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Best online printing services

13 May

Note: This is an updated version of an article originally published in Fall 2019. Assessments of print quality and delivery times have been carried over from that article.

Believe it or not, there are still people that like to print out their photos and create photo books to send gifts to family members. There seem to be more options than ever when it comes to online printing services, which makes choosing one a bit overwhelming.

We tested out five popular online printing companies and assessed them based on their ease of service, price, turnaround time and most importantly, print consistency/paper quality.

How we tested

We placed an order for three 8×10 and three 4×6 prints on the same day (October 23rd, 2019) from Snapfish, Amazon Photos*, Shutterfly, MPix, and Printique (formerly known as AdoramaPix). We used the automatic ‘smart crop’ feature on each website when preparing the prints and, when it was possible, requested that the image be printed on Lustre paper. All prints were shipped with the economy shipping option.


Our picks: Printique and MPix


Printique.com
Our top pick
Printique, formerly AdoramaPix, offers slightly higher pricing than the competition, but has the most consistent/pleasing print quality. Print turnaround is fast.


MPix.com
Also good
MPix’s pricing is in the middle of the road, the print quality is consistent – second only to Printique – and print turnaround is also speedy. But you’ll have to pay extra for options like lustre paper.

Now let’s take a closer look at each of these print services including the process of ordering, the speed of delivery, the condition prints arrived and the overall quality of our purchase.


*FULL DISCLOSURE: DPReview.com is a wholly-owned subsidiary of Amazon. We are editorially independent of our parent company.

Articles: Digital Photography Review (dpreview.com)

 
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Set Up Your Own Cloud System and Avoid Using Commercial Services

30 Oct

The post Set Up Your Own Cloud System and Avoid Using Commercial Services appeared first on Digital Photography School. It was authored by Herb Paynter.

set-up-your-own-cloud-system

If you’re anything like me, you have taken way more photos than you can access at any given time, especially if you’re away from your home system. In this article, I’ll show you why you should set up your own cloud system so you can access your image files all the time, and avoid monthly fees with commercial providers.

Image storage

set-up-your-own-cloud-system

For most of us, home is where we maintain massive drives full of images, both edited and unedited. Most of which are only loosely cataloged or organized too. When I need to find a particular photo, I perform a pretty detailed metadata-based search spread over my multi-drive setup.

The operation is neither efficient nor pretty.

Particularly when the photo I’m looking for was taken years ago and could be anywhere on my system. It’s far from the tidy professional setup I would like it to be. I’ve been adding to this collection daily since the mid-1980s.

Now multiply this dilemma by being away from home much of my life, armed only with a laptop and maybe a thumb drive or small USB pocket drive. If I haven’t uploaded all my images to one of several cloud storage systems I use, this exercise is over before it starts.

Even if I can access my desktop system, the chances are slim that all those pesky permissions doorstops will let me search all my drives remotely.

Set Up Your Own Cloud System and Avoid Using Commercial Services

Hard-drive mania. Repaving the parking lot

Recently, I counted more than a dozen hard drive carcasses stacked on shelves in my home office.

They have served as photo and file storage depots over the years. Some contain images taken twenty years ago that I didn’t transfer to my newest, latest, largest storage device.

There are some great images that I simply haven’t had the time to weed through and sort out. It’s all pretty discouraging.

For those files I have stored online, many times I have to “qualify” them with a password often deemed incorrect (aargh!). Perhaps I’m simply getting older, but there are too many passwords for too many storage sources for this to be fun anymore.

Frustration and anxiety sets in every time I leave the house with my laptop in hand. I know I’ll need to get to something that I won’t be able to access.

Two months ago, I faced the recurring problem of needing more file storage space. What to do? Yet another even larger hard drive? More online parking space? Where does this cycle end?

set-up-your-own-cloud-system

Flying the friendly skies

This time I took the time to seriously investigate the commercial cloud systems available.

If you think you’re not using cloud storage, think again.

If you have an Adobe account, you are a member of the Creative Cloud. If you are a Mac user, you have an iCloud account. If you are on Google, you probably are a member of Google cloud. Most likely, you use Dropbox – yet another cloud system.

All these systems provide file access from remote locations, but you certainly don’t have all your files on a single cloud.

