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Posts Tagged ‘Shoots’

The Fujifilm 200mm F2 shoots planes, cranes and hydroplanes

03 Nov

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As autumn rolls in in the northern hemisphere I always find myself wishing that summer would stick around just a little bit longer. So, in the spirit of summer, I’m going to take you for a voyage in the wayback machine all the way to August, when the sun was bright and the temperatures warm.

One of the highlights of the warm(ish) season here in Seattle is Seafair, a summer-long festival that culminates with an airshow featuring the US Navy’s Blue Angels and hydroplane races on Lake Washington. Not familiar with hydroplanes? Imagine strapping a turbine engine from a helicopter onto the back of a boat and racing it around an oval loop at up to 320 kph (200 mph). Wild stuff.

Hydroplanes are lifted in and out of the pits by a crane between heats for maintenance.

ISO 1000 |1/5000 sec. | F4.0 | 280mm

It’s a fun event to photograph, but a challenging one as well; your subjects are typically far away and moving very fast. I had been looking for an opportunity to use Fujifilm’s 200mm F2 telephoto and Seafair seemed like just the right event. I paired the lens with a X-T3 body and headed out for two days to shoot in the hot summer sun.

Fujifilm isn’t the first brand I think of when it comes to shooting fast action, but I was dying to try the lens and Fujifilm’s AF system has been getting really good on recent models, so I decided to give it a go. TL;DR – I wasn’t disappointed.

I spent my first day at Seattle’s Boeing Field where the Blue Angels are based during the airshow. I had planned to shoot planes in flight (hmmm… maybe not the best way to phrase that), but I was pleasantly surprised at all the shooting opportunities on the ground. The 200mm F2 came through for me big time here.

Photos of the Blue Angels in flight abound, but the 200mm F2 also allowed me to focus on the ground crews to show the people who make these airshows possible.

ISO 400 |1/640 sec. | F5.6 | 200mm

With a bit of creative positioning I was able to shoot above, around and, in a few cases, straight through the crowd to get some close photos of the planes, pilots and ground crews before takeoff and after landing. I love these types of photos because they add a human element to the story that’s often missing from Blue Angels photos.

Image quality was outstanding. In my opinion, this lens performs as well as any similarly specced optic I’ve tried (comparable to a 300mm F3.0 on full frame). Images were consistently sharp with excellent contrast and looked great straight out of the camera.

The following day I headed out to Lake Washington to shoot the hydros. I quickly discovered what experienced hydroplane photographers already know: the hydros are a lot farther from shore than you think and the lens didn’t provide enough reach to get a tight shot on the boats. Fortunately, I had the lens’s companion 1.4x teleconverter which quickly transformed it into a 280mm F2.8 (420mm equivalent) to get a bit closer to the action.

Hydroplanes skim across the water at speeds in excess of 300 kph. Even with the Fujifilm 1.4x teleconverter attached the boats were a bit far away for a tight frame.

ISO 200 |1/5000 sec. | F3.2 | 280mm

I was impressed with shots using the teleconverter as well, though you do give up a bit of absolute sharpness when it’s used. However, unless you’re pixel peeping or printing very large the difference won’t be apparent to most viewers. It’s also worth noting that I was shooting distant objects on a very hot day, so heat haze likely had some impact on absolute sharpness in these images. Overall, I really enjoyed shooting with the teleconverter attached and didn’t notice any compromises in performance other than a slight loss in sharpness.

And the X-T3? It exceeded my expectations. I mostly used zone focus and the AF was fast and precise. Did it miss some shots here or there? Definitely. But no more than I’d expect from any other camera this side of a Nikon D5 or Canon EOS-1D X Mark II.

The US Navy’s Blue Angels flight demonstration team thunders overhead.

ISO 400 |1/4000 sec. | F3.6 | 200mm

I have to give props to Fujifilm for one other thing as well. I almost always make adjustments to Raw files, but I didn’t need to make adjustments to any of the photos I shot over the course of two days. The entire sample gallery was created by opening Raw images in Lightroom and immediately exporting them as Jpeg images using Fujifilm’s Astia film profile, which did the best job of rendering the blue color of the planes. Fujifilm just gets this part right, and it’s one of the reasons I keep getting drawn to Fujifilm cameras.

My verdict on the lens? Fantastic. I just need an excuse to go use it again.

Articles: Digital Photography Review (dpreview.com)

 
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Meet the Insta360 EVO, a foldable camera that shoots 3D 180º video and 360º 5.7K video

13 Mar

Insta360 has launched EVO, a cube-style camera that shoots 360-degree and stereoscopic 3D 180-degree video footage and stills thanks to its unique folding design.

The camera features the same 5.7K video resolution and 18-megapixel still resolution as the Insta360 One X, as well as Insta360’s six-axis FlowState stabilization technology. In fact, the camera as a whole has similar specs to the One X as a whole, including F2.2 apertures on both lenses, various exposure modes in video and stills, Bluetooth 4.0, 5Ghz Wi-Fi and a microSD card slot with a maximum storage of 128GB.

But the internal specs are where the similarities end. Unlike the One X, the EVO doesn’t have any integrated LCD display. Instead, the camera features a hinged design that enables the cameras to capture a full 360-degree image when the lenses are facing opposite directions or stereoscopic 3D 180-degree images when the EVO is folded out with the lenses facing the same direction.

The camera itself has only a few buttons and ports on it, including a power button and a button for switching between various shooting modes and settings. On the side of the camera is the microSD card slot and a micro USB slot (unusual Insta360 didn’t opt for a USB Type-C port instead).

Since the EVO doesn’t have a screen of its own, the camera is dependent on an Insta360 EVO app to compose the images, change the settings and overall control the camera with more finesse than the limited on-device controls. The app will be available in the iOS App Store and Google Play Store.

The EVO is currently available for order on Insta360’s website and B&H for $ 419.99.

Insta360 has also announced Insta360 VR, a new app for Oculus Go, HTC Vive Focus and Samsung Gear VR that will allow users to connect an EVO camera to a headset for simple wireless playback of the stereoscopic 3D 180-degree video or 360-degree video.

For phones that don’t have stereoscopic playback capabilities, Insta360 has also announced Holoframe, a specialized phone display cover that will enable standard smartphones to view photos and videos in 3D with the naked eye. In its press release, Insta360 says ‘It’s simple, mind-blowing and feels like magic.’

The HoloFrame is available for iPhone X/Xs, iPhone X Max and iPhone XR for $ 29.99 from Insta360’s online shop.

Articles: Digital Photography Review (dpreview.com)

 
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DJI announces the Osmo Pocket, ‘the world’s smallest 3-axis gimbal’ that shoots 4K60p video

29 Nov

DJI has announced the DJI Osmo Pocket, the world’s smallest three-axis stabilized camera system.

The Osmo Pocket features a 1/2.3″ sensor that captures 12-megapixel photographs and 4K60p video at 100Mbps. It also captures slow-motion footage at 120 fps when shooting 1080p. Audio is recorded with two buiilt-in microphones (one on the bottom of the camera and one on the rear of the camera) that feature noise-cancelling technology for reducing unwanted background noise.

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To compose shots, review media, navigate the menu, and select the various shooting modes DJI included a 1″ integrated touchscreen onboard the Osmo Pocket. The integrated shooting modes include ActiveTrack, which tracks a subject within the frame; FaceTrack, a more advanced version of ActiveTrack that will follow a particularly persons face when visible; Timelapse & Motionlapse, modes that speed up time and integrate motion into timelapse videos; FPV Mode, a locked shooting mode that follows the movement of the users hand while keeping the footage steady; and Panorama modes, which enables the capture of multiple images for stitching together in post-production.

