RSS
 

Posts Tagged ‘Someone’

Tips For Making Someone Comfortable in Front of the Camera

04 Sep

The post Tips For Making Someone Comfortable in Front of the Camera appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

For many photographers, making someone comfortable in front of the camera is a huge challenge. It’s often so difficult that they shy away from photographing people altogether. Or they only photograph people candidly with a long lens.

Much has been written about camera control, composition, and other aspects of photography. These things require no relationship skills.

But when you photograph people, making your subject comfortable is often essential.

Woman holding chilli pepper as a prop for making someone comfortable
© Kevin Landwer-Johan Nikon D700 | 105mm | 1/320s | f/3.2 | ISO 400

When a person does not like having their photo taken, it shows in their expression. Your camera captures this. That’s why you need to help your subject overcome their anxiety about being photographed (which is particularly difficult for shy photographers).

Here are fifteen tips for making someone comfortable in front of your camera.

Tip #1: Provide instructions before the photo session

Prepare your subject before the photo shoot. Talk about what they will wear. Suggest the best time of day.

Take into account the timing. Will they be needing to rush away to another appointment? Having plenty of time is helpful.

Woman with Northern Thai Sausage
© Kevin Landwer-Johan Nikon D700 | 105mm | 1/10s| f/4.5 | ISO 100

Tip #2: Prepare ideas for what you want to do

Turning up to a portrait session with no ideas is not a good way of making someone comfortable. Talk with your subject prior to the photo session and share some of your ideas.

Talk with them about what they want. Tell them your ideas for the portrait session, and ask if they have anything specific in mind.

Be positive, even if you don’t like what they are suggesting. If you follow through with their suggestions, it will help them feel included. They’ll then be more likely to relax and enjoy themselves.

Woman cutting a man's moustache making someone comfortable
© Kevin Landwer-Johan Nikon D800 | 105mm | 1/200s | f/14 | ISO 640

Tip #3: Choose a good location where your subject will be comfortable

You may use a certain location because you love it. But your subject may not like it at all. Check with them first.

There’s no point picking a place to photograph that will make your subject uncomfortable.

Often, it’s best to find somewhere away from where other people will be. If your subject is uncomfortable being photographed, they will not want to do the session in a location where others can see the process.

Ballet Dancing young woman - making someone comfortable
© Kevin Landwer-Johan Nikon D700 | 105mm | 1/160s | f/2.5 | ISO 500

Tip #4: Be early to your photo session

Arrive at the location of your photo session plenty of time before your subject does. Scope out the location. How is the lighting? What will be in the background? Figure out the best combination of these things and some places to position the person you’re photographing.

This may not seem relevant to making someone comfortable, but it is. The more you can sort out these issues in advance, the more you’ll be able to give your attention to your subject when they arrive.

Close up of woman with an elephant - making someone comfortable
© Kevin Landwer-Johan Nikon D800 | 35mm |1/2500s | f/2 | ISO 640

Tip #5: Have your gear set up and ready

Make sure your camera equipment is set and ready to use. Are your camera batteries charged? Do you have enough space on your cards? Will you need to use your flash or a reflector?

Know what exposure mode you’ll use. Set up your camera as much as possible before the person you’re photographing even arrives.

Having your gear set and ready to use allows you to concentrate more on your subject and on other aspects of photography. Making someone comfortable requires you to pay more attention to the subject than to your camera.

Hmong Amputee sitting outside his home
© Kevin Landwer-Johan Nikon D700 | 35mm | 1/125 | f/4.5 | ISO 800

Tip #6: Take time to connect with your subject

Be there for your subject and let them know it. Don’t rush in and start taking photos immediately. Spending time having a conversation will help them relax and build confidence in you.

Focus the conversation on them and keep it positive. Don’t discuss how difficult it was to find parking, and don’t discuss politics. These topics are not uplifting and will not help make someone comfortable.