While these clouds are wonderful, to some extent, there’s a significant downside to each. There’s also a lot of common problems with each. The restrictions, privacy, cost, access, limitations, and vulnerability involved with each is significant when all the facts are in.

Enter the personal cloud system

set-up-your-own-cloud-system

What I have discovered is the surprise upside of installing my own personal NAS (network-attached storage) system, which is basically a full access file server.

A NAS is a standalone Linux or Windows processor (computer operating system) acting as a full-service librarian attached to host one or more hefty hard drives and providing a significant variety of server services. Each server is available only those to whom the server’s owner (typically known as Admin) gives permission, and accessible from virtually everywhere around the globe.

You can configure each personal multi-drive cloud server as either a single massive drive system or as one of several RAID configurations. RAID stands for Redundant Array of Inexpensive Drives and consists of two identical hard drives recording mirrored copies of your files. Each drive stores identical backups for near-bulletproof security.

These NAS RAID arrays provide from two to twelve terabytes of online storage and backup.

Cloudy skies and bumpy rides

Set Up Your Own Cloud System and Avoid Using Commercial Services

But you should take great care to investigate ALL customer reviews of the various private cloud systems available.

Read beyond the marketing talking points and glitzy advertising and read the comments of current users.

The technology is proven, but not all products are quite as user-friendly as they seem. Lower-priced units sometimes indicate entry-level and basic features. Also, sometimes, the lower price indicates a lesser-quality product.

You can’t judge either books or NAS systems by their appearance OR brand popularity.

The system I originally purchased was manufactured by a highly-rated and respected hard drive company. It consisted of two four-terabyte drives set up as a RAID type 1 system that provided immediate access to virtually all my photos, videos, music, and files.

The server worked wonderfully, as long as I was on my home WiFi network. However, when I attempted to set up access away from home, some air escaped from the balloon. This lack of remote access led to me renaming my server “Fogbank” in protest.

After re-reading, reinstalling, and re-configuring the system as best as I could understand the ambiguous installation instructions, I first contacted customer support via email. Detailed explanations of my failed attempts were responded to by references to endless generic PDF documents in their “knowledge base” and forum discussions.

Unfortunately, my phone calls were handled by friendly technicians whose English was so challenged that I simply could not get a direct answer to my questions.

Multiple attempts to put this Humpty-Dumpty server back together failed over and over. Further reading on the company’s forums revealed hundreds of other frustrated users who had given up on the hardware. I will not name the product or the manufacturer. Instead, I’ll just encourage you to do your diligence and read the reviews of actual users before you buy.

Clear skies ahead

Set Up Your Own Cloud System and Avoid Using Commercial Services

I believe totally in both the concept and the technology of NAS personal cloud servers and have since purchased a quality, value-based product. I’ve spent a bit more than I did for my initial system, but I am rewarded with the amazing freedom and power behind this amazing technology.

I now enjoy speedy access to all files in my vast image library. My personal cloud server system provides file sharing and syncing, and personal multimedia services for streaming video and TV shows. It has a bulletproof backup, home security system monitoring, and many more amazing features.

I can even upload images directly from a photo session (through the camera’s WiFi) to my personal server – no waiting to get home!

set-up-your-own-cloud-system

And best of all, this secure server system is fee-free. Once you own the equipment, your only cost is Internet access. If you have an Internet account, you’re good to go. Monthly fees and service restrictions are only distant memories.

You no longer have to rent the rare air on someone else’s cloud. You can collaborate with other users and photo club members, share and download huge files via FTP, all while being entertained. And they actually call this work!

Check into these devices, ask a lot of questions, and open up a whole new communications experience for as little as a $ 500 investment.

Have you set up your own personal cloud system? Share your thoughts on the process with us below!

The post Set Up Your Own Cloud System and Avoid Using Commercial Services appeared first on Digital Photography School. It was authored by Herb Paynter.


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10 Photo Editing Services Compared

01 Aug

Are you planning to use photo editing services to save time on image post production but not sure which websites deserve your money? Searching for a decent option among dozens of photo editing services can turn into a very time-consuming and exhausting process. It can also be quite tricky as some companies pay for fake reviews. That’s why I decided Continue Reading

The post 10 Photo Editing Services Compared appeared first on Photodoto.


