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How to Reduce Camera Shake – 6 Techniques

09 Mar

The post How to Reduce Camera Shake – 6 Techniques appeared first on Digital Photography School. It was authored by Natalie Norton.

6 simple techniques to reduce camera shake

Are you struggling with camera shake? Do your photos turn out blurry whenever you hand-hold the camera?

You’re not alone.

Camera shake is a huge problem. It’s the reason why beginners (and even experienced photographers!) end up with soft, blurry, unwanted photos.

Fortunately, there are a few simple techniques you can use…

…to ensure that your photos never suffer from camera shake again!

So here are six simple techniques for avoiding camera shake and achieving crisp, delicious images – no matter what.

Let’s dive right in, starting with the very first technique:

1. Tuck your elbows in

This technique is simple, yet it really works.

Just pull your elbows in toward your body and let them rest against your chest.

(You can press your elbows firmly into your chest for even greater stability.)

Like this:

avoiding camera shake with your elbows tucked in

It will give your arms a rock-solid foundation to work with so that your hands are utterly motionless.

And when you press the shutter button, you’ll have no camera shake to speak of.

Another quick tip:

Once you have your elbows tucked in, exhale completely before hitting the shutter.

Why?

Because even the slightest movement can cause unwanted shake, especially as you increase your shutter speed.

2. Raise your left shoulder

If you’re a right-eyed photographer, then you’ll need to shift to your left eye to use this technique. If you’re a left-eyed photographer, then you won’t need to change a thing!

Here’s what you do:

Raise your left shoulder high. Then brace your left elbow against your ribcage.

For further stability, you can pull your right elbow into your chest (as discussed in the previous technique).

raise your left shoulder to cut down on camera shake

Also, make sure you exhale completely before pressing the shutter button to avoid introducing additional camera shake.

3. Create a tripod with your knee

If you’re taking a photo low to the ground…

Or you don’t mind getting a little dirty…

Then this is the camera shake reduction technique for you!

And it’s pretty darn easy to pull off.

Simply sit down.

Bring your knee up.

Then rest your elbow on it, like this:

Again, bring in that other elbow for greater support.

You’re essentially creating your own tripod – so you have solid support wherever you go.

4. Lie down on the ground

In general, this is the most effective way to avoid camera shake without a tripod.

All you do is lie flat and let the lens sit directly on the ground.

To prevent any downward tilt of the camera, you can put a hand underneath the lens barrel or lens hood.

(If that doesn’t do the trick, you can always create a fist.)

In the first image, you’ll notice that I placed my hand flat against the cement and balanced the lens on top to give myself some height:

lying down on the ground to prevent camera shake

In the second image, I created a fist with my hand to give myself even more room to shoot.

Of course, this technique isn’t always feasible. If your subject is high off the ground, you’re probably not going to want to shoot from such a low angle.

(Imagine doing an engagement session while lying flat against the ground!)

Plus, lying on the ground can be uncomfortable, especially if you’re shooting on cement, in mud, in water, etc.

So work with this technique when you can, but don’t be afraid to use one of the other options on the list if need be.

5. The machine gun hold

This next technique is sometimes referred to as the machine gun hold, because you hold your camera like, well, a machine gun.

Personally, I don’t use this technique much. I find it awkward and difficult to maintain for more than a second or two.

But just because it doesn’t work for me doesn’t mean it won’t work for you. So give it a try and see what you think!

Here’s what you do:

Hold your camera to your eye with your right hand. Then raise your left elbow until your lens barrel can rest on it comfortably.

For added stability, place your left hand on your right bicep.

Like this:

6. Cradle your camera

Here’s your final technique for reducing camera shake:

Cradle your camera!

Like this:

As you can see, I crouched down and placed my left elbow on my knee.

Then I created a sort of cradle for the lens between my shoulder and my wrist.

It’s a pretty solid hold. Unfortunately, it’s tough to change positions once you’re cradling your lens, so the hold works best if you’re shooting an unmoving subject (e.g., a model during a portrait session).

Six techniques to reduce camera shake: conclusion

Well, there you have it!

You now know six simple techniques for reducing – or eliminating – camera shake.

And I can assure you that they work well; they’re the exact techniques that I myself use to avoid “The Shake.”

Now over to you:

Which of these techniques is your favorite? Have you tried any of them? Share your thoughts on camera shake – and camera shake reduction techniques – in the comments below!

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The post How to Reduce Camera Shake – 6 Techniques appeared first on Digital Photography School. It was authored by Natalie Norton.

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Panasonic’s new Lumix S Pro 70-200mm F2.8 offers up to 7 stops of shake reduction

06 Nov

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Panasonic has officially unveiled the Lumix S Pro 70-200mm F2.8 for its full-frame L-mount system, adding a fast-aperture, stabilized telephoto zoom to the native lens lineup. The lens will go on sale early next year for $ 2600.

The 70-200mm F2.8 includes optical stabilization, which can be combined with in-camera ‘Dual IS 2’ system for a total of 7 stops of shake reduction. It’s dust and water-resistant, and offers a minimum focus distance of about 1m (3ft).

The lens weighs 1570g (3.5lbs) and accepts 82mm filters. Optical construction comprises 22 total elements in 17 groups, including one aspherical, three Extra-low Dispersion and two Ultra Extra-Low Dispersion lenses to reduce chromatic aberration.

The Panasonic Lumix S Pro 70-200mm F2.8 will arrive alongside the also-announced 16-35mm F4 in January at a price of $ 2600.

