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Posts Tagged ‘Soon’

7Artisans will ‘soon’ announce a ~$200 50mm F0.95 lens for APS-C mirrorless camera systems

06 Aug

Chinese optics manufacturer 7Artisans is set to release a new 50mm F0.95 APS-C lens for EOS-M, Fujifilm X, Micro Four Thirds (MFT), Nikon Z and Sony E mount camera systems.

The fully-manual lens is expected to retail for around $ 200. It will feature a metal build and its optical design consists of seven elements in five groups, including two ultra-low dispersion elements. It’ll have a minimum focusing distance of 45cm (17.7”), offer a de-clicked aperture, use a 13-blade aperture diaphragm, and have a 62mm front filter thread.

The lens will measure 67.5mm (2.7″) long and weigh 416g (14.7 oz). Below is a video review from YouTube channel InfoFotografi (with English subtitles):

Photo Rumors, an authorized 7Artisans reseller, says the lens will be be released ‘soon.’

Articles: Digital Photography Review (dpreview.com)

 
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Canon to “Soon” Announce Three New RF Lenses (Including the 14-35mm f/4L)

26 Jun

The post Canon to “Soon” Announce Three New RF Lenses (Including the 14-35mm f/4L) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon to announce 3 new RF lenses

Over the next handful of months, Canon will release at least three new RF-mount lenses, according to Canon Rumors. They are:

  • The Canon RF 14-35mm f/4L IS USM
  • The Canon RF 70-400mm IS USM (maximum aperture unknown, but potentially f/5.6-7.1)
  • The Canon RF 16mm f/2.8

While the new glass is unconfirmed by Canon, Canon Rumors shares a few details (as well as some helpful guesses). 

Let’s take a closer look at each item, starting with:

Canon RF 14-35mm f/4L IS USM

As explained by Canon Rumors, “expect to see a Canon RF 14-35mm f/4L IS USM as a little brother to the Canon RF 15-35mm f/2.8L IS USM.” 

On the wide end, the lens will offer a breathtaking perspective for landscapes, urban scenics, and architectural photos; on the long end, the lens will feature a conventional 35mm focal length, perfect for tighter landscapes and even the occasional portrait. Plus, you’ll get a respectable f/4 maximum aperture – not enough for easy ultra-shallow depth of field effects or astrophotography, but absolutely usable for standard landscape scenarios assuming you bring your tripod.

Note that the 14-35mm will feature Canon’s “L” lens designation, so you can expect top-notch image quality rivaling some of the best glass on the market. Add in the image stabilization, and you’ve got yourself a relatively versatile wide-angle zoom, perfect for landscape photographers, travel photographers, and more.

Canon RF 70-400mm (maybe f/5.6-7.1) IS USM

The RF 70-400mm will be Canon’s second super-telephoto zoom designed for the RF mount, following in the footsteps of the powerful RF 100-500mm f/4.5-7.1. 

But while the 100-500mm is an L lens – designed for professionals and with a price to match – the 70-400mm will likely be a more casual, portable option. According to Canon Rumors, there’s no “L” label on the 70-400mm, though you can expect image stabilization and a (consistently fast) USM autofocusing motor for wildlife and sports. 

While I can only speculate, I suspect the 70-400mm is designed for frequent travelers in need of a portable “do-anything” telephoto, as well as for enthusiast bird and wildlife photographers. Interestingly, Canon offers an EF-mount counterpart, the much-loved 100-400mm f/4.5-5.6L IS II USM. Yet the 100-400mm is an L lens, offers an f/5.6 maximum aperture at 400mm, and is very pricey, none of which is likely for the 70-400mm. It’ll be interesting to see how the two lenses stack up and whether Canon’s new lens will venture into the sub-$ 1000 “budget” superzoom range.

Canon RF 16mm f/2.8 

The RF 16mm f/2.8 “is a non-L prime lens,” explains Canon Rumors, and will be especially useful as “a nice and compact 25mm f/2.8…if an APS-C RF-mount camera is coming.”

Still, expect a lens compatible with Canon’s full-frame mirrorless stable. At 16mm, you’ll capture beautiful landscapes and architecture, as well as travel and street photos with an unusually wide perspective. And thanks to the f/2.8 aperture, the RF 16mm should be suitable for serious astrophotography. 

At the very least, you can expect a relatively inexpensive, compact lens for Canon’s up-and-coming mirrorless shooters.

Canon to announce three new lenses: final words

Assuming Canon can deliver on expectations discussed above, these three lenses should satisfy plenty of enthusiasts and even the occasional professional. 

If you’re a photographer seeking a nice wide-angle perspective for serious landscape work, keep an eye out for the RF 14-35mm, which will cover all but the widest of landscape focal lengths and offer top-notch image quality to boot. 

