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Posts Tagged ‘Spending’

Film Fridays: Thinking about spending a stack of cash on a film camera? Read this first!

14 Mar

We recently launched an analog forum and in a continuing effort to promote the fun of the medium, we’ll be sharing an article from our film friends over at 35mmc on Fridays. This week’s article addresses the ever-inflating second-hand film camera market and the realities of what you get for your hard-earned cash. So don’t drop $ 300 on an Olympus MJU II before reading this first!

Thinking about spending a stack of cash on a film camera? Read this!

Articles: Digital Photography Review (dpreview.com)

 
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Why You Should Prioritize Spending on Experience Before Gear

22 Nov

The post Why You Should Prioritize Spending on Experience Before Gear appeared first on Digital Photography School. It was authored by John McIntire.

Why-You-Should-Prioritize-Spending-on-Experience-Before-Gear

So, why should you prioritize spending on experience before gear? Yearning for new equipment is something that almost all of us, as photographers, go through. For some of us, that desire for the newest and shiniest camera body or lens is near-constant. By now, you should know that new equipment will have little effect on improving your photography. This is, after all, one of the most talked-about subjects in photography circles. Most of that talk, however, tends to suggest that you shouldn’t spend any more money on your photography. I disagree with that.

You should spend money on your photography. I would even go as far as to say that you should spend every penny you can afford. With a few exceptions (what’s a macro photographer without a macro lens?), your money is better spent elsewhere than it is on new equipment.

Fancy equipment

Why-You-Should-Prioritize-Spending-on-Experience-Before-Gear

New toys with lots of features are fun, but they are not the be-all, end-all; nor should they be the goal.

I’m not one to say that new and shiny equipment should be out of the question. Sometimes it’s a must.

That new and wonderful camera body, lens or light might:

  • Give you more options in how and what you can shoot.
  • Make certain techniques easier, or open up some techniques altogether.
  • Give you certain technical gains such as sharpness, low light performance and dynamic range.
  • Give you a temporary boost in motivation and excitement for your photography
  • Impress people that don’t know any better.

What new equipment will not do is:

  • Make you a better photographer.

The only way to get better

Why-You-Should-Prioritize-Spending-on-Experience-Before-Gear

Experience. The act of getting out and putting your skills to use over and over again is far more valuable than any new piece of kit.

The only tried and true way to become a better photographer is to get experience in being a photographer. It’s really as simple as that. Go out, boots on the ground, batteries charged, memory card loaded, and take photos. Evaluate, go out, and take some more. Rinse, lather, and repeat ad infinitum.

Sure, along the way, you will need to take on new information and learn new skills that you will then add to your repertoire through (you guessed it) experience.

Spending money

This is where my thought process diverges from those who tell you that you don’t need to spend money at all. If the only way to get better at photography is through experience, then where do you reckon I would suggest that you put the money you might have spent on that new lens that you don’t really need? Experience. It’s always experience.

Do you want to get good at landscapes? Pick a location and go on an extended camping trip and design the experience so you can do little else but concentrate on your photography.

Image: For landscapes, sometimes just a trip a couple of hours away is all you need and it won...

For landscapes, sometimes just a trip a couple of hours away is all you need and it won’t cost you much.

Do you want to get good in a studio environment? Go out and hire a studio.

I can’t speak for all areas, but in my area, most photographers who hire out their studio are more than happy to lend a hand to beginners who hire their space.

Image: Studio photography requires a lot of practice. To get better, you need to be practicing as mu...

Studio photography requires a lot of practice. To get better, you need to be practicing as much as possible. When you’re renting/hiring a space, you often don’t have to have the equipment yourself.

Do you want to be a travel photographer? Use the gear you have and spend as much as you can on traveling to the places you need.

Why You Should Prioritize Spending on Experience Before Gear

Do you want to be a fashion photographer? Spend as much as you can on hiring  stylists, makeup artists and models.

Repeat that formula for any genre of photography that you’re interested in.

If you want to fast track the process, you always have the option of workshops or one-to-one tuitions. Do you need to do this? No, absolutely not, but sometimes it is a lot more effective to get the first-hand experience with someone who is already able to get the results that you are after.

But, things cost too much

Why-You-Should-Prioritize-Spending-on-Experience-Before-Gear

Careful planning meant that I was able to spend eight days on a camping trip to work on landscapes for around $ 100.

Sure, some things that you may want to photograph will cost a lot more than that $ 3000 camera body that you desperately want.

For example, travel can be expensive. As long as we’re not talking African safaris though, you can still do a lot of travel with that kind of money.