Press release:

Panasonic Launches Two New L-Mount Interchangeable Lenses for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera

LUMIX S PRO 70-200mm F2.8 O.I.S. and LUMIX S PRO 16-35mm F4

Newark, NJ (November 6, 2019) – Panasonic is proud to introduce two new interchangeable lenses based on the L-Mount system for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Cameras. Designed for professional use, the LUMIX S Series offers uncompromising photographic expression with its high-quality cameras and lenses.

The LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200) is a large-aperture telephoto zoom lens that boasts high descriptive performance across the entire zoom range. The LUMIX S PRO 16-35mm F4 (S-R1635) is a versatile wide zoom lens that provides high resolution images and a beautiful bokeh despite its compact, light-weight profile. Both high-performing LUMIX S PRO lenses achieve LEICA’s stringent standards.

LUMIX S PRO/S Lens Lineup as of November 2019

LUMIX S PRO 50mm F1.4 (S-X50)
[NEW] LUMIX S PRO 16-35mm F4 (S-R1635)
LUMIX S PRO 24-70mm F2.8 (S-E2470)
LUMIX S 24-105mm F4 MACRO O.I.S. (S-R24105)
[NEW] LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200)
LUMIX S PRO 70-200mm F4 O.I.S. (S-R70200)

In addition to Panasonic’s existing portfolio of first-class lenses for the LUMIX S series family of cameras, the company is committed to designing and developing 11 or more lenses with the emphasis on the “LUMIX S PRO” class by March 2021. Currently, more than 46 interchangeable L-Mount lenses are available or will be available from Panasonic, Leica Camera AG and Sigma, opening up a virtually limitless spectrum of new creative possibilities.

LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200)

Designed and developed for professional field shooting, the LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200) uses 2 UED (Ultra Extra-low Dispersion) lenses, 3 ED (Extra-low Dispersion) lenses and optimum alignment comprising 22 elements in 17 groups, effectively suppressing both axial chromatic aberration and chromatic aberration of magnification. Astigmatism is also corrected with an aspherical lens, achieving high resolving performance. Adoption of a double focus system suppresses fluctuation of aberration even at close distances, which results in high descriptive performance from the center to the corners over the entire zoom range despite its large aperture.

Covering from 70mm to 200mm, the use of a Teleconverter allows a maximum 280mm (1.4x, with DMW-STC14) and 400mm (2x, with DMW-STC20) super telephoto shooting*1, with maximum 480 fps focus control for high-speed, high-precision auto focus. The O.I.S. (Optical Image Stabilizer) in the lens complies with the camera’s Body I.S. and the 5-Axis Dual I.S. 2*2 makes it possible to use a 7-stop slower shutter speed*3. Adoption of a focus clutch mechanism enables instant AF/MF switching and accurate manual focusing.

The constant F2.8 large aperture provides smooth defocus gradation from the focus peak to the neighboring area of the image to achieve a beautiful bokeh effect as well as a rich perspective. The LUMIX S PRO 70-200mm F2.8 O.I.S. also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem in all interchangeable lenses designed for still image photography.

The rugged, dust/splash-resistant*4 design withstands use under harsh conditions even at 10 degrees below zero for high mobility. The filter size is 82 mm, with an 11-blade circular aperture diaphragm.

LUMIX S PRO 16-35mm F4 (S-R1635)

The LUMIX S PRO 16-35mm F4 (S-R1635) is a versatile wide zoom lens boasts high descriptive performance in both photo shooting and video recording.

Comprising 12 elements in 9 groups, the use of 3 aspherical lenses, an ED (Extra-low Dispersion) lens and a UHR (Ultra-High Refractive Index) lens and the optimum alignment achieves high MTF performance despite its compact size and light weight. It boasts stunningly high resolution toward the corners even at wide open as well as a beautiful bokeh, suppressing double line bokeh and vignetting.

A double-magnet linear motor is integrated for the AF actuator, featuring high power despite its small size, achieving a maximum 480 fps high-speed sensor drive. This realizes fast, high-precision AF to ensure that photo opportunities are never missed. Like the 70-200mm F2.8 O.I.S. (S-E70200), the 16-35mm F4 (S-R1635) adopts a focus clutch mechanism, enabling instant AF/MF switching and accurate manual focusing, as well as excels in video recording performance thanks to a mechanism that suppresses focus breathing.

It is also rugged dust/splash-resistant, *4 withstanding harsh conditions even at 10 degrees below zero for high mobility. The filter size is 77 mm, with a 9-blade circular aperture diaphragm.

Both lenses will be at retail in January. The LUMIX S PRO 16-35mm F4 will available for $ 1,499 and the LUMIX S PRO 70-200mm F2.8 is $ 2,599.

*1 Use of the tele converter reduces the effective aperture by one f/stop (DMW-STC14) or two f/stops DMW-STC20)
*2 5-Axis Dual I.S. 2 can be used with the camera LUMIX S1R, S1 and S1H, as of November 6, 2019.
*3 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when
LUMIX S1R/S1/S1H is used.]
*4 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to
direct contact with dust and water.

