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Posts Tagged ‘Software’

Exposure Software releases Exposure X5 image editing and organizing software

02 Oct

Exposure Software (formerly Alien Skin) has released its new flagship product, the image editing and organizing software Exposure X5. The new package comes with long list of improvements over the last version Exposure X4.5 which includes the following:

  • 3D Color Masking allows you to control where an image adjustment is applied by color characteristics such as hue, saturation, and luminance. You can select foreground or background areas, skies, skin tones or specific color ranges using the tool.
  • Chromatic Aberration Correction removes color fringes caused by lens refraction. Corrections can be applied by selecting a lens profile or manually for more precise control. Apply via lens profile or by manual adjustment if precise control is desired.
  • Vignette Correction does what it says on the tin and lifts the brightness around the edges of your images to counteract vignetting effects. Like the CA correction, this can be applied using a lens profile or manually.
  • Custom Camera Profiles let you control the JPG color rendering from RAW data for a particular camera. Camera profiles created by X-Rite or other software can be automatically applied by matching a camera model or serial number. Optionally they can also be applied when matching a specific lens or a pre-defined ISO range.

Other new few features and functions include complementary color presets, additional black&white film simulation presets, new image flip options, support for gatscale TIF and JPG images as well as multiple user interface language options.

Owners of Exposure X4 who purchased their copy on or after August 1st, 2019 will be receiving a free upgrade to Exposure X5 soon. Anyone you bought any Exposure version before this date will be able to purchase an update version for $ 89. The full version will set you back $ 119. A 30 day trial version is available. You’ll find more information on the Exposure website.

Articles: Digital Photography Review (dpreview.com)

 
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CyberLink reveals its new PhotoDirector 11, PowerDirector 18 and other creative software

18 Sep

CyberLink launched PhotoDirector 11, PowerDirector 18, and other updates to its creative software today, adding major new features like performance improvements for the latest R9 and i9 chipsets, AI-powered tools, 1:1 square video support for Instagram and Facebook, new transition effects, and more.

PhotoDirector 11 has been updated with Customizable Warped and Bevel & Emboss text effects in layer editing, the latter of which includes a layer editing tool with access to all of the ‘key’ editing and adjustment features, according to CyberLink. As well, the updated software now features AI Deblur and AI Styles, tools that use the software’s AI engine to remove blurs and add brushstrokes to images.

Joining the product is the updated PowerDirector 18, which has received a number of new features, including support for 1:1 square video and nested projects, new transition effects, motion graphics and animated tile templates, and Shape Designer, a tool for adding and editing vector shapes in videos.

AudioDirector 10 and ColorDirector 8 bring fewer, though no less significant, updates with the addition of AI Dewind for audio clips and Punch & Roll Recording for long audio tracks (AudioDirector), as well as Color Match for standardizing scene color and Color Replacement with Keyframe Control (ColorDirector).

When purchased individually, CyberLink charges the following prices for its four products:

  • PhotoDirector 11 Ultra: $ 99.99 USD
  • ColorDirector 8: $ 129.99 USD
  • AudioDirector 10: $ 129.99 USD
  • PowerDirector 18 Ultra + PhotoDirector 11 Ultra: $ 139.99 USD

Customers also have various 365 subscription options, including Director Suite 365 for $ 29.99/month or $ 129.99/year; this pack includes the four updated applications listed above, as well as unlimited access to 100GB of CyberLink Cloud storage, the company’s exclusive AI Style Packs, as well as its premium effects, plug-ins, and other content packs.

Articles: Digital Photography Review (dpreview.com)

 
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ACDSee Video Studio 4 Review – An Intuitive, Easy-to-Use Video Editing Software

16 Sep

The post ACDSee Video Studio 4 Review – An Intuitive, Easy-to-Use Video Editing Software appeared first on Digital Photography School. It was authored by Carl Spring.

In this review, we take a look at the new video-editing software – ACDSee Video Studio 4.

Video is something that, as photographers, we seem to be delving into more and more. Whether that be capturing behind the scenes of photoshoots to create marketing material or simply a video of your photo adventures with friends, video is something many of us are either doing or may want to do. However, it’s not always as easy as that.

Image: Video Studio 4 is great for editing short clips for social media or uploading to YouTube. It...

Video Studio 4 is great for editing short clips for social media or uploading to YouTube. It will not, however, enhance your skills in front of the camera, as you will see later in this review!

The main problem with video content isn’t necessarily shooting the video, but the editing process. I am sure some of you have lots of video footage that you always intend to make into a video (as I have), but it never gets made. You start with good intentions, but the editing always seems to be the sticking point. For those who don’t edit very often or are new to video, editing can be hard and so much software lacks user-friendliness.

Video software usually comes with a steep learning curve too. Those that many consider the standard, Premiere and Final Cut, aren’t particularly user-friendly to the novice user. You will end up spending hours of your time watching YouTube videos to simply understand the basics of how to create a simple edit for either of those pieces of software.

ACDSee has set out to change that. With their latest software, Video Studio 4, you get powerful video editing built into a software that is intuitive and simple to use.

Opening it up

When you launch the software, the layout you see may resemble others. However, with ACDSee Video Studio 4, this layout is streamlined, and the most useful stuff is there, ready and waiting.

On the left side, there are 10 different options for you to work with. They are laid out in a way that guides you through the process of editing from start to finish.

