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Posts Tagged ‘Shows’

Oppo shows off its next-generation optical zoom camera module with 85-135mm equivalent focal length

20 Aug

Oppo has announced (translated) it’s latest camera technology, a next-generation periscope zoom camera that features improved optics, a new sensor and updated image processing algorithms.

The new camera module features an 85mm to 135mm full-frame-equivalent focal length with an aperture range of F3.3 through F4.4. To achieve this, the module uses seven elements in three groups with the two rear-most groups being the ones that move for zooming and focusing.

In addition to new optics, the camera module uses a new 32MP quad-bayer-like sensor. Both the movement of the lenses and image processing will be powered by the custom-designed 16-bit image processing chip inside the module.

Sample images from the new camera module captured with the wide angle (left), equivalent 85mm focal length (center) and equivalent 135mm focal length (right).

If we’re to assume this would be used in a smartphone with a 26mm main camera — such as the Oppo Reno 10x zoom — this new camera would offer a 3.3x to 5.2x optical zoom and presumably feature the same ‘hybrid zoom’ up to 10.4x. Even though the multiplication factor is roughly the same as that found on the Reno 10x zoom, Oppo says its new hybrid zoom technology improves image quality, as can be seen in these example images (older ‘hybrid zoom’ images on the left, new technology on the right):

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There’s no mention of when we could see this new camera tech, nor what phone it might be in, but as noted by GSM Arena, details of a forthcoming Oppo phone believed to be the Reno 10x zoom successor were revealed last month.

Articles: Digital Photography Review (dpreview.com)

 
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Pentax’s new ‘Brand Vision’ shows it’s doubling down on SLR camera systems

17 Jul

While the rest of the photography world is determined to double down on mirrorless camera systems, Pentax has announced its dedication to SLR cameras. In the above video a new microsite dedicated to the new ‘Pentax Brand Vision,’ the Japanese manufacturer emphasizes its dedication to ‘the future of SLR Photography.’

A product photo of Pentax’s upcoming APS-C DSLR, which is yet to be named.

‘When you take a picture with a single-lens reflex (SLR) camera, the light passes through the lens, and in turn the optical viewfinder,’ reads a manifesto of sorts on the microsite. ‘You view the image directly with your eyes, and feel it with your heart.’

The microsite notes Pentax was the first Japanese manufacturer to build an SLR and says the company ‘is committed to the future of SLR photography through the continued development of camera technology, making it more fun and exciting than ever before for all PENTAX users.’ From there, under numerous headlines, Pentax explains a number of benefits it believes SLR cameras offer over other camera systems.

Pentax ends its SLR tribute page with ‘The Five Principles of Pentax,’ seen in the screenshot below:

Pentax has also shared a 30-minute video wherein Ricoh Imaging President, Shinobu Takahashi, explains the company’s vision and what it values most in future camera releases:

This kind of dedication to SLR cameras is surprising in a market that’s hellbent on ridding the photography world of mirrors, but it doesn’t necessarily come as a surprise considering how much effort Pentax put into emphasizing its optical viewfinder technology during the development livestream of its forthcoming APS-C DSLR.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Photographer Martin Henson shows the versatility of pinhole cameras from his backyard

11 Jun

UK-based photographer Martin Henson has recently published a video showcasing his pinhole photography process. An experienced film and digital photographer, Henson combined a 4×5-inch pinhole camera with Ilford FP4 film to capture a photo of flowers in his back garden. The result will show that one doesn’t need to travel far to capture beautiful images.

With his pinhole camera laying in the undergrowth and pointing toward the sky through the flowers in his garden, Henson also used an orange filter to darken the blue in the sky. The pinhole camera captures a wide field of view, so Henson must look down from above through the flowers to get a sense of how they will be arranged within the frame. After settling on the location for his camera, he must then determine the correct exposure.

When determining the correct exposure, Henson must consider that the Ilford FP4 film he’s developing is rated at ISO 200, but with the addition of the orange filter, he must compensate for an additional stop. Henson then places his light meter on top of his pinhole camera and meters at ISO 100. The reading states a 1/15s exposure at an F22 aperture. For Henson’s pinhole camera, he then had to convert this exposure time to an F216 aperture, which results in an exposure time of 6.5 seconds. Further, accounting for the reciprocity of Ilford FP4 film, the final exposure time is 12 seconds.

As you can see in the video above, after making his captures, Henson then slid the dark slide back in and developed the image. As he states, his video shows that the pinhole camera is a versatile photographic tool. It can be placed in positions and allow for compositions that would be ‘virtually impossible with a normal camera.’

