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Posts Tagged ‘Slide’

CineStill’s new developer kits make it easier than ever to creatively control slide film development

20 May

CineStill has introduced a new 3-bath processing system for slide film users that allows photographers a choice of three color and contrast profiles for the same type of film. Users can opt for a straight development to bring out the default characteristics of the film, or choose a tungsten balanced look or one with a warm tone and lower contrast. The Cs6 Creative Slide 3-Bath processing system allows photographers to get three quite different looks from the same emulsion by using a different developing solution.

The developers are part of a new 3-bath system that comprises a first developer that determines the color and contrast profile of the end result, followed by a combined the second developer and reversal process, and then a third bath that contains the bleach and the fix. CineStill claims the chemicals are easy to use and that temperature control is not as critical as in normal E6 processes, so successful home processing is much more achievable.

The three choices for the first developer are D6 DaylightChrome, D9 DynamicChrome and T6 TungstenChrome. The DaylightChrome developer is said to produce a neutral result with slightly enhanced color saturation and a usable dynamic range of 6 stops.

DynamicChrome produces a warm tone with enhanced contrast and color saturation but at the same time preserves highlight and shadow detail to offer a useable DR of 9 stops and extended exposure latitude. The TungstenChrome developer shifts the film’s color to correct for the use of warm tungsten lights saving the bother and light-lose of using a color-correction filter over the lens.

Photo by Sandy Phimester on Kodak E100 processed with CineStill Cs6 DynamicChrome

The one-liter kits contain enough chemistry to process 16 rolls or 100ft of film and are priced from $ 39 including all three baths, while the individual developers are available from $ 12.99. The chemicals are available now from the CineStill website, and from retailers in the USA and Europe from the summer.

Press release

Introducing: Cs6 “Creative Slide” 3-Bath process for color-timing E-6 reversal film at home

Chrome unlocked!

Want to shoot slide film? Want it to be quick and easy to process? Want to still have creative control over how your images look? Introducing the CineStill Cs6 “Creative Slide” 3-Bath Process for simple creative control of your E-6 film.

The reversal process is the purest of analog processes and it’s now more creative and accessible than ever! The colors of slide film are unrivaled and now you can color-time and control dynamic range with alternative 1st developers. For the first time ever, you can change the color profile of your slides. With limited slide film options available today, CineStill is tripling the choices available for slide film, and demystifying slide processing with only 3 baths to appreciate a beautiful photograph. Your slides should be superior to color-corrected negative scans, without sacrificing creative control.

For the past several years CineStill has been developing ways to bridge the gap between mail-order photo labs and instant photography. Whether it be a Monobath for B&W film, a simplified 2-Bath process for color negatives, a Temperature Control System for mixing and heating chemicals, or various partnerships to make daylight processing accessible… There’s no longer a need for a darkroom, professional lab or high-tech equipment to create analog photographs. You can now create beautiful color transparencies at home through one simple process.

With the Cs6 “Creative Slide” 3-Bath Process comes 5 new products

1. D6 “DaylightChrome” Neutral-tone 5500K 1st Developer
Renders approximately 6+ stops of usable dynamic-range* with bright whites and moderately enhanced color saturation, just like conventional E-6 processing. Daylight-balanced for conventional slides in daylight or with electronic flash. Single-use 1+1 dilution develops 8-16 rolls or 100ft of slide Film.
Kodak E100 DaylightChrome

2. D9 “DynamicChrome” Warm-tone 1st Developer
Renders approximately 9+ stops of usable dynamic-range*, while maintaining vibrant color-contrast and rich warm tones with preserved highlight and shadow detail (optimized for scanning) for a more cinematic look. Extended exposure latitude increases the usable dynamic-range* of slide film from 6 to 9+ stops! Conventional E-6 processing renders approximately 6 stops of usable dynamic-range*. Perfect for high contrast lighting or backlit subjects in daylight, shade or with electronic flash. Single-use 1+1 dilution develops 8-16 rolls or 100ft of slide Film.

3. T6 “TungstenChrome” Cool-tone 3200K 1st Developer
Renders approximately 6+ stops of usable dynamic-range* with cleaner whites, and moderately enhanced color saturation. Shoot in artificial light without sacrificing 2 stops of exposure to color filtering! Kodak’s published technical data sheet recommends exposing E100 at EI 25 with an 80A Filter in Tungsten (3200 K) light. Now you can expose at box speed in low-light or even push to EI 200 or 400, and color-time your slides in processing. With conventional E-6 processing this would require color filtration and a 2-4 stop exposure compensation. Single-use 1+1 dilution develops 8-16 rolls or 100ft of Ektachrome®.

