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Posts Tagged ‘Soul’

Are Photography Competitions Good for Your Soul?

01 Nov

The post Are Photography Competitions Good for Your Soul? appeared first on Digital Photography School. It was authored by Charlie Moss.

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Are photography competitions good for your soul? The idea of diving headfirst into the promising ocean of photographic competitions is one that can be appealing. Imagine yourself surrounded by admirers – fame, and accolades aplenty for your work. The thought is pretty appealing, isn’t it?

Are-Photography-Competitions-Good-for-your-soul

But for most of us, that cool blue water of success turns out to be little more than a dream. Most competitions for most photographers and artists end with little more than a rejection letter, or a place on the shortlist if you’re very lucky.

What is there to gain?

Well, to be quite frank, there’s an awful lot to gain from entering your photography work into competitions. And pretty much all competitions will help you grow and improve as a photographer if you put some thought into the images you’re selecting.

Image: Internet competitions can be a good way of working out which are your better images.

Internet competitions can be a good way of working out which are your better images.

You can use competitions for different purposes. For instance, local club competitions or some of the online competition sites can be good for working out which variations of images appeal to people more. If you’re a little stuck with an image, then entering a local club competition might help you see some of the flaws in your shot.

Prizes, notoriety, or self-improvement?

At the top of the scale, there are huge cash awards and even residencies to win through photographic competitions. Of course, you can’t just make a living by winning competitions with your photos, but the kind of cash prizes that some competitions award will certainly pay a good chunk of your living expenses for a while!

Are-Photography-Competitions-Good-for-your-soul

But for most of us, what we gain is a wider audience and a better sense of our work. And these things are both important to photographers in their own way.

Having an audience isn’t just important for pros, it can open all kinds of doors for amateurs too. Plus, as much as we sometimes loathe to admit it – nice comments and ‘likes’ can go a long way to making us feel good about our work.

The process of selecting images to enter into a competition can be extremely powerful for your work. Trying to narrow all the photos you’ve taken into just a small handful that fit a brief is a difficult process. But this process should tell you something about yourself and your work, and perhaps even push your future work in a particular direction.

Entering competitions can be a great learning experience.

Protecting your mental health

We don’t always win competitions. Of course, it would be impossible for everyone to win every competition that they entered. Not placing in shortlists time and time again can be tough on our mental health.

Are Photography Competitions Good for Your Soul?

You must make sure you’re entering competitions for good reasons, and not those that end up lowering your mood when you face rejection. Finding these reasons can be difficult even for seasoned photographers.

So how can you change bad reasons to good?

Think about why you’re entering competitions

Every now and then I like to reassess where I am with my competition goals to make sure I’m on track, and I invite you to do the same right now. Take a notepad and a pen and spend no more than five minutes jotting down the reasons that you might want to enter competitions.

Once you’ve taken some time to make that list, grab a coffee and review it. Take particular note of reasons that relate to your self-esteem. They could be reasons such as “I want to win competitions to prove I’m not a bad photographer,” or “I want to win competitions to show that time spent on my hobby is worthwhile.”

By framing your ambitions in this way, you’re dangerously close to resting your photographing (and personal) self-esteem on the result of the competition. Screw up the competition, and your photographic self-esteem drops. Photography should be pleasurable and fun to participate in, and competitions should support that.

Setting better goals

Instead, try to focus on goals that aren’t tied to your self-esteem. Hone in on more positive reasons to enter competitions such as “I want to enter competitions to help me develop my photographic voice” or “I want to enter competitions to encourage me to shoot a wider variety of subjects.”

Are-Photography-Competitions-Good-for-your-soul

These goals are not only much more achievable, but we don’t face the same kind of mood drop if we end up not winning. We have met our goal because our goal was simply to refine our work or shoot more variety. Anything additional, like placing on a shortlist, is a bonus.

Don’t forget to be kind to yourself

It’s important when entering competitions to be kind to yourself. Winning a competition can be a glorious feeling, but allow yourself to fail too. Failing is a very human trait, and it’s not something you will be able to escape.