Show you are interested in who they are. Asking people questions shows you care about your subject and will help build their confidence.

Woman with a melting ice creammaking someone comfortable
© Kevin Landwer-Johan Nikon D800 | 105mm | 1/200s | f/9 | ISO 100

Tip #7: Coach your subject

Explain to your subject that when they’re stressed, this will show in the photographs. You know they need to relax and why, but they may not know this. You need to take some time to explain it to them.

People often don’t look the same way in a photograph as they do in the mirror. Even if they’re stressed and see their reflection in a mirror, it’s different than the way they will look when being photographed if they are not relaxed. They will not like what they see in the photos. It’s vital that you overcome this, and explaining your reasons will often help matters.

If you get the sense that a person is uncomfortable being photographed, talk to them about it before the photo session. Then remind them again before you start taking photos. Give them time to think about what you’ve said and continue your conversation. It’s almost like giving someone a mental massage to help their mind relax.

Looking down at a woman on the sidewalk
© Kevin Landwer-Johan Nikon D700 | 50mm | 1/10s | f/11 | ISO 100

Tip #8: Remind your subject how good they look

Frequently commenting on how good a person looks will help them have confidence and feel more relaxed. Be careful to be genuine. Notice moments when your subject is more open and carefree. These are the times to compliment them as you are taking their photographs.

Tell them how happy you are with the photos you are taking. Talk to them about their smile and how good their hair looks. Mention positive aspects about the clothing they have chosen. Talk about how nice they look in a certain pose.

Don’t overdo the compliments or you’ll start to sound fake. Keep it balanced and be gentle but honest if something doesn’t look right.

Mad Scientist Rubber Gloves
© Kevin Landwer-Johan Nikon D800 | 35mm | 1/125s | f/9 | ISO 100

Tip #9: Fix hair and clothing

You can almost always find some aspect of a person’s hair or clothing that needs a little tweaking. Even when you can’t see anything out of place, tweak anyway!

Paying attention to these details and putting them right does two things. It’ll make your photos better, and it will help make your subject comfortable. They will feel good that you’re paying attention to them and you’re focused on making them look good.

Woman taking a photo with her phone - making someone comfortable
© Kevin Landwer-Johan Nikon D800 | 105mm | 1/125s | f/2.8 | ISO 500

Tip #10: Start with a long(ish) lens

Put a little distance between your camera and your subject. Getting too close may not be comfortable for them. Using a 105mm or 135mm lens will provide a convenient distance.

Don’t use a monster of a lens. This can be intimidating. It’s one reason I am not a fan of 70-200mm f/2.8 zooms; they are so bulky and can be off-putting.

A little further into the photo session, you can consider coming in closer with a 50mm or 35mm lens. The person you’re photographing will need to feel good about you being this close. If they are comfortable at closer distances, your photos will be more intimate than ones taken with a long lens.

Senior Akha Man portrait on a black background - making someone comfortable
© Kevin Landwer-Johan Nikon D700 | 135mm | 1/125s | f/4.5 | ISO 320

Tip #11: Show your subject the photos you’re taking

The monitor on the back of a digital camera is a great tool for making someone comfortable. When you show them how good they’re looking, it’ll build their confidence.

This young woman was surprisingly uncomfortable when I came to photograph her and some of her friends. She was part of a drama group, and I’d observed her confidence on stage in front of a crowd. But the self-assurance was missing when she was in front of my camera for the first time. Once I’d taken a few good photos, I showed them to her. She was impressed, so she immediately relaxed and enjoyed the photo session greatly.

Asian Woman Jumping - making someone comfortable
© Kevin Landwer-Johan Nikon D700 | 35mm | 1/400s | f/5 | ISO 400

Tip #12: Slow down

Take time to do what you do well. Don’t be in a rush. Work carefully. Check your camera settings. Review your photos and make changes when you need to. Don’t work so fast you miss when you are making mistakes (because they will happen).