Let’s go through them to see how you can use each one.

The left panel

Media

Video Studio 4 accepts a wide variety of formats for audio, video, and images. These are:

  • Image formats: JPG, JPEG, GIF, BMP, PNG, HEIC
  • Audio formats: WMA, MP3, AAC, WAV, AC3, OGG, M4A
  • Video formats: AVI, MP4, WMV, FLV, MOV, TS, MTS, M2TS, ASF, M4V, MPG, MPEG

As you can see, the software can handle pretty much any format you want to use. It is great to see such a wide range of options available. It means you don’t need to worry about converting files before editing.

Image: Here is a variety of a png, JPEGs and HEVC iPhone footage. ACDSee Video Studio 4 handled them...

Here is a variety of a png, JPEGs and HEVC iPhone footage. ACDSee Video Studio 4 handled them flawlessly.

Captions

Adding in titles and captions is simple and easy. A wide variety of fonts and placement options means you can create a title for your videos quickly.

Image: There are several different styles to work with when it comes to adding titles and captions.

There are several different styles to work with when it comes to adding titles and captions.

Audio Recorder

If you make videos, sooner or later you will find yourself in a situation where you need to record a voiceover. With ACDSee Video Studio 4, you can record audio directly into the software, thus, keeping everything together. This means you don’t have to move between programs to record extra audio. A really fantastic little tool that you may not think is useful – until you need it.

Transitions

With 30 different transitions to choose from, you can easily apply transitions between video clips. Tweaking these to your desired length is simply a matter of dragging them onto the timeline. Some are cheesy, some are incredibly cheesy, but you have options. I am a simple “fade” guy, but if you want something different, you will definitely find it here.

Image: Whilst there are several to choose from, I rarely tend to look past a “fade” or...

Whilst there are several to choose from, I rarely tend to look past a “fade” or “fade to black” transition. If you do, there are several options.

Audio Effects

Adding fade in and outs to your audio tracks is simple and easy too. You can do it manually, but by using the presets and then tweaking to get the desired effect, you can really save some time. You’ll also get your content created much quicker and easier than ever.

Image: It is easy to add fade in and outs with audio in the program.

It is easy to add fade in and outs with audio in the program.

Animations

New in this version of ACDSee Video Studio 4 is the ability to use keyframes to make custom animations. This allows you to create bespoke animations for your clips, which is great when using a still image in your video.

There are also some great presets to use as starting points, which you can fine-tune to get your clips just how you want them.

Image: You can start with one of the inbuilt animations or start from scratch.

You can start with one of the inbuilt animations or start from scratch.

Behavior

Behaviors are customizable entrance and exit effects. You can use these on a clip to really emphasize the clips’ start and end. Simply tweak each effect to customize it to your taste.

I really didn’t see where I would use this, and it feels a little gimmicky. This is a feature most people will not use too often, but in the right hands, I am sure you can do something cool with it.

Filters 

ACDSee Video Studio 4 gives you many filter options to tweak the look of your clip. When applied, these filters tweak things like the clips color, and exposure. There are also several creative effects for quick and easy effects for your footage.

There are several options to explore here. Which ones you choose depends on your taste and preference, but there is something to please most people here. You will no doubt find your favorites when you have used the software a few times, and these will become your go-to filters.

You can add multiple filters should you need or want to. They stack on top of each other in the clip, and you can edit them individually.

Image: This shows the exposure filter in action. It worked well on a clip that was underexposed. The...

This shows the exposure filter in action. It worked well on a clip that was underexposed. There are many others – some good, some that you probably won’t use.

Overlays

Overlays are effects that sit on top of your clips. Some of these, such as the animated hearts and bubbles, are an acquired taste and most of you probably won’t touch them (but will no doubt serve a great purpose for the young generation). However, light leaks and film scratches can give a great effect, depending on the look you are going for with your project.

Image: You can add filters to give your footage a certain look. Some are a little cheesy IMHO, but t...

You can add filters to give your footage a certain look. Some are a little cheesy IMHO, but there are some really nice ones, such as old film, which I used here.

Advanced Effects

This is where the software gets seriously impressive. Here you will find some features most commonly found in high-end editing software, yet they come with the ease and simplicity of use that makes Video Studio 4 so user-friendly.

Starting with one of the new features in Video Studio 4 is Remove Color. This is most commonly used for green screen work. This allows you to shoot against a green screen (or other color backgrounds) and remove it from the clip. You can then add in a background of your choice. This is great for YouTube videos, where you can buy a cheap green screen (or even use a green sheet) and then add in a background you created in Photoshop or similar. It can give you a host of creative options, is incredibly simple to use, and really powerful.

A new cool feature is Color LUTS. These allow you to add a variety of different color grade options to your footage to enhance their look.

Another new addition allows you to adjust the speed of your footage. You can create time effects such as slow-motion, or speed up the timing of your clip.

The last new addition is Mosaic, which is great to blur out items in clips, such as car number plates. This can then be sized and tweaked to match your clip. Again this is one of those tools that you probably won’t use very often, but when you do need it, you will be glad the software includes this handy tool.

Image: You can add LUTS to color your footage. Start with a preset or upload your own. For the short...

You can add LUTS to color your footage. Start with a preset or upload your own. For the short video I created, I used Tinsel.

Using ACDSEE Video Studio 4

It’s one thing to list all the features of a software, but it is another thing entirely to put it in practice. With this in mind, I put a few things together in ACDSee Video Studio 4.