Have compassion for yourself when the lows happen. Treat yourself to something you enjoy photographically and then go back out and get those goals on track.

Ultimately, you mustn’t allow competitions to have power over you. If the results of competitions become tied to the worth of your photography, then you’re on a rocky path that could end up with you falling out of love with photography. And you wouldn’t be here on this site if you didn’t love taking pictures.

Finding competitions to enter

If you start building your network of photographers who also enter competitions, you’ll start hearing about opportunities via word of mouth. But that’s not the only way to find new places to enter your photographs.

Are Photography Competitions Good for Your Soul?

I use a service by Google called Alerts to keep up to date with what competitions are opening for entries. All you need is a Google account, and you can set the service up to send you regular alerts every time it picks up new content using the keywords you define.

These alerts have led me to hear about some interesting photography competitions that I wouldn’t have otherwise found.

So are photography competitions good for your soul?

In my opinion, they certainly can be. I feel that they help me develop my practice as a photographer, allow me to experiment freely, and allow me to be judged amongst my peers. Those three things are very important to me.

Competitions can also be a great chance to meet new photographers and discover new work. Going to your local camera club, or even the exhibition from a larger competition can be both productive and exciting!

But you must take steps to understand why you want to enter competitions with your photography and if you’re entering for good reasons. When stepping into the competitive photography arena, you first of all need to take steps to protect your mental health and ensure you’re not putting yourself at risk.

Do you think photography competitions good for your soul? Share your thoughts with us in the comments!

The post Are Photography Competitions Good for Your Soul? appeared first on Digital Photography School. It was authored by Charlie Moss.


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Soul of an octopus pdf

29 Aug

you don’t know? Soul of an octopus pdf delivers a profound speech while in preparation for the “final push”, which had probably made the bit in the middle seem quite uneventful by comparison. Unsuspected by one another – I don’t think I believe in anything any more. On the other hand, one of Nature’s drummers. […]
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26 Images of Light and Dark that Speak to the Soul

13 Mar

In case you hadn’t noticed, this past week we had a theme to a lot of the articles – light!

In keeping with that topic here are some images that feature light and dark. You can’t have contrast without both of them, and you can’t have light without dark. It’s sort of a symbiotic relationship.