Plan for the photo session to last more time than you think it will. If you have extra time at the end, buy the person you’re photographing a coffee. This might be another opportunity for a few more nice pictures of them.

Close up portrait of a man
© Kevin Landwer-Johan Nikon D800 | 35mm | 1/100s | f/4 | ISO 100

Tip #13: Provide some form of distraction

Use props or another person to help draw attention away from yourself and your camera. When someone is nervous about being photographed, it can help when they are distracted. They are more likely to look relaxed and natural when they are not paying attention to your camera.

When photographing a bride at a wedding, I’d often get the groom to stand just behind me and have him talk to his bride. There’s no way I’d get the same look from a bride as when she’s looking at her groom.

For this photo, I asked the subject to pretend to talk on her phone, as I thought this might help. It worked very well. Later she told me that she had actually called a friend and was talking to her, so she was totally distracted.

Asian Businesswoman Phone Call
© Kevin Landwer-Johan Nikon D700 | 105mm | 1/640s | f/2.5 | ISO 200

Tip #14: Genuinely have fun!

Have a nice manner and be positive; this will help you inject some fun into the photo session. When people are happy and relaxed, you’ll certainly get better photos of them.

Come up with some things that you can talk about or funny stories you can tell. Try to laugh together when things don’t go exactly as planned. If you have a positive attitude, this will rub off on the person you are photographing.

Two Thai girls in the studio
© Kevin Landwer-Johan Nikon D800 | 50mm | 1/125s | f/9 | ISO 200

Tip #15: Be confident and your subject will be confident in return

Confidence in what you are doing is vital. Don’t be brash and boastful. Don’t bamboozle people with your photography knowledge or with how good your camera is. Just use your camera with certainty. If you are stressed and nervous yourself, the person you are photographing will feel uncomfortable.

Being quietly confident in what you’re doing, even if you’re a shy photographer, will help your subjects relax. Your mood and attitude will be reflected back to you by the people you are photographing.

Woman and Elephants
© Kevin Landwer-Johan Nikon D700 | 105mm | 1/100s | f/11 | ISO 400

Conclusion

Making someone comfortable is as important as getting your camera settings correct. So often I see portraits of people where it’s obvious they were not relaxed. As a photographer, it’s your mission to ensure the person you’re taking pictures of looks good. Much of this depends on how relaxed and confident the subject feels.

And I am not satisfied with the portraits I take unless my subject is, too.

Let me know in the comments below which of these tips you find the most helpful. Please also share other techniques you use for making someone comfortable when you are photographing them.

The post Tips For Making Someone Comfortable in Front of the Camera appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


Digital Photography School

 
Comments Off on Tips For Making Someone Comfortable in Front of the Camera

Posted in Photography

 

Blair Bunting on photographing Aaron Hernandez on the same day he shot someone

26 Jan
A behind-the-scenes photograph of Blair Bunting capturing a shot of the late New England Patriots tight end Aaron Hernandez.

Editor’s note: Blair Bunting is an award-winning advertising photographer who’s no stranger to being in front of high-profile cars, characters and celebrities. From eight-figure cars to professional athletes at the top of their game, Blair has done it all, but one shoot, in particular, stands out for all the wrong reasons. In the following post, Blair details his experience photographing the late New England Patriots football star, Aaron Hernandez, fewer than 24 hours after the former New England tight end committed murder on February 13th, 2013.


I am writing this after getting a torrent of texts from friends and family who have been watching the documentary Killer Inside: The Mind of Aaron Hernandez on Netflix. It turns out I’m in it… an image of me on set with Aaron appears in the second episode.

My first reaction was a bit of anger as I never licensed any images from that shoot (hey Netflix, call me maybe), but as that passed it eventually got me thinking about the day I spent on set with Aaron… the same day he shot someone.

Diving into the mind of another man is enough to make one lose his own. My photoshoot with Aaron Hernandez left me questioning what lies behind the eyes of the subjects who stand before my camera.

