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Posts Tagged ‘Speeds’

TourBox is a portable controller that speeds up Photoshop and Lightroom photo editing

13 Oct

A new Kickstarter campaign is seeking funding for TourBox, a controller designed for image processing software, including Adobe Photoshop and Lightroom. The device features a knob, wheel, scroller, and multiple buttons, and is designed for use alongside a tablet or mouse.

TourBox’s controls are said to be precisely calibrated for ideal speed, accuracy, and acceleration, each button customizable for the creation of personal presets. With this controller, users are able to rapidly adjust brush size, hardness, flow, and opacity, as well as perform actions like zooming in and out and dragging an image.

The controller has a small, portable plug-and-play design that enables photographers to work on their content while away from the office. The device is compatible with both Windows and macOS.

The team behind TourBox is seeking funding on Kickstarter, where the campaign has exceeded its funding goal with more than a month remaining. Backers are offered the Early Bird TourBox for pledges of at least $ 89 USD. Shipping to backers is estimated to start in December 2018.

Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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Magix speeds up Photostory slideshow software and adds new effects

01 Aug

Imaging software developer Magix has released the 2019 version of its Photostory Deluxe slideshow application that it says is completely redesigned, easier to use and much faster than before. The company has used the engine from its Video Pro X movie editing program to run Photostory Deluxe, so it can now handle up to 16 tracks of effects to create more interesting presentations.

Magix says that the process of creation is also much faster, and a new Effects Assistant makes it simpler to apply and control transitions, music and photo looks to the slideshow and the images it contains. The program offers 1500 effects, pieces of music and sounds for users to choose from, while 24 pre-set styles are available to jazz up your images.

Users can also match the color and tonal atmosphere of two or more images to create a consistent feel to a slideshow, or import third-party pictures or movies to copy styles from external sources. Looks, styles and effects can be applied to single images or groups of selected images simultaneously to speed up the process, and now GIF files can also be used alongside high-resolution stills and 4K video. Shaky video can be stabilized using the system borrowed from the company’s proDAD Mercalli V2, and further updates to the program can be added to the application for free over the course of the first year.

Magix Photostory Deluxe 2019 is available now and costs £59.99/ $ 69.99. For more information visit the Photostory pages on the Magix website.

Press release

MAGIX Releases New Photostory Deluxe – With Twice As Many Tracks For More Effects

With the latest version of Photostory Deluxe, it is now possible to create even more impressive photo shows with significantly more effects thanks to twice as many tracks. Effect handling has never been easier – the new Effect Wizard makes it possible.

MAGIX has equipped the new Photostory Deluxe 2019 with a 16-track program engine and noticeably simplified the application of effects. With the award-winning slideshow software, even large projects can now be realized quickly and easily. Innovations such as 24 pre-designed photolooks for 1-click colour enhancement or advanced image editing make every photo show a real eye-catcher in no time.

Twice the tracks

There are almost no boundaries to creativity when creating slideshows. The latest Photostory Deluxe now offers a total of 16 tracks for even more effects, because the program now features the powerful engine from MAGIX’ professional video editing software, Video Pro X.

Easier, quicker effect handling

Photostory Deluxe contains over 1,500 effects, music and sounds for use when creating your slideshows. With the new Effects Wizard, these can be applied in just a few clicks. Never before has it been so much fun to explore the creative possibilities of the software. Digital slideshows can be designed in a no time – unique and full of effects.

click photolooks and advanced image editing

Photostory Deluxe users can now access “photolooks” to enhance images. With just one click, shots get a harmonic colour tone – matching the respective project. For more freedom of design there is the advanced image editing. From precise colour corrections with gradation curves to determining the optimal white/black values, everything is possible.