Photograph Cloisters by Michael Sinat on 500px

Cloisters by Michael Sinat on 500px

Photograph Sunlight shining through a green leaf by A_Kiggal on 500px

Sunlight shining through a green leaf by A_Kiggal on 500px

Photograph Deadly Beauty 2 by Rick Priest on 500px

Deadly Beauty 2 by Rick Priest on 500px

Photograph ~collar by chinh n on 500px

~collar by chinh n on 500px

Photograph ~abstract leaf (I) by chinh n on 500px

~abstract leaf (I) by chinh n on 500px

Photograph Fragility by Noelle Buske on 500px

Fragility by Noelle Buske on 500px

Photograph Old carriage interior with light intruding by Anna Váczi on 500px

Old carriage interior with light intruding by Anna Váczi on 500px

Photograph The lonely light by Karthik babu on 500px

The lonely light by Karthik babu on 500px

Photograph The Light of the Night by Joerg Bonner on 500px

The Light of the Night by Joerg Bonner on 500px

Photograph Ajar by Tony Antoniou on 500px

Ajar by Tony Antoniou on 500px

Photograph crazy lights by Adriano Saccio on 500px

crazy lights by Adriano Saccio on 500px

Photograph Beautiful city II. by Petr Kubát on 500px

Beautiful city II. by Petr Kubát on 500px

Photograph Light Path by Abdulmajeed  Aljuhani on 500px

Light Path by Abdulmajeed Aljuhani on 500px

Photograph Path of life II by Janek Sedlar on 500px

Path of life II by Janek Sedlar on 500px

Photograph Right Light by Daniel Bosma on 500px

Right Light by Daniel Bosma on 500px

Photograph Foggy path by Jose Ramon Santos Mosquera on 500px

Foggy path by Jose Ramon Santos Mosquera on 500px

Photograph Owl can smile by Drak ? Spirit  on 500px

Owl can smile by Drak ? Spirit on 500px

Photograph The essence of night by Liban Yusuf B&W on 500px

The essence of night by Liban Yusuf B&W on 500px

Photograph Walking in the dark by Carles Carreras on 500px

Walking in the dark by Carles Carreras on 500px

Photograph Black & White Flower by Alecia Groth on 500px

Black & White Flower by Alecia Groth on 500px

Photograph Oak and Winter Fog by Jeff Reindl on 500px

Oak and Winter Fog by Jeff Reindl on 500px

Photograph Geng by Bry Manaloto on 500px

Geng by Bry Manaloto on 500px

Photograph Silence by Ztd125 on 500px

Silence by Ztd125 on 500px

Photograph Stage Light on Queen Anne by Jocelyn Ball on 500px

Stage Light on Queen Anne by Jocelyn Ball on 500px

Photograph Abadoned by Luke Rooney on 500px

Abadoned by Luke Rooney on 500px

Photograph The Bird by Mark Horvath on 500px

The Bird by Mark Horvath on 500px

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The Soul Behind the Subject by Kelly Kirkpatrick

25 Sep

To quote Jean-Luc Godard, “when you photograph a face you photograph the soul behind it”. While I have been a shutterbug all my life, it wasn’t until 2006 when I really started studying photography and working as a professional. Through education and building on my own experience, there are many things I could say on […]
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News Flash Fellow Photographers You’ve Already Sold Your Soul To Facebook

09 Sep

The past week has been an interesting roller coaster ride with photographers and other creatives sounding the alarm about Facebook’s pending Data Policy and Statement of Rights and Responsibilities changes. On one hand good for photographers for taking note and on the other hand too bad photographers don’t realize their pact with the “devil” is already signed regardless of this particular revision to Facebook’s governing documents. Let me be blunt. If you’ve been using Facebook to this point everything you fear has already been realized… too little, too late.

First, let’s cover one thing, you should care about my opinion because I’m intimately familiar with Facebook advertising.  Second, I’ve been writing for a long time about the pitfalls of  social media on my blog and in magazines, terms of use changes and social media best practices. Third, I’m a photographer and I care a great deal about protecting my photographic work and passing on that information to fellow photographers of an equal mindset. The one caveat you need to take into account before reading on is that I am not a lawyer and what I’m sharing with you is just one man’s opinion, so take it for what you will.

If you’d like to follow along I’ll be referencing the following documents quite heavily, the redlined revisions that Facebook is now reviewing feedback on.

• Statement of Rights and Responsibilities (SRR)

• Data Use Policy

Why you’re already “screwed” if you’re using Facebook (& even if you don’t)

Point #1

You’ve already signed away the rights to have your posted images on Facebook used even if you decide to jump on a high horse and leave Facebook. Yes, you’ve already committed the content you’ve posted on Facebook to the terms you hate because you sought the attention of your peers in the hope they’d share it. The following is a portion of the SRR that are unchanged and have been in place for a long time:

2. Sharing Your Content and Information

You own all of the content and information you post on Facebook, and you can control how it is shared through your privacy and application settings. In addition:

1. For content that is covered by intellectual property rights, like photos and videos (IP content), you specifically give us the following permission, subject to your privacy and application settings: you grant us a non-exclusive, transferable, sub-licensable, royalty-free, worldwide license to use any IP content that you post on or in connection with Facebook (IP License). This IP License ends when you delete your IP content or your account unless your content has been shared with others, and they have not deleted it.

So if you leave and delete your account, any image that has been uploaded and shared will stay on Facebook until every single person that shared it deletes their share. And… will be subject to how Facebook decides to use the content.

Point #2

You already volunteer data to Facebook about your activities and interests through Facebook social plugins, namely the “Like” button found on most 3rd party web sites. (See What are Social Buttons) Even more interesting is that you’re sending data about your activity to Facebook even if you don’t have a Facebook account or are logged out of Facebook. Don’t believe me? “Read Facebook’s FAQ entry What information does Facebook get when I visit a site with the Like button or another social plugin? For many unfamiliar I’m sure this will be an eye opener.