For times when the onboard screen isn’t enough — and to unlock a slew of other features — users can also attach a mobile device using the onboard USB Type-C port. Using the included adapters, Android and iOS mobile devices can be connected to the DJI Osmo and operated with the dedicated DJI Mimo app. In addition to live-view and image review, DJI Mimo also adds Story Mode and Pro mode.

Story Mode simplifies the entire video creation process by offering ten templates that automatically control the camera movement and include music, transitions and color grading presets in post-production. After shooting is finished, the DJI Mimo app constructs an entire video that’s ready to share.

Pro Mode, which is available on numerous other DJI products, gives complete control of almost every camera setting imaginable. As its name suggest, it’s oriented more towards professionals, but when auto modes just aren’t enough, Pro Mode is there to fill in the gaps.

The DJI Osmo Pocket battery life is rated for two hours when shooting 4K30p video. The battery is built-in, so there’s no swapping out batteries on the fly, but it’s possible to charge on-the-go with an external battery pack.

DJI has also announced a range of nine accessories for the Osmo Pocket to expand creative possibilities, including an accessory mount, wireless module, controller wheel, expansion kit, ND filter set, waterproof case, extension rod, charging case, and a 3.5mm adapter.

The DJI Osmo Pocket retails for $ 349 and is available for pre-order at DJI.com and through other DJI Authorized Retailers, including B&H.

Capture Life’s Moments With Ease Using The DJI Osmo Pocket Stabilized Camera

The world’s smallest three-axis stabilized camera is made for your travels, family events and adventures

November 28, 2018 – DJI, the world’s leader in creative camera technology, today announced Osmo Pocket, a highly compact three-axis stabilized camera created for everyone. Designed to be incredibly easy to use, Osmo Pocket offers a host of intelligent features to help capture creative videos and photographs in a portable form factor.

“Innovation is at the heart of every product we create and DJI Osmo Pocket is here to change the way photos and videos are captured, not just by professionals but by parents, couples, adventurers, travelers, and everyone in between,” said Roger Luo, President at DJI. “Osmo Pocket is a portable personal camera crew and we can’t wait to see how people use it to capture their stories and share them with the world.”

Small yet powerful

At just over 4 inches tall, Osmo Pocket is DJI’s smallest three-axis stabilized camera. It redefines DJI’s family of handheld gimbals offering features never before seen in a product this compact. A 1/2.3-inch sensor records 12-megapixel photographs and 4K video up to 60fps at 100Mbps in stunning detail. Osmo Pocket also uses built-in dual microphones and advanced noise-canceling algorithms to ensure you capture high quality audio to match your footage. Furthermore, a battery life of up to two hours shooting video in 4K, 30fps means you can always rely on Osmo Pocket to capture your story no matter where you are at the very best quality.

Smooth, stable video

Building on DJI’s experience creating gimbal technology, Osmo Pocket helps capture stable video for all of life’s moments. The state-of-the-art three-axis mechanical gimbal compensates for movements and smooths these motions so you can focus on composition and subject matter. Whether you are taking videos of your vacation or documenting special holiday moments, Osmo Pocket helps ensure your video comes out smooth.

Simple and smart

Designed with ease of use in mind, Osmo Pocket doesn’t just let anyone shoot cinematic footage; it empowers creativity. The gimbal camera uses a 1-inch integrated touch screen that provides a high quality live view as well as the ability to toggle through the various shooting modes, adjust settings, review footage and gain access to a full suite of creative features including:

  • ActiveTrack- DJI’s image recognition algorithms allow Osmo Pocket to recognize and follow subjects of your choice, perfect for capturing family moments easily with the tap of your finger.
  • FaceTrack– FaceTrack takes ActiveTrack one step further. With enhanced ActiveTrack algorithms, FaceTrack automatically recognizes a human face and locks the subject in center of the frame at all times. It does not identify individual faces, but keeps the camera centered on one. To initiate FaceTrack, simply select selfie mode and the camera will detect your face.
  • Timelapse & Motionlapse– If you’re looking to turn minutes into seconds, Timelapse is perfect for capturing unique content with the effect of the world moving faster around you, while Motionlapse adds the dynamic element of camera movement to your Timelapse.
  • FPV Mode– FPV Mode lets you capture your greatest adventures by recording video from your perspective. Instead of locking the gimbal to maintain the horizon, FPV tells the camera to follow your every tilt and lean, shooting dynamic footage exactly as you experienced it.
  • 3×3 & 180° Panorama– For capturing breathtaking wide-angle photos, Osmo Pocket offers two Panorama modes. 3X3 takes an expansive 9 images in total while 180° mode captures 4 images. Osmo Pocket software stitches them together automatically so you can focus on the framing of the scene.

Unlock the full power of Osmo Pocket

A universal port under the touchscreen allows users to connect their mobile devices that use iOS Lightning or USB-C. Upon connection, the new dedicated DJI Mimo app will automatically open and serves as a monitor, while in-app menu offers a variety of intelligent features and recording modes:

  • Story Mode – Bring creative editing to your video with a host of preset music, video transitions and coloring. Choose one of 10 fun templates and Mimo will handle the camera movement for you. After finishing, Mimo automatically generates your very own short story, ready to be shared.
  • Pro Mode – If you want even more control over your content, “Pro mode” gives you access to camera setting adjustments and exposure settings to let you create exactly how you want, from rich video in bright conditions to a perfect handheld long exposure photo at night. Whatever you want to shoot, Osmo Pocket and DJI Mimo let you explore and expand your creativity. Osmo Pocket automatically detects and illuminates low-lit scenes into bright photos. This helps eliminates the need for a tripod, and you can rely on the gimbal to keep the camera still for a shutter speed of up to three seconds. Illuminate the dark, or capture the movement of light in a “light painting.” You’re only limited by your imagination.

A versatile tool with a range of accessories

An ecosystem of accessories unlocks the potential of Osmo Pocket:

  • Accessory Mount- The accessory mount makes Osmo Pocket compatible with action camera accessories so you’re able to capture your adventure footage, such as when mounted on a helmet, backpack or your wrist.
  • Wireless Module- The wireless module supports Wi-Fi and/or Bluetooth transmission between Osmo Pocket and your smartphone, providing remote access to the camera feed and control of Osmo Pocket; perfect for setting up a Timelapse or Motionlapse on a busy city street.
  • Controller Wheel- The wheel allows you to precisely control gimbal movement (left-right or up-down) enabling you to easily adjust the composition of your shot. Re-center the gimbal or switch to selfie mode easily with dedicated buttons on the handle.
  • Expansion Kit- The expansion kit includes the Accessory Mount, Wireless Module and Controller Wheel.
  • ND Filters Set**- Specifically designed for Osmo Pocket, ND filters attach to the front of the camera to reduce the amount of light entering the sensor. The ND Filter Set offers several levels of filter darkness and allows for more control over the camera’s aperture, exposure time, and sensor sensitivity settings.
  • Waterproof Case**- Bring a unique underwater perspective to your footage using the Waterproof Case which can be placed at a depth of 60 meters.
  • Extension Rod**- The Extension Rod attaches to the Lightning or USB-C port and provides 31 inches of reach to Osmo Pocket, opening a world of new creative angles that are normally difficult or impossible to get. A gimbal control joystick and camera button on the handle were designed for remote control when using the Extension Rod and a tripod was added to the bottom for expanded use cases
  • Charging Case**- This dual-purpose case not only protects Osmo Pocket while in transit but charges it as well. Dedicated sections were added into the case for your MicroSD card and ND filters so you can quickly grab your Osmo Pocket and know you’re ready to capture those moments and adventures.
  • 3.5mm Adapter**- The 3.5mm Adapter allows you to connect an external microphone if you prefer to capture audio using a separate device.

**coming soon

Price and Availability

Osmo Pocket retails for $ 349 USD and will be available for pre-order at store.dji.com, DJI Flagship Stores, DJI Authorized Retailers and additional retailers beginning today, November 28th 2:15 PM EST. Pre-orders will start shipping in December. For more information on all the new features and capabilities of Osmo Pocket, please visit www.dji.com/osmo-pocket.