All the highlights of the new Photostory Deluxe 2019 at a glance:

  • Twice as many tracks for slideshows full of effects
  • Effect Assistant for simple, intuitive application of effects
  • Stylish photolooks for fast colour enhancement
  • Advanced image edition functions
  • Grouping functions & drag & drop import
  • Optimized effects area with title tab
  • GIF import

Price and availability:

Photostory Deluxe 2019 –£59.99/ $ 69.99

Articles: Digital Photography Review (dpreview.com)

 
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SD Express SDUC memory cards will give you 985MB/s transfer speeds and 128TB of storage

29 Jun

The SD Association has released the name and official specifications for SD Express, the latest Secure Digital (SD) memory card format, as part of its SD 7.0 specification. Created as a successor to UHS-III cards, SD Express is next-next-gen technology that will work alongside a new SDUC card to provide fast, high-capacity memory cards in a familiar package.

As the name suggests, SD Express cards are going to be fast. The SD Express format uses third-gen PCIe and NVMe transfer protocols on top of the dual-level pin layout interface to achieve a maximum transfer speed of 985MB per second—almost a gigabyte per second and roughly 1.5 times faster than UHS-III cards, which still haven’t hit the market yet.

In order to achieve the maximum transfer speed of SD Express cards, you’ll need a camera or device that supports the new format as well. If you end up sticking your brand new SD Express card inside your 5D Mark III, it’ll simply default back to the speed of UHS-I cards.

SD Express cards will be available in SDHC (High Capacity) and SDXC (Extended Capacity), as well as an all-new SDUC (Ultra Capacity) format. The new SDUC cards will have a maximum storage capacity of 128TB, a large leap from the maximum 2TB capacity of SDXC cards.

Infographic provided by the SD Association that details the various specs and classifications of different SD cards.

It also appears as though it’ll be possible for memory card manufacturers to make SDUC cards for slower SD bus interfaces. So, according to the above graphic, you could theoretically have a 128TB High Speed SD card. With a little back-of-the-napkin math, that means it would take 1,481 days to transfer all 128TB of the card based on the 25MB per second speeds of High Speed SD cards.

To find out more and read more details about the SD Express and SDUC formats, be sure to check out the SD Association’s press release. The SD Association has also released a white paper detailing the new capabilities and features found in the SD 7.0 specifications if you’re interested in really digging deep.

Articles: Digital Photography Review (dpreview.com)

 
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Working with Different Shutter Speeds for Landscape Photography

01 Jun

There are three fundamental settings in landscape photography: the ISO, Aperture and Shutter Speed (known as the Exposure Triangle). While all of these are equally important to understand in order to create technically correct images, there’s one that’s extra important when it comes to an image’s visual impact. Adjusting the shutter speed makes a big difference and is often what can make your image stand out from the crowd.

Choosing the ideal shutter speed is not an easy process though. There rarely is a single correct shutter speed but there certainly are scenarios that benefit from a specific one. In this article, we’ll look at a few different scenes and how the shutter speed affects each of them.

Working with Fast Shutter Speeds

The easiest shutter speed to work with is a fast one. Working with fast shutter speeds doesn’t require a tripod and you can easily photograph subjects that quickly pass by. This is also the most common choice for most beginning photographers as it doesn’t require much effort (and most auto functions choose a relatively fast shutter speed).

Below you have a typical example of when you need to use a fast shutter speed. In order to freeze the motion of the deer, I had to increase the shutter speed to 1/320th of a second. Had the deer been moving at a higher tempo I would have to increase the shutter speed even more to avoid any motion blur.

deer in a field - Working with Different Shutter Speeds for Landscape Photography

Photographing animals is not the only time where you should use a fast shutter speed though. In the image below, I used a shutter speed of 1/1600th.

Why did I use such a quick shutter speed for that scene? By the looks of it, the water is quite still, there are no moving subjects and there’s still enough light to use a slightly slower shutter speed, right? Yes, however, this shot was taken from a boat and even though the waters were relatively still, I needed a very quick shutter speed in order to freeze the scene without any blur from camera movement.

iceberg and water - Working with Different Shutter Speeds for Landscape Photography

Use the ideal settings not perfect ones

Had I been standing on land, I could have easily used a slower shutter speed and achieved a similar look. In fact, the overall quality could have been even better as I could have used a lower ISO and an ideal aperture. However, the purpose of photography isn’t to always have the perfect settings; it’s having the ideal settings that allows you to get the shot within the given conditions. The most important is to actually capture the image.