The first project involved taking a couple of clips from a photoshoot on my iPhone and making them into a quick clip for Instagram. I also wanted to try out the screen recording software that comes with Video Studio 4 so I used this to make a quick tutorial on creating custom animations in the software.

Lastly, I wanted to test one of the key new features, Remove Color.

Green screen test

As this was one of the new features of the software, I was keen to test it out. However, rather than test this with a perfectly lit green screen, I tested it in a more common situation. At first, I tried against a blue block wall, not expecting it to work at all.

Then I used a green screen I borrowed from a friend. Now, this is by no means a high-end green screen. In fact, one of the stands fell to pieces when we were putting it up and had to be held together with tape! I also didn’t iron the green material (as you can see in the clip). It was a very cheap eBay purchase, but it is the type of setup the most people will use when starting with a green screen, so I wanted to see the results.

I used no specialist lighting in the setup either. Again, with the right type of equipment, this is super easy, both for the editor and the software. But, I wanted to push it a little…

Here are the results:

?

As you can see, the software worked pretty well on the green screen (just a slight issue with the reflection in my glasses) and surprisingly well on the blue wall, even if it didn’t manage to get it quite perfect. I think that a simple, smooth painted wall, with decent natural light, would work perfectly well for this type of work. Moreover, with an ideal studio lighting setup, it would work great.

The tutorial video

ACDSee Video Studio 4 also comes with software that allows you to record your screen, which I wanted to test to create a simple instructional video. As I am reviewing the software, I decided to make a quick tutorial on creating a logo animation. I simply selected the inbuilt Mic and Webcam and hit the record button.

When you have finished recording your footage, it drops it directly into Video Studio 4 ready to edit. Editing is then simple.

Here is the result:

?

If you are looking to get into creating tutorial videos for your photography, or tutorials for any software, Video Studio 4 is great. 

The Insta edit

What I see as the biggest possible use of this software is for quick, simple edits for Instagram. This software is perfect for that purpose –one of those situations where you just want to put a few clips together and make an edit as quickly as possible.

In this example, I had three phone clips I wanted to use. I also had my logo and background I created in Photoshop. With all I needed ready to go, I jumped into Video Studio 4 for the first time.

It is super simple to use, and within minutes I had a completed video.

The first thing I wanted to do was to create a quick intro using my logo. I saved my logo as a .png file so that I could keep the background transparent so it would work with layers. Then I placed both the background and the logo into the software. To add some animation, I used the custom animation feature in Video Studio 4. By dragging and dropping this onto the logo, I was able to quickly add two 360-degree motions to the logo to add interest.

It was easier than I imagined. Within 20 seconds, I had my animated logo.

Then I added transitions to the start and end of the clip as well as adding an old film overlay. That was it. One minute and I had a finished animated logo. If I wanted to, I could export this clip and use it in all future videos as an intro. That saves even more time when creating clips like this.

Next, I needed to insert my clips. Again, it was simply a matter of drag and dropping them to get them onto the timeline. To trim the clips to the required length, you have two options:

  • drag the ends of the clip to where you want them, or
  • split the clip where you want the edit and delete the part that you want to trim.

I found this splitting quicker, and this is what I did for the rest of the clip.

With my clips trimmed, I also needed to remove the audio. There are two ways you can do this: Method one is to adjust the sound level of the clip by right-clicking on it and selecting Edit Audio. This is great when you want to adjust the sound levels of a clip. In this case, however, I didn’t need the audio at all, so split the clip into separate audio and video tracks. This way, I was able to delete the audio from the clip quite simply.

Image: You can either edit the audio level of clips or split the audio, which is what I did here. As...

You can either edit the audio level of clips or split the audio, which is what I did here. As I didn’t need sound, I simply deleted the audio from the clips.

I then added transitions between clips. While there are loads to choose from, you will probably find yourself going back to a select few. In my case, I have always tended to use Fade to Black or Cross Fade (called Fade in Video Studio 4).

For the last stage, I easily added a LUT to the footage. There are several LUTs in Video Studio 4, or you can upload them into the software. I decided to use the Tinsel LUT, which adds a color grade to the footage.

Adding music

When I watched the footage back, I decided I wanted to add some music.  I used a track by A Himitsu, the details of which are as follows:

Adventures by A Himitsu, Creative Commons — Attribution 3.0 Unported— CC BY 3.0 

Music released by Argofox Music provided by Audio Library

Once I had the music in, I wanted to move my edits a little to match the music. Even though I had LUTs applied and fades in place, this was easy, and there was no lag when dragging clips around. The software felt speedy throughout using it, which was reassuring. With the music added, and clips altered, I just needed to add an audio transition to fade the music out, which I then tweaked until I was happy with it.

All complete, it was time to export my project. You can see the final edit below.

Export

Exporting is quick and easy and helped by Video Studio 4 holding your hand through the process. You can export and save to a file, or you can upload directly to YouTube or Vimeo. Just log in to YouTube and follow the instructions. In terms of time, the software exported quickly, and I didn’t notice a difference in export times compared to using other editing software.

You can also export to an animated gif, which is ideal for things like action sports clips.

As you can probably guess, the theme of simple and easy continues here. Video Studio 4 guides you through things in the beginning while allowing you the ability to be more creative as your confidence grows.