My many years of photographing celebrities have led to great experiences and friendships, but this one photoshoot made me question my own mental depth and acuity when it came to the very people that I work so hard to learn about, only to exist until the last shutter closes.

The photoshoot with Aaron took place on the final day of a week-long campaign that I was shooting for a sports client. We had professional athletes from the NBA, MLB and NFL in the studio all day. For me I wanted nothing more than to keep up the quality of the lighting on set through the final athlete, wrap, and then take my wife to Hawaii—the next day was Valentine’s Day.

It had been a long production: through pre-pro meetings, lighting days, scouting and client dinners, mentally I was exhausted and internally I was begging for relief from the pressure that I enjoy so much.

When Aaron Hernandez first entered the studio, I was wearing the jersey and shoulder pads of Clay Matthews (the athlete that preceded Aaron), a Chicago Cubs batting helmet, and drinking a Stella Artois. Perhaps understanding the light-heartedness that I carry on set, he immediately smiled and started laughing. I introduced myself, shook his hand and we started talking pleasantries: how’s the weather, what’s your new house like, how has your day been?

The final question and answer haunt me to this day….

“How has your day been?” I asked.

“Good,” he replied, along with a calm, childlike smile.

Hours earlier, he had shot a man in the head.

Having gone through mental health struggles in the past, the idea of not knowing the mind behind one’s eyes is familiar to me, but the level to which Aaron was able to keep it hidden still frightens me to this day.

As I sit here typing this years later, I still have to pause for a moment in order to digest the gravity of the situation. Having gone through mental health struggles in the past, the idea of not knowing the mind behind one’s eyes is familiar to me, but the level to which Aaron was able to keep it hidden still frightens me to this day.

Upon hearing the news, the people on my crew that day were in shock and disbelief that such a sweet kid could have done such a horrible thing, but as time went on and the details became clearer, we accepted it despite the confusion.

In an odd way, it left me with a dilemma: how do I describe Aaron Hernandez?

I can only describe him with lights and a camera—the truth that existed within him will never play out on set.

As portrait photographers, we are challenged to expose the true nature of the person that stands in front of our camera: be it angry, shy, calm, or intense. However, photographing Aaron Hernandez has taught me a lot about my approach, what I thought existed within the frame lines, and what a camera can never truly capture.

Often times photographers are celebrated for a reaction or expression they’re able to draw out of their subjects (think of Karsh’s iconic image of Winston Churchill). It’s a romantic notion that the photographer is a sort of snake charmer, the subject a willingly controlled entity—together, they make up an act that ends in a great image.

I feel this approach sells the celebrity or model short; a successful photo shoot is the result of the collaborative effort of everyone on set, subject (obviously) included.

What Aaron Hernandez taught me is that all the lights in the world could not illuminate the darkness that lived within his mind.

While he and I worked together very well to get the images that the client wanted, we were merely playing the roles that were asked of us, in a dance that benefits the choreographer more than the dancer. It’s a part of this career where form and light matter more than discovery and truth, where we are not trying to learn anything about the athlete, but rather speak through them for the client’s cause.

On set, if I feel like the shoot has gone well and the images are in the bag, I will sometimes offer my subjects the option to shoot a few frames for fun. Aaron was game, he had seen an image in my portfolio of a football player holing a ball in a profile stance and wanted to have one like it for himself.

We drew the lights and smoke machine and created this image of him in a calm, subtle, almost stoic stance. He was excited about how the pose showed off his tattoos, which seemed to mean a lot to him.

I knew that turning an action light set into an impromptu portrait session wouldn’t be as dynamic a shot as I wanted, but when I got home and looked through the files, it wasn’t the lighting that disturbed me, it was his eyes.

The images we created on set that day were packed with intense expression and focus… the portrait that he asked for was absent of this. It was absent of emotion, of life, almost as if the personality of the young kid with the smiles and laughs had left and what remained was cold and unfeeling.