For too long I was too focused on always having the perfect settings. The truth is that this often leads to missing the shot as you focus too much on the technical aspect rather than working with the conditions you’re given.

For example, using a slower shutter speed when standing on a boat (such as in the image above) would have led to the icebergs being blurry due to the motion. What would you prefer? A blurry picture which is “technically” perfect, or a sharp picture that doesn’t have the technically perfect settings?

Before we move on to slower shutter speeds, let’s look at a few more scenarios where a fast shutter speed is recommended:

  • When photographing handheld.
  • Photographing quickly moving subjects.
  • When aiming to freeze motion.
  • When photographing from a vehicle.

Working with Slow Shutter Speeds

In landscape photography, the difference between slow shutter speeds is much bigger than between fast shutter speeds. While you won’t see a huge difference between 1/320th of a second and 1/640th of a second (in most cases) you may see a big difference between 10 seconds and 60 seconds. Because of this, I’ll split this section in two parts: less than 30 seconds, and more than 30 seconds (Bulb Mode).

dark image with moving water - Working with Different Shutter Speeds for Landscape Photography

The definition of a long exposure is somewhat vague but in my Ultimate Guide to Long Exposure Photography eBook, I describe is at the shutter speed where you no longer can capture a sharp handheld image. Typically, this is in the range of 1/50th of a second, depending on your camera and focal length (a longer focal length requires a quicker shutter speed to capture a sharp handheld image than a wide-angle).

Shutter speeds up to 30 seconds

While the difference between a 1 second and 30-second shutter speed is big, it’s more natural to put these together in one section to keep this easier to follow. Still, I’ll try to break it up a little to give you an idea of which shutter speeds you should experiment with in different situations. Again, there’s no correct choice and it often comes down to your preference and the tools you’ve got to work with.

When photographing beaches and seascapes where waves are crashing onto the shore or forming around rocks, I often work with a shutter speed of 0.5-1 second. I find that this creates a nice blur in the water while still keeping enough texture. A slower shutter speed such as 8 seconds blurs the water but not enough to give it the “silky” effect you often see with long exposure photography (we’ll come back to that in a bit).

waves crashing on a rocky shore - Working with Different Shutter Speeds for Landscape Photography

This also applies when photographing waterfalls and rivers. I tend to use a semi-slow shutter speed rather than an ultra-slow shutter speed when working with these scenes, as I prefer to keep some textures in the water.

As you lengthen the shutter speed you’ll see that moving elements become more and more blurry. In the image below, I used a shutter speed of 20 seconds to blur the water and give some motion to the sky. If you look at the clouds, you can see that they have been moving and it’s starting to have the “dragged sky” effect.

seascape scene - Working with Different Shutter Speeds for Landscape Photography

Keep in mind that the speed of the clouds determine how slow the shutter speed needs to be in order to pick up this motion. When clouds are moving quickly you can pick up their motion even with a shutter speed of 5-10 seconds, but to really get the “dragged sky” effect you often need to use a shutter speed (or exposure time) longer than 30 seconds.

Shutter speeds longer than 30 seconds (Bulb Mode)

In order to achieve a shutter speed longer than 30 seconds you most likely need to activate Bulb Mode.

When I first got into long exposure photography and purchased my first 10-Stop ND filters, I immediately got hooked on these ultra-slow shutter speeds. I’ll admit that I don’t do as much of it anymore (as it rarely fits with the vision I have for most locations) but it’s certainly a lot of fun to play with.

The main reason to use a shutter speed longer than 30 seconds for landscape photography is to achieve the “dragged sky” effect and to completely blur out moving elements such as water. It can also be a good way to remove people from your images (if they walk around during your 2-3 minute exposure they most likely “disappear”).

sunset on a coastal scene - Working with Different Shutter Speeds for Landscape Photography

For the image above I used a shutter speed of 180 seconds. As you can see, this has completely blurred the water and the sky is dragged across the frame.

