control, facial recognition and autofocus are also offered.

Images are printed in 1:1 format on 86 x 72mm film, which will sell for $ 17 for a pack of 10 sheets. The camera and its film go on sale in May.

Press Release

FUJIFILM ANNOUNCES THE NEW INSTAX SQUARE SQ10, A HYBRID INSTANT FILM CAMERA

SQ10 gives users a simultaneous digital and traditional print photo experience that instantly changes how we take pictures today

Valhalla, N.Y., April 19, 2017 – FUJIFILM North America Corporation today announced the all-new INSTAX® SQUARE SQ10, a sophisticated square format hybrid instant film camera that combines digital imaging technology with square film prints. The SQ10 uses a new INSTAX SQUARE Film format that delivers exceptional image quality with numerous artistic expressions. This new system takes the image quality of INSTAX to the next level and allows everyone to add a creative, artistic edge to their photography with an intuitive interface designed especially for the SQ10.

Hybrid-powered Beautiful Image Quality
The SQ10 is the first camera in the INSTAX series to be equipped with the newly developed hybrid INSTAX system – a digital image sensor and image processing technology integrated with the existing INSTAX system. These technologies allow the SQ10 to take brighter photos in low-light conditions (indoor and night scenes) and close-up shots from a distance as close as 4 in cm with new functions including automatic exposure control, facial recognition, and auto-focus.

Simply Stunning Design
The SQ10 has an iconic design and a thin, round, symmetrical shape for easy holding. It has a dual shutter system with two shutter buttons – one on the right and one on the left (buttons also work as function buttons to switch shooting modes). The lens ring is made with shaved metal, and specific areas add a sense of depth and texture throughout the solid black camera body.

The SQ10 is simply designed to let users take fun, easy and creative pictures anywhere. The SQ10 allows simple operation with a 3” TFT color LCD monitor (460K dots), operation dial and buttons on the back of the camera. Three buttons arranged at the top of the operation dial correspond to the main functions — ten different filters, vignette control, and brightness adjustment. Users will see a live display of all operations throughout the composition during shooting, editing, processing and printing on the LCD monitor. This new interface enables photographers to edit and process photos with a simple and intuitive operation. Users may also choose to select and edit (e.g. zooming, cropping and filters) the image before printing. This is particularly useful when sharing multiple prints with a number of people.

After a picture is taken, users can print, or save the image to the SQ10’s internal memory, save to the micro SD \ microSDHC card, or transfer from the camera to a computer using a micro-USB for ultimate flexibility.

Stir Your Creativity with New Shooting Modes
The SQ10 lets users shoot in various modes with several filters for outputting creative and trendy square photos. Ten different color filters, saturation and dramatic vignetting effect can be adjusted for truly artistic pictures.

The vignette effect is especially suitable for portraits or still life images as it highlights the photographic subject at the center of the photo. The SQ10 features special shooting modes including, Double Exposure that can overlap two images onto one print by pushing the shutter twice, Bulb Exposure function for night scenes and creating pictures with dramatic light streaks, Division mode for putting up to nine images on one print, and Micro mode for photography as close as 4 in cm.

New INSTAX SQUARE Film Format
The SQ10 uses a brand new INSTAX SQUARE Film format with a 1:1 aspect ratio that has been especially popular with photo enthusiasts and mobile app shooters. All INSTAX film features excellent color reproducibility, taking full advantage of Fujifilm’s long-standing research on photographic film manufacturing and image design technology.

An INSTAX Generation
Since INSTAX cameras were originally launched in 1998, they have proven to be extremely popular with users all over the world, with cumulative shipment volumes reaching over 25 million units. This has made INSTAX the leader of the world’s instant photography market over the past several years.

Fujifilm is committed to offering new products and services that meet various consumer needs by leveraging innovative technological advancements. The company is also dedicated to enhancing the enjoyment of photography worldwide, and encouraging users to experience the value of shooting, preserving, displaying and gifting photo images that deliver the message of “enriching your life with photographs.”

INSTAX SQUARE SQ10 Key Features:

  • FUJIFILM INSTAX Square SQ10 with all-new hybrid INSTAX system
  • 3” TFT color LCD monitor with 460K dots resolution
  • ¼” CMOS image sensor with primary color filter
  • 1920×1920 recorded pixels
  • Rechargeable Li-ion battery (NP-50) for up to 160 images per charge
  • Images taken and edited / processed can be saved in the internal memory (up to about 50 images) or on microSD \ microSDHC card slot (sold separately)
  • 28.5mm fixed focal length (in 35m format equivalent)
  • F2.4 aperture
  • Micro USB for internal battery recharging
  • JPEG image file format
  • Print from internal memory or micro SD \ microSDHC card
  • Tripod mount
  • New INSTAX SQUARE Film format (color) sold in 10 sheets per pack
    o Screen size – 62mm×62mm (L×W)
    o Film size – 86mm×72mm (L×W)

For a full list of specifications, visit INSTAX SQUARE SQ10.