Panasonic Lumix S Pro 70-200mm F2.8 O.I.S. specifications

Principal specifications
Lens type	Zoom lens
Max Format size	35mm FF
Focal length	70–200 mm
Image stabilization	Yes (up to 7 stops with Dual IS 2 compatible bodies)
CIPA Image stabilization rating	7 stop(s)
Lens mount	Leica SL
Aperture
Maximum aperture	F2.8
Minimum aperture	F22
Aperture ring	No
Number of diaphragm blades	11
Optics
Elements	22
Groups	17
Special elements / coatings	1 aspherical + 3 ED + 3 UED elements
Focus
Minimum focus	0.95 m (37.4″)
Maximum magnification	0.21×
Autofocus	Yes
Motor type	Linear Motor
Full time manual	Yes
Focus method	Internal
Distance scale	Yes
DoF scale	No
Focus distance limiter	Yes
Physical
Weight	1570 g (3.46 lb)
Diameter	94 mm (3.7″)
Length	209 mm (8.23″)
Materials	Magnesium alloy
Sealing	Yes
Colour	Black
Zoom method	Rotary (extending)
Power zoom	No
Zoom lock	No
Filter thread	82 mm
Hood supplied	Yes
Tripod collar	Yes

Articles: Digital Photography Review (dpreview.com)

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Ten ways to shake ‘photographers block’ for good

16 Jul

Get your groove back

Have you ever found yourself in a photographic rut, feeling uninspired to go out and shoot? Most of us have – it’s a frustratingly easy place to end up. So what’s the best way to reclaim your inspiration when ‘photography block’ strikes? Through self discipline, which can be a breath of fresh air at a time when memory cards are large enough to feel limitless and social feeds provide an endless stream to flip through.

What follows are 10 tips to help you not only feel refreshed in your photography, but to stay inspired to go out and shoot. Think of these tips as a workout routine to lead you toward a healthier creative state. They are meant to supplement your photographic goals, not replace them, and they’re geared towards nurturing the skill sets that will help make you a stronger photographer. Get ready to get disciplined!

All photos by Dan Bracaglia unless otherwise credited

Switch up your medium from time to time

If you primarily shoot digital, try your hands at film. Or if you only shoot film, try digital. Why? Because the inherent nature of both mediums offer separate benefits that will help you to improve your photography. Digital gives instant feedback, which is useful for honing technical skills as well as better understanding the behavior of your gear, while film teaches us to take our time and be decisive.

These are two very different skill sets that when practiced together, create a well-balanced photographer.

Try shooting in green square mode

Take your beloved digital camera and throw it in ‘green square’ mode or whatever other fully automatic mode is offered. This will force you to work around the camera’s chosen parameters which in turn will force you to think outside the box and get creative.

It will also teach you a little bit more about how your camera behaves when it’s left to make its own decisions. Understanding the default behavior of your camera is important, even if you mostly shoot full manual.

Limit your memory card size

Want to simulate the limitations of the film era without the actual hassle of shooting film? Grab some 1GB memory cards. Depending on how you shoot (and what you’re shooting with) you’ll get a pretty limited amount of shots per card (a 1GB card in my personal camera is about 30 images). This will help you to be more decisive and intentional with your shots.

For an even more difficult challenge, disallow yourself from viewing images in playback, or deleting files. Just shoot, and swap your card for a fresh one when it’s full.

Shoot with a prime

We’ve all heard the phrase ‘zoom with your feet,’ and as hackneyed as it sounds, this is still some of the best photography advice there is. Shooting a single focal length forces you to move around more, which in turn opens up new compositional paths. But that isn’t the only benefit. You also generally have the advantage of shooting with a lighter, less obtrusive lens, compared to a zoom (there are of course large, heavy primes).

Fixed lens compacts, like the Fujifilm X100 series, Ricoh GR series and Sony RX1 series are great carry-everywhere cameras that will also force you to zoom with your feet.

Consider a disposable

Hey, did you know disposable cameras still exist? They’ve survived the dawn and maturing of the digital area and can still be found at many local corner stores (in the US, at least). So why on Earth would you shoot one? Because they are the perfect tool for living in the moment, while still being a photographer. With a disposable, neither framing nor exposure are precise arts, so there’s no need to put a lot of effort into either. The only thing you, the shooter can truly control is moment the shutter is snapped, the general direction of the camera and whether the flash fires.

Disposables also do a surprisingly good job at close distances, balancing flash with ambient light. And they’re the perfect companion for a rowdy night with friends (a time when some of the best/worst images get taken), while your expensive gear stays home, safe and sound.

Keep a camera on you, always

You’re a photographer – act like one. Whenever you got out, whether its to the store, the doctor or the circus, bring a camera, any camera! Because inspiration plays by its own rules, but you can beat it at its own game by always having a camera on you.

Point and shoots, whether film or digital, are perfect for this (I personally like the Olympus Stylus Epic and Ricoh GR II). And while a smartphone can offer image quality comparable to many compacts, the act of carrying and using an actual camera is arguably more beneficial to your photographic improvement.

Compose pictures even when there’s no camera

OK, this contradicts the previous slide, but allow me to explain: Once in a while, make the choice to not bring a camera along to something you’d ordinary shoot. And while you’re there, challenge yourself to compose mental photographs. The more you get in the habit of doing this, the more you’ll recognize compositions you like when you do have a camera on you.

Photo: Wenmei Hill

Draw, doodle, sketch

This one plays off of the previous slides’ advice in terms of preparing yourself for desirable compositions before they present themselves. Even if you are a terrible with a pen or pencil, spend some time pre-visualizing and drawing out scenes you like, whether abstract or realistic. This exercise can also be surprisingly helpful at helping you to better understand the concept of 3D space on a 2-dimensional plane.

Look at more pictures

Get in the habit of consuming quality photography every day. Social media is both a savior and a curse when it comes to daily consumption of imagery. The relentless nature of ‘the feed’ can lead to binge consumption – try to slow down and take the time to look into images, not at them. Apps like Instagram allow you to easily curate and view only the work of those photographers that inspire.