4. Cr6 “Color&Reversal” 2-in-1 Slide Solution
Combines the reversal step with color development. 6min minimum process time for completion with flexible temperature range of 80-104°f (27-40°C)**. Reusable solution reverses 16+ rolls of developed slide film.

5. Bf6 “Bleaches&Fixer” 3-in-1 Slide Solution
Combines the bleach and conditioner steps with the fixing step. 6min minimum process time for completion with flexible temperature range of 75 -104°f (23-40°C)**. Reusable solution clears 24+ rolls of reversal Film.

* ”Usable dynamic-range” is the amount of full stops of exposure value that renders acceptable detail and color. “Total dynamic-range” however, is the maximum range containing tonal separation rendering any detail, and is often twice the usable-dynamic range. The usable dynamic-range of conventional slide film is between 6-8 stops (total 14-16 stops). Color negative is between 9-13 stops (total 16-21 stops). Digital sensors are mostly between 7-10 stops (total 12-15 stops).

** Maintaining temperature is not essential beyond pouring in a 1st developer. When a temperature control bath is not available, simply preheat the 1st Developer +2ºF warmer, and the other baths will automatically process-to-completion as they cool down. Only the 1st developer is time and temperature critical because it controls contrast and color.

Cs6 “Creative Slide” 3-Bath Kits for Reversal and E-6 Film

CineStill Cs6 3-Bath Kits will be available from $ 39. The 1000ml/Quart Kits can process 16+ Rolls or 100ft of Slide Film and the 3-2-1 Chemical Reuse Kits processes 32+ Rolls of film.
Included In Cs6 3-Bath Kits:

  • D9 “DynamicChrome”, D6 “DaylightChrome”, or T6 “TungstenChrome” 1st Developer
  • Cr6 “Color&Reversal” 2-in-1 Slide Solution
  • Bf6 “Bleaches&Fixer” 3-in-1 Slide Solution

The CineStill Cs6 3-Bath Kits and separate components are available for purchase now at CineStillFilm.com, and throughout the U.S. and E.U. markets later this summer.

Articles: Digital Photography Review (dpreview.com)

 
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Moar Megapixels! Pixel peeping a 709MP drum scan of 8×10 slide film

17 Mar

Large format wilderness photographer Ben Horne recently embarked on a little experiment with some help from his friend, Michael Strickland. Horne shoots large format 8×10 slide film, and Strickland has a drum scanner that can scan that film at insanely high resolution. How high? Using a little bit of trickery, Strickland was able to provide Horne with a 709.6-megapixel file to pixel peep in this video.

Take that, 100MP medium format sensors!

To give you an idea of just how high resolution this file is, printed at 300ppi, the resulting print would measure 79.3 x 99.4 inches. As we mentioned, this took a bit of ‘trickery’—namely: Strickland actually had to drum scan the print twice. He first scanned the top half, then the bottom half, and then merged the two scans together in post.

In the video, Horne zooms in to 100% and makes his way around the file. He explains how he shot the image, what sacrifices he had to make regarding sharpness in the closest foreground and furthest background, and shows off just how sharp this thing is in the parts of the image he’s most concerned with.

Check out the full explanation for yourself up top, and then head over to Horne’s YouTube channel for more videos like this one.

Articles: Digital Photography Review (dpreview.com)

 
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Peak Design unveils redesigned ‘Greatest Hits’: All new Clip, Slide and Slide Lite

07 Nov

Peak Design—the makers of top rated and much loved camera accessories that have raised nearly $ 15 million on Kickstarter since their first got into crowdfunding—have just launched a special ‘greatest hits’ 5-day Kickstarter campaign to fund their latest products: a totally redesigned Capture Camera Clip and revamped Slide and Slide Lite camera straps.

The campaign launched this morning, and already Peak Design is racing towards its funding goal at record speed—which was, after all, the point.

“We wanted to bring these redesigned products back to Kickstarter because our backer community brought them to life in the first place,” says Adam Saraceno, Peak Design’s Marketing Director. “We also wanted to get gear into folks’ hands before the end of the year. These are busy times so we opted to keep our Kickstarter short and sweet.”