Conclusion

Working with longer exposures can be a lot of fun but it’s not something that’s always beneficial. For example, when photographing a scene that doesn’t have any moving elements (and no clouds), there’s no need to use an ultra slow shutter speed, as it will most likely look exactly the same with a slower one.

So knowing how to select the best or most appropriate shutter speed takes practice, and comes down to what you want to achieve in your image.


For more information about this and other aspects of this type of photography, check out my Ultimate Guide to Long Exposure Photography eBook,

The post Working with Different Shutter Speeds for Landscape Photography appeared first on Digital Photography School.


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OWC launches ThunderBlade external SSD: up to 8TB with 2800MB/s speeds

11 Apr

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Media professionals in need of a fast, reliable, and high-capacity external SSD have a new option in OWC’s ThunderBlade. This external drive, which has started shipping to customers, is offered in 1TB to 8TB capacities with up to 2,800MB/s read speeds and 2,450MB/s write speeds. According to OWC, these transfer speeds make ThunderBlade its fastest external drive yet.

Inside each ThunderBlade you’ll find four M.2 SSDs—up to 2TB per SSD—each of which has its own dedicated piece of the front-facing LED. According to the drive’s user guide, “when one or more of the SSDs are accessed for read/write operations, the corresponding segments will blink blue.” Of course, that doesn’t mean you ‘max out’ at 8TB.

Every drive features two Thunderbolt 3 ports, which allow you to daisy chain up to six ThunderBlades together and configure them in Software RAID 0, 1, 4, 5, and 1+0. And SoftRAID allows a pair of ThunderBlade drives to hit read speeds of up to 3,800MB/s. The ThunderBlade’s read and write speeds enable it to handle uncompressed, high-bandwidth media, making it an ideal choice for photographers, video editors and other professionals dealing with large amounts of data.

In addition to blistering speeds, OWC designed ThunderBlade to be durable and includes a ballistic hard-shell protective case with the drive. ThunderBlade can operate in temperatures ranging from 10°C to 65°C (50°F to 95°F), measures 3cm x 12.3cm x 7.5cm (1.2in x 4.9in x 7.5in), weighs 0.7kg (1.8lbs), and supports both Windows 10 and macOS 10.13 or greater.

The OWC ThunderBlade is available to purchase from several online retailers, at the following prices:

  • 1TB: $ 1,200 USD
  • 2TB: $ 1,800 USD
  • 4TB: $ 2,800 USD
  • 8TB: $ 5,000 USD

And since you can daisy chain up to six devices together, your total storage tops out at 48TB for $ 30,000—a good chunk cheaper than the G-Technology G-DRIVE Pro SSD Western Digital announced yesterday.

To learn more about the drive, head over to the OWC website or dive into the user guide here.

Articles: Digital Photography Review (dpreview.com)

 
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Latest Tamron 24-70mm F2.8 lens improves AF speeds, image stabilization

02 Jul

Tamron has announced the latest generation of its 24-70mm F2.8 lens, officially known as the ‘SP 24-70mm F/2.8 Di VC USD G2 (Model A032).’

Highlights of this new full-frame zoom include Dual Micro-Processing Units (MPU) which provides ‘faster and more precise autofocus’ and improves the Vibration Correction system to the point where it can reduce shake by up to five stops. The lens has 17 elements, of which 2 are extra-refractive, 3 are low-dispersion, 3 are glass-molded aspherical and 1 is a ‘hybrid’ aspherical element. The aperture is made up of nine circular blades.

There’s also Tamron’s nano-scale ‘eBAND Coating’ to reduce ghosting and flare. The front element has a fluorine coating to keep oil and fingerprints away, and the lens as a whole is weather-sealed. The lens supports electronic aperture control on compatible Nikon cameras and can be used with Tamron’s TAP-in Console dock for updating firmware and fine-tuning AF and Vibration Correction.

The Tamron SP 24-70mm F2.8 G2 will ship in August for Nikon F-mount and September for Canon EF. It will be priced at $ 1199 for both mounts.