OSMO Shield

OSMO Shield offers comprehensive two-year protection coverage, doubling your DJI warranty from one to two years. Customers also get an additional free accidental coverage service.

Articles: Digital Photography Review (dpreview.com)

 
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SiOnyx Aurora camera shoots color video even by moonlight

27 Jul

US-based night vision tech company SiOnyx has introduced an action cam that it claims can shoot color footage and stills in the dark as well as in normal daylight conditions. The Aurora uses infrared technology and a specially developed sensor with large pixels to shoot in conditions as dim as 0.001lux.

SiOnxy says the camera’s performance compares to night vision optics that cost ‘tens of thousands of dollars’ and that this is the first time such night-vision capabilities have been available to the consumer.

The Aurora uses a 1in sensor with 0.9 million large pixels that are created using what the company describes as a proprietary laser process. The process creates ‘the ultimate light-trapping pixels’ that have increased quantum efficiency and so avoid excessive noise and restricted dynamic range while producing images 10x brighter than a standard CMOS sensor. The sensor design is based on military-grade IR sensors that the company usually makes only for the defence market.

The Aurora can produce viewable images even in what would appear to the human eye to be darkness

The pixels have extended sensitivity to light between 850 and 940nm in the near-infrared area of the spectrum, and a maximum ANSI of 820,000 – and so can produce viewable images even in what would appear to the human eye to be darkness. The camera can also shoot still images (albeit it obviously at a very low resolution), as well as timelapse sequences and 720p video.

The camera is also fitted with GPS, an accelerometer and a compass for adventurers, and can be used underwater for 30 minutes to a depth of 3ft.

The Aurora will cost $ 799. For more information see the SiOnxy website.

Press release

SiOnyx Announces World’s First Day/Night Action Camera For Consumer Market, Turns Night Into Full-Color Daylight

Aurora Features OLED Display, Ip67-Grade Waterproofing and AR-Compatibility; Compass, GPS & WiFi Built-In With iOS and Android Apps, Retails at $ 799

SiOnyxTM (Beverly, MA), a leader in infrared imaging technology – today announced the official launch for the SiOnyx AuroraTM, the only HD action video camera with true day and night color imaging. SiOnyx Aurora is just under 8 ounces and sized to fit comfortably in one hand for easy operation.

Available in August direct from SiOnyx at sionyx.com at a retail price of $ 799, Aurora is based on the SiOnyx Ultra Low Light technology that is protected by more than 40 patents and until now was only available in the highest-end night vision optics costing tens of thousands of dollars. This identical technology has now been cost-reduced for use in Aurora and other upcoming devices from SiOnyx and its partners.

SiOnyx has developed a new semiconductor process that dramatically enhances the infrared sensitivity of silicon-based imaging. Its ultra low-light technology enables richly-defined color images and video during the day and twilight, combined with unmatched high-resolution viewing in near total darkness. Sample videos as well as images may be found at www.sionyx.com

Through the free companion apps on iOSTM and Android®, you can review your experiences in real-time or control the Aurora directly from your phone. Designed for an active outdoor lifestyle, Aurora is also fully certified with an IP67 waterproof rating.

Aurora offers transformative night video for a wide range of uses including boating, hunting, fishing, nature watching, emergency response and other activities where clear night-vision is of importance. A removable neck strap allows you to keep it accessible on any adventure. Aurora uses GPS combined with an accelerometer and compass to accurately guide your way, day or night.

“Outdoor enthusiasts play day and night; capturing those adventures doesn’t need to stop when the sun goes down,” said Stephen Saylor, President and CEO of SiOnyx. “Aurora’s unique Ultra Low Light technology enables night video that people will swear was taken in full daylight.”

About SiOnyx:

Founded in 2006 by Professor Eric Mazur and Dr. James Carey of Harvard University, SiOnyxTM has commercialized a patented semiconductor process that dramatically enhances the sensitivity of silicon-based photonics. SiOnyx’s platform represents a significant breakthrough in the development of smaller, lower cost, high-performing photonic devices in applications ranging from simple light detection to advanced digital imaging and more. The company markets its low-light technology under the XQETM family of CMOS images sensors and has also entered the consumer electronics market with the launch of the Aurora day/night action camera.

Articles: Digital Photography Review (dpreview.com)

 
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The HumanEyes Vuze XR shoots both 360° and 180° (3D) video

20 Jul

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HumanEyes Technology has announced the Vuze XR camera, a product the company describes as a ‘dual camera’ since it can be used for two distinctly different applications.

The Vuze XR captures standard 360° spherical video in 5.7K resolution. Like the Rylo Camera or the GoPro Fusion, it appears to provide editing tools that will allow users to create 16:9 videos from the 360° footage or zoom out to a ‘tiny planet’ view, allowing for a lot of creative choices to be made after video is recorded.

By flipping both of its cameras outward, the Vuze XR transforms into a camera that captures 180° stereoscopic video similar to the Lucid VR or Yi Horizon VR180 camera, providing an immersive 3D experience to viewers when used with VR goggles.

While the Vuze XR doesn’t appear to break significant ground in either area, it presents an interesting option for 360°/VR content creators. Instead of having to purchase and carry two separate cameras, each of which may require different software and workflows, the Vuze XR promises to wrap both capabilities into a single camera.

Additionally, the camera will support live streaming to social media, which may make it an attractive choice for activities such as travel where you want to keep things light but retain the flexibility to share your adventure in different ways.

HumanEyes did not provide a specific release date, but says the Vuze XR will be available in the coming months at a price in the ‘$ 400 range’.

HUMANEYES TECHNOLOGIES DEBUTS THE VUZE XR DUAL CAMERA, GIVING ANYONE THE POWER TO CREATE AND SHARE IMMERSIVE EXPERIENCES IN 360° (2D) OR VR180 (3D)

With the touch of a button, the Vuze XR transforms from a 360° camera to a VR180 camera, enabling content creators to spontaneously tell any story, from every angle.

NEW YORK CITY, July 19, 2018 – Consumers and prosumers alike will be able to capture and share engaging content, life’s adventures and memorable moments in stunning 360° (2D) or stereoscopic VR180 (3D), all from one innovative device.

HumanEyes Technologies today announced its upcoming Vuze XR Camera, designed to capture, create and share both high-resolution photos and full motion video, in either 5.7K 360° or VR180 formats.

Available in the fourth quarter of 2018, the Vuze XR Camera will transform storytelling by providing the visual dynamics of a full 360° camera, and with a single click, convert to an immersive VR180 format. The unique dual-camera design is portable, simple-to-use and seamlessly combines two advanced capture systems into one pocketable device, giving content creators, social media enthusiasts, world travelers, adventure seekers, families and creators of all types the power and convenience to record or share live to mobile phones, computers and VR headsets alike.

The Vuze XR Camera allows users to:

  • Capture and share full 360° or immersive VR180 video or photos.
  • “Click” between standard 360° mode (when the camera is closed) and 3D VR180 mode (when the camera is open).
  • Enjoy industry leading, high-resolution, 5.7K video.
  • Live stream to popular social media channels.

“The Vuze XR Camera is a must have for anyone with a story or special moment to share, from consumers to prosumers. With powerful 360° and VR180 5.7K camera technology built in, along with instant sharing and a live streaming mode, anyone can enjoy the freedom of shooting their story, the way they want,” said Shahar Bin-Nun, CEO of HumanEyes Technologies. “One camera can now live stream in 360° from a concert, take immersive VR180 pictures of the band, and record your friends singing along to edit and share the full experience later. We’re giving users the freedom to spontaneously shoot content from all angles, or only a few, and we can’t wait to see what’s created with it.”