Here’s the company’s Kickstarter video, to give you an overview of the new products:

Capture Camera Clip

First up, the one that started it all: The Peak Design Capture Camera Clip. The first product Peak Design launched on Kickstarter, the Capture clip is a staple in many a photographers’ camera bag (or rather ON their camera bag), but the original design needed some love.

Enter former Apple design engineer Max Maloney, who took some time to show us the improvements they’ve made on the Clip at PhotoPlus this year.

The clip has been totally redesigned to be smaller, sleeker, and more functional all at the same time. It now features an all aluminum built (no plastic parts in sight), a lighter and smaller build that should still fit on almost any belt or backpack strap out there, an embeddable grip on the backplate so you don’t have to tighten the thing so much for it to stay in place, and a much sleeker profile that’s less likely to snag on clothing or gear.

Here’s a closer look at the new Clip, including a side-by-side with the old version:

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The new Capture v3 will cost you a $ 55 pledge (MSRP $ 70). Find out more on Kickstarter.

Slide and Slide Lite

The Capture v3 is probably the most exciting ‘Greatest Hits’ release, but for those of you who love Peak Design’s camera straps, the Slide and Slide Lite revamp is definitely worth looking into.

The Slide (meant for DSLRs) and Slide Lite (meant for mirrorless cameras) are some of Peak Design’s most popular camera straps, and now they’ve been upgraded with updated dual adjusters that keep a lower profile, a new anchor mount for ‘low-profile connection point to bottom of camera’, smooth and durable nylon webbing for easier adjustment, and updated anchor connectors for easier one-handed use.

Here’s a closer look:

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The Slide and Slide Lite will MSRP for $ 65 and $ 50, respectively, when they hit store shelves, but if you contribute to the Greatest Hits Kickstarter you’ll be able to get them for $ 50 and $ 35. Click here to learn more.


To see check out either of the new products for yourself or contribute to the campaign—which has already raised nearly $ 50,000 in funding in just a couple of hours!—click here. Estimated delivery for all of the new products is December of 2017.

Articles: Digital Photography Review (dpreview.com)

 
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Analog revival rolls on: Rollei Vario Chrome slide film coming soon

28 Jun

Dear film photographers! Rollei Vario Chrome 135-36 is a medium to high-speed color reversal film that is intended for photography under low-level daylight illumination or under other light sources using proper filtration. Rollei Vario Chrome has a medium degree of sharpness, its image results are characterized by a slightly visible grain and a warmish image tone. As the name of the film suggests it has a broad exposure latitude from 200 to 400 ISO (DX coded at 320 ISO). If you intend to project the slides we suggest to shoot the film at 200 ISO whereas 320-400 ISO is preferable for scanning applications. Pre-sale will start next week on Monday July 3rd. We expect the supplies to arrive in week 28 so that we’ll be able to start shipping between July 10th and 14th. We hope you’ll like the film as much as we do and thank you all for the support.

A post shared by macodirect (@macodirect) on

Well this is some unexpected, but exciting news: German photography shop and producer of Rollei-branded film, Maco Direct, has announced Rollei Vario Chrome 135-36. It’s an ISO 320 color reversal film stock with medium sharpness and a warm tone, which sounds perfect for grey Seattle days.

That brings the count to four new, reformulated or resurrected film stocks that will become available this year. The others include: Kodak Ektachrome, Ferrania P30 b/w film, and a reformulation of LomoChrome Purple 400 film. Not to mention Lomography also announced three new single-use cameras and German film maker ADOX announced it will doubled the size of its film plant. All this means more options for analog diehards.

You can pre-order a roll (or more) of Rollei Vario Chrome come July 3rd, and orders will begin shipping as soon as the middle of the month. Of course, it makes some sense to wait and see what images from this new film look like, unless you’re the gambling type. In that case, please share your results as soon as possible.

Has this Rollei news whet your appetite for film? Here are 10 excellent, affordable film cameras that are easy to track down and get started with.

Articles: Digital Photography Review (dpreview.com)

 
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Accessory Review: Peak Design Slide Camera Sling strap

01 May

Peak Design Slide Camera Sling
$ 59/£45 | www.peakdesign.com | Buy Now

I admit, I’m generally not much of a camera strap user. Oh sure, I have a few straps, but they tend to be utilitarian affairs more there for emergencies or #dadlife convenience (‘What do you mean your feet hurt and I have to carry you the rest of the way through the zoo?’). Even when I was in the thick of my years as a working pro, I tended to work out of a bag far more often than I worked off my shoulder.