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Are Your Photos Safe in the Cloud? The Real Cost of Using these Services

04 Jun

The post Are Your Photos Safe in the Cloud? The Real Cost of Using these Services appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

Are Your Photos Safe in the Cloud? The Real Cost of Using these Services - Digital Photography School

From professionals to amateurs and hobbyists, to kids just getting started with their first camera, one issue remains constant: how to store photos. If you shoot with your mobile phone, you’ve likely encountered a “Low on storage space” error message at least once. If you use a desktop computer or laptop, there’s a good chance you’ve had to deal with ever-shrinking hard drive space due to an increasing abundance of photos. One option that seems ideal is to use the cloud-based options that have become so prevalent in recent years.

However, if you value data privacy, you might want to think twice before uploading your images to popular online services.

Some are free, but the hidden costs could far outweigh the benefits.

It’s difficult to come up with a perfect answer to the question of whether or not your photos are safe in the cloud because there are so many variables to consider.

I’m going to examine some of the more popular options for photographers. I’ll dive into their Privacy Statements and Terms of Service documents to see what they really do with your pictures.

Hopefully, this will give you the information you need to make an informed decision about where to store your photos.

Cloud storage can be a great option for your images, but make sure you know what you’re agreeing to when you upload your photos.

1. Google Photos

Originally part of the Google+ social platform, Google decoupled this service to operate as a standalone offering in May 2015. Some of its greatest benefits, which also help make it one of the most popular options for photographers, involve storage limits – or lack thereof.

Anyone with a Google account can upload unlimited JPEG files up to 16-megapixels in size, and unlimited videos up to 1080p in resolution.

Google automatically analyzes your photos for people, objects, and locations that you can search for. There are also options such as shared albums and access from a variety of devices that make the service even more attractive. Indeed, Google Photos seems like a no-brainer, and there is a lot to like about it no matter what type of photographer you are. It’s also the default option on most Android phones, so you might be using it unawares.

Google’s algorithms can automatically recognize people, objects, and even pets.

Things start to get a little murky when you dig deeper, though. Google’s Terms of Service is lengthy, but one tidbit that’s worth pondering has to do with the rights you grant to Google when you upload images to Google Photos or store any other data in your Google account:

You give Google (and those we work with) a worldwide license to use, host, store, reproduce, modify, create derivative works (such as those resulting from translations, adaptations or other changes we make so that your content works better with our Services), communicate, publish, publicly perform, publicly display and distribute such content. The rights you grant in this license are for the limited purpose of operating, promoting, and improving our Services, and to develop new ones.

This means that Google can use any pictures you upload to Google Photos for, among other things, promoting their services and developing new ones.

Google goes on to say that their software analyzes your data, including photos and email, to provide you “tailored advertising” in addition to checking files for viruses and scanning emails for spam.

Don’t be surprised if you upload pictures like this to Google Photos and then start seeing ads for pet stores online.

This gives me pause as a photographer. On the one hand, it’s nice knowing that all my images are automatically scanned and analyzed by Google’s artificial intelligence algorithms. It makes it easier to organize, sort, and search for pictures. But all that information is also being used to tweak the ads I see in my daily online browsing. By providing photographers with free photo storage, Google is also providing itself with billions of data points to help send advertisements to everyone who is using their storage.

Should you be worried?

Google is serious about privacy, and it works hard to limit the ways in which your data is shared with other companies. Its Privacy Policy is pretty clear on how they protect your data from bad actors, but rest assured Google is definitely getting plenty of data from your photos that they use internally. And don’t be surprised if you take photos of your new sneakers, upload them to Google Photos, and then start seeing ads for Nike and Reebok when you surf the web. If that’s fine with you, then go ahead and use Google Photos and enjoy the benefits that come with it.

The sharing options in Google Photos make it easy to share pictures with family and friends.

2. Apple Photos

While not exactly known for social sharing, Apple Photos is used by so many people simply because it’s the default option on most Apple devices, including iPhones. Many people store at least some of their photo library using Apple’s cloud-based offering, even if it’s just to sync with their other devices and not store permanently. In terms of data-mining and analysis, Apple takes a much more locked-down approach than Google, which they explain in their Privacy Policy as well as their Approach to Privacy.

Apple Photos is great for storing snapshots from your iPhone and can be used for DSLR images too.