Press Release

Tamron introduces next-generation high-speed 24-70mm F/2.8 zoom lens with advanced features

Versatile new lens delivers ultra-high image quality, image stabilization of 5 stops1 and superb performance even in backlit scenes

SP 24-70mm F/2.8 Di VC USD G2 (Model A032)

June 30, 2017, Commack, New York— Tamron Co., Ltd., a leading manufacturer of optics for diverse applications, announces the launch of a new high-speed zoom lens, SP 24-70mm F/2.8 Di VC USD G2 (Model A032), for full-frame DSLR cameras. Model A032 is a fast F/2.8 zoom that achieves top-level image quality. The new Dual MPU (Micro Processing Units) provides rapid autofocusing with improved accuracy and the highest vibration compensation performance of any lens in its class2 (CIPA level of 5 stops). The use of specialized, high quality glass materials (offering greater optical transmittance) for the lens elements assures superior color reproduction and greater sharpness, while the application of Tamron’s exclusive nanotechnology-based eBAND Coating substantially curbs the ghosting and flare that are prone to occur in backlit photography, successfully improving the overall optical performance of the lens. Additionally, model A032 provides the added conveniences of protective Fluorine Coating, Moisture-Resistant Construction and a locking lens hood. Photographers can use this new high-speed zoom lens for wide-ranging purposes, including landscape, portrait, news, travel and many others. The Tamron SP 24-70mm G2 in Nikon mount will be available in August and the Canon mount in September at $ 1199.

PRODUCT HIGHLIGHTS

1. Sophisticated design delivers superb performance and ultra-high image quality

The use of specialized, high quality glass materials assures accurate color reproduction and superior sharpness, perfect for today’s high-pixel-density cameras. The optical construction (17 elements in 12 groups) uses 2 XR (Extra Refractive Index) elements, 3 LD (Low Dispersion) elements, 3 GM (Glass-Molded aspherical) and one hybrid aspherical lens element. Together they minimize axial chromatic aberrations, transverse chromatic aberrations, spherical aberrations and distortion, and allow a compact design that achieves superior image quality.

2. eBAND Coating provides superior anti-reflection properties and reduces ghosting and flare

The new A032 features Tamron’s original eBAND (Extended Bandwidth & Angular-Dependency) Coating, a technology combining a nano-structured layer that has an extremely low refractive index with conventional multiple-layer coatings to provide superior anti-reflection performance. The optimal application of this eBAND Coating in combination with Tamron’s BBAR (Broad-Band Anti-Reflection) Coating successfully and substantially curbs the ghosting and flare that can occur when photographing backlit subjects.

3. New Dual MPU (Micro-Processing Unit) control system3 provides faster and more precise autofocus and improved Vibration Compensation

This innovative control system uses a Dual MPU design with enhanced computing capacity. The MPUs have powerful, built-in DSP (Digital Signal Processor) blocks that achieve quicker and more precise AF performance, and more consistently powerful Vibration Compensation. The features combine to provide outstanding performance at night and in low light.

High performance MPU for AF dramatically improves autofocusing accuracy and speed
The A032 is equipped with its own MPU (micro-processor unit), with embedded DSP (Digital Signal Processor) blocks that enable high-speed digital signal processing, achieving both excellent responsiveness to signals from the camera and high-precision AF performance.

Dedicated MPU delivers the highest vibration compensation ability in class (CIPA level of 5 stops).

The new A032 is equipped with Tamron’s proprietary VC (Vibration Compensation) system. Adding an MPU dedicated to VC processing unleashes a new-generation algorithm, ensuring the highest vibration compensation ability?in the class (CIPA level of 5 stops). Even in low light or with slow shutter speeds, photographers can enjoy shake-free handheld shooting with ease and comfort.

4.
Fluorine Coating and Moisture-Resistant Construction

The Fluorine Coating applied on the front element surface is water-and oil-repellant and allows safe and easy removal of fingerprints, dirt and smudges. The coating also provides an enhanced level of durability, and will sustain its effectiveness for years. In addition, seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain drops to provide Moisture-Resistant Construction. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions.