That said, shoulder straps have a lot going for them. They protect your camera from accidental drops, allow you to use both hands without putting your camera away, provide a way to keep multiple bodies at hand and the ease of access they offer cuts down on shots missed because you were digging your camera out of a bag or pack. So when I was asked to take a look at the Slide sling strap from Peak Design, I figured it was time to give straps another try.

Specifications

  • Maximum Length: 145cm/57in
  • Minimum Length: 99cm/39in<
  • Weight: 171g/6oz
  • Width: 45mm/1.8in
  • Strength Rating: 200lb (This is the rating for the Dyneema-corded Anchor Link anchors. The 45mm seat belt webbing could probably lift up your car.)

It is worth noting that Peak Design also offers a narrower version of the Slide, the SlideLITE, for mirrorless systems and other smaller cameras. Specs are virtually the same save for the width being 32mm/1.25in and the weight being cut to 141g/5oz. The reduction in weight is likely due to the narrower width and the fact that the SlideLITE is unpadded.

In Use

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Attaching the Slide took less time than any strap I have ever installed. The Anchor Link connector design is clever and quick. So much so, even when I wasn’t using the strap, I left the Anchor Link anchors installed on my camera. Sure, they look a little silly and flap around like little ears, but they don’t get in the way and allow me to install the strap again in seconds. With four anchors included, it would be easy to move the Slide between bodies. The anchors loop around your camera body’s strap eyelets and then click the anchor into the connector at the end of the Slide strap. To remove, you press down on the anchor and slide it back out again. You could easily do it in the dark and yet there is virtually no chance of it happening accidentally. 

There are two different options to connect the Slide to your camera. The first is the traditional connection to your body’s strap eyelets, suitable for the classic ‘neck strap’ style with the camera hanging down in front of you. The second makes use of the included Arca-Swiss compatible tripod plate.

The plate has small cutouts in each corner that allow attachment of an anchor. When connected to a strap eyelet and the plate, the camera hangs more naturally at your side when worn across your shoulder/chest as a sling. There are other products on the market that allow you to attach a strap to your camera’s tripod mount, but virtually all of them must be removed if you wish to use a tripod. Integrating an Arca-Swiss compatible plate into its design means that users of the Slide can easily tripod mount their camera without making any changes to the strap setup. 

The Slide is surprisingly comfortable. The wide soft seatbelt material combined with the internal padding makes carrying even heavy DLSRs manageable. It has been a long while since I’ve had a ‘padded’ camera strap. I have either found them exceedingly bulky or made out neoprene that allowed the camera to ‘bounce’ on my shoulder more than I liked. The Slide’s padding is only 1/4 of an inch thick or so, but it has enough firmness to it that it can support and distribute the weight of the camera. One side of the padded section is smooth and the other has rubberized ‘gripper’ lines added, allowing you to choose between the two options.

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The one drawback to the Slide’s padding is that it is somewhat stiff and doesn’t fold up particularly well. This isn’t noticeable on your shoulder, but can be a little awkward when putting your camera into a bag. I suspect that the padding will soften up with age and be more flexible, but I wonder if that will take away any of the cushioning abilities. Only time will tell I suppose.

Length adjustment is quick and easy, even one-handed. You just pull up on the quick adjust handle to release the strap and slide up or down to the desired length. It’s really handy to be able to lengthen the strap for when you are actively shooting and to tighten it back up again when you’ve got some hiking to do. This does, however, bring me to the most glaring problem with the Slide.

While the metal adjustment handles are nice looking and give a sense of quality to the strap, they are also a significant hazard to equipment for those of us who put our cameras in bags. I was constantly afraid that the handle was going to scratch a body or LCD or worse, chip a lens that had somehow been put away without a cap on. As far as I’m concerned, there is no way that the Slide should have used metal in this design. The added weight was unneeded and the danger to camera gear too great. I would love to see this exact design, but with plastic adjustment handles. 

What’s the Bottom Line?

The Peak Design Slide Sling Strap is a well-made, innovative camera strap with a premium price tag. Its construction and materials show quality. The namesake ‘slide’ feature works exceedingly well, the minimal padding and wide strap width tames even heavy DSLR/lens combos and the Anchor Link connectors are a clever and quick way to install and remove a strap.