Better yet, view photography outside the context of a screen: go to a museum or gallery show. Photo books are another great way to quickly inspire. Keep one or two favorites easily accessible, so when you’re feeling creatively drained, you need only pop them open to recharge.

Post your images, watch your progress

Maybe you aren’t ready to share your work with the world just yet, no problem! Start a photoblog anyway. Even if you don’t share the link with anyone, by maintaining a place you update often, you’re making a record of your photographic progress. So when you’re feeling uninspired or low about your work, simply look back on how much you’ve improved to lift your spirits.

Because hopefully, you will have.

Share your tips

Have any other tips? Share them in the comments below.

Articles: Digital Photography Review (dpreview.com)

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Ricoh announces Pentax KP with new Shake Reduction system and 24MP sensor

26 Jan

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Ricoh has announced the Pentax KP, the follow-up to the K-3 II, which features a new ‘high sensitivity’ 24MP sensor and improved in-body image stabilization system.

The new CMOS sensor brings with it a top ISO of 819,200 and an electronic shutter that tops out at 1/24000 sec (the mechanical shutter goes to 1/6000 sec). The KP uses the new 5-axis ‘Shake Reduction II’ IBIS system, first seen on the K-1 full-framer, which offers up to 5 stops of stabilization according to Ricoh. As with other Pentax models, the KP supports Pixel Shift Resolution as well as AA Filter Simulation. The KP uses the same SAFOX 11 autofocus system as the K-3 II, meaning that it has 27 points, 25 of which are cross-type.

The KP’s body is relatively compact, sealed against dust and moisture, and functional down to +14F/-10C. It has a pentaprism viewfinder with ‘nearly’ 100% coverage and a 0.63x equivalent magnification, as well as a tilting 3″ touchscreen display. A nice extra is the ability to change the camera’s grip, with three sizes to choose from.

Typical of Pentax DSLRs, the KP is heavily customizable and features both Sensitivity and Shutter & Aperture Priority modes, a star tracking feature and built-in wireless flash control. The KP has added new Motion and Depth-of-Field options to the already large selection of bracketing modes it’s inherited from its predecessors. It can capture Full HD at 60i, 50i, 30p, 25p and 24p. The KP can shoot continuously at up to 7 fps. It also has built-in Wi-Fi. Something the KP doesn’t have is an HDMI port, instead using something called SlimPort, which can send HD video over a microUSB port. If you want HDMI, you’re going to have to drop $ 25 on a dongle.

The KP’s battery life is rated at 390 shots/charge – which is on the low end for a DSLR – though an optional battery grip can hold an additional D-LI109 battery or the significantly more powerful D-LI90.

The KP will be available in your choice of silver or black in late February for $ 1099/£1099 body-only.

Ricoh Unveils Ultra-Compact PENTAX KP, a Weatherproof DSLR That Provides Outdoor Photographers with New Standard for Quality, Customization and Ease of Use

Heir to K-3 legacy, Slim-Body Camera Incorporates New Features and Controls Optimized to Deliver Outstanding Images, Even in the Most Challenging Conditions

First PENTAX APS-C Camera to offer Shake Reduction II

WEST CALDWELL, NJ, January 25, 2017—Ricoh Imaging Americas Corporation today announced the PENTAX KP, an ultra-compact and highly portable DSLR with features and controls that facilitate capturing outstanding images, even in the most demanding conditions. The PENTAX KP packs many of the advanced capabilities of the award-winning PENTAX K-3 series into a modern, slim-body design that lends itself to applications from casual snapshots to serious outdoor photography while mountain climbing or trekking. The PENTAX KP also adds a new generation of innovations including a new, highly sensitive APS-C CMOS sensor and is the first PENTAX APS-C camera to incorporate Shake Reduction II (SR II), which features a five-axis mechanism to compensate for camera shake up to 5 steps.

The new 24-megapixel CMOS sensor enables shooting in extremely low-light conditions, with sensitivity to ISO 819200, making the camera ideal for night photography. The PENTAX KP features an electronic shutter option in live-view to enable high-speed shooting up to 1/24,000-second, which greatly broadens shooting capabilities when using large aperture lenses to achieve a shallow depth of field on a bright sunny day.

The PENTAX KP’s compact body is the result of a complete internal re-design to produce an advanced DSLR camera with an extremely slim profile for optimal comfort and handling. The KP’s rugged exterior is dustproof and weather-sealed to enable use in the most challenging outdoor conditions. The camera will perform in temperatures as low as 14 degrees F (-10 degrees C).

The PENTAX KP incorporates additional advanced technologies and ease-of-use features that have long been the hallmark of PENTAX cameras and enable them to be used comfortably and reliably in a wide range of conditions. These include:

5-Axis Shake Reduction System: The PENTAX KP is the first PENTAX APS-C DSLR to offer the new generation SR II system, which uses a five-axis mechanism to compensate for camera shake caused by horizontal and vertical shift (often generated in macro photography), roll (difficult to handle by lens-installed shake reduction mechanisms), as well as pitch and yaw. The SR II unit is controlled with great precision as soon as the camera’s power is turned on, providing a wide compensation range—as much as five shutter steps—to further expand the limits of handheld shooting. With the addition of an optional accessory GPS module (O-GPS1 GPS unit), the PENTAX KP, simplifies astro-photography, making it possible to record stars as points of light rather than star trails during extremely long exposures.
Pixel Shift Resolution: This acclaimed PENTAX technology enables producing color-accurate still-life subjects with the highest resolving power. The technology uses the KP’s in-body Shake Reduction System to move the image sensor in single-pixel increments, to capture four separate images that are subsequently combined into a single, high-definition image.
A vertical-tilt LCD monitor that facilitates high- and low-angle shooting.
A grip replacement system that lets photographers choose their preference of grip based on shooting style or lens choice. In addition to the standard grip that comes with the PENTAX KP, accessory grips include medium (M) and large (L) grips (these will come packaged with KP bodies sold in North America), as well as the optional D-BG7 Battery Grip.
Control panels, button settings and dial controls that can all be customized, based on a user’s preference.