For enthusiasts in need of an all-purpose telephoto zoom, the 70-400mm will be the lens to beat, though I’d recommend you consider image quality reports before buying.

And if you’re in need of a compact, lightweight, ultra-wide prime, the 16mm f/2.8 should be worth a look.

Now over to you:

What do you think of these rumored lenses from Canon? Do any interest you? Do you wish that Canon had prioritized different lenses? Which ones? Share your thoughts in the comments below!

The post Canon to “Soon” Announce Three New RF Lenses (Including the 14-35mm f/4L) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Adobe’s teases a new Sensei-powered Sky Replacement tool coming soon to Photoshop

21 Sep

Today, Adobe published a sneak peek video of its latest Sensei-powered feature coming soon to Photoshop, Sky Replacement.

Similar to the AI-powered sky replacement feature found in Skylum’s Luminar 4 editing program, Adobe’s new feature uses its Sensei AI to determine the foreground from the sky in an image and automatically masks the sky overlay to blend in seamlessly. While Photoshop will offer its own selection of presets, it’s also possible to import your own image of the sky.

Note how even the small details at the top of the structure are preserved and properly masked.

In addition to automatically masking out the sky, the Sky Replacement feature will also automatically tone the foreground of the image based on the color temperature of the sky being shown in the frame. As you can see around the two-minute mark of the above video, using a cooler part of the sunset in an image will result in a cooler foreground while using the warmer part of the sunset will give the foreground a warm, orange glow.

In addition to the automatic adjustments, there are also multiple parameters you can tweak yourself to ensure the sky looks exactly how you’d like. When you’re happy with the results, Photoshop will automatically create new layers for the masks and adjustments so you can further refine the image as you see fit.

Adobe doesn’t specify when we can expect to see this new feature in Photoshop.

Articles: Digital Photography Review (dpreview.com)

 
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Google Images will soon show more detailed licensing information on individual images

19 Aug

Google has announced it will soon make it possible for website owners to display more detailed licensing information of photographs in images that appear in Google Image searches.

Image License is currently in the beta stage, but the company plans to make it easier for those using Google Images to find out how to pay to use images that appear in searches, as well as allow photographers to have their conditions-of-use displayed. The idea is to encourage those using images to pay for them by making it clearer that they need to pay, as well as how to pay and who owns the picture. Although the feature isn’t currently in use, Google suggests photographers should begin preparing their websites for when the feature goes live.

A diagram showing how license information may show up in Google Images once the feature goes live.

Preparation involves attaching licensing information on your website and adding information to each image displayed on the site. Google has shared a guide on how to prepare your site and images in its Image License guide.

How the licensing link will be shown in the Google Images display pane

Google says it will be able to access and display information attached to images via structured data or by IPTC photo metadata to show searchers that an image is available to use. Google will also show a link to the license conditions page on your website if you’ve set one up.

Structured data needs to be coded into the web page, but IPTC (International Press Telecommunications Council) metadata can also be attached to individual images in imaging software before they are loaded onto the Internet.

These changes are set to go live this summer, so we should expect the feature to be activated very soon.

Articles: Digital Photography Review (dpreview.com)

 
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The Canon EOS R5 is coming soon – what are you hoping for?

06 Jul

This past February, Canon announced the development of its next full-frame mirrorless camera, the EOS R5. At the time, details were scarce, but a month later Canon followed up with new information confirming the forthcoming camera will offer 8K/30p video as well as ‘advanced animal AF.’

Despite the initial and additional information, plenty remains unknown about exactly what features and specifications the EOS R5 will offer, as well as how the specifications provided by Canon will actually be implemented (i.e. what codec will the 8K/30p video use and what’s the bitrate?).

A Canon EOS R5 under glass at WPPI earlier this year.

As you might expect, the rumor mill has been churning away, with whispers of more detailed specifications and even some suggestions that further hardware might be on the way in addition to the EOS R5. With all of that in mind, what are you hoping to see from Canon when the official launch takes place? Leave a comment and let us know, and we’ll publish a roundup of the most-requested features soon.

Articles: Digital Photography Review (dpreview.com)

 
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iPhone 11 models may soon support new line of third-party MFi lighting accessories

21 Dec

Apple’s latest line of iPhone handsets may soon support photography accessories launched under Apple’s Made-for-iPhone (MFi) program. According to 9to5Mac, Apple has shared new specs with manufacturers who are part of the MFi program, ones that pave the way for lighting and strobe devices that connect with the iPhone using the Lightning port rather than Bluetooth.

