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Posts Tagged ‘Sigma’s’

20:20 vision: Hands-on with Sigma’s 20mm F1.4 ‘Art’

23 Oct

Sigma has grown its ‘Art’ lineup of prime lenses again, with a new 20mm F1.4 for Canon, Nikon and Sigma mounts. The new 20mm F1.4 DG HSM | Art  is designed for full frame DSLRs, and Sigma claims that the 20mm F1.4 is the result of new production technologies including a 59mm double aspherical element. The new 20mm will go on sale from November priced at £849.99/$ 899.99, and we just got our hands on a sample at the Photo Plus Expo in New York. Click through for some first impressions

Articles: Digital Photography Review (dpreview.com)

 
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Wide angle: Sigma’s new Art lens is fastest 20mm in the world

17 Oct

Lens manufacturer Sigma has introduced a new lens to its Art range of premium optics that it claims is the fastest 20mm in the world. The new 20mm F1.4 DG HSM | Art  is designed for full frame cameras and will be available in mounts for Canon EF, Nikon F and Sigma models. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Making ‘Art’: We go inside Sigma’s lens factory

09 Mar

On our recent visit to Japan to attend the CP+ show in Yokohama we were fortunate to be invited to tour Sigma’s factory in Aizu. The Aizu factory is where almost all of Sigma’s lenses are manufactured, including the company’s impressive new ‘Art’ line of primes. Click through to take a virtual tour of the factory, in the company of Kazuto Yamaki, Sigma’s CEO. 

Articles: Digital Photography Review (dpreview.com)

 
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CP+ 2015: Hands on with Sigma’s new 24mm F1.4 DG HSM Art lens

13 Feb

One of the most interesting lenses at CP+ for enthusiast photographers is Sigma’s new 24mm F1.4 DG HSM Art. We made a beeline for the Sigma stand as soon as we arrived on the show floor and got our hands on this intriguing new prime. Click through for some photos and our initial impressions of its build and image quality, based on some initial sample images. 

Articles: Digital Photography Review (dpreview.com)

 
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Photokina 2014: Hands on with Sigma’s new 150-600mm telezooms

20 Sep

The stars of Sigma’s booth at this years Photokina were two new telezoom lenses – ‘C’ and ‘S’ versions of a 150-600mm F/5-6.3 DG OS HSM aimed at enthusiasts and sports / wildlife professionals, respectively. The company was also showing off its new 18-300mm F/3.5-6.3 DC Macro OS HSM ‘C’ for APS-C DSLRs. We headed to the company’s stand on our final day at the show, and got our hands on the new gear (except the stuff behind glass). Click through to see more.

Articles: Digital Photography Review (dpreview.com)

 
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A look inside Sigma’s lens factory

15 Feb

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Sigma gives us another behind the scenes look at their Aizu, Japan lens factory in a video released during the CP+ trade show. It’s an artsy factory tour highlighting the craftsmanship and the process of how their lenses are assembled. They released a similar video during Photokina 2012 and have since gained some popularity with their higher end 35mm F1.4 DG HSM and the 120-300mm F2.8 DG OS HSM lenses. See video

News: Digital Photography Review (dpreview.com)

 
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Where the sharpness comes from: A tour of Sigma’s factory

21 Sep

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Some people are happy to shoot with lenses and think only of the results, but it can also be fascinating to think about how such complex, precision pieces of engineering are made. Some insight is provided by Dave Etchells over at Imaging Resource, who has just posted a story about his visit to Sigma’s factory in Aizu, Japan. However, no matter how hard you try, you can’t make every lens perfect – as Lensrentals Roger Cicala explains in his recent blog post. Click through for more.

News: Digital Photography Review (dpreview.com)

 
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Sigma’s DP Merrill Cameras Compared – World-Beating Image Quality In Compact Bodies

07 Apr

Sigma, known mainly to photographers for their affordable lenses, recently caused quite a stir among discerning photographers. How? By building three compact cameras around the incredible sensor taken from the SD1, which initially cost $ 10,000. The image quality is simply incredible, and the cameras themselves are small, light and unobtrusive. For photographers seeking the best possible image quality on a budget, they’re unmatched.

Photo1

But there are lots of compromises. Foremost among them is battery life. The small batteries don’t last long so you’ll need to buy spares. Fortunately, they’re cheap. Second compromise; usability. It’s pretty good for a compact camera, and the controls are well laid out for photographers, but there’s some shutter lag, the auto-focus can’t match dSLRs and the huge RAW files take a while to write to the card.

The main compromise we’ll deal with is focal length. Each DP Merrill camera is essentially identical except for the length of the fixed prime lens.