“If you’re logged out or don’t have a Facebook account and visit a website with the Like button or another social plugin, your browser sends us a more limited set of information.”

To top that off as of a year ago it was estimated nearly 1/2 of all web pages (49.3%) were Facebook integrated as compared to Twitter (41.7%), Google+ (21.5%) and LinkedIn (3.9%) (worst case numbers via Pingdom)

The Sky is Falling, Again… Thanks to A Court Settlement

Photographers everywhere including professional, semi-pro and amateur have recently been airing concerns and alerting peers because of this highly offending update:

You can use your privacy settings to limit how your name, and profile picture may be associated with commercial, sponsored, or related content (such as a brand you like) served or enhanced by us. You give us permission to use your name, and profile picture, content, and information in connection with commercial, sponsored, or related that content (such as a brand you like) served or enhanced by us, subject to the limits you place. This means, for example, that you permit a business or other entity to pay us to display your name and/or profile picture with your content or information, without any compensation to you. If you have selected a specific audience for your content or information, we will respect your choice when we use it.

This does at first glance sound bad, but it represents activity that Facebook was already performing with Facebook Sponsored Ads and Sponsored Stories. Due to a class action lawsuit, Angel Fraley vs. Facebook Inc. CV 11-01726 RS (PDF) in Northern California District Court concerning privacy and permission issues in Sponsored Ads & Stories, a settlement was reached requiring Facebook to include this very text word for word. See page 6 section 2.1(a) under Settlement Terms.

If you keep reading though in section 2.1(b) Facebook is also required to provide their users the ability to manage which of their content can be used in Sponsored Stories.

User Visibility and Control Over Sponsored Stories. Facebook will create an easily accessible mechanism that enables users to view, on a going-forward  basis, the subset of their interactions and other content on Facebook that have  been displayed in Sponsored Stories (if any). Facebook will further engineer  settings to enable users, upon viewing the interactions and other content that are  being displayed in Sponsored Stories, to control which of these interactions and  other content are eligible to appear in additional Sponsored Stories. Without  limiting the foregoing, but for the sake of clarity, these settings will include the ability to enable users to prevent individual interactions and other content (or categories of interactions and other content) from appearing in additional  Sponsored Stories.

Good and Bad

As a long standing ASMP member I highly respect their opinions on the matter (see Beware Facebook’s New Terms of Service), but the alarm is really too late. They should have read the tea leaves (that were pretty well spelled out) in the class action lawsuit settlement noted above. The email alert I received from ASMP highlights how even the savviest of photographers and associations missed the boat long ago.

The new Facebook Terms of Use have been modified to allow the company to sell virtually anything that is uploaded to the service, including all your photos, your identity and your data. Facebook has also explicitly removed the privacy protection from the commercialization rights.

This means that any photos uploaded to Facebook may be sold, distributed or otherwise commercialized with no compensation to the photographer.

Facebook has and will continue to commercialize content uploaded to the service. The latest changes to the SRR reflect past Facebook activity and just spell it out in greater detail. Facebook is free in a monetary sense as you don’t pay a subscription, but you do pay daily with the currency of your privacy and content.

On the other hand Facebook does provide a valuable and good service to its members allowing an incredibly streamlined platform to interact with friends, fans and customers. While many Facebook users likely are unaware of the tradeoffs they’ve made, they benefit from the service overall. Still for many how the  sausage is made isn’t pretty and it is scary. Case in point Facebook’s own definitions of how everyday Facebook activity is used to make the service work overall (via Facebook Data Use Policy):

We receive data about you whenever you use or are running interact with Facebook, such as when you look at another person’s timeline, send or receive a message, search for a friend or a Page, click on, view or otherwise interact with things, use a Facebook mobile app, or purchase Facebook Credits, or make other purchases through Facebook

And if that interests you there are 4 more paragraphs following that one in the Data Use Policy detailing other types of behavior and data that are tracked. On the upside most user data is kept anonymous so even if reading this scares you know all is not lost… if you trust Facebook.

Is Facebook Really the Photographer’s Boogieman?