MFi is a licensing program that enables manufacturers to make third-party accessories compatible with Apple’s mobile devices. According to this new report, Apple recently provided these manufacturers with new MFi specs as part of a developer preview that make it possible to create lighting and strobe accessories for the iPhone.

Unlike the Lume Cube and other existing products, MFi-compatible lighting accessories will use Lightning instead of Bluetooth in order to sync with the iPhone’s flash and to deliver or draw power to/from the handset. As well, MFi lightning and strobe accessories will likely better support third-party camera apps and will likely be able to sync with the iPhone’s native camera app shutter button.

According to 9to5Mac, these new specs only support the iPhone 11 line of smartphones, meaning older iPhone model users would still have to use less capable Bluetooth-based accessories. Manufacturers will be able to launch their own MFi mobile lighting products once the specs are officially released beyond the developer’s preview.

Articles: Digital Photography Review (dpreview.com)

 
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You will soon be able to import into Lightroom on iOS directly from external storage

14 Nov

Adobe has given the public a new sneak peek at a future update for Lightroom on iOS that will simplify the process of importing images into the app. As demonstrated in the above video, Adobe will enable users to directly import images from card readers into Lightroom on iOS, after which point the content is uploaded to the cloud and added to the app’s photo library.

The ‘seamless importing experience’ will arrive in a future Lightroom update starting with iOS 13.2, according to Adobe’s Tom Hogarty. The company doesn’t provide an exact release date for this update, but says that it will arrive ‘soon.’

Articles: Digital Photography Review (dpreview.com)

 
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Sony Japan says the RX10 IV will soon receive real-time Animal Eye-AF via firmware update

29 Oct

Sony Japan has announced its RX10 IV superzoom bridge-camera will receive the company’s Animal Eye-AF feature via an upcoming firmware update.

The impending firmware will add real-time Animal Eye-AF support for still images, improve the reliability of the real-time Eye-AF already present in the camera and overall improve general stability. No definitive date has been given for the update, but Sony says it should be out before the end of the year.

Translated press release:

RX10IV main unit software update schedule

Target product: “DSC-RX10M4”

Software update contents:

1. Real-time pupil AF support for animals (still images only)
2. Real-time pupil AF operability improvement (Support for half-pressing the shutter button)
3. Improved operational stability

Scheduled release date for software updates: Scheduled for 2019

Articles: Digital Photography Review (dpreview.com)

 
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Adobe previews improved Photoshop Content-Aware Fill capabilities that are coming ‘soon’

28 Sep

Adobe has offered a sneak peek look at the Content-Aware Fill update it will be bringing to Photoshop in the near future. The changes are introduced by Photoshop Product Manager Meredith Stotzner, who explains that Adobe plans to add new ‘Auto’ and ‘Custom’ sampling area options to the tool when it is opened using the application’s Edit menu, these joining the existing ‘Rectangular’ option.

By tapping its Sensei AI technology, the Content-Aware Fill’s new Auto option will analyze the image, find the pixels immediately bordering a selection and then apply the fill using those pixels for an improved final result. The Custom option, meanwhile, gives users complete control over the sampling area selection so that users can ‘brush [their] sampling area from scratch,’ according to Stotzner.

A demonstration of both of these new capabilities have been shared by Adobe in the video above. The company says it will be introducing Auto and Custom to Content-Aware Fill soon, but it hasn’t provided a specific release date at this time. The video indicates the update will arrive before the end of the year.

Articles: Digital Photography Review (dpreview.com)

 
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Canon’s DPP Express app for iPad will soon require a monthly subscription plan

10 Sep

According to a new note on Canon Singapore’s website, Canon is making its Digital Photo Professional (DPP) Express iPad app subscription-based in the near future.

DPP Express is an iPad-only app that works hand-in-hand with the Canon Camera Connect app to process JPEG and ‘CR3’ Raw files from Canon cameras. The application is fairly standard in its feature set and functionality, with a rather standard interface designed to easily make adjustments and edits to images on the go.

A screenshot from Canon Singapore’s website showing the note that clarifies a subscription will be required starting with app version 1.2.0.

Currently, Canon DPP Express has a rating of just 1.6 stars out of 5 in the iOS App Store—and that’s before the impending update. Starting with version 1.2.0, which is due out October 2019 according to the note, the app will require a monthly subscription at a cost that’s yet to be disclosed.

It will still be possible to transfer ‘CR3’ files from compatible cameras to mobile devices via the Canon Camera Connect app, but Canon considers DPP Express to be a major component in its ‘mobile Raw workflow,’ so adding a monthly subscription cost to the workflow likely won’t go over well for those who do use the app.

We have contacted Canon for more details on pricing and whether or not there will be an annual subscription option as well and will update this article accordingly when we hear back.

Articles: Digital Photography Review (dpreview.com)

 
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