“We designed the PENTAX KP to appeal to the world’s most discerning outdoor photographers, who will appreciate its rich and powerful feature set and rugged, compact design, whether they are shooting a landscape on a trek in Patagonia or capturing an eclipse,” said Kaz Eguchi, president, Ricoh Imaging Americas. “From Pixel Shift Resolution to our new generation of Shake Reduction, PENTAX proudly continues to lead the way in photographer-friendly innovation.”

| Pricing and Availability |

The PENTAX KP camera will be available on February 25 for a suggested list price of $ 1,099.95 at www.us.ricoh-imaging.com as well as at Ricoh Imaging-authorized retail outlets throughout North America.

Main Features

1?Super-high-resolution images assured by approximately 24.32 effective megapixels and super-high-sensitivity photography at a top sensitivity of ISO 819200

The PENTAX KP features a new-generation APS-C-sized CMOS image sensor with approximately 24.32 effective megapixels to produce super-high-resolution images. By coupling this sensor with an AA-filter-free optical design, it optimizes the image sensor’s imaging power to deliver well-defined images with true-to-life reproduction of gradation and texture. Thanks to the combination of the PRIME IV imaging engine and a state-of-the-art accelerator unit, it assures dependable, high-speed operation and highly effective noise reduction to optimize both image resolution and super-high-sensitivity performance. As the result, it allows the photographer to handhold it in snapshot photography of night scenes at the super-high sensitivity of ISO 819200.

2?Compact, portable body perfect for snapshots, with a weather-resistant structure for harsh outdoor shooting

After a thorough review of the camera’s internal structure, PENTAX designed a completely new body that was far more compact and slim than existing models to optimize the PENTAX KP’s performance, operability and portability. When combined with a compact, lightweight PENTAX-DA-series lens, it can be carried comfortably and effortlessly for a wide range of applications, from casual snapshots to serious outdoor photography while mountain climbing or trekking. Its front, back and bottom exterior panels are all made of durable, lightweight magnesium alloy. With 67 sealing parts applied across the body, it provides a dustproof, weather-resistant structure, with outstanding cold-proof performance at temperatures down to -10°C. Thanks to these features, the PENTAX KP performs superbly and dependably even in such demanding settings as in the rain or at locations prone to dust and freezing temperatures.

3?A range of customization features, including an exchangeable grip

The PENTAX KP provides a grip replacement system for easy, quick change of a grip to accommodate the photographer’s shooting style or a mounted lens. In addition to the standard Grip S, it offers a choice of two replacement grips (Grip M and Grip L). It also provides a variety of customization functions to simplify and enhance camera operation, including Smart Function for speedy selection and easy setting of desired camera functions using the Fx (Function) and setting dials; and control panel customization to change the panel’s layout to suit the photographer’s preference.

4?PENTAX-original SR II five-axis shake-reduction system featuring the Pixel Shift Resolution System

(1) In-body SR mechanism

Thanks to the built-in SR II shake-reduction mechanism, the PENTAX KP effectively minimizes camera shake and delivers sharp, blur-free images, even in camera-shake-prone conditions such as when using a telephoto lens, shooting low-light scenes without flash illumination, or photographing sunset scenes. In addition to more common camera shake caused by pitch and yaw, this five-axis mechanism also compensates for camera shake caused by horizontal and vertical shift (often generated in macro photography) and camera shake caused by roll. It assures a compensation effect of approximately five shutter steps (CIPA standard compliant, smc PENTAX-DA 18-135mmF3.5-5.6ED AL [IF] DC WR?f=135mm) — a level equivalent to that of PENTAX’s flagship model — to expand the limits of handheld photography. When taking a panning shot, this mechanism efficiently controls the SR unit to compensate for all affecting factors without requiring any switching action.

(2) Pixel Shift Resolution System

The PENTAX KP features Pixel Shift Resolution System,* the latest super-resolution technology, which captures four images of the same scene by shifting the image sensor by a single pixel for each image, then synthesizes them into a single composite image. Compared to the conventional Bayer system, in which each pixel has only a single color-data unit, this innovative system obtains all color data in each pixel to deliver super-high-resolution images with far more truthful colors and much finer details than those produced by conventional APS-C-sized image sensors. To make this system more useful with a wider range of scenes and subjects, the PENTAX KP also provides ON/OFF switching of the motion correction function,** which automatically detects a moving object during continuous shooting and minimizes negative effects during the synthesizing process.

(3) PENTAX-original AA filter simulator

By applying microscopic vibrations to the image sensor unit at the sub-pixel level during image exposure, the PENTAX KP’s AA (anti-aliasing) filter simulator*** provides the same level of moiré reduction as an optical AA filter. Unlike an optical AA filter, which always creates the identical result, this innovative simulator lets the user switch the AA filter effect on and off and adjust the level of the effect, making it possible to set the ideal effect for a particular scene or subject based on the prevailing photographic conditions.

* When using this system, the user is advised to stabilize the camera firmly on a tripod. When a moving subject is captured in the camera’s image field, its image may not be reproduced clearly, either in part or as a whole.