The Vuze XR Camera is the latest innovation from the company’s award-winning VR camera line, which includes the Vuze and Vuze+ VR cameras, the first cost effective 3D-360° VR camera solutions has made content creation accessible to anyone.

The Vuze XR Camera will be available for purchase in the $ 400 price range. Additional camera details, specifications and pricing will be available in the coming months. To see the Vuze XR Camera in action and register to be the first to hear more, visit VuzeXR.com.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Coolpix P1000 shoots for the moon with 3000mm equiv. zoom

10 Jul

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If the 24-2000mm equivalent lens on the Nikon Coolpix P900 wasn’t enough for you, then we bring good news: Nikon has announced its Coolpix P1000, which brings the telephoto end up to a once unthinkable 3000mm equiv. The lens has a maximum aperture of F2.8-8, compared to F2.8-6.5 on the P900, and has both ED and Super ED elements. This monster of a lens accepts 77mm filters and has two zoom speeds.

The P1000 has dedicated moon and bird positions on the mode dial

If you use Nikon’s ‘Dynamic Fine Zoom’ feature, the equivalent focal length rises to 6000mm (with some loss in image quality). Still not enough? If, for some reason, you need 12000mm of reach and don’t mind a substantial loss in image quality, you can use the camera’s 4X digital zoom. If you’re wondering just how large this camera is, it’s roughly 360mm / 14″ long with the lens extended and weighs in at a whopping 1.4kg / 3.1lbs.

As with its predecessor, the P1000 has a 16MP, 1/2.3″ sensor that offers an ISO range of 100-6400, along with Raw support, which wasn’t found on the P900 and represents a welcome addition. It can shoot continuously at 7 fps, but only for 7 shots. In a nod to its potential use cases, the P1000 has dedicated moon and bird positions on the mode dial. Photos and movies can be compared on a fully articulating LCD (which is not touch-enabled) or an 2.36M-dot OLED viewfinder.

The P1000 can also capture 4K/UHD video at 30p or 25p as well as 1080p from 60 fps down to 25 fps. The camera has a external mic input and offers manual exposure controls and clean HDMI output.

Wireless features include Wi-Fi and Bluetooth, and the camera can be controlled via your smartphone, the new ML-L7 Bluetooth remote or the MC-DC2 wired shutter release. Battery life is rated at 250 shots per charge.

The Nikon Coolpix P1000 will be available in September for $ 999.

Official samples

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Press Release

THE SUPERZOOM COOLPIX P1000 OFFERS AN ASTOUNDING 125X ZOOM TO CAPTURE YOUR WORLD AND BEYOND

With its Impressive NIKKOR 24-3000mm Equivalent Optical Zoom Lens and Advanced Shooting Controls, the New COOLPIX P1000 Brings Creative Possibilities Closer Than Ever

MELVILLE, NY (JULY 10, 2018 AT 12:01 A.M. EDT) – Today, Nikon Inc. announced the COOLPIX P1000, the new undisputed powerhouse of superzooms. With an incredible 125X optical zoom (24-3000mm equivalent) powered by high performance NIKKOR optics; the P1000 is the ideal companion camera for birding, sports, wildlife and celestial-photographers seeking superior performance from extreme distances. Beyond its incredible zoom range, the versatile 16-megapixel COOLPIX P1000 captures 4K UHD video and offers a myriad of manual controls, as well as user-friendly functions including built-in Wi-Fi1 and Bluetooth2 connectivity, letting photographers of all levels explore and share their creativity.

“The COOLPIX P1000 is the first of its kind for a compact digital camera,” said Jay Vannatter, Executive Vice President, Nikon Inc. “It raises the bar for superzoom cameras and is a testament to our commitment to delivering innovative tools that offer creative freedom to capture and allow users to share their unique visions of the world.”

Powerful Optics go the Distance

The COOLPIX P1000 incorporates state-of-the-art NIKKOR technology, designed with ED and Super ED lens elements, boasts the world’s most powerful3 125X optical zoom lens (24-3000mm f/2.8-8) and 250X Dynamic Fine Zoom4, equivalent to a staggering 6000mm from macro to extreme distances. This powerful zoom range gives the P1000 the versatility to chronicle an adventure filled vacation, capture a favorite ballplayer from the top tier of a stadium or fill the frame with celestial objects like the moon, that normally only a telescope could reach.

To handle such extreme distances, the camera is equipped with the latest Nikon EXPEED image processing system and Dual Detect Optical VR technology for 5-stops5 of camera shake compensation that help capture sharp images and reduce blur. Featuring a 16-megapixel back-side illuminated (BSI) CMOS sensor and expanded ISO range up to 6400, the P1000 affords users the versatility to capture superior image quality even under challenging lighting conditions. The COOLPIX P1000 also boasts a variety of high-speed features including a quick start-up and fast Autofocus (AF) system, making it an ideal choice for capturing action from the sidelines of your kid’s soccer game or from an adventure-packed safari. Additionally, whether capturing a ballplayer sliding into home plate or photographing a bird in flight from afar, users will feel confident finding, tracking and capturing these far-away subjects using the camera’s snap-back zoom feature which temporarily expands the field of view for super-telephoto shots.

Versatility Ignites Creativity

The COOLPIX P1000 makes it easier than ever for photographers to express their personal creativity. Through its host of manual functions and RAW (NRW) image output, the P1000 is great for advanced users seeking precise control from point of capture to post-production. The COOLPIX P1000 offers an innovative control layout complete with a function button, command dial and mode dial to bring frequently used functions to a photographer’s fingertips.

Additionally, the camera includes a focus mode selector that can be used to change the focus mode and a control ring that allows for the adjustment of settings such as the white balance and manual focus. Photographers will find the camera’s built-in 2.3-million dot OLED electronic viewfinder (EVF) helpful when composing their shot, while the Vari-Angle 3.2-inch 921K-dot TFT LCD display is ideal for capturing challenging angles like framing a performer on a concert stage.

The COOLPIX P1000 offers numerous picture controls, creative modes and filter effects to help photographers bring their creative vision to life. Whether capturing the night sky or a bird perched on a tree branch, users can take advantage of the camera’s designated scene modes, such as Moon Mode and Bird Watching Mode, to automatically adjust settings to deliver brilliant results in a variety of environments. While amazing for extreme zoom, the COOLPIX P1000 also supports versatile shooting scenarios like capturing macro images from as close as 1 cm away. Beyond mastering still photography from both near and far, the P1000 is also capable of incredible 4K UHD video with stereo audio recording and time-lapse effects to further expand artistic expression. Lastly, with built-in Wi-Fi and Bluetooth connectivity, images will transfer automatically to a photographer’s compatible mobile device so family and friends can view stunning vacation moments or epic shots of the night sky in real time.

New Accessory: Bluetooth Connected Remote

The new COOLPIX P1000 is equipped with an accessory terminal and an accessory shoe that supports a wide variety of compatible devices, including external Nikon Speedlights. To bring more capabilities and creative control to photographers, Nikon also announced the new ML-L7 Bluetooth connected remote as another optional accessory available for the COOLPIX P1000. The ML-L7 Bluetooth connected remote control expands the shooting possibilities of the P1000 by enabling users to trigger various camera functions, including video start and smooth zoom control, remotely.

Price and Availability

The COOLPIX P1000 will have a suggested retail price (SRP) of $ 999.95* and will be available in September 2018. The new ML-L7 Bluetooth connected remote control will also be available in September 2018 for a SRP of $ 49.95*. For more information on COOLPIX P1000 and other Nikon products, please visit www.nikonusa.com.

1. This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.

2. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a compatible smart device running the SnapBridge app, and to take advantage of SnapBridge features. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.

Using the SnapBridge App System Requirements:

  • Android 5.0 or later or 6.0.1 or later
  • A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
  • The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. Nikon SnapBridge can be used only with compatible cameras.