Image: Video Studio 4 guides you through the export process. You can export to file or upload direct...

Video Studio 4 guides you through the export process. You can export to file or upload directly to YouTube, which is what I did. It was simple and worked perfectly.

Support

ACDSee has some great training videos for their software on their website. For those of you new to video editing, these are well worth a watch to get you started with Video Studio 4. I am sure that more will be added over time, but they have everything you need to get started. There is also great technical support should you have any other issues.

Below is an example of their training videos with Director of Photography, Alex Watson. Before anyone says it in the comments, I know his delivery is a little better than mine.

Who is this software for?

If you use Premiere or Final Cut, you will have more than likely not even made it this far. It is not as fully featured as these programs and is in no way a replacement, but that is not the purpose of this software.

ACDSee Video Studio 4 is for those who are new to video editing or who just want to create quality content without having to spend large amounts of time learning to use software.

While Video Studio 4 is incredibly user-friendly for the beginner, it also contains many features for those wanting to delve deeper and use more advanced features such as the green screen.

In a nutshell, the aim of Video Studio 4 is to create professional videos quickly and easily for those new to video. It does this impressively well.
It is really competitively priced, and for those who are new to video and use PC, I can’t think of a better alternative.

Final thoughts

ACDSee Video Studio 4 is a simple to use, yet surprisingly powerful video editor. It is not a replacement for Premiere, nor is it intended to be. There are some really powerful features in here, but it also contains some stuff that I would personally never use. For example, some of the fades and overlays feel cheesy and overdone. Then again, as a teen starting out with video editing, these will more than likely be fun, and I am sure they will get used in creative ways. Maybe it’s more me being an old stick in the mud for the classics?

If you have been thinking about adding video to what you do, I would recommend you try Video Studio 4. This is simple to do as ACDSee have a free trial, allowing you to try before you buy. When it comes to purchasing, you also have options. You can purchase the software outright, or you can get it as part of the ACDSee 365 plan, which also includes ACDSee’s Photo Studio software for a simple monthly payment.

ACDSee is known for offering alternative software that is feature-packed, simple to use, with a great price tag. With Video Studio 4, ACDSee has definitely cemented that reputation.

ACDSee is a paid partner of dPS.

The post ACDSee Video Studio 4 Review – An Intuitive, Easy-to-Use Video Editing Software appeared first on Digital Photography School. It was authored by Carl Spring.


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Your Comprehensive Guide to Photography Post-Processing Software

04 Sep

The post Your Comprehensive Guide to Photography Post-Processing Software appeared first on Digital Photography School. It was authored by Herb Paynter.

My recent article, 3 Alternative Post-Processing Applications that Challenge the Adobe Throne, presented just three of the many post-processing software packages available (both free and paid) that provide excellent post-processing capabilities. In this article, I’ll give you a much longer list of post-processing software. To be impartial, I’ll list the titles in alphabetical order.

Your Comprehensive Guide to Photography Post-Processing Software

DXO Photolab 2

A few of the titles added by readers in the Comments section of the “3 Alternatives” article impressed me with their power and innovative design. I’ve been editing digital images with every software package available since late 1986, and I thought I’d seen most of them. However, it seems that the list of capable editing software grows weekly.

As you will notice, I do not mention ALL the software available for download or online use. Those that made the cut will be actual production titles with a minimum set of well-designed editing functions.

To be honest, I’ve looked at a significant number of offerings that are little more than public domain routines. They are not fully implemented or even adequately defined. These were considered but not listed.

Listed below is a wide variety of packages on both mobile and laptop/desktop platforms; a true variety pack that covers the field from hobbyist to professional users. No matter what your preference, you’ll find something here to tickle your fancy and meet your demands.

Your Comprehensive Guide to Photography Post-Processing Software

ACDSee Photo Studio Professional

As was welcomed in my first article, additional post-processing software titles should be added to this list by readers who have discovered (and used) them.

It is important to recognize all such products in a desire for fairness and sharing information. Because this list includes many more titles, I will not mention individual features of these titles, only a brief mention of the product’s most notable features.

This is where you can really contribute…

I’ll rely on you to describe your favorite features and benefits of your favorite titles. Let’s make this a very collaborative group effort BUT with one important request: please be brief and succinct with your comments. Limit your comments to one or two of the features that make your favorite app stand out from all others. That way, we learn from each other without monopolizing the mutual pulpit.

Image: Skylum Luminar 3

Skylum Luminar 3

List of photography post-processing software

ACDSee Photo Studio

Publisher: ACDSee Systems International

Website: https://www.acdsee.com/en/index/

Trial: Free/30 days

Price: $ 60 Mac/Win/Mobile

Afterlight 2

Publisher: Afterlight Collective

Android Website: https://play.google.com/store/apps/details?id=com.fueled.afterlight&hl=en_US

Apple Website: https://apps.apple.com/app/id1293122457 

Trial: Free/30 days

Price: $ 60 Mac/Win/Mobile

Affinity Photo

Publisher: Serif

Website: www.affinity.serif.com

Trial: Free/30 days

Price: $ 50 Mac/Win/iPad

Capture One

Publisher: Phase One

Website: https://www.phaseone.com/en/

Trial: Free/30 days

Price: $ 299 or $ 20/month Mac/Win

Darktable

Website: www.darktable.org

Price: Free

Exposure X4.5

Publisher: Alien Skin

Website: https://www.alienskin.com

Trial: Free/30 days

Price: $ 119 Mac/Win Computer

Fotor

Publisher: Fotor

Android Website: https://play.google.com/store/apps/details?id=com.everimaging.photoeffectstudio&hl=en_US