Availability and Pricing
The INSTAX SQUARE SQ10 will be available in May 2017 in the U.S. and Canada for USD $ 279.95 and CAD $ 369.99.

INSTAX SQUARE Film will also be available in May 2017 in the U.S. and Canada for USD $ 16.99 and CAD $ 15.99.

Articles: Digital Photography Review (dpreview.com)

 
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Magnum’s ‘Conditions of the Heart’ square print sale underway

02 Nov

Magnum ‘Conditions of the Heart’ square print sale 

Kochi, India, 2014 © Alex Webb / Magnum Photos

Magnum Photos recently tasked its photographers with capturing photographs related to the theme ‘Conditions of the Heart,’ doing so for the organization’s Square Print Project. This project was inspired by David ‘Chim’ Seymour’s work, and is itself part of a larger series that examines the work of Magnum’s four co-founders. A new square print sale is now offering these photos as museum-quality 6×6 prints for a short duration.

The square print sale started yesterday, October 31, and is running through November 4 at 6PM EST. During this time, the public can purchase high-quality 6×6 prints that are signed and estate stamped for $ 100 each. These square prints are printed onto archival paper and will not be available for purchase beyond this sale. Photographers featured in the square print sale include Steve McCurry, Alex Webb, David Alan Harvey, Matt Black, and others.

Purchases can be made through Magnum Photos’ online shop.

Magnum ‘Conditions of the Heart’ square print sale

Kochi, India, 2014 © Alex Webb / Magnum Photos

“Connection in photography can take many forms. While one typically thinks of the connection in photographing people one knows, there can also be a kind of intimacy with a place or a culture itself. As a street photographer, it is this latter connection that intrigues me. Over the years, I’ve learned that each culture demands its own unique and complicated approach—often with many nuanced variations—in order to photograph the life of its streets. For instance in Mumbai, people sometimes seem so interested in strangers, one may later discover smiling faces peering into the edges of one’s photographs. However, in a city such as Kochi in southern India where I took this photograph, one may also encounter unexpected quieter moments. Ultimately, no matter how gently and respectfully one tries to photograph in a culture other than one’s own, how long a street photographer can linger is largely thanks to the grace of others.”

– Alex Webb

Magnum ‘Conditions of the Heart’ square print sale

Chiang Mai, Thailand © Steve McCurry / Magnum Photos

“I photographed these elephants and their mahouts at a rescue sanctuary in Chiang Mai, Thailand. The mahouts dedicate their lives to caring for a specific elephant, spending their days and nights tending to all of the elephant’s needs.”

– McCurry, Steve

Magnum ‘Conditions of the Heart’ square print sale

Savoy Ballroom. Harlem, New York City. 1939 . © Cornell Capa / International Center of Photography / Magnum Photos

“The Concerned Photographer produces images in which genuine human feeling predominates over commercial cynicism or disinterested formalism.”

– Cornell Capa

Magnum ‘Conditions of the Heart’ square print sale

Sheepherder with Mount Mikeno. North Kivu, Democratic Republic of the Congo. 2016 © Michael Christopher Brown/ Magnum Photos

“Though much of my work in the Democratic Republic of the Congo depicts dire circumstances, I remain optimistic for the country; it is not only one of the most beautiful places, but also filled with incredible people.”

– Michael Christopher Brown

Magnum ‘Conditions of the Heart’ square print sale

Fisherman and family. Bahía Honda, Cuba. 1954.© Eve Arnold/ Magnum Photos

“Magnum dispatched [Eve Arnold] to Cuba and Haiti to take pictures for magazine projects that [Robert] Capa had arranged. In both countries, she was confronted with destitution on a level she had never seen, beyond even the migrant farm workers. A Cuban family she was photographing begged her to adopt their nine-year-old daughter, Juana, to save her from a life of poverty and prostitution, and she was so moved by them that she cried when she left.”

– Janine di Giovanni, Magnum Legacy: Lives Behind Photographs – Eve Arnold, Prestel, 2015

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm gives us a glimpse of its upcoming Instax Square camera

20 Oct

We’ve known for a while now that Fujifilm is developing a 1:1 format instant film, which measures 85.6mm x 72mm and provides a 62 x 62mm image, and an accompanying Instax camera. Unfortunately not much detail is known about the camera but now the Japanese manufacturer has released a teaser video on its Instax Square website that gives us at least a glimpse at some elements of the camera.

On the website you get to see some Instax Square sample images but unfortunately most of the video consists of trippy graphics that remind us of a 1990’s techno music video. So watch closely, you don’t want to miss the important parts.

Instant film fans will have to wait a little longer to get their hands on the new toy, as the release of both film and camera is scheduled for the Spring of 2017.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm working on square format Instax camera and film

20 Sep

Fujifilm has announced that it’s developing a 1:1 format instant film and accompanying Instax camera for release in spring of 2017. The film itself will measure 85.6mm x 72mm, while the image itself will measure a square 62x62mm. That’s the extent of the information released at this point, though Fujifilm has created a teaser page for Instax Square.