3. Among compact digital cameras available as of July 10, 2018. Statement based on Nikon research.

4. At the maximum image size. The maximum zoom ratio varies by image size. The zoom ratio indicated for Dynamic Fine Zoom is the combined ratio of optical zoom from the maximum wide-angle position and digital zoom.

5. Measured in accordance with CIPA standards at approx. 350mm (equivalent focal length in 35mm [135] format).

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

**Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.

Nikon Coolpix P1000 specifications

Price
MSRP $ 999
Body type
Body type SLR-like (bridge)
Sensor
Max resolution 4608 x 3456
Image ratio w:h 4:3
Effective pixels 16 megapixels
Sensor photo detectors 17 megapixels
Sensor size 1/2.3" (6.17 x 4.55 mm)
Sensor type BSI-CMOS
Processor Nikon Expeed
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 100-6400
White balance presets 5
Custom white balance Yes
Image stabilization Optical
CIPA image stabilization rating 5 stop(s)
Uncompressed format RAW
File format
  • JPEG (Exif v2.31)
  • Raw (NRW)
Optics & Focus
Focal length (equiv.) 24–3000 mm
Optical zoom 125×
Maximum aperture F2.8–8
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4X)
Manual focus Yes
Normal focus range 30 cm (11.81″)
Macro focus range 1 cm (0.39″)
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3.2″
Screen dots 921,000
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 99%
Viewfinder resolution 2,359,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • Backlighting
  • Beach
  • Close-up
  • Dusk/Dawn
  • Easy Panorama
  • Fireworks Show
  • Food
  • Landscape
  • Multiple Exposure Lighten
  • Night Landscape
  • Night Portrait
  • Party/Indoor
  • Pet Portrait
  • Portrait
  • Scene Auto Selector
  • Selective Color
  • Snow
  • Soft
  • Sports
  • Sunset
  • Superlapse Movie
  • Time-lapse Movie
Built-in flash Yes
Flash range 12.00 m (at Auto ISO)
External flash Yes (via hot shoe)
Drive modes
  • Single shot
  • Continuous H
  • Continuous H 60
  • Continuous H 120
  • Continuous L
  • Interval timer
  • Pre-shooting cache
  • Bulb/time
Continuous drive 7.0 fps
Self-timer Yes (2 or 10 secs)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±2 (at 1/3 EV steps)
AE Bracketing ±2 (3 frames at 1/3 EV steps)
WB Bracketing No
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p, MP4, H.264, AAC
  • 3840 x 2160 @ 25p, MP4, H.264, AAC
  • 1920 x 1080 @ 60p, MP4, H.264, AAC
  • 1920 x 1080 @ 50p, MP4, H.264, AAC
  • 1920 x 1080 @ 30p, MP4, H.264, AAC
  • 1920 x 1080 @ 25p, MP4, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (UHS-I support)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.1 LE
Remote control Yes (via smartphone, Bluetooth remote, wired remote)
Physical
Battery Battery Pack
Battery description EN-EL20a lithium-ion battery and charger
Battery Life (CIPA) 250
Weight (inc. batteries) 1415 g (3.12 lb / 49.91 oz)
Dimensions 146 x 119 x 181 mm (5.75 x 4.69 x 7.13″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Parrot launches Anafi, a foldable 4K drone that shoots HDR video

07 Jun

Parrot, a French drone company known for its Bebop drones, has unveiled its latest consumer drone, the Anafi. Both on paper and in photos, this consumer-centric drone appears to be a direct competitor to DJI’s Mavic Air.

Its fold-out design is almost identical to the Mavic Air. It weighs just 0.7 pounds (320 grams) and folds up nice for slim packing in your bag. At the core of the drone is a 21-megapixel camera on a 180-degree tilt gimbal that shoots 4K HDR video at 30 fps or 1080p HDR video at 60 fps. For image stabilization, the Anafi features two-axis optical stabilization, while software compensates for the third axis.

The battery life of the Anafi is rated for 25 minutes, which seems par for course in the compact drone market. For comparison, the Mavic Air is also rated for a 25-minute fly time. Additional batteries, which are charged via USB-C, can be purchased for $ 99. The compact drone features a 2.5 mile range and has a top speed of 32 mph.

The Anafi comes with a physical controller alongside an all-new smartphone application to control the drone—FreeFlight 6. The updated app includes a slew of new shooting modes, including AI-based tracking, selfie capture, slow-mo capture, hyperlapse video and automated video modes for capturing landscapes. One downfall is your smartphone will need to be tethered via USB-A cable to the controller—apparently it’s needed to stream the full-quality video to your device.

The Anafi will retail for $ 699 and will be available starting on July 1st, although you can pre-order one now to secure your spot.. $ 700 is still a lot for a consumer drone, but compared to the $ 800 Mavic Air, it’s a slightly better value, if you don’t mind a few inconveniences.

Articles: Digital Photography Review (dpreview.com)

 
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Canon shows off full-frame sensor that shoots 100fps Full HD in ‘exceptionally low-light’

03 Apr

At CES 2018, Canon unveiled three specialized CMOS sensors: an ultra-high resolution 120MP APS-H sensor, a 5MP Global Shutter sensor, and a 19?m Full HD sensor capable of shooting 100fps Full HD in extremely low light. Each does something special—offering high resolution, global shutter, and high-sensitivity, respectively—and now, a few months later, Canon is showing off these sensors in a series of demo videos.

The first video featured the 120MXS sensor, which can shoot a mind-boggling 9.4fps at 120MP resolution. Now Canon USA has released the second video in the series, demoing its full-frame 19?m Full HD sensor made for shooting slow motion in extremely low light:

The 35MMFHDXS CMOS sensor, capable of shooting 100fps Full HD in ‘exceptionally low-light environments.’

The sensor is called the 35MMFHDXS, and in many ways it’s the polar opposite of the 120MXS. It only contains 2.2 effective megapixels, but each of those pixels is a whopping 19?m x 19?m in size, allowing them to capture a lot of light. This, combined with new pixel and readout circuitry that helps reduce noise, is what allows this full-frame sensor to capture Full HD at 100fps even when shooting in very little light.

You can see what this means in the video up top, or read Canon’s own description of the 19?m Full HD sensor below:

The 35MMFHDXS CMOS sensor delivers high-sensitivity, low-noise imaging performance, enabling the capture of Full HD video even in exceptionally low-light environments. The sensor’s pixels and readout circuitry employ new technologies that reduce noise, which tends to increase as pixel size increases. High sensitivity and increased well depth have been achieved through a larger pixel size of 19?m x 19?m (square) with proprietary device design technologies. The 35MMFHDXS CMOS sensor is available in RGB, RGB+IR or Monochrome.

Sample video screenshot. Credit: Canon

These new specialized CMOS sensors now have their own landing page on Canon’s website, where you can dig into the specs and read a full white paper on each of them.

As with the 120MXS, we probably won’t see this 35MMFHDXS sensor in standard, consumer-facing Canon cameras anytime soon; however, the technology Canon is developing to create these “advanced CMOS sensors with state-of-the-art technologies” will no doubt trickle down into the sensors the company will use in its DSLR and mirrorless cameras of tomorrow.

Check out the demo video above, and then head over to the Canon landing page to learn more.

Articles: Digital Photography Review (dpreview.com)

 
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Pentax K-1 Mark II shoots up to ISO 819,200, offers updated Pixel Shift

22 Feb

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Almost exactly two years after its predecessor’s introduction, Ricoh is debuting the Pentax K-1 Mark II. It’s the company’s latest full-frame DSLR and uses the same AA-filterless 36.4MP sensor used by the Mark I, but adds a new ‘accelerator’ to the imaging pipeline. This addition makes it possible to shoot at up to ISO 819,200, according to Ricoh. The company also says updated image processing parameters offer better color reproduction, especially blues and greens.