Apple Website: https://apps.apple.com/app/id440159265?referrer=click%3D8cd7ac09-77a3-42f6-9005-ed622bd3e17f

Price: Free

Gimp

Publisher: Gimp

Website: https://www.gimp.org

Price: Free Mac/Win Computers

Google Photos

Publisher: Google

Website: https://www.google.com/photos

Price: Free online

Lightroom CC and Lightroom Classic

Publisher: Adobe Systems

Website: https://www.adobe.com/creativecloud/photography.html

Trial: Free/30 days

Price: $ 10/mo Mac/Win

Your Comprehensive Guide to Photography Post-Processing Software

Adobe Lightroom Tablet/Computer/Mobile

Online Photo Editor

Publisher: PicMonkey

Website: https://www.picmonkey.com/

Trial: Free/7 days

Price: Starts at $ 7.99/month

Photo RAW

Publisher: ON1

Website: https://www.on1.com/products

Trial: Free/30 days

Price: $ 80

PhotoLab 2

Publisher: DxO

Website: https://shop.dxo.com

Trial: Free/30 days

Price: $ 129 Mac/Win Mobile/Computer

Paint Shop Pro X9

Publisher: Corel

Website: https://www.paintshoppro.com/en/

Trial: Free/30 days

Price: $ 80 Mac/Win

Anthropics Portrait Pro 2 post-processing software

Anthropics Portrait Pro 2

Photoshop/Camera RAW

Publisher: Adobe Systems

Website: https://www.adobe.com/creativecloud/photography.html

Trial: Free/30 days

Price: $ 10/mo Mac/Win

Photoshop Elements

Publisher: Adobe Systems

Website: https://www.adobe.com/creativecloud/photography.html

Trial: Free/30 days

Price: $ 59.99 Mac/Win

Photoshop Express

Publisher: Adobe Systems

Android Website: https://play.google.com/store/apps/details?id=com.adobe.psmobile&hl=en

Apple Website: https://apps.apple.com/us/app/photoshop-express-photo-editor/id331975235?mt=8&ign-mpt=uo%3D4

Price: Free

PhotoPad

Publisher: NCH Software

Website: https://www.nchsoftware.com

Trial: Free/30 days

Price: $ 40

PicsArt

Publisher: PicsArt

Android Website: https://play.google.com/store/apps/details?id=com.picsart.studio

Apple Website: https://apps.apple.com/us/app/picsart-photo-studio/id587366035

Price: Free

Pixlr Editor

Publisher: Pixlr

Android Website: https://play.google.com/store/apps/details?id=com.pixlr.express&hl=en_US

Apple Website: https://apps.apple.com/us/app/pixlr-photo-collages-effect/id526783584

Price: Free online

Pixlr Mobile Android/IOS post-processing software

Pixlr Mobile Android/IOS

PortraitPro 18

Publisher: Anthropics

Website: https://www.anthropics.com

Trial: Free/30 days

Price: $ 45 Mac/Win

RAW Therapee

Publisher: Softpedia

Website: https://www.softpedia.com

Price: Free (but only offered on Windows)

Skylum Luminar 3

Publisher: Skylum

Website: https://skylum.com/luminar

Trial: Free/30 days

Price: $ 70 Mac/Win Computer

Smart Photo Editor

Publisher: Anthropics

Website: https://www.anthropics.com/smartphotoeditor/product/

Trial: Free/30 days

Price: $ 30 Wind/Mac

Snapseed

Publisher: Google

Android Website: https://play.google.com/store/apps/details?id=com.niksoftware.snapseed&hl=en_US

Apple Website: https://apps.apple.com/us/app/snapseed/id439438619

Price: Free

Sumo Paint

Publisher: Sumo

Website: https://www.sumopaint.com

Trial: Free/30 days

Price: Free version, but Sumo Pro is $ 4/month

Topaz Studio 2

Publisher: Topaz Labs

Website: topazlabs.com

Trial: Free/30 days

Price: $ 100 Mac/Win

Your Comprehensive Guide to Photography Post-Processing Software

Anthropics Smart Photo Editor

Conclusion

Some titles didn’t make this list’s cut simply because they are only marginally useful. Needless to say, in today’s market, there is an innumerable slew of entertainment-level phone/tablet-based image “editing” apps also available. There are way too many even to mention, let alone keep current information on.

Many of these apps are made for the amusement of the younger social media crowd who appreciate more unicorns and stickers than serious editing power. Not to sound judgmental, there is an app for everything and everyone, but this listing is “focused” on actual photo editing capabilities more than the social media aspect.

 

photography-post-processing-software

The post Your Comprehensive Guide to Photography Post-Processing Software appeared first on Digital Photography School. It was authored by Herb Paynter.


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Alien Skin Software is changing its name to Exposure Software

31 Aug

Plug-in and stand-alone imaging application manufacturer Alien Skin Software has announces it’s changing its name to Exposure Software. The company, which started life in 1993 and is well known for its Eye Candy and Exposure Photoshop plug-ins, will switch its name to align itself more closely with its flagship Exposure X package. It says that with the release of Exposure X5 the transition will be complete.