The finished image, Chaos, is up for auction on eBay. There’s much more to learn about pinhole photography and analog photography in general. Henson has additional excellent resources. You can visit his large format photography forum and his black and white photography forum. He has recently published another pair of videos about pinhole photography on his YouTube channel, which can be seen above.

Articles: Digital Photography Review (dpreview.com)

 
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Apple patent shows how you may one day be able to capture ‘synthetic group selfies’

08 Jun

In the age of physical distancing, taking selfies with friends has become challenging to say the least, due to the worldwide suggestion to keep six feet apart to prevent the spread of the novel coronavirus. A recently-discovered patent from Apple, however, shows how we might one day be able to take a group selfie without needing to be next to each other — or even in the same room for that matter.

First discovered by Patently Apple, the ‘synthetic group selfie’ patent wasn’t created in response to the COVID-19 pandemic, as it was originally filed back in July 2018. However, its usefulness is more valuable than ever, as the desire to feel connected in an age of physical distancing is growing.

A pair of illustrations from the patent showing how the layers within the composited scene could be moved around to better frame people within the selfie.

According to the patent, you could create a ‘synthetic group selfie’ by inviting friends and family to a shared photo session. The group selfie mode would then place those invited to the session next to one another in the image to give the appearance that everyone is right there in the frame. The patent also notes this mode could be used for video and livestreaming options with other options for changing the arrangement of people within the frame.

An illustration from the patent showing how the composition process would work.

As with all patents, it’s unclear if we’ll ever see this option in a forthcoming iOS update. But it would be a convenient option now more than ever, making virtual interactions more social while still staying distanced.

Articles: Digital Photography Review (dpreview.com)

 
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CIPA’s April report shows digital camera production, shipments are down 56.4%, 63.7%, respectively, YoY

03 Jun
Total shipments of digital cameras (DSCs) worldwide for the month of April 2020 (Orange) compared to 2019 (Black) and 2018 (Blue).

Japan’s Camera & Imaging Products Association — better known as CIPA — has released its latest numbers, showing what camera shipments looked like for the major manufacturers through the end of April 2020. As is to be expected in these turbulent times, the numbers are down across the board.

As a whole, shipments of digital cameras in April 2020 were down to 550,000 units, a decrease of 63.7% year-over-year (YoY) compared to April 2019. Interchangeable lens and built-in-lens camera shipments for April 2020 were at 300,000 units and 252,000 units, respectively, a YoY decrease (compared to April 2019) of 63.7% for both unit types. Further split up, CIPA’s numbers reveal DSLR and mirrorless sales were down 60.8% and 67.0, respectively, YoY for the month of April.

Total shipments of interchangeable lens cameras (both DSLR and mirrorless cameras) worldwide for the month of April 2020 (Orange) compared to 2019 (Black) and 2018 (Blue).

While these decreases are alarming without context, they shouldn’t be surprising considering the current state of the industry (and world as a whole through this COVID-19 pandemic). In addition to slower sales due to COVID-19, the pandemic also all but froze supply chains and production for many camera manufacturers. CIPA’s numbers reveal production for April 2020 was down 56.4% for all digital camera units compared to April 2019.

Nearly every camera manufacturer has made it clear in some form or another that things will get worse before they get better and CIPA’s April numbers further confirm those sentiments. It remains to be seen how much the market recovers as more of the world opens up following the COVID-19 pandemic, but with more countries easing stay-at-home orders and quarantine restrictions, there’s a chance we’ll start to see some semblance of a recovery, even if it takes a few months to show in the numbers.

You can find CIPA’s graph and detailed breakdown on its report page.

Articles: Digital Photography Review (dpreview.com)

 
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Vivo shows its ‘gimbal-like’ smartphone camera stabilization system

21 May

In February Chinese smartphone maker Vivo showcased a concept phone that featured a ‘gimbal-like’ stabilization system on its rear camera. Now the company has published further information about the system that will first be commercially available on the Vivo X50 Pro which is scheduled to launch on June 1.

Vivo calls the system ‘micro cloud’ and claims it is more effective than conventional stabilization systems without quantifying the difference. It certainly looks more complex. Instead of a lens element, like on most current smartphone stabilization systems, on the Vivo the entire camera module is stabilized using a double-ball suspension which allows for movements of +/- 3° which, according to Vivo, is three times the angle of more conventional systems.