The K-1 II’s Pixel Shift Resolution System II adds the ability to use this high-res mode without a tripod by measuring the movements that come from hand shake, then capturing and combining four frames into one high-resolution image. The company calls this feature Dynamic Pixel Shift Resolution mode.

Official samples:

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The camera’s hardware specs are otherwise unchanged from the K-1: it still offers a sturdy, weather-resistant construction and a flexible, articulated 3.2″ 1.04 million dot LCD complemented by a nearly 100% optical viewfinder (0.7x magnification). It continues to offer 33 AF points (25 cross-type), with an updated tracking algorithm that claims to improve accuracy while photographing moving subjects in AF-C mode. In-body 5-axis image stabilization is included, claiming up to 5 stops of correction.

Burst shooting tops out at 4.4 fps (up to 17 Raw images or 70 JPEGs) in regular shooting, or 6.4 fps in APS-C crop mode. The camera’s maximum video resolution of 1080/30p is starting to look a bit dated, though it does offer a 4K resolution interval mode that turns a series of stills into a time-lapse video. Headphone and microphone ports are offered, with a new wind-reduction audio recording option.

The Pentax K-1 Mark II will go on sale in April for $ 1999.95 body-only, or bundled with the HD Pentax-D FA 28-105mm F3.5-5.6 ED DC WR zoom for $ 2399.95.

Ricoh announces the PENTAX K-1 Mark II full-frame digital SLR camera

Flagship model in the PENTAX K series camera line updated to deliver even higher image quality and enhanced performance in challenging shooting conditions

WEST CALDWELL, NJ, February 21, 2018?Ricoh Imaging Americas Corporation today announced the PENTAX K-1 Mark II 35mm full-frame digital SLR (DSLR) camera. Developed as the successor to the PENTAX K-1 full-frame DSLR camera launched in April 2016, the compact, rugged and weather-resistant PENTAX K-1 Mark II now becomes the flagship camera in the acclaimed PENTAX K-series lineup. The camera incorporates new technologies that allow it to deliver outstanding image quality and improved operability in a broader range of shooting conditions.

The PENTAX K-1 Mark II uses the same full-frame Anti-aliasing (AA)-filterless CMOS sensor with 36.4 effective megapixels as its predecessor model. However, Ricoh has added a new accelerator unit to the PENTAX K-1 Mark II that—along with the camera’s PRIME IV image processor—enables it to produce high-resolution images with minimal noise in even in the most challenging low-light conditions, up to ISO 819200. This makes the new camera ideal for low-light photography where higher shutter speeds are required.

The camera also incorporates Pixel Shift Resolution System II. This new, PENTAX-developed technology uses the same in-camera shake-reduction (SR) mechanism and sensor-shift capabilities as the original Pixel Shift Resolution System found in the PENTAX K-1, which captures four images of the same scene, and then synthesizes them into a single, super-high-resolution composite image. With the Pixel Shift Resolution System II, the camera also obtains RGB color data, resulting in images with significantly finer details and truer colors than those produced by typical full-frame sensors.

A new feature in the Pixel Shift Resolution System II is Dynamic Pixel Shift Resolution mode. This mode allows photographers to produce crisp, ultra-high pixel shift resolution images without the need of a tripod, extending the camera’s use to a wider variety of subjects and scenes.

The PENTAX K-1 Mark II also comes equipped with many unique features and functions designed to facilitate creativity and ensure operational comfort that have become the hallmark of PENTAX cameras. These include a sturdy magnesium-alloy body with dustproof, weather-resistant construction; an optical viewfinder with a nearly 100-percent field of view for real-time subject confirmation; Astro Tracer, which simplifies the tracing and photographing of celestial bodies by coupling GPS data with the camera’s sophisticated SRII mechanism; and a flexible tilt-type LCD monitor to accommodate various shooting angles.

| Pricing and Availability |

The PENTAX K-1 Mark II camera body will be available in April 2018 for a suggested list price of $ 1,999.95. The camera body plus HD PENTAX-D FA 28-105mm F3.5-5.6 ED DC WR zoom lens will also be available for a suggested list price of $ 2,399.95. Both can be purchased at www.us.ricoh-imaging.com as well as at Ricoh Imaging-authorized retail outlets throughout North America.

| Main Features |

1. Newly incorporated accelerator unit delivers high-quality images and excellent super-high-sensitivity imaging performance

The PENTAX K-1 Mark II features a 35mm-format full-frame CMOS image sensor with an AA (anti-aliasing) filter–free design to produce high-resolution images with approximately 36.4 effective megapixels. It also features a new accelerator unit, which optimizes the image data obtained by the full-frame image sensor before delivering it to the high-performance PRIME IV imaging engine. As a result, the camera is capable of producing high-quality images with minimal noise, while retaining excellent resolution at all sensitivity levels, from normal to super-high sensitivities. PENTAX has also updated all image-processing parameters to ensure colors are true to life, with special emphasis on deep blues and lively greens. PENTAX has also dramatically improved the camera’s noise-reduction performance at a high-sensitivity range — up to ISO 819200 — to expand creative possibilities in super low-light shooting.

2. Pixel Shift Resolution System II produces super-resolution images and enables handheld shooting

Building upon the original PENTAX-developed Pixel Shift Resolution System — the super-resolution technology that uses the camera’s in-body shake-reduction mechanism to capture four images of the same scene by shifting the image sensor by a single pixel for each image, and then synthesizes them into a single composite image — is the Pixel Shift Resolution System II,* making its debut in the PENTAX K-1 II. This new system obtains RGB color data for each pixel, resulting in super-high-resolution images with finer details and more realistic colors than those produced by cameras with ordinary full-frame sensors. The Motion Correction functions provides ON/OFF switching, which detects moving elements of the continuously captured images to minimize the effect of subject movement during the image synthesizing process.***The new Dynamic Pixel Shift Resolution mode,** which can be used during handheld shooting, works together with the camera’s shake-reduction mechanism, by synthesizing the composite images while detecting the slight fluctuations of the subject’s position during the capture process.

This technology comes from the reverse thinking of pixel shift technology to utilize the minute camera shake itself to product the composite images. Therefore, by detecting the camera shake in three dimensions, the continuously captured four images are analyzed based on the detected camera shake information and combined into a single file to produce one super high resolution image.

* When using this system, the user is advised to stabilize the camera firmly on a tripod. Even if a moving subject is captured in the camera’s image field, the image may not be reproduced clearly, partially or in total.
** The captured images may not be properly synthesized with certain subjects or under certain conditions. By capturing images in the RAW or RAW+ format, the user can process the images unsuitable for the synthesizing process as normal RAW-format images within the camera body. The images may not be properly synthesized in a composite image
*** The movement may not be sufficiently corrected when the object is moving in a certain direction and/or pattern. This function does not guarantee that the movement is properly corrected with all subjects.

3. High-performance five-axis, five-step SR II system

(1) In-body SR mechanism delivers optimal shake-reduction performance with all compatible lenses The PENTAX K-1 Mark II comes equipped with the PENTAX-developed SR II (Shake Reduction II) five-axis mechanism, which provides accurate control of the large full-frame image sensor with all compatible PENTAX interchangeable lenses.* In addition to camera shake caused by pitch and yaw, this advanced system also compensates for camera shake caused by horizontal and vertical shift (often generated in macro photography) and camera shake caused by roll, which is difficult for lens-installed shake-reduction mechanisms to handle. It has a compensation range up to five steps (measured in conformity with CIPA standards, using the HD PENTAX-D FA 28-105mm F3.5-5, 6ED DC WR at a 105mm focal length). When taking a panning shot, this system automatically detects the direction of the camera’s movement, and efficiently controls the SR unit to produce the best image possible without requiring any mode switching operation.