Writing on the company blog CEO Finley Lee says the Exposure X5 plug-in ‘will be a big stride forward in creativity and efficiency.’ The new company name expresses our complete focus on serving creative photographers.’ The current version of the plug-in is Exposure X4.5, which retails from $ 119. For more information see the Exposure Software website.

Articles: Digital Photography Review (dpreview.com)

 
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Alien Skin Software changes its name to Exposure Software

30 Aug

Plug-in and stand-alone imaging application manufacturer Alien Skin Software has announces it’s changing its name to Exposure Software. The company, which started life in 1993 and is well known for its Eye Candy and Exposure Photoshop plug-ins, will switch its name to align itself more closely with its flagship Exposure X package. It says that with the release of Exposure X5 the transition will be complete.

Writing on the company blog CEO Finley Lee says the Exposure X5 plug-in ‘will be a big stride forward in creativity and efficiency.’ The new company name expresses our complete focus on serving creative photographers.’ The current version of the plug-in is Exposure X4.5, which retails from $ 119. For more information see the Exposure Software website.

CEO’s blog post

I’m pleased to announce that we are changing our company name to Exposure Software! We made Exposure in 2006 to help photographers develop beautiful images. Our upcoming release of Exposure X5 will be a big stride forward in creativity and efficiency. The new company name expresses our complete focus on serving creative photographers.

You’ll see some changes immediately. Our website has a new logo and url – https://exposure.software. We’ll be updating our social media channels with our new name over the next few weeks. When Exposure X5 is released this fall, the transition will be complete.

One thing that won’t change is our commitment to amazing service. We’ll continue to offer the best customer support in the software industry, and to deliver tools that are fun, reliable, and inspire creativity!

I’d like to offer a special thanks to everyone who has used our products over the years. We couldn’t have done it without you, and we hope to keep serving you for many years to come.

Finley Lee

Articles: Digital Photography Review (dpreview.com)

 
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A Brief introduction to GIMP Software

19 Jul

The post A Brief introduction to GIMP Software appeared first on Digital Photography School. It was authored by Ana Mireles.

Whether you are looking for a free program to start learning photo editing or you want a lighter alternative to Photoshop, GIMP may be the software for you. You can create graphics, text, and manipulate photos, but first, you need to understand how it works. Keep reading for a brief introduction to GIMP software and how to use it.

Introduction to GIMP

What is GIMP?

GIMP is a completely free image editor. You can even use it for commercial purposes without having to pay. It is also open-source, which means that a lot of third-party developers have created free plug-ins for use with GIMP. Furthermore, if you know how to code, you can also modify it as you see fit. Finally, it is also available for many different operating systems. You can download GIMP from its site, and it will suggest the one for you.

Introduction to GIMP Software Download

It’s even possible to take it with you for other devices. You can find an instruction manual in the article How to Install GIMP on a Portable Device. In any case, on the main page of GIMP’s website, you’ll see a very enticing description, beautifully illustrated and promising high-quality image manipulation, original artwork creation, and graphic design elements.

Introduction to GIMP. What can you do with it

It all sounds fantastic, right? But when you open the program, you may not know where to start. Well, let’s break it down for you to easily understand.

Multiple windows or just one?

Most programs open in one window that you can enlarge or squeeze, minimize or close, all in one go. Instead, GIMP, by default, opens in three windows. This is a bit puzzling, and I found it very off-putting the first time I used it.

Introduction to GIMP. Multiple Windows View

The good news is that from version 2.8 of GIMP, you can change into a one-window view. I’ll tell you how to switch in just a moment.

First, I want to tell you what makes the multiple window choice worth trying. As each image opens as a new window, you can work with two or more images side by side. Even better, the same image can open in two windows so you can work on it as a side-by-side comparison.

Introduction to GIMP. Side by side comparison using multiple windows.

Another perk of having separate windows is that you can gain more image space on your screen. You can individually minimize any window containing tools or labels that you’re not using. Now, if you’re not convinced with it, you can switch to the single-window mode by going to Menu -> Window -> Single-Window Mode. Whichever choice you make, it saves as a default for the next time you open GIMP.

Introduction to GIMP. How to change to single window view.

What’s What?

Now that you have set up your workspace, it’s time to learn what each window contains. In the center, you’ll have the image window. Here you can see the image or canvas you’re working on. If you are on multiple windows, each image opens separately (as shown before), and if you are on the single-window mode, they open as tabs.

Introduction to GIMP. Open images as tabs

On the left side, you’ll have a window that holds your toolbox. In there, you can have a shortcut button for the tools you use most often. It comes with a default setup that you can personalize. To do it, go to GIMP -> Preferences -> Toolbox and choose the tools you want to add or delete from there.

Introduction to GIMP. Set toolbox preferences

Underneath you have the options available for each tool. Therefore, it’s not static content; it changes every time you select a different tool. You can drag and drop this dock to a different position if you prefer, however, I keep it on the right.

Introduction to GIMP. Toolbox option panel

On the right side, you have a window that holds a series of tabs like History or Layers. This window behaves like a dock. If you want to open a tab that is not showing, you have to go to the menu Windows -> Dockable Dialogs, and chose it from the drop-down menu. It will automatically dock the tab. Then click on the arrow button on the right to open the settings and manage it from there.