ASMP has one important point that has to be repeated, “One of the things ASMP and its allies are most concerned about is that these usage terms and attitudes towards users’ content are becoming the norm.”  On this front I agree. Of all of Facebook’s transgressions it is this repeated effort to erode individuals expectation of online privacy. Without fail Facebook regularly makes changes that reach very far and then they pull back a little. This amounts to taking 5 steps forward and then 2 steps back, netting 3 steps forward. Privacy and content that qualifies as a photographer’s intellectual property (IP)  is certainly a different subject right?

Photographers have a knack for sounding the alarm when it comes to the unauthorized use of their intellectual property and rightly so. Adding to the concern is when usage terms are vague and the manner in which IP is used is completely new. In this regard photographers need to weigh the pros and cons of the service and its terms.  Since writing about Facebook I’ve yet to see Facebook steal or misuse images in a traditional sense and I doubt they will. As most stock photographers know the value of stock continues to plummet so Facebook is likely to continue making billions with advertising versus creating a new stock agency with pilfered images. Facebook is and will always continue to be about the data and the ads. If anything Facebook is a privacy boogieman not a photography boogieman.

If you’re concerned about how your content (updates, photos, video, etc.) are being used and you’re just now alarmed you have missed the boat. That ship sailed long ago, but on the upside if you haven’t seen wide spread abuse of your content yet then you’re unlikely too. It’s not to say it couldn’t happen, but so far I’ve yet to see it. Flickr by comparison actually had egregious abuse of  IP. Two things to remember as you worry about your IP on Facebook:

1. How are you using Facebook to your advantage to further your business and has it been profitable?

2. Where was your alarm when Facebook laid claim to distribute your content unconditionally?

I’m really not trying to be facetious. My point is that Facebook does provide value by allowing photographers to expand their audience, introduce their work to others and convert sales from that audience. If Facebook’s terms are truly offensive then it is the right thing to stop using Facebook. For years I’ve taken an incredibly cautious approach with Facebook uploading and sharing 60 low resolution photos over the course of 7 years. All my other updates have been links back to my blog and web site(s). It’s not the best way and certainly not the most profitable way to use Facebook, but it’s the one I feel most comfortable with. There lies the kernel of it all, balance your use of Facebook to your comfort (or discomfort) level. It is certainly possible to make far more with Facebook through creative means even if it means sacrificing traditional revenue streams and IP best practices. On the other hand if your traditional means of creating revenue are working for you then it’s a no brainer to stop using Facebook with photographer unfriendly terms.

Oh and about those Facebook changes to the Statement of Rights and Responsibilities, feedback ended last week and any changes that Facebook makes will be announced this week barring the FTC gets involved. I wouldn’t hold your breath that many changes will be forthcoming if the FTC decides not to intervene.

 

Copyright Jim M. Goldstein, All Rights Reserved

News Flash Fellow Photographers You’ve Already Sold Your Soul To Facebook

The post News Flash Fellow Photographers You’ve Already Sold Your Soul To Facebook appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

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Nortec: UNO : Casino Soul 12 inch version

03 Feb

“Casino Soul”(Premier remix) was printed on Vinyl and the music in the video is the original recording. This was Recorded one the first series of remixes released on vinyl at that early stages of The Nortec Collective. The record is from the summer of 2000 and only one thousand copies were ever printed and presented at the NORTEC 2000 party in Tijuana were Kid 606, Terrestre(murcof),Plankton man, Dj Tolo and Bostich+Fussible played at the Cecut on July 29th 2000. Music by Fussble(Pepe Mogt, melo Ruiz) milrecords, 2000. synths used: Oberheim Four Voice, Sequential Prophet 5, Roland Tr-707, Roland Tr-909, Waldorf XT, Wrlitzer Electric Piano and MPC 2000(straight from a soundcraft folioSX mixer, no computer were use, only for mastering). www.myspace.com
Video Rating: 4 / 5

 
 

Switchfoot – “Bullet Soul” [HD]

17 Jan

June 27, 2009 Switchfoot Bro-Am Moonlight Beach in Encinitas, CA