Apple doesn’t make money from advertising, and all the analysis of your photos is performed on your phone and not in the Cloud, so Apple doesn’t really know what’s in your photos at all.

Whether you’re taking a photo, asking Siri a question, or getting directions, you can do it knowing that Apple doesn’t gather your personal information to sell to advertisers or other organizations.

The Memories and Sharing Suggestions features in the Photos app use on-device intelligence to scan your photos and organize them by faces and places. This photo data is shared between your devices with iCloud Photos enabled.

The downside of Apple Photos is that, unlike Google and other vendors, the free storage option is so minimal it’s almost nonexistent. Everyone with an iCloud account, which you need to use most Apple devices, gets 5GB of storage space for everything, including photos, documents, and other data. That’s not much, and it fills up quickly! Additional storage options are cheap, such as 99 cents/month for 50GB, but that’s a far cry from Google’s unlimited free option.

Apple Photos is convenient and secure, but you’ll run out of room real fast on the free tier.

Should you be worried?

Like Google, Apple is serious about the privacy of your data, but they go a step further in that Apple doesn’t even know what’s in your photo library. They don’t scan or analyze your images in the Cloud, especially not for training their Artificial Intelligence algorithms or selling advertising. However, the tradeoff is that you will run out of room really fast unless you don’t mind spending money on storage space.

3. Amazon Prime Photos

If you pay for Amazon Prime, you automatically have access to unlimited storage of full-resolution photos, plus 5GB of video storage. This can be a huge benefit to photographers of all stripes who want a secure place to store their pictures without worrying about intrusive advertising and data analytics. Amazon also has apps available for desktop and mobile that let you automatically upload your pictures.

If you pay for Amazon Prime, you have unlimited secure storage for photos.

When you upload photos to your Amazon account, they are automatically analyzed for faces, locations, and objects. This can be disabled, but Amazon clearly states that this data is only used for organizing your photos and not given to third parties.

Amazon doesn’t share your photos or any of the data derived from our image recognition features. Labels and data are only used to help you better organize and find photos in your collection.

There are other benefits to using Amazon Prime Photos as well, such as easy-to-use methods of ordering prints and creating albums that can be shared with others. However, as a photographer, you need to know that the Terms of Use specifically forbid you from using Amazon Prime Photos in a commercial capacity:

You may not use the Services to store, transfer, or distribute content of or on behalf of third parties, to operate your own file storage application or service, to operate a photography business or other commercial service, or to resell any part of the Services.

Amazon Prime Photos offers unlimited storage space, but their Terms of Use contains some notable restrictions.

Should you be worried?

Amazon doesn’t make any money off your photos or the metadata contained in your photos, and the security of Amazon’s data centers is as good as anything. If you already pay for Amazon Prime, this option is certainly worth exploring. However, you might want to investigate some of the automatic analysis options to make sure it’s not scanning your images in a way you don’t want.

4. Facebook and Instagram

Facebook owns Instagram and applies the same data policies to both platforms, so what applies to one also applies to the other. It’s so common to take photos and upload them to Facebook and Instagram that, for many people, these have become their de facto storage option for images. That’s not necessarily a bad thing, as Facebook lets you easily share your pictures and also analyzes them for people and places that can be useful when sorting through your images.

Facebook and Instagram are great for sharing photos. However, any data that can possibly be gleaned from them will likely be used for advertising purposes.

Since these platforms are free, and used by so many people around the world, it can be hugely beneficial for photographers or casual shooters to store their photos in Mark Zuckerberg’s cloud. Things start to get a little hazy when you start to dig through Facebook’s Data Policy.

We collect the content, communications and other information you provide when you use our Products, including when you sign up for an account, create or share content, and message or communicate with others. This can include…the location of a photo or the date a file was created. Our systems automatically process content and communications you and others provide to analyze context and what’s in them.

That’s just the beginning.

The full Data Policy describes dozens of ways in which Facebook scrapes through your photos and the rest of your data. The company makes money from advertising, and it’s clear that they will analyze and evaluate every possible data point in your photos as much as it can to benefit itself.

Facebook won’t share your personal information with advertisers, but upload photos like this and you’ll likely start seeing ads for baby products.