(2) Innovative AA filter simulator to minimize moiré and inaccurate color rendition By applying microscopic vibrations to the image sensor unit at the sub-pixel level during image exposure, the camera’s anti-aliasing (AA) filter simulator** provides the same level of moiré reduction as an optical AA filter. Unlike an optical filter, which always creates the identical result, this innovative simulator not only lets the user switch the AA filter effect on and off, but also adjust the level of the effect. This means that the ideal effect can be set for a particular scene or subject based on given photographic conditions.

(3) Additional shooting functions enabled by the SR II system Since the camera’s SR unit has a flexible design that tilts the image sensor unit in all directions, additional shooting functions are enabled, including auto level compensation, image-composition fine-adjustment, and Astro Tracer, a feature that works along with the built-in GPS, to produce super-sharp images of the night sky.

* Lenses compatible with this mechanism: K-, KA-, KAF-, KAF2-, KAF3- and K AF4-mount lenses; screw-mount lenses (with an adapter); and 645- and 67-system lenses (with an adapter). Some functions may not be available with certain lenses.
** This function works most effectively with a shutter speed of 1/1000 second or slower. This function may not be combined with some shooting modes, including the Pixel Shift Resolution system.

4. Flexible, tilting LCD monitor facilitates shooting in the dark On its back panel, the PENTAX K-1 Mark II features a flexible, tilting LCD monitor, which can be adjusted to the desired angle horizontally, vertically or diagonally with a single adjustment, without deviating from the lens’s optical axis. The user can not only tilt it approximately 35 degrees horizontally and approximately 44 degrees vertically, but also pull it out from its base to view the on-screen image from above for waist-level photography. This large, 3.2-inch LCD monitor has approximately 1,037,000 dots and a 3:2 aspect ratio, and provides a protective tempered-glass front panel for added durability. In addition to its wide-view design, it also features a unique air-gapless construction, in which the air space between LCD layers is eliminated to effectively reduce the reflection and dispersion of light for improved visibility during outdoor shooting. Its outdoor monitor function, which allows instant adjustment of the monitor’s brightness to the desired level, has also been improved to provide greater visibility in dark locations. Its red-lit monitor display function facilitates monitor viewing when the photographer’s eyes have become accustomed to a dark location during nighttime photography.

5. SAFOX 12 with 33 sensor points and full-frame-proportioned AF frame Using a SAFOX 12 AF sensor module with 33 AF sensors (25 cross-type sensors positioned in the middle), the PENTAX K-1 Mark II optimizes the autofocus process, and assures high-speed autofocus operation in the AF.S (AF Single) mode. The center sensor and two sensors located just above and below it are designed to detect the light flux of an F2.8 lens, making it easy to obtain pinpoint focus on a subject when using a large-aperture lens. Its AF Tracking algorithm has also been revised to improve tracking accuracy of fast-moving subjects in the AF.C (AF Continuous) mode.

6. PENTAX Real-Time Scene-Analysis System, developed using artificial intelligence technology By combining an approximately 86,000-pixel RGB metering sensor with the high-performance PRIME IV imaging engine, the PENTAX K-1 Mark II’s advanced PENTAX Real-Time Scene Analysis System performs real-time analysis of the brightness distribution over the image field and the subject’s colors and movement. Based on this data, it then measures the subject’s lighting conditions with great accuracy and optimizes the exposure. By adopting a breakthrough artificial intelligence technology, deep learning, to its algorithm,* it assesses each individual scene more accurately, and optimizes the exposure settings for a given scene or composition.

* Effective when the AUTO exposure mode is set to Scene Analyze Auto and the Custom Image mode is set to Auto Select.

7. Easy-to-focus optical viewfinder with nearly 100-percent field of view Optimized for a 35mm full-frame digital SLR design, the camera’s optical viewfinder provides a nearly 100-percent field of view and an approximately 0.7-times magnification. Using a combination of a condenser lens and aspherical lens, it provides a wide field of view and a clear, undistorted image of the subject. It comes with a Natural Bright Matt III focusing screen, acclaimed for ease of focusing during manual-focus operation, and true-to-life rendition of defocused areas in the viewfinder image. In addition, its transparent viewfinder display makes it possible to superimpose a wide range of photographic data over the viewfinder image.

8. High-speed continuous shooting The PENTAX K-1 Mark II allows continuous recording of as many as 17 images in the RAW format (or a maximum of 70 images in the JPEG Best format) in a single sequence, at a top speed of approximately 4.4 images per second. This is made possible by the combination of advanced mechanisms including a damper mechanism that effectively minimizes mirror shock; high-speed, high-precision control of the shutter and mirror units; and a high-speed data transmission system incorporated in the PRIME IV imaging engine. In the APS-C Crop mode, the drive speed can be boosted to as high as approximately 6.4 images per second, and as many as 50 images in a single sequence in the RAW format (or 100 images in the JPEG Best format) to assure quick response to fast-moving subjects.

9. Supportive shooting functions to improve picture-taking efficiency and operational comfort

  • Operation-assist light function, which sets LED lights at four different spots around the camera body — above the lens mount, behind the LCD monitor, at the memory car slot, and at the cable switch terminal — to facilitate lens and memory card changes, attachment and removal of the cable switch, and control button operation at night and in poorly lit settings.
  • Key lock function, which prevents erroneous operation of the four-way controller and other exposure-related control buttons.
  • Smart Function, which allows the user to swiftly choose and set desired functions using just the function dial and the set dial on the camera’s upper panel, without referring to the menu screen on the LCD monitor.
  • Control panel customize function, which allows the user to change a listing and/or position of the on-screen menu.

10. Compact, rugged body with dustproof, weather-resistant construction The camera’s bottom panel and front and back frames are all made of sturdy yet lightweight magnesium alloy. Although the camera features a dependable, durable shutter unit that can withstand 300,000 shutter releases (measured under actual shooting conditions) for professional use, its body has been downsized to the minimum possible, thanks to the incorporation of a unique floating mirror structure. With the inclusion of 87 sealing parts in the body, the camera also boasts a dustproof, weather-resistant and cold-resistant construction, assuring solid operation at temperatures as low as -10°C. All these features make the PENTAX K-1 Mark II a dependable, all-purpose performer, even under demanding shooting conditions.

11. Full HD movie recording with an array of creative tools The PENTAX K-1 Mark II captures Full HD movie clips (1920 x 1080 pixels; 60i/30p frame rate) in the H.264 recording format, and comes equipped with a stereo mic terminal for external microphone connection, and a headphone terminal. The user can also adjust the audio recording level manually, monitor sound pressure levels during microphone recording, and cut down wind noise using a new wind-noise reduction mode. In addition to a host of distinctive visual effects for movie recording,* the camera also provides the interval movie mode, which captures a series of 4K-resolution (3840 x 2160 pixels) movie clips at a fixed interval.

* When special image processing is required, the frame rate may vary depending on the selected special-effect mode.

12. Built-in GPS module The PENTAX K-1 Mark II provides a variety of advanced GPS functions, including the recording of location, latitude, longitude, altitude and UTC (Universal Time Coordinated) and direction at the time of shooting. The user can easily access images containing GPS data using a computer, to browse them, check on shooting locations and position data on the screen, or save them. The camera also provides a set of other unique tools, including: Electronic Compass, which displays the camera’s direction on its LCD monitor; GPS log, which keeps track of the photographer’s movement; and Astro Tracer, which simplifies the tracing and photographing of celestial bodies by coupling GPS data with the camera’s SR mechanism.