However, for all the good points about the Slide, the fear that the aluminum quick adjustment handles will scratch or chip expensive equipment is a significant drawback. This is particularly true for those of us who tend to work out of a bag more often than we carry a camera around our shoulder or neck. If you are in that boat and want a strap that still offers many (though not all) of the Slide’s features, it might be worth checking out the Peak Leash strap. 

What we like:

  • Ease of length adjustment, even one handed
  • Innovative hidden non-bulky padding
  • Wide enough to be comfortable
  • Easily installed/removable, can use on multiple cameras
  • Versatile attachment system
  • Material is soft and flexible
  • Arca-Swiss style tripod plate attachment 

What we don’t like:

  • Stiffness of padding makes it difficult to put in bag
  • Metal adjustment buckles can bang against camera/gear in bag
  • Most would consider it expensive for a camera strap

Final Rating:

Articles: Digital Photography Review (dpreview.com)

 
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World’s Longest Tunnel Slide Opening at Sculptural London Monument

30 Apr

[ By Steph in Destinations & Sights & Travel. ]

arcelormittal slide main

Experience monumental sculpture like you never have before with a new 15-story tunnel slide that spirals around London’s ArcelorMittal Orbit monument, set to be the world’s longest. The UK is really pushing its public art to the next level by adding a record breaker to a record breaker, as the sculpture already holds the title of tallest in the nation. The slide wraps around the sculpture 12 times, and it takes forty seconds to get from the very top to the bottom in a trip through the tube.

world's longest tunnel slide 2

Opening to the public on June 24th, 2016, the Carsten Höller-designed slide features both opaque and transparent sections so riders get brief glimpses of the London skyline before plunging back into darkness. A tight corkscrew section snakes its way around the red geometric structure, ending in a straight run to the ground. The slide’s total length is 584 feet.

world's longest tunnel slide 3

world's longest tunnel slide 4

world's longest tunnel slide 5

London erected the strange and rather controversial ArcelorMittal for the 2012 Summer Olympics, offering panoramic views of the city from its location in Queen Elizabeth Olympic Park. Tickets for the attraction are already on sale for £15 ($ 22), with a limited number available each day, and you can book more than one ride at a time.

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Sky Slide: L.A. Tower Adds Exterior Glass Chute 1,000 Feet Up

07 Mar

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

This undated artist's rendering provided by Overseas Union Enterprise Limited shows a glass slide 1,000 feet above the ground off the side of the U.S. Bank Tower in downtown Los Angeles. The 45-foot-long attraction is part of a $  50 million renovation that will also put a bar and open-air observation deck on the top floors of the 72-story building. (Michael Ludvik/OUE Ltd. via AP)

A new amusement offering on the 70th floor of the highest skyscraper on the West Coast is stepping up the game, going beyond glass viewing platforms, swimming pools and bridges to boast a fully-transparent outdoor slide for bold adventurers, all at a lofty 1,000-foot elevation.

aerial sky slide

Owners of the U.S Bank Tower are adding this extreme sightseeing measure to thrill (or terrify) visitors who wish to simulate the experience of jumping out of a skyscraper. The 36-foot Skyslide will take guests from the 70th down to the 69th floor.

skyscraper glass slide viewing platform

The so-called Skyslide is part of a new observation deck expansion that will charge $ 25 per ticket, or another $ 8 to ride the side of the scraper via a trap door.

us bank tower

Attached by minimal metal supports, the clear glass will give stunning views of the surrounding city, at least for those brave enough to keep their eyes open on the way down. Meanwhile, on the East Coast, visitors can experience a similar thrill in slightly less overtly-dangerous environs, touring 50 years of history in 1 WTC elevator ride.