This information is primarily used for advertising and helps Facebook customize the ads and other content you see across its services. However, the degree to which Facebook lets third-parties have access to your information is uncertain. Many recent scandals, such as the Cambridge Analytica data breach, have shown that Facebook clearly has some issues regarding data privacy. However, in recent months, the company has taken a much more aggressive stance on privacy – at least publicly.

Should you be worried?

If privacy and security are your main concerns, I would recommend staying away from Facebook for a lot of photo storage. While things might change in the future, for now, it’s best to assume that your photos are not going to have the same level of privacy as other platforms. You also need to double-check your account settings to make sure that only the people you want to see your photos can view them.

5. Flickr

With its recent acquisition by SmugMug, Flickr has seen a resurgence among photographers. Despite having a limit of 1000 photos for the free tier, it can be a good option if you value quality over quantity. The site has a freemium business model, which means that you can use the basic version for free but pay for more features if you want them. The free tier is supported in part by those who pay for the Pro version, but like a lot of other sites, advertising supports it.

Flickr collects a great deal of information about you and your photos, and its Privacy Policy is certainly worth a look if you want to use the site. They log and store information that you provide them when you sign up for an account, but also a great deal of information in the background too.

We collect information about the computer or mobile device you use to access our Services, including the hardware model, operating system and version, screen resolution, color and depth, device identifiers and mobile network information.

When you upload a photo with geographical data (i.e. from a mobile device) or manually geotag your photo, we collect the location of that photo. With your consent, we collect information about your location if you take a photo within the Flickr mobile application to add to your photo’s metadata.

Like other platforms, Flickr will automatically analyze your photos using its own artificial intelligence.

Flickr also stores and analyzes EXIF data in your pictures such as camera model, focal length, shutter speed, and more. Like Google, they also use image-recognition technology to automatically analyze and tag your photos. This helps in searching through your images, but it can feel a little Orwellian too.

Advertisers get a lot of data from Flickr, and there’s not much you can do to control it. Flickr suggests that you use on-device options such as “Limit Ad Tracking” features on your mobile phone, but that has nothing to do with the wealth of information the company is getting from your photos. Whether you like it or not, your images on Flickr are being used to help Flickr maintain and grow its business.

One interesting element of Flickr that most other platforms don’t have is the ability to change the license on your photos. While this won’t affect privacy or data security settings, it is a good way to help make sure others use your images in a way that you want.

Should you be worried?

Flickr has a better track record compared to Facebook, but just know that your photos will certainly be analyzed for advertising purposes.

Flickr is more widely used for artistic and creative photos as opposed to family, child, and friend photos.

6. Dropbox

As one of the pioneers in mass storage solutions for consumers, Dropbox has become a good option for photographers who want to store and even share their images. Their free option only gives you 2GB of storage, but that’s enough for hundreds or even thousands of photos, depending on the resolution and size. They make money from selling a service, not from advertising, and as a result, your images are about as close to secure and private as you will ever find.

Dropbox offers a range of benefits for privacy-focused photographers.

Their Privacy Policy states that Dropbox collects some basic information such as file size, time/date stamps, and device information but not much more. They don’t really care what files you store on Dropbox so long as they’re not illegal. (And like other services, they have to comply with court orders to hand over files when necessary.)

We collect and use the personal data described above in order to provide you with the Services in a reliable and secure manner. We also collect and use personal data for our legitimate business needs. To the extent we process your personal data for other purposes, we ask for your consent in advance or require that our partners obtain such consent.

We may share information as discussed below, but we won’t sell it to advertisers or other third parties. Dropbox uses certain trusted third parties (for example, providers of customer support and IT services) to help us provide, improve, protect, and promote our Services. These third parties will access your information only to perform tasks on our behalf in compliance with this Privacy Policy, and we’ll remain responsible for their handling of your information per our instructions.

Should you be worried?

Nope. When it comes to data security, Dropbox is one of the best in the business. You can rest assured that nothing in, or about, your photos will be analyzed, tracked, or given to advertisers or other third-parties. You have to pay to move beyond the 2GB free tier, but it’s money well spent if you value data privacy and security.

Dropbox comes with a price if you want more than 2GB, but it can be well worth it depending on your needs.