Like on most high-end stabilization systems, the mechanical motion is combined with electronic image stabilization (EIS) methods that typically slightly crop the frame in order to correct for camera shake.

Motion is powered by two voice coils and the ribbon cable connecting the camera to the main device board is folded twice in order to allow for the movements of the camera unit. One downside of the system is space-requirements, though. The system is 4.5mm thick and occupies 363mm² board space which is more than the cameras in most other current devices.

Given the X50 Pro system is the first of its kind it’s probably fair to assume following generations can be designed with smaller dimensions, and first samples look indeed promising, although the comparison device chosen for the video below appears to have a particularly bad stabilization system.

In addition to the innovative stabilization system the X50 Pro will feature a new color filter that offers 39 percent higher light transmission. Vivo says that combined with the stabilization system the camera will capture 220 percent more light than the Vivo X30 Pro. Presumably this is because the stabilization system will allow for more frames to be combined using computational methods, and/or simply lets the auto exposure system use slower shutter speeds.

If the micro cloud system works as well as advertised it should provide both super-smooth video footage and low light photos with good exposure and detail in very low light. We should find out when the X50 Pro is launched in June.

Articles: Digital Photography Review (dpreview.com)

 
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April data shows mirrorless camera sales in Japan were down 75% compared to 2019

19 May
An illustration from BCN Retail showing the unit sales%age, by manufacturer, of Canon (Blue), Olympus (Green) and Sony (Red) from February 3 (far-left) to April 20 (far-right).

BCN Retail, an analyst firm that collects daily sales data of mirrorless interchangeable lens cameras from online and in-person points of sales in Japan, has released its figures for April 2020 that show just how much the COVID-19 pandemic has continued to decimate the camera market.

Last month we shared BCN Retail’s March report, which showed a 50% drop year-over-year Unfortunately, it seems that was just the beginning. April 2020 numbers from BCN Retail show MILC sales are just 26.1% what they were April 2019 and down nearly half (49.5%) from the already abysmal March sales numbers.

While the decrease in sales is alarming, it’s not unexpected. Canon reported in its recent financial statements that it expected things to get worse before they get better and Nikon is expecting a dramatic decrease in sales as well due to the ongoing pandemic.

Unlike last month’s report, which covered March, BCN Retail doesn’t note whether or not Fujifilm is still on the rise (it was the sole company to increase its market share year-over-year), but BCN Retail’s April stats do show Canon, Olympus and Sony are still battling it out for market share in the Japanese market with only eight or so percentage points separating the three as of April 20, 2020.

A chart showing the top-selling camera models in April, based on BCN Retail’s data.

The market share of individual camera models also remains largely unchanged with more affordable crop-sensor cameras taking the top ten spots. As has more or less been the case for the past few months, the Canon EOS M50 takes the top spot, with the Sony a6400, Olympus Pen E-PL9, Olympus OM-D E-M10 Mark III and Canon EOS M100 rounding out the top five. One newcomer is the Fujifilm X-T100, which managed to sneak in at the ten spot.

Articles: Digital Photography Review (dpreview.com)

 
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Canon’s Q1 financial report shows Imaging Systems net sales and profits are down 13.9%, 80.6% YoY

24 Apr

Canon has released its first-quarter (Q1) financial report, revealing just how bad the COVID-19 pandemic has affected its bottom line and suggesting it’s only going to get worse before it gets better.

The report starts off by stating on its ‘Key Message’ summary page that the COVID-19 pandemic has ‘completely [changed the] global economic landscape’ with the following bullet point saying the ‘global economy faces worst recession since the Great Depression’ due to the ongoing pandemic.

Across the board, Canon saw a 9.5% drop in net sales and an 18.7% decline in operating profit for Q1 (January 1 through April 23), year-over-year (YoY). But even those numbers look great in comparison to those found within Canon’s Imaging Systems division, which accounts for camera and inkjet printer sales.

The report shows net sales and operating profit for Q1 within the Imaging System division is down 13.9% and 80.6%, respectively, YoY. Further split up, Canon states its net sales are down 24.8% YoY specifically for cameras, while its inkjet printer net sales were actually up 7.3%. Despite the current situation, Canon hasn’t changed its projections which currently have net sales and operating profits down 2.5% and up 11.5%, respectively for the entire 2020 fiscal year.

That may very well change though, as Canon expects its second quarter (Q2) to be even worse, as Canon’s current downward trajectory didn’t even start until mid-way through Q1. Combined with the uncertainty of when the COVID-19 pandemic will begin to subside, Canon says it’s difficult to provide accurate estimates of future financials and even clarifies that once the global economy is back on the rise, it’s unlikely cameras will see an immediate return to normal sales.