The images we created on set that day were packed with intense expression and focus… the portrait that he asked for was absent of this. It was absent of emotion, of life, almost as if the personality of the young kid with the smiles and laughs had left and what remained was cold and unfeeling. Maybe this was a result of him being tired, or the difference of direction. But part of me wonders what he was thinking about as the huge light source in front of him popped at full power, probably blinding him, as I could barely see after setting up the softboxes.

We will never know.

Before breaking down set, Aaron asked me about one more shot. I pitched him a few crazy action scenarios (after all, it was the style of set we had that day), but what he wanted was a straight to camera portrait… without his helmet on.

This was the last frame I shot that day, and the last shot of him before the world learned of his dark secret.

I have never shown this image to anybody. Until today, I had chosen not to talk about the situation for many years. But with the recent release of the Netflix documentary about Aaron, and my unsolicited cameo, I found myself watching and wondering what could have been. Hoping, more than anything, that his tragic fall from grace could save someone in his shoes.


This post was written by Blair Bunting and was originally shared on PetaPixel. It was republished here with permission from both parties. Blair is based in Phoenix, Arizona and his work can be found on his website, blog, Instagram and Twitter.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Blair Bunting on photographing Aaron Hernandez on the same day he shot someone

Posted in Uncategorized

 

Video: Watch someone play DOOM on a Kodak digital camera from 1998

12 Dec

Retro tech and gaming YouTube channel LGR has published a new video showing the original DOOM video game being played on a 1998 Kodak DC260 digital camera. This model was quite expensive at the time with a price tag of $ 999.99; the cost was due, in part, to the surprisingly capable hardware packed into the camera, including a 66Mhz PowerPC CPU, 8MB of RAM and an 11khz sound chipset.

As explained in the video, the Kodak DC260 was unusual for its time in that it features USB and support for sideloading apps. Though this sideloading functionality was intended to expand the camera’s capabilities in unique ways, it also makes it possible to install and run a special version of the original DOOM video game, which appears to play without issue on the camera.

DOOM is one of the multiple apps demonstrated in the video, which includes instructions on downloading, sideloading and running the software.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Video: Watch someone play DOOM on a Kodak digital camera from 1998

Posted in Uncategorized

 

How To Trick Someone Into Thinking You’re Really, Really, Ridiculously Photogenic

04 Oct

In a world of digital keepsakes and endless selfies, there’s a definite pressure to be camera-ready at any moment. Between Youtuber friends and Instagram-addicts, you never know when you’ll next be thrown under the lens, so it never hurts to have a few tricks up your sleeve to help you look as good as you can, and feel happy with Continue Reading

The post How To Trick Someone Into Thinking You’re Really, Really, Ridiculously Photogenic appeared first on Photodoto.


Photodoto

 
Comments Off on How To Trick Someone Into Thinking You’re Really, Really, Ridiculously Photogenic

Posted in Photography

 

Photographer caught using someone else’s public domain photo to win awards

06 Sep

Swiss photographer Madeleine Josephine Fierz has been stripped of two photography awards after it was revealed that she’d won them using someone else’s photo.

The contest-winning image, seen above, was taken by Thai photographer Sasin Tipchai, who had uploaded it under a CC0 license to stock photography website Pixabay. Fierz submitted the image as her own, ultimately receiving first place in the Moscow International Foto Awards (MIFA) and second place in the Fine Art Photo Awards.

The deception was discovered after Sasin posted on Facebook about Fierz’s use of his images, and someone else shared it with the Moscow International Foto Awards’ Facebook page. That brought it to the attention of officials who, after looking into the matter, revoked Fierz’s award and removed the image from its website. The image has also been removed from the Fine Art Photo Awards website.