Conclusion

There’s never going to be a one-size-fits-all option when it comes to cloud storage. Whatever option you choose, if you do want to store your images online, it’s a good idea to read through the relevant privacy and data policies to make sure your images aren’t being used in a way that you don’t want. There are plenty of options I didn’t even touch on here, and if you have a bit of time and technical acumen, you can even create your own cloud storage options using computer hardware at home.

All cloud-based services have benefits and drawbacks. Make sure you find one that fits what you need.

Make sure to do your due diligence when choosing a cloud service provider. If a free option catches your eye, you might want to dig a little deeper to find out just why it’s free and what they are doing with your photos. Also, if you value security and privacy, it might be worth it to spend some money on a solution that really does work for you.

 

The post Are Your Photos Safe in the Cloud? The Real Cost of Using these Services appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


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Panasonic Lumix PRO Services support program is now accepting applications

05 Feb

Panasonic has launched registration for its new Lumix PRO Services, a support program for professional photographers and other imaging customers. The company is offering its service in four tiers, each with different prices, requirements and benefits. Panasonic is now offering Lumix PRO Services to customers in the United States, United Kingdom, Japan, Spain, France, and Germany.

For customers in the US, the highest-end ‘Platinum’ tier is offered to professionals who own at least two of the following camera bodies: G85, G9, GH4, GH5, and GH5s. As well, the customer must own at least four of the following qualifying Lumix lenses:

  • 12-35mm f/2.8
  • 12-35mm f/2.8 II
  • 14-42mm f/3.5-56 Power Zoom
  • 35-100mm f/2.8
  • 35-100mm f/2.8 II
  • 45-175mm f/3.5-5.6 Power Zoom
  • Leica 100-400mm f/4-6.3 – Vario-Elmar
  • Leica 12-60mm f/2.8-4 Vario-Elmarit
  • Leica 12mm f/1.4 Summilux
  • Leica 15mm f/1.7 Summilux
  • Leica 200mm f/2.8 Elmarit
  • Leica 25mm f/1.4 Summilux
  • Leica 42.5mm f/1.2 Nocticron
  • Leica 45mm F/2.8 Macro-Elmar
  • Leica 50-200mm f/2.8-4 Vario-Elmarit
  • Leica 8-18mm f/2.8-4 Vario-Elmarit

Multiple benefits are offered to US-based Lumix PRO Services ‘Platinum’ customers, including two business day turnaround, next-day free shipping, a 20% discount on out-of-warranty repairs, loaner gear for repairs that require more than two business days, a “premium welcome kit,” and an exclusive hotline.

Later in 2019, Panasonic also plans to add evaluation loaners for new products and discounts with (currently unnamed) partners. The membership is priced at $ 199 USD per year and is now accepting applications from eligible customers.

The program varies based on region. Lumix PRO Services ‘Platinum’ customers in the UK, for example, must have a minimum of three camera bodies and five lenses to register their gear. This version of the ‘Platinum’ membership is priced at ?179. Platinum customers in Spain, France and Germany are charged €199.

According to Panasonic, its Lumix PRO Services have been available in Japan since April 2017 and will arrive in Ireland and Austria in Spring 2019. Other unspecified countries will be supported later this year.

Articles: Digital Photography Review (dpreview.com)

 
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Tips on how to Verify That Pest Regulate Services Are Effective to the People

04 Apr

To get rid of these kinds of pests, utilization of pesticides and pesticides may be of excellent assistance once the pests are fewer in selection. The moment the infestation becomes uncontrollable,termite control pensacola fl one particular really should understand that there may be a necessity for expert services that will assistance persons to eliminate these annoying pests. Using the services of a pest regulate services may be beneficial in quite a few strategies namely –

• Provisions in the very best products – The industry experts involved along with the pest handle services vendors equip them selves with the best devices, pesticides and pesticides that allow them to eradicate the existence on the pests not to enable it infest the premises once more.

• Protected and safe ecosystem – When 1 decides to remove pests all by them selves, there are actually possibilities of a person harming the surroundings by spilling the insecticide or spraying it in locations which could contaminate drinking water, food stuff, and so forth. The kids and pets in the household might also occur in touch with this sort of sprays or liquids. When performed with the professionals, you can sit back assured that there is no harm brought on on the ecosystem as these experts consider all attainable care to curb such dangerous challenges.