5. Lens hood equipped with a new, convenient locking mechanism

The lens hood is equipped with a locking mechanism that prevents detachment due to unintentional contact during use.

6. Compatible with TAMRON TAP-in ConsoleTM, an optional accessory

The new A032 is compatible with the optional TAMRON TAP-in ConsoleTM, an optional accessory product that provides a USB connection to a personal computer, enabling users to easily update the lens firmware as well as customize features including fine adjustments to the AF and VC.

7. Electromagnetic diaphragm system now used also for Nikon-mount lenses

An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses4. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a built-in motor through electronic pulse signals.

8. Manufacturing innovation with thorough attention to details based on the rigorous quality standards worthy of the SP series

Tamron has enhanced the SP series lenses to fulfill high-level photographic requirements and provide the pleasure of ownership. While introducing a new exterior design, Tamron reviewed the SP series standards. The new SP series has been developed by setting rigorous standards for design, manufacturing and quality that apply to the optical design and mechanical design as well as such wide-ranging areas as the product’s robustness and improvements in a variety of individual functions. For this model, Tamron has introduced a unique MTF (Modulation Transfer Function) tester, which was developed exclusively for Model A032, and reviewed the management method. This has helped to achieve a more consistently superb optical performance, making it a lens that fulfills the demand for higher image quality that is compatible with the latest high-pixel cameras. To maximize the optical performance of the SP series, Tamron will continue to enhance the accuracy of the component parts of each lens element unit and improve the mechanical precision of the entire lens, thereby achieving a high overall performance.

[1] CIPA Standard Compliant. For Canon: EOS-5DMKIII is used. For Nikon: D810 is used.

[2] Among 24-70mm F/2.8 interchangeable lenses for DSLR cameras (as of May, 2017; Tamron)

[3] A new control system using two high-performance MPUs (micro-processor units)

[4] Available only with cameras compatible with the electromagnetic diaphragm: (D5, D4s, D4, D3X, Df, D810, D810A, D800, D800E, D750, D600, D610, D300S, D500, D7200, D7100, D7000, D5600, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100). (As of May, 2017; Tamron)

Tamron SP 24-70mm F2.8 Di VC USD G2 specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 24–70 mm
Image stabilization Yes (5 stops)
Lens mount Canon EF, Nikon F (FX)
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 17
Groups 12
Special elements / coatings 2 XR, 3 LD, 3 GM aspherical, 1 aspherical elements + eBAND and fluorine coatings
Focus
Minimum focus 0.38 m (14.96)
Maximum magnification 0.2×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Physical
Weight 905 g (2.00 lb)
Diameter 88 mm (3.46)
Length 111 mm (4.37)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes
Filter thread 82.0 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Western Digital’s new SSDs offer faster speeds and higher capacities

02 Jun

Hard disk manufacturer Western Digital acquired SSD specialist SanDisk last year. Now we are seeing the first fruits of the new relationship in the shape of two new SSD lineups – one under each company’s brand name – that are the first to deploy SanDisk’s new 64-layer 3D NAND chips. According to Western Digital the new chips offer ‘lower power consumption and higher performance, endurance and capacities.’

The new Western Digital Blue and SanDisk Ultra 3D lines are identical in terms of capacity, controllers and performance specs but Western Digital’s lineup includes a device in M.2 2280 format factor, which SanDisk’s doesn’t.

According to the spec sheets performance should be very good. The 256GB versions read at 550 MB/s and write at 525 MB/s. The larger capacity SSDs are even a touch quicker at 550 MB/s and 560 MB/s respectively. And the new SSDs are not only fast but also reliable. Western Digital states the mean time to failure (MTTF) of all devices as 1.75 million hours. If you think the new drives could help fulfill your storage and archiving needs, you’ll be happy to hear they are quite affordable; 256GB drives start at $ 100. Pricing information for the larger 500GB, 1TB and 2TB models is not available yet.