In a statement to Khaosod English, MIFA jury member Hossein Farmani commented on the matter, saying:

[Fierz] claimed since she bought these photos, she thought that she could manipulate it a little and claim it as her art. As a jury of MIFA we take these allegation very seriously and we investigate and delete images in question as soon as we can verify the facts. It’s almost impossible for us to know which images belong to whom unless photographers let us know, like you did.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Photographer caught using someone else’s public domain photo to win awards

Posted in Uncategorized

 

Adele Someone Like You Acoustic Guitar Cover Duet Version by Celia & GJ

19 Jan

shot in my living room with a friend’s Nikon D3100, hope you guys enjoys it! www.facebook.com special thx to Elin for her equipments!

Presented by: Neumann Films Sponsored by 3 Studios, Citadel Church and Bucer’s Coffee House Label: Dream Records www.dreamrecords.org Buy Jonathan’s Album “The Anatomy of a Heartflow” here itunes.apple.com Song mixed and mastered by Luke Fredrickson Drums, guitar and bass by Luke Fredrickson Piano by Jonathan Thulin Violin by Kai-Li Cheng Violin 2 by Hsaan-Wen Lin Viola by Benjamin Davis Cello by Cory Grossman Backgorund vocals by Whitney Thulin and Lori Sabin Directed by: Luke Neumann and Jonathan Thulin Filmed by: Luke Neumann, Pete Dryden and Marika Neumann Filmed on the Canon T2i / Canon 550D / Kiss X4 Canon 50mm f 1.8 Nikon 28mm f 2.8 Glidetrack SD Shooter Glidecam HD1000 Edited in Sony Vegas Pro 10.0 Color Corrected in After Effects CS5.5 using Magic Bullet Looks Filmed at: Cordelia Chapel – Genesee, Idaho, Bucer’s Coffee House – Moscow, Idaho, Apartment – Moscow, Idaho Crew: Luke Neumann, Pete Dryden, Marika Neumann, Jonathan Thulin, Dane Wilson, David Kong, Katie Smith Lighting provided by David Kong Story line: Jonathan Thulin Movement Director: Katie Saunders Make up: Cristina Plaza Casting by: Jonathan Thulin, Katie Saunders, Natalie Greenfield, Tina McClure, Jeremiah Grauke, Cristina Plaza Costumes provided by Hope Center Moscow, Idaho Language Coach Katie Saunders Transportation provided by The Crossing, Moscow, Idaho CAST Boy – Levi Wintz Girl – Ruth Saunders Babylon the Great (Violin Player) – Abigail Smith Door Keeper – Chantelle Courtney Babylon the
Video Rating: 4 / 5

 
 

photoshop tutorial-make someone look like they are smiling

30 Oct

If theres a photo of you or someone else where you/they are not smiling, use this really quick simple method (as seen in the nose job tutorial) to make it look like you are. Can be used for othe robjects or facial features also. Done using the transform tool

 
Comments Off on photoshop tutorial-make someone look like they are smiling

Posted in Retouching in Photoshop

 

[MODIFIED] Digital Photography – Did Someone Get in the Way While Taking a Photo?

09 May

Don’t immediately delete digital camera photos if an unwanted element or person got in your picture – here’s why.

This tip is geared towards beginners. While reviewing vacation or other pictures, if you find images where an undesired subject moved barely into your digital camera’s viewfinder, don’t fret – these photos might not be a total loss!

Most of today’s digital cameras take photos containing more than enough megapixels needed for high-quality printouts. Depending on the image subject and location of the unwanted element, you can crop (digitally cut) out what you don’t need and still have a great image. This is done by creating a selection rectangle inside your photo; everything outside of this rectangle gets removed….

Read more at MalekTips.
New Computer and Technology Help and Tips – MalekTips.Com

 
Comments Off on [MODIFIED] Digital Photography – Did Someone Get in the Way While Taking a Photo?

Posted in Technology

 

Pogo – Go out and Love Someone

04 Mar

Song – Pogo – Go out and Love Someone www.youtube.com NIkon D90 test

Enjoy it ! Take with Nikon d90 and Samyang 8mm
Video Rating: 4 / 5