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Mountaintop Viewing Walkway Culminates in 300-Foot-Long Slide

01 Jan

[ By WebUrbanist in Destinations & Sights & Travel. ]

mountaintop spiral

After winding their way up a hundred-foot-tall pathway in the Czech Republic set atop a mountain peak (itself located over 3,000 feet above sea level), visitors are presented with two options: walk all the way back down, or take a ride on the slide that shoots back down through the center of the spiralling walkways on all sides.

mountain spiral walkway

mountain viewing net platform

Another feature for daredevils comes in the form of netting suspended from a section along the top. Those who wish to can walk and lay on this mesh, experiencing whatever level of terror they can tolerate.

mountain steel suspended wood

mountain in fog

Fránek Architects designed this massive wooden structure, dubbed Sky Walk and aimed at giving viewers a number of twists, turns and chances to find the perfect vista while they work their way up.

mountain views below

mountain path brave

“It offers an endless amount of views, situations and moments where an indiscernible human being enters the depth and emerges on the outskirts of this natural structure,” said Fránek.

mountain emergency exit

mountain structural supports

The pathways are suspended from a central structural core made up of metal-joined wood trusses, forming a space frame that also supports the stainless steel slide more brave guests will opt to take for their return trip.

mountain central truss frame

Located as it is on top of a tall and exposed mountain, the structure is heavily reinforced throughout and tied to concrete footings buried deep in the ground. It also features an emergency spiral staircase down its center. Travelers can get to this wheel-accessible pedestrian viewing spiral via a chairlift at the foot of the mountain, near Dolni Morava.

mountain architecture distance

mountain side view

“I don’t know of any other timber construction with steel elements of a similar size and purpose,” Fránek said. “There are constructions of a similar size but ours takes on an abstract form that suggests the flight of a nocturnal butterfly whose path is seemingly chaotic.”

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Slide & Hide: Stealth Staircases Save Space in Micro-Suites

17 Aug

[ By WebUrbanist in Design & Fixtures & Interiors. ]

modular space saving interior

Maximizing usable space in a series of compact short-term apartments, these retractable steps slip back into a wall, all but disappearing beneath lofted bedroom areas when not needed. Drawers and other storage slots are designed around the dimensions of the zigzag shape created by the profile of the stairs while the railing above sits flush with the bedroom space divider.

retractable staircase apartment

modular bedroom steps view

Driving these space-saving retrofits is a desire to make hotel rooms feel more like homes, particularly since many guests of Zoku in Amsterdam end up staying for longer than a typical traveler would.

modular interior design

modular gymnast hoops ceiling

Each of the 133 units (270 square feet each) redesigned by Concrete features a similar set of unconventional amenities: a secret desk tucked beneath the bed, a slatted wood divider providing both privacy and light to the bedroom area above, hidden stairs that slide into the wall for access and a pair of suspended gymnast hoops hanging from the ceiling.

modular bedroom elevated nook

modular hidden workstation desk

A combination of black and white, wood and bamboo, ceramic and organic elements help the spaces feel more variegated, like a house populated with individual furnishings and objects over time rather than a place made by a corporate hotel.

modularl living room window

modular hoop hanging

From the owners and architects: “A room at Zoku is much more than just a hotel room. It is a spacious micro-apartment. As space is becoming scarcer in urban areas, the way we use it sustainably to meet long-term accommodation requirements is more and more relevant. Smart solutions that create the opportunity to use less square metres and facilitate 24/7 multifunctional use are needed.”

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Devil’s Slide: Deserted Bay Area WWII Bunker Hovers in Midair

14 Apr

[ By WebUrbanist in Abandoned Places & Architecture. ]

devil slide pillbox

Built on Devil’s Peak (along a promontory known as Devil’s Slide), this obsolete base end station was designed to spot, triangulate and radio in sightings of enemy ships approaching the San Francisco Bay.

devils slide mound

Rounding the bend along California’s scenic coastal State Route 1 from either north or south, it is impossible to miss the incredible bunker, which appears to float over the earth around it. While the area is fenced off, a parking zone nearby is used by some explorers as a place from which to venture closer to the structure, located just south of Pacifica and past a hillside highway tunnel.

devils slide

Though this is neither safe nor recommended, it is also possible to climb into the viewing slot on the first level then walk the stairs to the top – unofficially: the view is incredible. Meanwhile, the edges of the bunker have turned from supports to supported, cantilevered precariously over their surroundings, allowing you to walk up and sit under thousands of pounds of reinforced concrete.

devils slide cantilever

devils slide behind

While it looks like the work of nature, the apparent erosion surrounding the lone structure is reportedly a man-made effort designed to pave the way for further development, presumably by the military. At the same time, natural causes would not be too much of a surprise or stretch, considering that this section of highway has been known to close due to everything from earthquakes to landslides – the next disaster very well might take this abandoned building with it. The land and bunker are meanwhile owned by a private party and officially off limits (though with limited fencing).

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Devils Slide Deserted Bay Area Wwii Bunker Hovers In Midair

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