Articles: Digital Photography Review (dpreview.com)

 
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Firmware update brings DNG support and improved AF speeds to Sigma sd Quattro

05 Apr

Sigma has released a significant firmware update for its sd Quattro cameras. Firmware version 1.04 adds support for the DNG format (12-bit), improves AF speeds with Contemporary, Art and Sports lenses by 10-30% and enhances compatibility with the company’s Capture Pro software.

Capture Pro now supports live view when tethered to the camera as well as the Quattro’s multi-shot SFD mode. Color rendition when using the EF-630 flash (with flash white balance) has also been improved.

Lastly, several bugs have been knocked out, including problems with the AF shooting button not functioning when AF Lock is being used.

Quattro owners can download the firmware right here.

Press Release

Sigma Announces Firmware Update to sd Quattro Cameras

Firmware Version 1.04 offers support for DNG formats, improved autofocus capabilities and enhanced functionality with Sigma Capture Pro

Ronkonkoma, NY – April 4, 2017 – Sigma Corporation of America, a leading DSLR lens, camera, flash and accessory manufacturer, announced today the release of firmware update 1.04 for its sd Quattro cameras to boost the performance and broaden the capabilities of the detail-rich camera. This latest version of firmware is availble for download on sd Quattro cameras that currently have firmware version 1.03.

Among the benefits included in version 1.04 are support for shooting in DNG format (RAW 12bit) and further compatibility with elements of Sigma Capture Pro tethering software. Additionally, the update includes improvements that increase autofocus speed and accuracy of lenses from Sigma’s Contemporary, Art and Sports lines. Overall experience with the software has also been improved in version 1.04 to create a smoother, more stable software experience.

Full List of Updates in Firmware Version 1.04:

  • Possibility to save images in DNG format (RAW 12bit)
  • Compatibility with the Live View Display of Sigma Capture Pro
  • Compatibility with the SFD mode of Sigma Capture Pro
  • Faster AF speed of Contemporary, Art and Sports lenses by about 10 – 30%; improved AF accuracy
  • Improved color rendering of the White Balance’s Flash mode when used with the Sigma Electronic Flash EF-630 (the latest firmware for the EF-630 is required)
  • Bug fixes – AF Shooting button did not work while the camera was using AF Lock; adjustments on the marked images could occasionally freeze the software when the card had an X3I file in it
  • Improved software performance to achieve better stability

Full instructions on how to download sd Quattro firmware version 1.04 can be found on the Sigma website.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm launches Instax SP-2 with faster printing speeds

28 Jun

Fujifilm has announced a new and improved version of its Instax printer. The SP-2 follows on the SP-1 and comes with improved Wi-Fi connectivity and faster printing speeds, producing a print in 10 seconds rather than the previously required 16 seconds. Fujifilm says the SP-2 is also quieter than its predecessor. It prints a card-sized format at a 800 x 600 resolution and 320 dpi and uses 256 levels per color. The battery is charged via a microUSB port and the printer supports JPEG and PNG files. 

Fujifilm has also improved the accompanying SHARE app which is available for iOS and Android devices and now comes with custom filters as well as collage and split templates. It also allows for image transfer from social networks and the overlay of geographic and climate information onto your printed image. 

The Fujifilm SP-2 printer comes in Silver or Gold body colors and will start shipping in mid-July. The printer is priced at $ 200 and the Instax Mini film that is used as printing media will set you back $ 20 per pack of 20 sheets. More information is available on the Fujifilm website.

Articles: Digital Photography Review (dpreview.com)

 
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[UPDATED] Nikon announces new firmware for 300mm F4 VR to fix blur at certain shutter speeds

17 Apr

Nikon has announced a firmware update for its new AF-S NIKKOR 300mm f/4E PF ED VR, to fix an issue where at certain shutter speeds on D800-series cameras, images can exhibit ‘noticeable blur’. According to Nikon, the problem can occur at around 1/125sec with the lens’s VR function enabled in either ‘Normal’ or ‘Sport’ modes. Users of affected units are encouraged to return their lenses to Nikon where the update will be applied free of charge. Click through for more details

Articles: Digital Photography Review (dpreview.com)

 
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