13. Other features

  • High-grade DRII (Dust Removal II) mechanism for effective elimination of dust on the image sensor using ultrasonic vibration
  • Crop mode with a choice of image area from AUTO, FF (Full Frame), APS-C and 1:1
  • Wireless LAN connection to support the operation with smartphones and table computers, the transfer of captured images, and remote shooting operations ?HDR (High Dynamic Range) shooting mode with RAW-format data filing, usable in handheld shooting
  • The PENTAX-invented hyper operating system for quick, accurate response to the photographer’s creative intentions
  • Dual SD card slots for memory card flexibility (compatible with SDXC UHS-1 speed class in SDR104 bus speed mode)
  • Compensation of various parameters: lens distortion, lateral chromatic aberration, diffraction, and brightness level at image-field edges. Fringe effect compensation is also available in RAW-format processing.
  • Bulb Timer function to improve operability in bulb shooting
  • Compatibility with PENTAX Image Transmitter 2 tethering software (software update required from RICOH IMAGING official website)
  • Digital Camera Utility 5 software (latest version) included

Pentax K-1 Mark II specifications

Price
MSRP $ 1999/£1799 (body only), $ 2399 (w/FA 28-105mm lens)
Body type
Body type Mid-size SLR
Body material Magnesium alloy
Sensor
Max resolution 7360 x 4912
Image ratio w:h 3:2
Effective pixels 36 megapixels
Sensor photo detectors 37 megapixels
Sensor size Full frame (35.9 x 24 mm)
Sensor type CMOS
Processor PRIME IV
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-819200
White balance presets 8
Custom white balance Yes (3 slots)
Image stabilization Sensor-shift
CIPA image stabilization rating 5 stop(s)
Uncompressed format RAW
JPEG quality levels Best, better, good
File format
  • JPEG (Exif v2.3)
  • Raw (PEF/DNG)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 33
Number of cross-type focus points 25
Lens mount Pentax KAF4
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2″
Screen dots 1,037,000
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (pentaprism)
Viewfinder coverage 100%
Viewfinder magnification 0.7×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Aperture and shutter priority
  • Sensitivity priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash modes Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync
Flash X sync speed 1/200 sec
Drive modes
  • Single Frame, Continuous, Self-timer, Remote Control, Bracketing, Mirror- up, Multi-Exposure, Interval Shooting, Interval Composite, Interval Movie Record, Star Stream
Continuous drive 4.4 fps
Self-timer Yes (2 or 12 sec, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (2, 3, 5 frames at 1/3 EV, 1/2 EV steps)
Videography features
Format MPEG-4, H.264
Modes
  • 1920 x 1080 @ 60i, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50i, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p, MOV, H.264, Linear PCM
  • 1280 x 720 @ 60p, MOV, H.264, Linear PCM
  • 1280 x 720 @ 50p, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/SDHC/SDXC (UHS-I)
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (wired, wireless, or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description D-LI90 lithium-ion battery & charger
Battery Life (CIPA) 670
Weight (inc. batteries) 1010 g (2.23 lb / 35.63 oz)
Dimensions 137 x 110 x 86 mm (5.39 x 4.33 x 3.39″)
Other features
Orientation sensor Yes
Timelapse recording Yes (Still or video)
GPS Built-in

Articles: Digital Photography Review (dpreview.com)

 
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Yuneec’s new Typhoon H Plus drone boasts a 1-inch sensor camera that shoots 4K 60p

11 Jan

Hong Kong drone manufacturer Yuneec has announced three new drones at CES, including an update to the popular Typhoon H that boasts a bigger sensor with more resolution and the ability to shoot 4K at 60fps.

The company is also preparing to move into the fixed-wing category with its Firebird FPV, and take on the racing drone sector with the compact HD Racer.

Yuneec Typhoon H Plus

The Typhon H Plus now uses a 1-inch, 20MP sensor along with a wide aperture lens that results in better low light performance. The company doesn’t specify what the aperture is, but it does say that the lens has a focal length equivalent to that of a 23mm lens on a full frame body. The ISO range runs from 100 to 6400, and shutter speeds of between 4-1/8000sec are possible.

The drone has a flight time of up to 25 minutes and can reach speeds of 13.5 meters per second (just over 30 miles per hour). With six large rotors the hexcopter provides stable flight in winds of up to 30mph, while a new design sees the machine producing 40% less noise.

Yuneec Firebird FPV

For a completely different experience, the fixed-wing Firebird FPV, “enables the user to fly just as if they were in the cockpit of a real airplane.”

The airplane has a 13MP-sensor camera and can also shoot 4K video. It uses a ‘short-latency’ digital video link to stream footage back to Earth in high-definition. The craft is simple to fly and, according to Yuneec, can remain in the air for up to 30 minutes on a single charge.

Yuneec HD Racer

The HD Racer is designed to be a fun, portable quadcopter for use in indoor racing. It has a 13MP camera that can record 1080p video at 60fps, and it has a handy flip-over feature that allows the user to right the craft remotely should it land upside down at any stage.

The Typhon H Plus and Firebird FPV will ship in the first half of 2018 and will cost $ 1,800 and $ 700, respectively. The HD Racer will come out later in the year, and should cost $ 180. For more information on any of these drones, visit the Yuneec website.

Press Release

Yuneec unveils new product releases at CES 2018

Las Vegas (Jan. 09, 2018) – Yuneec entered two new categories with the unveiling of the all-new fixed wing Firebird FPV and all-new HD Racer for a more immersive flight. Additionally, the company announced the second generation of its proven six-rotor hex platform, Typhoon H Plus—its most powerful consumer product yet.

The category expansion and product line advancements are a result of Yuneec’s ongoing commitment to deliver industry leading technologies and pilot-centric features for an unparalleled electric aviation experience.

Typhoon H Plus

Typhoon H Plus is packed with powerful features and professional image quality that photographers at any skill level will enjoy. The second generation of Typhoon H features Yuneec’s all-new, larger, highly stable six rotor hex airframe.

With a 40 percent reduction in noise from previous hex models, and stable flight in winds up to 30mph, H Plus leads its category in stable flight and quiet operation.

Designed with the creative consumer in mind, Typhoon H Plus is equipped with a high aperture one-inch sensor camera capable of 20 megapixel stills and 4K resolution video at 60fps. The new model also boasts an improved low-light performance compared to previous models. A continuous rotation gimbal combined with retractable landing gear provides seamless 360-degree unobstructed views.

Typhoon H Plus comes equipped with Intel® RealSense™ Technology, a sophisticated collision avoidance system that detects obstacles and intelligently navigates around them. With this feature, drone pilots can worry less about obstacles and focus more on their flight path and camera work. Additionally, the Typhoon H Plus is accompanied by a newly redesigned Android-based ST16S controller, which includes a large, high brightness seven-inch integrated display and HD 720p video downlink for stunning real-time video reception.

HD Racer

The HD Racer, Yuneec’s first racing drone, fits in the palm of your hand and once in the air, gives pilots an immersive experience with cutting-edge technology.

Built-in flight stabilization, with beginner and advanced modes, allow any skill level of pilot to experience the nimble, action packed experience of a racing drone. Its compact size, protected blades, and durable construction make it safe to fly indoors.

While in the air, pilots can seamlessly navigate through any obstacle with an optimized, all-digital, low latency HD video downlink. Additionally, pilots can record and share their best racing moments in high resolution 1080p at 60fps. If pilots do catch an obstacle, ‘Flip-Up’ mode automatically uprights the downed HD Racer to maximize flying and minimize downtime.

Firebird FPV

Firebird FPV provides a fully immersive real-time outdoor flight experience, allowing the user to fly as if they were in the cockpit of a real airplane.

The lightweight fixed-wing design extends the flight time to 30 minutes, which allows users to experience the true nature of piloting an aircraft in one continuous journey. Whether soaring the open sky or performing acrobatic maneuvers including inverted flight, rolls and loops, the Firebird FPV elevates the senses for new and experienced pilots alike.

Its operation is simple and easy to fly at any skill level. Pilots can enable Safety Mode to remove all concern of flying too low by making it impossible to descend below the set floor altitude. Pilots will also appreciate Return Home, Geo Fence and Auto Landing capabilities of this easy-to-use fixed wing aircraft.

Articles: Digital Photography Review (dpreview.com)

 
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