I once flew from Reykjavik to Baltimore for $ 90. As long as you hedge your expectations and plan meticulously, you might be surprised by what you can achieve within a limited budget.

Do you want to be a better photographer?

Yes? Good. Close/put down the spec sheet for the new offering from Canon/Sony/Nikon/Fuji, book a studio, book a trip or just go outside and start taking photos.

They’re probably going to be bad.

Good. Figure out why, then start the process from the beginning, over and over again. Maybe, eventually, you’ll find yourself in a situation where you absolutely have to have that fancy lens that costs more than a good used car, but probably not. So prioritize experience before gear!

The post Why You Should Prioritize Spending on Experience Before Gear appeared first on Digital Photography School. It was authored by John McIntire.


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5 Tips for Underwater Photography Without Spending a Fortune

26 Oct

Underwater photography is so much fun that it will take you to the farthest reaches of the world, inspire you to buy thousands of dollars of dive gear, and thousands of dollars more worth of underwater photography gear. It can also make you want to throw your underwater camera rig against the side of the dive boat, then into the water, then dive down and get it just so you can throw it to the bottom again. Spending six hours of planning and preparation just to find out the water is murky or that the fish aren’t there, or that the manta rays aren’t at their feeding station is incredibly frustrating.

Diver Swimming

On the other hand, you can see such beautiful things, experience such euphoria when everything stays in place long enough to compose your shot properly, and discover the joy of finding out that it was all wonderfully in focus when you review your images on the computer. You can capture some of nature’s finest and most majestic moments in a way that most people will never see. You can open your audience’s eyes to the beauty of nature from a perspective that those who don’t SCUBA dive may never be able to experience.

There are many hurdles to being an underwater photographer. The first is the diving skill. There is no substitute for being a proficient and safe diver. You must be able to maintain neutral buoyancy and safely complete all dives.

The next challenge is the gear. As if photography wasn’t a gear intensive enough activity, to do it underwater you need special housings, dome ports, and even strobes.

Bridge 2

Don’t let these hurdles stop you. Underwater photography is worth every bit of pain and sacrifice when you become proficient.

The problem most beginners face is that there’s really no good ambient light because the colors are filtered by the water. In my
experience, around 10 feet, you’ve lost any good color of light and you get the characteristic baby blue, boring pictures. So, you’re left with a conundrum – buy expensive strobes or have your pictures stink … or are you?

What if there was a better way to get underwater images without a strobe; one that didn’t require an expensive setup and the risky
business of bringing your DSLR into the water? What if you could learn a few simple but powerful techniques to let your underwater
images sing without a strobe?

Here’s what I recommend, go big or go black and white. Go big means dive into the deep end (pun intended) and buy the housings and strobes (you’re not planning on using just one are you?). This is an expensive but professional option. The second option is to go black and white.

Bow Looking Down

If you compose and think about getting good black and white images your underwater results will be very compelling, easy to post-process, and simple to take. Some rules to live by include:

  1. Safety first (enough said)
  2. Don’t try for little fast moving, colorful fish – these won’t turn out without a strobe
  3. Look for compelling images of your dive buddies or large objects (like wrecks, turtles, and sharks – but no touching please)
  4. Get close
  5. Look for long lines (like a descent line) and compose them across the screen (not vertical please) with a good subject (like other divers)

Bow Crowss View

If you start with these five simple rules you’ll be able to shoot hang-it-on-the-wall quality images without an expensive strobe or underwater-housing. Who knows, you may even like shooting underwater so much you get a full setup one day. If you do, remember, throwing your gear never solves anything – expect exposure problems with your strobes, rig floods, focus problems, corroded buttons, cracked seals, or backscatter from murky water.

Now you’re ready to take your camera and start shooting underwater. Using a fisheye lens will make your life much easier when you start out. It makes issues like focus and composition much easier to get right. It also lends itself very well to black and white images.

Bow and diver

The post 5 Tips for Underwater Photography Without Spending a Fortune by Jon Haase appeared first on Digital Photography School.


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Dilbert Animated Cartoons – Aura of Incompetence, Year End Spending and Deep Thoughts

07 Aug

Go to www.babelgum.com to see all the new cartoons! www.dilbert.com by Scott Adams. RingTales presents Dilbert Animated Cartoons. Wally radiates. The Boss pontificates
Video Rating: 4 / 5

www.dilbert.com by Scott Adams. RingTales presents a Dilbert Animated Cartoon. The company depends on the new product.. Wally rationalizes his work habits. Wally presents a Powerpoint presentation. ”