** The movement may not be sufficiently corrected when the object is moving in a certain direction and/or pattern. This function does not guarantee that the movement is properly corrected with all subjects.

*** This function works more effectively with a shutter speed of 1/1000 second or slower. This function may not be compatible with some shooting modes, including the Pixel Shift Resolution System.

5?Electronically controlled shutter unit for super-high-speed shooting at 1/24000 second

The PENTAX KP’s shutter unit combines a reliable mechanical shutter mechanism (with a top speed of 1/6000 second) with an electronically controlled shutter mechanism.* The electronic shutter mode provides a super-high shutter speed of 1/24000 second with reduced noise and vibration at shutter release, making it ideal for low-noise, low-vibration shooting in Live-view and mirror-up applications. The camera also provides a high-speed continuous shooting function with a top speed of seven images per second.

* In the electronic shutter mode, the camera’s SR II mechanism and AA filter simulator are inoperable. During high-speed continuous shooting, the subject may suffer some deformation.

6?Optical viewfinder with nearly 100% field of view

Within its compact body, the PENTAX KP incorporates a glass prism finder featuring the same optics and coatings as those used in higher-class models. With a nearly 100-percent field of view and magnification of approximately 0.95 times, it provides a wide, bright image field for easy focusing and framing.

7?High-speed, 27-point autofocus system with the SAFOX 11 module

The PENTAX KP features the high-speed SAFOX 11 phase-matching AF sensor module to deliver dependable, responsive autofocus operation. Of its 27 focus sensors, 25 are cross-type sensors positioned in the middle to assure pinpoint focus on the subject at a minimum brightness level as low as -3 EV. A completely new, much-improved algorithm assures better autofocusing accuracy and speed than models equipped with the conventional SAFOX 11 module. The camera also provides useful customization features to assist in autofocus operation, such as a choice of operation modes—focus-priority, release-priority or advance-speed-priority—and the Selected-area Expansion function to automatically refocus on a subject when it moves away from the initial point.

8?Full HD movie recording with a range of functional settings

The PENTAX KP captures flawless, high-resolution Full HD movie clips (1920 x 1080 pixels; 60i/30p frame rate) in the H-264 recording format. It also provides an external microphone terminal for manual setting of the audio recording level and monitoring of the sound pressure level for microphone input. In addition to various visual effect modes available during movie recording,* it features a range of movie recording functions, including a 4K Interval Movie mode that connects a series of 4K-resolution still images (3840 x 2160 pixels) at a fixed interval to create a single movie file, and the Star Stream mode to record the traces of stars in the Interval Movie mode.

* When a special visual effect is applied, the frame rate may differ depending on the selected effect mode.

9?Vertical-tilt-type LCD monitor

The PENTAX KP’s 3.0-inch LCD monitor has approximately 921,000 dots, and provides a vertical tilt function to facilitate high- and low-angle shooting. In addition to its wide-view design, it features an air-gapless construction, in which the air space between LCD layers is eliminated to effectively reduce the reflection and dispersion of light for improved visibility during outdoor shooting. It also comes equipped with such convenient features as: the Outdoor View Setting mode, which instantly sets the optimum monitor brightness level for a given lighting condition; and a red-lighted monitor display function, which facilitates monitor viewing when the photographer’s eyes have become accustomed to a dark location during nighttime photography.

10?PENTAX Real-time Scene Analysis System

Supported by the combination of the approximately 86,000-pixel RGB light-metering sensor and the high-performance PRIME IV imaging engine, the PENTAX Real-time Scene Analysis System accurately and efficiently analyzes such factors as a brightness distribution in the image field and the subject’s primary color and motion. By adopting a breakthrough artificial intelligence technology called deep learning to its image detection algorithm,* this system assesses each individual scene more accurately while selecting the most appropriate exposure level and finishing touch for a given scene.

* Deep learning technology is available when the exposure mode is set to Scene Analyze Auto, or when the Custom Image mode is set to Auto Select.

11?Other features

Switching lever to activate various settings during still-image and Live-view shooting and movie recording
New Motion Bracketing and Depth-of-field Bracketing functions to capture three images of same scene by automatically shifting aperture and/or shutter-speed settings in user-selected steps.
Wireless LAN connection to support operation with smartphones and tablet computers
DR II?Dust Removal II? mechanism to shake dust off from the image sensor surface using ultrasonic vibrations
Clarity control and Skin Tone correction functions, two of the latest image processing technologies developed by RICOH Central Laboratory
Compatibility with the optional O-GPS1 GPS Unit for the recording of shooting position data and simplified astronomical photography
A selection of imaging tools, such as Custom Images, Digital Filters
Compatibility with the optional PENTAX IMAGE Transmitter 2 tethering software

Optional Accessories

Grip M (O-GP1671) and Grip L (O-GP1672)

Designed for exclusive use with the PENTAX KP camera body, these grips can be easily replaced with the standard Grip S (O-GP167) to accommodate the photographer’s shooting style or a mounted lens, or improve the camera’s operability and holding comfort. (Note: In North America, these accessory grips will come with the PENTAX KP.)

D-BG7 Battery Grip

Designed for exclusive use with the PENTAX KP, this battery grip features a dustproof, weather-resistant structure, and provides an extra set of control buttons (shutter release, AF/AE lock, exposure compensation/Fx3, and green), and a pair of electronic dials to facilitate vertical-position shooting. It comes with the Grip L for improved handling when a telephoto or large-aperture lens is mounted on the camera. In addition to the exclusive D-LI109 Lithium-ion Battery, it can also be powered by the large-capacity D-LI90 Lithium-ion Battery (a dedicated battery tray included), which is used to power the PENTAX K-1 and K-3II digital SLR cameras.