In addition to the impact on supply, sales of interchangeable-lens cameras were also greatly affected. One after another, live events were canceled or postponed and chances to use cameras decreased. In addition to this, we believe it will take time to see a recovery in the demand for cameras, which are considered luxury items, even after the global economic turmoil has subsided.’

Whatever happens, it seems Canon has little intent on slowing down. In its summary of the results, Canon says it ‘will steadily push forward [its] strategy that focuses on models for professionals and advanced-amateurs to maintain medium- to longterm profitability,’ an obvious nod to the forthcoming EOS R5 camera, as well as new RF lenses on the horizon.

Something worth keeping in mind, as with all financial reports, is that numbers alone don’t tell the whole story. There is plenty going on behind-the-scenes and there is a lot of grey area within the net sales and operating profits within any given division.

For this particular Q1 report, a standout example of this is in the dramatic discrepancy between the net sales and operating profit within Canon’s Imaging Systems division. While we obviously can’t confirm this to be the case, the 80.6% decline in operating profit could very well be due, at least in part, to the research, development and marketing expenses of the EOS R5 and other professional and ‘advanced amateur’ camera systems Canon plans to release in the near future. It’s shaping up to be an industry-shaking camera based on the currently-known specs and actively developing such a system doesn’t come cheap.

You can read through all of the Q1 financial documents on Canon’s investor relations website.

Articles: Digital Photography Review (dpreview.com)

 
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BCN data shows mirrorless camera sales have dropped 50% YoY in Japan for March amidst COVID-19 pandemic

13 Apr
An illustration from BCN Retail showing the unit sales percentage, by manufacturer, of Canon (Blue), Olympus (Green) and Sony (Red).

It was only a matter of time before we started to see the effects of the COVID-19 pandemic on camera sales, and today we’re getting our first glimpse at just how brutal the global pandemic has been on the camera industry.

BCN Retail, an analyst firm that collects daily sales data of mirrorless interchangeable lens cameras directly from online and in-person points of sale in the Japanese camera market, has shared the numbers from its March data, and it’s not pretty. While January and February saw a year-over-year (YoY) decline of 9.9 percent and 23.5 percent, respectively, March saw a decrease of 50.5 percent (compared to March 2019).

This decrease is well above the relatively consistent 15–20 percent YoY decrease we’ve seen over the past few years and goes to show just how hard the coronavirus pandemic is affecting sales, even if BCN’s data is only a relatively small sample size.

As far as sales volume goes, BCN says Canon, Olympus and Sony have all dropped YoY, while Fujifilm stands alone as the only manufacturer to increase its share of the market.

A chart showing the most popular cameras in the Japanese market, based on BCN Retail’s data.

BCN also shares what cameras have performed best, based on sales volume, with the Canon EOS M50 barely edging out the Olympus Pen E-PL9. Sony’s a6400 rounds out the top three, with the a6000 still coming in fifth, despite being six years old.

It’s safe to assume these numbers are just the tip of the iceberg as near-global stay-at-home mandates and quarantines continue in an effort to #flattenthecurve of the COVID-19 pandemic. CIPA’s data won’t be here for a while, but it will likely tell a similar story at a much larger scale.

Articles: Digital Photography Review (dpreview.com)

 
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White House photographer Pete Souza shows off what gear is in his bag

05 Apr

Pete Souza, the former Chief Official White House Photographer for U.S. Presidents Ronald Reagan and Barack Obama, has taken to Instagram to show off what camera gear he uses for his work.

Throughout the 12-minute video, he details his equipment of choice and shows off images captured with nearly every camera and lens he mentions. Along the way, he also shares a number of anecdotes from over the years, regarding how his style and approach has changed as camera technology continues to progress.

Despite the fascinating video of his most-used equipment, Souza prefaces it by explaining the camera and lenses are simply tools to get the job done, likening them to a trio of screwdrivers; ‘They all work equally well […] I don’t know what brand or model [the screwdrivers] are. You just have to make a decision yourself on what kind of equipment to use.’

View this post on Instagram

Info on what tools I used at the White House.

A post shared by Pete Souza (@petesouza) on

You can find more of Souza’s work on his website, as well as the archived White House Flickr account that shows more than 6,600 images captured during his time as Obama’s official photographer.

Articles: Digital Photography Review (dpreview.com)

 
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