Introduction to GIMP. Manage the dockable panels

If you are working with multiple-windows mode, you can still reach these tabs on the menu Windows -> Dockable Dialogs. In this case, you’ll find that some open as tabs and some open as separate windows that you can drag, minimize, or close individually.

Save or export?

Whether you did a small modification or an original artwork, you need to save it. If you go to the menu File -> Save as you would normally do, you can only use the GIMP extension .xcf.

Introduction to GIMP. Save files

If you want to use a universal format like .jpg or .tiff or even change it into Photoshop’s .psd, you have to go to the menu File -> Export. From there, you have a huge variety of file formats to choose from. If you aren’t sure about which one is best, check this article for Understanding all the Different Image File Formats.

Introduction to GIMP. Export to save in different formats

I hope you found this article helpful overview to understand GIMP software and give it a try. If you are still not convinced with it, there are other free programs out there. For more information check out this article with Tips on choosing a Free Photo Editor for Post-Processing.

Have you used GIMP software? What are your thoughts? What are some other free post-processing software applications that you use? Please share with us in the comments section.

 

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The post A Brief introduction to GIMP Software appeared first on Digital Photography School. It was authored by Ana Mireles.


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Alien Skin Exposure X4 software review

24 Jun

Alien Skin Exposure X4
$ 119 | alienskin.com/exposure

A screenshot of Exposure X4.

When I reviewed Alien Skin Exposure X3, I noted several features that make it unique among other photo editing and organizing applications, such as its extensive library of professional presets, a quad-layout interface option for reviewing multiple similar shots at once, and a novel way of storing nondestructive edits on disk.

The changes in this release address some prior rough edges, add features and refine the experience of processing your photos

Although the new Exposure X4 version 4.5 feels more evolutionary than its version number would suggest, that’s not a criticism. The changes in this release address some prior rough edges, add features that are now expected for this class of software, and in general refine the experience of processing your photos without feeling like the software is getting in the way.

Performance and Fixes

In Exposure X3, I was surprised by laggy performance when editing photos, specifically working with the Raw files from my FujiFilm X-T1 and its 16.3MP X-Trans sensor. Using the brush to paint adjustments was like watching a movie with dialogue out of sync: I’d paint an area, wait for the software to apply the effect, paint another area, wait, and so on. The problem wasn’t as pronounced with Canon or Nikon Raw files, though it did show up to a lesser degree on large Sony Raw files.

The improvement between that experience and Exposure X4 is noticeable: the lag is gone

The improvement between that experience and Exposure X4 is noticeable, even with larger Raw files from today’s cameras, including the 26MP FujiFilm X-T3. I’m using the same computer (a 2016 MacBook Pro with 16GB of RAM and the Radeon Pro 460 graphics processor with 4GB memory), and, happily, the lag is gone.

There’s still a pause when opening Raw files or switching zoom levels, as Exposure X4 loads the image data, but even that seems improved with this version. I see the once-ubiquitous “Rendering” badge less often now.

The Shadows control, which was oddly heavy-handed in the previous release, now behaves as you would expect, manipulating just the tones in shadow areas instead of lightening or darkening the entire image.

Unedited (aside from simple Black & White conversation) version at left; shadows adjustment at right.

New Organizing Features

When importing photos from a memory card or camera, Exposure X4 now includes image thumbnails so you can choose which photos to copy – a seemingly essential feature that was missing in previous versions. That fills out the Copy Photos from Card dialog, which also allows you to select multiple cards or directories at the same time, make backups to a separate location during import, and assign metadata to the images.

Preview and select which photos to import.

The new Smart Collections feature displays photos based on criteria you set, such as revealing all photos captured with a 50mm lens rated three stars or higher. As you add photos to your library that match those specifications, they’re automatically added to the smart collection.

The feature does have one limitation I’d like to see fixed. When defining capture time as a criterion, you can enter only specific dates. So, for example, you can define a smart collection that shows all flagged photos captured between May 1 and May 31, but you cannot specify a less-specific range such as “the last 30 days” or “one year ago today.”

The only flaw in smart collections is that date ranges must be defined as specific dates, not general ranges such as “the previous month.”

Exposure X4 populates its library by reading folders on disk, as opposed to some applications that move images to a central library, which means it’s always on the lookout for file changes. (Lightroom, by contrast, requires any file management be done within the app, or else it loses track of where photos are stored.) Exposure X4 is quick about updating folders when new images are added to them.

Exposure X4 populates its library by reading folders on disk, as opposed to some applications that move images to a central library

That’s the basis for a new Monitor feature for tethering purposes. Although Exposure X4 doesn’t include a direct camera tethering option, if you have software running that can shuttle image files directly from the camera to a folder on disk, the response is fast enough that photos appear in the library almost instantly. When you instruct the application to monitor a folder, it adds the ability to assign metadata and rename files as they’re ingested.

Monitoring a folder lets you assign metadata and rename files as they arrive via a tethered connection.

I also discovered, by accident, that Exposure X4 does a good job of keeping edits and metadata together with original files if the images are moved on disk. To recap the program’s method of handling this information: edits and metadata are stored in special sidecar files, nested in folders in the same directory as the photos. When I moved some images to a different folder in the Finder on my Mac, Exposure X4 automatically moved the associated sidecar files to the new location.