Press release

New Square Format for instax Series
A new format that drastically enhances the potential of photographic expression of instax

PHOTOKINA 2016, COLOGNE, GERMANY, September 19, 2016—FUJIFILM Corporation (President: Kenji Sukeno) is pleased to announce that its next generation format “instax SQUARE format film” and “instax SQUARE camera” are currently under development.

With its 1:1 aspect ratio, square format photography is ideal for both portraits and landscapes, and has long been the format of choice for users enhancing their artistic expression. In recent times, the popularity of square format has increased to such an extent that it has become the de facto standard of smartphone cameras and timeline photos on social media platforms.

Fujifilm believes that the instax square format has the potential to drastically evolve the role and presence of instant photography. By adding this new format to the existing mini and wide, a new dimension will be added to the wealth of possibilities of instax photographic expression, users will have a wider choice, and instax cameras and films will be able to respond to a broader range of photographic subjects and situations than ever before.

In addition to the new square format film, a new camera which is able to fully express the attractions of square format photos is also under development. Further details are available at the below website.

instax SQUARE Special content (http://instax.com/square/)

Availability:
Spring 2017

Features:
“instax SQUARE format film”:
Image size: Height 62mm x Width 62mm
Photo size: Height 85.6mm x Width 72mm
“instax SQUARE format camera”: TBD

Articles: Digital Photography Review (dpreview.com)

 
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Liquid Shard: Fluttering Silver Cloud Hovers Over Los Angeles Square

06 Aug

[ By SA Rogers in Art & Installation & Sound. ]

Screen Shot 2016-08-05 at 9.49.32 AM

A “universally despised” postmodern public square in Los Angeles is getting a second look this week with the addition of a surreal glittering silver cloud that undulates in the air above the concrete, seemingly floating without any supports. Tethered from a 10-story purple bell tower to a lower corner of the park, the latticework installation is made of thousands of holographic mylar strips that flutter in the breeze. The work is a collaboration between patrick Shearn of Poetic Kinetics and the AA Visiting School of Los Angeles, a week-long design program for art students.

What an amazing sight in Pershing Square!!

A video posted by Lori Erhardt (@poopsienyc) on

Due for a makeover in 2019 that will replace much of the concrete with grass and create shade canopies, Pershing Square tends to be empty and quiet despite renewed vitality in other areas of downtown L.A. It’s one of the city’s oldest public spaces, but had its trees and grass ripped out in 1951 so a parking garage could be installed beneath it.

Screen Shot 2016-08-05 at 9.49.41 AM

??????? MAGICAL!!! 'Liquid Shard' installation by @aavsla @poetickinetics Thank you for bringing such a beautiful piece into Downtown! ?? #liquidshard

A video posted by d a n i e l l e g a r z a (@ellierex) on

Poetic Kinetics is known for creating many of the massive, colorful creations that appear at Burning Man each year. Sharon says he was inspired by nature and “the feeling that we are only aware on a very surface level of what is really going on around us. We feel the currents of air on our skin but do not see the larger movements.”

Find yourself beneath a new installation, "Liquid Shard" by @aavsla and @poetickinetics, up and flowing now at Pershing Square. (?: @coleoptera.bijoux) #dtla #historiccore

A photo posted by Historic Core DTLA (@historiccore) on

Day 6: Assembling! —————————- #architect #design #archstudent #designstudent #artist #art #imagine #create #build #music #musicfestival #la #dtla #losangeles #california #dream #discoverla #losangelesart #archilovers #artlife #workshop #summer #architecturelovers #college #arquitectura #diseño #superarchitects #ilovela #southerncalifornia #aaschool

A photo posted by AA Visiting School Los Angeles (@aavsla) on

The Los Angeles Times captured 360-degree views of the installation, which billows like a school of fish when it catches the wind just right. Measuring 15,000 square feet, ‘Liquid Shard’ will remain in place through August 11th, so stop by and experience it in person if you can.

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[ By SA Rogers in Art & Installation & Sound. ]

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Branco Ottico creates world’s biggest contact print at 24 square meters

26 Jul

Do you lie awake at night wondering how big the world’s largest contact print is? Wonder no more. It turns out Branco Ottico, an Italian photography group, created the largest contact print in the world during Phototrace Florence in September 2015. The project involved a 24 square meter (about 258 square feet) photo negative stitched onto an equally large sheet of canvas, and enlisted the help of strangers who placed their hands on the print for the nearly 13-minute exposure.

Their efforts resulted in a successful – and massive – cyanotype print. According to the group’s website, the print now holds a Guinness World Record. The whole process has been documented in the newly published video below. Additional photos of the project are available on the group’s Instagram.

Via: PetaPixel

Articles: Digital Photography Review (dpreview.com)

 
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