  • The Sigma DP1m has a 19mm lens; equivalent to a 28mm wide-angle on full frame.
  • The Sigma DP2m has a 30mm lens; equivalent to a 45mm standard lens.
  • The Sigma DP3m has a 50mm lens; equivalent to a 75mm short telephoto.

All three lenses have a maximum aperture of f2.8 and a minimum aperture of f16. In my opinion (and not just mine), they are some of the best lenses ever made, including Leica and Zeiss.

In use, being restricted to a single focal length changes the camera entirely. This comparison therefore focusses on which of the Sigma DP series will be right for you. For the cameras themselves, I highly recommend Michael Reichmann’s review at Luminous Landscape.

I’ve used all three cameras for a variety of genres. Now comes time to choose.

Photo2

The Sigma DP1m is very convenient if you want amazing image quality in a tiny package. I was able to take photographs that I otherwise couldn’t have made. This is because it doesn’t look like a serious camera and it’s effectively silent in use. Professional photographers, especially those working where cameras are unwelcome, will appreciate this. Compared to carrying a Nikon pro-body with a wide-angle lens, it’s very much smaller. However, I missed photographs due to the shutter lag and the corners a bit softer than the other two DP cameras.

Photo3

The Sigma DP3m is specialised. I found a 75mm equivalent lens a bit long in use as an everyday camera. However, it is a pocket portrait monster, delivering incredibly sharp files with beautiful bokeh. It’s also got an amazing macro capability which, while not a true 1:1 reproduction, gets close enough for most applications. And there’s no noticeable distortion. The Sigma DP3m really excels when you fuss about and stitch images. 14.85 megapixels is enough for most applications, but if you want to print enormous files, you can increase the image resolution by making mosaics from multiple pictures using software that can stitch panoramas. Because the image quality is so amazing at a 100% level (because it’s not interpolated like a Bayer sensor), the files can be that much better, rivalling medium format cameras worth tens of thousands. For me, this is the niche use the DP Merrill series excels for. I can carry a tiny compact camera, a few cheap batteries and a lightweight CF tripod when I’m doing fine art photography and create the most amazing results.

Photo4

The Sigma DP2m is a bit of a compromise. I’d recommend getting both the Sigma DP1m and the Sigma DP3m; they work very well together as a pair. But if this isn’t an option, the DP2m is your camera. It’s neither too wide-angle nor too telephoto. You can stitch images if you choose as there’s no real distortion, but the standard-lens approach works well for a range of subjects. The important thing is that you get access to that incredible X3 Foveon sensor. Download some Sigma DP Merrill sample images here; they speak for themselves.

Ben Evans teaches Barcelona Photography. Learn the most important things about photography in one hour for (and for less than the price of a lunch) with the best-selling ‘Photography: The Few Things You Need To Know’ Audiobook – www.GreatBigBear.com/Audiobook

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Sigma’s DP Merrill Cameras Compared – World-Beating Image Quality In Compact Bodies


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Roger Cicala cock-a-hoop* over Sigma’s 35mm F1.4 DG HSM

22 Nov

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Lensrentals’ Roger Cicala hasn’t always been a fan of Sigma’s lenses but the company’s latest 35mm F1.4 seems to have got him pretty excited. He’s written a very positive first impressions blog post, considering the build and test data from the first sample he’s received. As usual, he’s very careful to stress the limitations of what he’s reporting – specifically that these are early impressions, based on a single lens that he’s had little chance to actually take photos with. However, he’s also someone with immense experience with lenses, and is in the unusual position of having had the opportunity to strip the lens down, so we found his insight interesting. (From Lensrentals)

News: Digital Photography Review (dpreview.com)

 
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25 September, 2012 – Sigma DP1 Merrill Review & Open Letter to Sigma’s CEO

16 Oct

When I started working with the Sigma DP2 Merrill I was floored by the image quality. It’s a quirky camera that needs patience to use, but rewards with sensor and lens quality unmatched in the industry for its price and size.

It’s sister camera, the DP1 Merrill, with an effective 28mm focal length lens, started to ship recently and I was very curious to learn if it could match the optical quality of its older sibling. My review is now online.

As remarkable as these cameras are when it comes to image quality, sadly Sigma’s raw software is truely horrid. But, it’s the only game in town unless and until Sigma starts working with the major software companies or adopts DNG export.

I have therefore written an open letter of concern to Sigma’s CEO which is also part of my SD1M review.

        

"You and Jeff did it again!  A great series of videos.

I’ve watched the earlier Camera to Print series as well as the LR 2 & 3 videos and as usual, I learned 
new technique and ideas even though I’ve been behind a camera for 45 years.

Additionally, the rapport you two have is most engaging, enjoyable, and totally different than the sterile video tutorials from others (I’m afflicted with being a visual learner). 

Again, a great series of videos that have helped me grow once again." 

 

 


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