Pentax KP specifications

Price
MSRP	$ 1099 (body only)
Body type
Body type	Mid-size SLR
Body material	Magnesium alloy
Sensor
Max resolution	6016 x 4000
Other resolutions	4608 x 3072, 3072 x 2048, 1920 x 1280
Image ratio w:h	3:2
Effective pixels	24 megapixels
Sensor photo detectors	25 megapixels
Sensor size	APS-C (23.5 x 15.6 mm)
Sensor type	CMOS
Processor	PRIME IV
Color space	sRGB, Adobe RGB
Color filter array	Primary Color Filter
Image
ISO	Auto, 100-819200
White balance presets	9
Custom white balance	Yes (3 slots)
Image stabilization	Sensor-shift
Image stabilization notes	5-axis, up to 5 stops
Uncompressed format	RAW
JPEG quality levels	Best, better, good
File format	JPEG (Exif v2.3) Raw (Pentax PEF or DNG)
Optics & Focus
Autofocus	Contrast Detect (sensor) Multi-area Center Selective single-point Tracking Single Continuous Touch Face Detection Live View
Autofocus assist lamp	Yes
Manual focus	Yes
Number of focus points	27
Lens mount	Pentax KAF2
Focal length multiplier	1.5×
Screen / viewfinder
Articulated LCD	Tilting
Screen size	3″
Screen dots	921,000
Touch screen	Yes
Screen type	TFT LCD
Live view	Yes
Viewfinder type	Optical (pentaprism)
Viewfinder coverage	100%
Viewfinder magnification	0.95×
Photography features
Minimum shutter speed	30 sec
Maximum shutter speed	1/6000 sec
Maximum shutter speed (electronic)	1/24000 sec
Exposure modes	Program Sensitivity priority Shutter priority Aperture priority Shutter & aperture priority Manual Bulb
Built-in flash	Yes
Flash range	6.00 m (at ISO 100)
External flash	Yes (via hot shoe)
Flash modes	Auto, auto w/redeye reduction, flash on w/redeye reduction, slow sync, trailing curtain sync, manual, wireless
Flash X sync speed	1/180 sec
Drive modes	Single Continuous Self-timer AE bracketing DoF bracketing Motion bracketing Mirror-up Multi-exposure Interval shooting Interval composite Interval movie record Star stream
Continuous drive	7.0 fps
Self-timer	Yes (2 or 12 secs)
Metering modes	Multi Center-weighted Spot
Exposure compensation	±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing	±5 (2, 3, 5 frames )
WB Bracketing	Yes
Videography features
Format	MPEG-4, H.264
Microphone	Stereo
Speaker	Mono
Storage
Storage types	SD/SDHC/SDXC (UHS-I supported)
Connectivity
USB	USB 2.0 (480 Mbit/sec)
HDMI	No (requires SlimPort adapter)
Microphone port	Yes
Headphone port	No
Wireless	Built-In
Wireless notes	802.11 b/g/n
Remote control	Yes (via remote cable or smartphone)
Physical
Environmentally sealed	Yes
Battery	Battery Pack
Battery description	D-LI109 lithium-ion battery & charger
Battery Life (CIPA)	390
Weight (inc. batteries)	703 g (1.55 lb / 24.80 oz)
Dimensions	132 x 101 x 76 mm (5.2 x 3.98 x 2.99″)
Other features
Orientation sensor	Yes
Timelapse recording	Yes
GPS	Optional
GPS notes	O-GPS1

Articles: Digital Photography Review (dpreview.com)

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Adobe updates Elements applications with haze and shake removal, enhanced editing guidance

25 Sep

Adobe has announced updates to its Photoshop Elements and Premiere Elements imaging applications that introduce some new features and a number of improvements. A de-haze filter, similar in effect to that used in Photoshop CC and Lightroom, helps to cut through atmospheric misting in Photoshop Elements 14, while Premiere Elements gains the ability to work with 4K footage. Read more

Articles: Digital Photography Review (dpreview.com)

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Does the new Olympus PEN E-P5 firmware reduce image shake?

15 May

A year on from the camera’s announcement, Olympus has issued a significant firmware update for its PEN E-P5. The update not only adds a trigger-only ‘cable release’ mode to its Wi-Fi functions, it also provides a feature to combat the biggest problem with the camera. The new ‘0 sec Anti-Shock’ option provides a work-around for the image shake that held the E-P5 back in our original review. Is the new firmware enough to elevate the E-P5 to the select company of Gold award winners? Find out

News: Digital Photography Review (dpreview.com)

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DIY: Photo Shake Notebooks

10 Jan

Extra photos for bloggers: 1, 2, 3

This is the year you get organized. You’re gonna need a notebook for to-do’s and goal lists.

But not just any ol’ notebook … a fun photo notebook with pix on the cover that move when you shake ‘em!

Keep organized and show off your happy snaps at the same time by giving any notebook a makeover using photos, confetti and a bit of cellophane.

Say no to boring this year and shake things up with a fun new notebook covered in photos (that move around).

Learn How to Make Your Own Photo Shake Notebooks

(…)
Read the rest of DIY: Photo Shake Notebooks (380 words)

Photojojo

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How to Reduce Camera Shake – 6 Techniques

26 Sep

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In this classic DPS post (now updated) photographer Natalie explores 6 ways you can hand hold lenses at low apertures and low shutter speeds and still avoid blurry images caused by camera shake.

avoid-camera-shake

I’m a mover and a shaker in general, and this is particularly true when I’m on a shoot. I’m twistin’ and turnin’, climbin’ and jumpin’ and to top it all off, I DO NOT have a steady hand, plain and simple.