New Editing Features

The editing improvements bring Exposure X4 in line with modern photo editors. You can apply color lookup tables (LUTs) to affect how colors are translated and to apply distinct looks. The advantage of a LUT, compared to a preset, is that LUTs don’t affect any other editing controls; once a LUT is applied, you can then build adjustments on top. The application includes nearly a dozen sample LUTs, with the ability to import more.

Get different looks by applying LUTs.

Exposure X4’s Overlays panel now includes light effects to superimpose colors, simulated light leaks, sun rays, and others. Now some of those effects can be freely moved, scaled, and rotated. With controls for zoom, opacity, and blend mode, you can make an effect as dramatic or as subtle as you wish.

This is a before/after view of applying an editable light effect.

There’s also a Transform panel that includes controls for stretching, scaling, and rotating the image.

If you still have years of Adobe muscle memory, you’ll quickly realize that Exposure X4 doesn’t share any keyboard shortcuts: pressing G reduces highlights by –5 instead of switching to the Grid view, for example. But now you can remap every shortcut in the preferences if you want to, or just see which keys perform which actions.

The editing improvements bring Exposure X4 in line with modern photo editor

Speaking of Adobe, Alien Skin added a Lightroom migration tool to Exposure X4, but be aware that Lightroom’s adjustments don’t carry over as editable settings. Instead, there’s an option to save edited photos as new files, which you can use as reference if you need to re-edit the original in Exposure. Still, metadata, color labels, and ratings all transfer. That’s not an ideal situation, but one can safely assume that the bulk of your editing going forward will be on new images, not ones in the library.

Odds and Ends

Review similar shots in quad-layout mode.

Some of my favorite features aren’t new, such as the ability for collaborators to edit the same image by storing it (and its associated sidecar file) on a shared local volume or cloud drive, as long as only one person is editing at a time to prevent conflicts. Also helpful are export presets for generating photos formatted for social networks; Exposure X4 now also includes print presets.

One item on my feature wishlist remains unchanged: Raw+JPEG pairs are still treated as separate images. I’ve softened my stance on this over time, as there are situations when you may specifically want a JPEG adjusted in-camera (such as shooting in a black and white simulation) while keeping the original Raw file. However, I’d still like to see options for handling Raw+JPEG pairs get a bit smarter, such as having an option to import only raw files, or to view them as a single shot with the ability to choose which version you wish to edit.

You can remap every shortcut in the preferences if you still have years of Adobe muscle memory

I also ran into a weird problem that ate up several hours of diagnosis. Sometimes, the Folders panel—and therefore, my library—would not appear when I launched Exposure X4. It turns out to be part of a feature, but one which looks like a bug. When the application is opened as a plug-in from within another program, such as Lightroom Classic, the Folders panel and the Crop tool are disabled, because the expectation is that you’re only editing. Opening Exposure from a third-party launch utility, in my case LaunchBar, makes the application think it’s being opened as a plug-in. This situation isn’t triggered when opening Exposure X4 using the macOS Spotlight shortcut (Command-space).

Conclusion

Exposure X4 is a solid update that shores up some areas that needed attention and builds on a photo editor that already stands apart in interesting ways. And most important, Alien Skin improved the performance in areas that make a difference.

Exposure X4 is available as a single purchase, not a subscription

I can’t wrap up this review without noting that Exposure X4 is available as a single purchase, not a subscription, which I think is still a motivating factor among many photographers. It costs $ 119 for Exposure X4 itself, or is available as a bundle for $ 149 that includes a couple of other Alien Skin utilities. Upgrade pricing for earlier versions of Exposure is also available, and you can try the software for free during a 30-day trial. It runs on Mac OS X Yosemite or newer and Windows 7 64-bit or newer.

What we like:

  • Improved performance, specifically with Raw files
  • Review photo thumbnails during import from memory cards
  • Import from multiple cards simultaneously
  • Improved shadow and highlight recovery
  • Smart collections
  • Monitored folders improve tethering options
  • LUT support

What we don’t:

  • Raw+JPEG pairs still treated as separate images
  • App confusion when opening it from a launcher utility

Who’s it for:

Photographers who want sophisticated editing and organization without a subscription or a central-library structure.

Articles: Digital Photography Review (dpreview.com)

 
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We’re hiring! DPReview is looking for a Software Development Engineer and Senior Product Manager

13 Jun

We’re looking to add a Software Development Engineer and a Senior Product Manager to our team! Each role is uniquely positioned to help shape the future of the site. The Senior Product Manager will own DPReview’s product roadmap, working closely with our engineering and editorial teams. The Software Development Engineer will help build the next generation of web and mobile experiences for DPReview, shaping products from concept to delivery.

If you’re passionate about photography and ready to help build the future of DPReview, take a look at the full job descriptions linked below and learn how to apply.

Apply now: Senior Product Manager

Apply now: Software Development Engineer

Articles: Digital Photography Review (dpreview.com)

 
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X-Rite’s ColorChecker Camera Calibration software gets DNG support, more in 2.0 update

26 May

X-Rite has released an update for its ColorChecker Passport software that adds a few new features to help get the most accurate colors possible in your photography workflow.

ColorChecker Camera Calibration software version 2.0 (updated from version 1.2.0) has added support for X-Rite’s Digital ColorChecker SG target and now offers the ability to produce camera profiles for both the DNG and ICC color management workflows.

The software update is available for macOS and Windows computer systems and is available to download from X-Rite’s support page.

Articles: Digital Photography Review (dpreview.com)

 
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