• Usage of Eco-friendly items – Most corporations offering pest management solutions equip on their own with eco-friendly items that bring about a safer atmosphere where by there’s no type of pollution created. The sprays applied are ozone welcoming and thus only influence the qualified pest and almost nothing else.

• Turning out to be educated with regards to the numerous safeguards – The specialists from the pest manage services providers without a doubt present their ideal services and strive to eradicate the pests from the individual premise. In addition they educate the citizens about the methods to avert these types of pests from infesting yet again. The citizens are recommended to help keep their environment cleanse and litter free in which there’ll be no probabilities of even further pest breeding.

• Lowered Infection – Pests unfold an infection inside a way that turns fatal occasionally. They handle many health conditions for instance malaria, dengue, plague, leptospirosis, salmonella, asthma, and many others. Eradication of these types of infection resulting in pests with the enable of pest handle solutions will help a single to steer a healthier lifestyle where by you’ll find lesser conditions of folks falling sick. It can be beneficial don’t just for the residents but in addition for your persons residing around them.

Benefiting within the services which the pest management companies provide, people may very well be able to steer a much healthier and a peaceful lifestyle with no existence of those pests.

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Pro Services: Are they worth it?

10 Mar

When you’re a professional photographer your livelihood is intertwined with the health of your equipment. Like a portable hard drive, it’s only be a matter of time until something fails in the field and has the potential to ruin your assignment, not to mention your relationship with a client.

Although it’s likely that your gear could be covered under your home or renter’s insurance policy, if you are working as full-time pro, it may not be enough. Not to mention that the process of filing a claim to cover that busted gear that you needed back in order yesterday may drive you crazy.

Most major camera companies run Pro Support Service programs to help photographers when they wind up in situations like these. Joining up requires a certain amount of gear and often an annual payment. In exchange, photographers receive discounted gear repairs and equipment loans. We spoke to pros who have used the programs provided by Canon, Nikon and Sony to see how they stack up and if they’re worth the cost.

Canon Pro Support

Application Process How do you Qualify?
  • Apply online instantly
  • No sample images required
  • Earn points for each piece of gear
  • Fees vary depending on service level
  • Must renew annually to continue to receive benefits
  • Own a certain amount of Canon gear

Canon offers four levels of membership within its Pro Support program with different ownership requirements and prices points: Silver, Gold, Platinum and Cinema. Each piece of Canon gear is assigned a number of points. The amount and kind of Canon gear that you own determines the level of membership that you qualify for, and gear depreciates in “points” over time. Canon doesn’t require a certain number of bodies or lenses, but its list of qualifying gear is almost exclusively populated with full-frame cameras (the 7D II and 60Da are exceptions).

The Silver CPS membership is the lowest tier. It has no annual fee, but requires 10 CPS points to join. A Silver CPS membership comes with CPS website profile and program discounts, event support, access to the 24/7 exclusive member hotline and a CPS ID Card. Crucially, what it doesn’t give you is access to is expedited repairs, discounts on repairs or equipment evaluation loaners.

To get all of the perks pros typically need, you’ll want a Gold membership. This level includes all of the Silver benefits plus two business day turnaround on repairs, equipment evaluation loans (a chance to try the newest gear for a 10-day period), and a 20% service discount on up to 10 pieces of gear, among other things. Gold membership costs $ 100 per year and requires 20 CPS points – two pro-level bodies like the 5D Mark III and a 5D Mark IV, plus an EF 24-105mm F4L IS USM will qualify.

The Platinum CPS membership requires at least 50 points and costs $ 300 annually. Essentially, it’s a Gold membership that goes an extra mile. Platinum members get the benefits of Gold, plus priority on equipment evaluation loans, next business day turnarounds on repairs, repair coverage loan once the repair is received, maintenance on up to 10 pieces of gear, free shipping both ways and a 30% discount on repairs on up to 15 pieces of gear.

The quick turnaround time on repairs at the Gold and Platinum levels have been a lifesaver for many of the Pros that we spoke with

The quick turnaround time on repairs at the Gold and Platinum levels have been a lifesaver for many of the Pros that we spoke with. Brooklyn Vegan photographer and photo editor Amanda Hatfield recalled the time her 16-35mm F2.8 lens stopped focusing a few days before she was scheduled to shoot the opening party of a new music venue in Brooklyn. “I definitely needed that lens in particular and was going to rent it if it wasn’t fixed on time,” she says. “I had it back well before Halloween.”