As often as possible I opt for lenses with VR (Vibration Reduction) or IS (Image Stabilization). You pay a pretty penny for this feature. For me, it’s worth the extra cost, and for the point I’m at in my photography it’s a reasonable expense. But that wasn’t always the case, and what about uber slow shutter speeds with no tripod. No IS or VR can hold up under pressure like that. . .no matter how magical they may be. . . and magical they are, trust you me.

6 Techniques to Reduce Camera Shake

Here are 6 options for avoiding camera shake and achieving crisp, delicious images no matter the length of the lens, no matter the shutter speed.

Shooting wide open? NO PROBLEM; I’ve got your back!! Enjoy!

1. Elbows In

As often as possible pull your elbows in to your body and exhale completely before depressing the shutter. When you’re working with a wide aperture or low shutter speed (or both), even a breath can introduce shake. Pulling your elbows tight to your body can really help keep you steady. I also press my elbows firmly into my chest for even greater stability.

Avoiding-Camera-Shake-1

2. Raise Your Left Shoulder….

I am definitely a right eyed photographer, but this tip that I learned from “The Moment It Clicks” by Joe McNally, requires that I shift for a moment to my left eye. What I’m doing here is raising my left shoulder, and bracing my left elbow into my rib-cage (no arrow for this one). For further stability, you can pull your right elbow in to your chest. As always, exhale completely before depressing the shutter to avoid introducing shake.

Avoiding-Camera-Shake-2

3. Create a Tripod With Your Knee

You can create your own tripod by resting your elbow on your knee while in a seated position. Again, bring that other elbow in for greater support.

Avoiding-Camera-Shake-3

4. Lay Down

These two images illustrate perhaps the most obvious way to avoid shake without a tripod. Lie flat and let the lens sit directly on the ground. The problem with this is that you’re likely to have quite a downward tilt to the lens and unless you’re aiming to photograph the pavement, you probably won’t end up with the shot you’re hoping for. In the first image you’ll notice that I placed my hand flat against the cement and balanced the lens on top of it to give myself some height. In the second image you’ll see that I created a fist with my hand to give myself even greater height.

How To Avoid Camera Shake-1

5. The Machine Gun Hold

This next technique is sometimes referred to as the machine gun hold. I rarely use this technique as I find it awkward and difficult to maintain for more than a second or two. Just because it doesn’t work for me, doesn’t mean it won’t for you. . . give it a try.

Avoiding-Camera-Shake-6

6. Cradle It

In this next image you’ll see that I created a sort of cradle for the lens between my shoulder and my wrist. I also stabilized the hold by balancing my elbow on my knee.

Avoiding-Camera-Shake-7

Well there you have it. That’s how I avoid “The Shake” (I’ve named him that because he’s like an evil monster who comes in and ruins my otherwise perfectly delicious images). Please share YOUR tricks and techniques in the comment section below, and as always. . .

Happy Shooting! – Get more daily tips like this one by subscribing to Digital Photography School

[MODIFIED] Digital Night Photography – Two Ways to Prevent Camera Shake

01 Aug

Your digital photos at nighttime need not be blurry if you use one of these techniques.

While most digital camera manuals describe the self-timer mode, where the camera takes a picture several seconds after the shutter speed is pressed, as “good for portraits”, the self-timer mode can be very useful for night photos as well.

Most night photos, especially in situations where you cannot reliably use flash, require a shutter speed of half a second or longer else the subject will be too dark. This is to compensate for the lack of available light. Unfortunately, these situations, especially if you are unable to use a tripod, can result in camera shake….

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[MODIFIED] Digital Night Photography – Reduce Camera Shake with Special Lens

04 Jun

A special lens may help you take better night photos by reducing ‘camera-shake’.

Obviously a tripod or other stabilizing device makes taking digital photographs at nighttime much easier. With a stabile digital camera you can take longer exposures that make up for the reduced lighting, and these photos should not suffer from the dreaded “camera shake”. The built-in or a shoe mount flash can also help in some situations.

However, there are times where your subject is too far away and too large to be affected by flash. Perhaps you are shooting panoramic photos on top of a skyscraper, and your flash unit is simply not going to illuminate buildings miles away. Or, you may be taking photos in an urban environment and tripods may be bulky or simply not allowed. …

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Posts Tagged ‘Shake’

1. Tuck your elbows in

2. Raise your left shoulder

3. Create a tripod with your knee

4. Lie down on the ground

5. The machine gun hold

6. Cradle your camera

Six techniques to reduce camera shake: conclusion

Panasonic Launches Two New L-Mount Interchangeable Lenses for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera

Panasonic Lumix S Pro 70-200mm F2.8 O.I.S. specifications

Get your groove back

Switch up your medium from time to time

Try shooting in green square mode

Limit your memory card size

Shoot with a prime

Consider a disposable

Keep a camera on you, always

Compose pictures even when there’s no camera

Draw, doodle, sketch

Look at more pictures

Post your images, watch your progress

Share your tips

Ricoh Unveils Ultra-Compact PENTAX KP, a Weatherproof DSLR That Provides Outdoor Photographers with New Standard for Quality, Customization and Ease of Use

Main Features

Pentax KP specifications

6 Techniques to Reduce Camera Shake

1. Elbows In

2. Raise Your Left Shoulder….

3. Create a Tripod With Your Knee

4. Lay Down

5. The Machine Gun Hold

6. Cradle It

Further Reading on Camera Shake