Florida-based freelance photographer Ian Witlin says his CPS Platinum membership has been nothing but excellent.” It’s saved me money in the long run and gets my gear back to me as quickly as possible,” he says.

For Witlin, CPS’s equipment loaner program has been particularly helpful. “I’ve used evaluation loaners many times while on assignment to determine whether or not I should upgrade a body or purchase a new lens,” he says.

Nikon Pro Support

Application Process How Do You Qualify?
  • Online form application which Nikon Professional Services evaluates before approval.
  • Approval takes one-two weeks
  • Gear is not tallied automatically.
  • No application fee
  • Currently NPS renews every December
  • Membership remains uninterrupted when photographers accept updated T&C and keep contact info up to date
  • Own a certain amount of Nikon gear, operate a photographic business in the US and be able to submit work published in the last year to demonstrate that
  • Belonging to an organization such as WPPI, PPA, APA, NPPA doesn’t hurt

Nikon’s Pro Support program also comes in multiple levels and uses a point system related to gear that dictates what level you qualify for. Nikon’s levels are Carbon Plus, Titanium and Titanium E (only open to individuals working in government, law enforcement and military). There is no annual fee to be a member.

To qualify for Carbon Plus and Titanium, photographers must own at least two DSLR bodies and at least two Nikkor lenses and meet a point total of at least 750. The body and lens requirements seem steeper, but Nikon includes much more gear on its list of qualifying bodies and lenses, including APS-C and interestingly, some film cameras. As with Canon, gear does depreciate in ‘point value’ over time, but even an old D90 still gets you a cool 125 points at the moment.

Carbon Plus is for photographers with 750-999 points worth of gear. Titanium is for professional photographers with over 1000 points worth of gear. You’d need, for example, a pair of D5 bodies with a 24-70mm F2.8 VR and a 70-200mm F2.8 VR to qualify for Titanium.

Members at both the Carbon Plus and Titanium get access to NPS membership events, priority delivery, equipment loans and a repair service discount. Where the two programs differ is in the discount percentage (10% vs 20%) and the amount of equipment loans (2 vs 3 per year).

The rep gave me his personal lens for use and told me to just mail it back to him when I was done. I was beyond grateful and relieved

Pros we talked to had numerous stories of NPS saving the day, as well as one instance in which a service rep went well beyond the call of duty.

Photographer Bridgette Supernova recalls a time that Nikon’s on-site field support saved her from a dreaded gear malfunction on the eve of a major protest in Washington. “I found myself with a broken [24-70mm] lens,” says Supernova, who was working as the house photographer for one of the event’s major sponsors. Unfortunately, by the time she made it to the field support center they had run out of loaner 24-70 lenses.

“Panicked and nearly in tears at how important my role was in capturing historic moments at the rally the next day, the rep gave me his personal lens for use and told me to just mail it back to him when I was done. I was beyond grateful and relieved. That could have been a disastrous miss in my career.”

Sony Pro Support

Application Process How Do You Qualify?
  • Online form application
  • Most applicants hear back within one business day
  • Members must renew membership annually
  • Membership fee is $ 100
  • Sony expects the application process to become fully automated within the next few weeks
  • Own a certain amount of Sony gear
  • Provide proof of professional work, such as a website or social accounts

Sony’s Pro Support program offers a single tier of support for a $ 100 annual fee. To qualify, photographers must own two full frame Sony bodies and at least three lenses – but there’s no point system to contend with at the moment. Members receive 24 hour phone and email support, three complimentary maintenance services per year, three-day repair turnarounds, free overnight shipping to and from repair locations, discounts on repairs, short-term trial loans (for new products photographers might be interested in purchasing) as well as service loans with next-day shipping when a repair ends up taking longer than the three day expectation. Sony also has walk in support locations located in urban areas in New York City and LA.

Photographers must own two full frame Sony bodies and at least three lenses – but there’s no point system to contend with at the moment

In the past, within the professional photographer community Sony was often known for their very slow turnarounds on repairs. However, based on the photographers we interviewed, this is outdated and something that the Pro Support program has been diligently working to correct in the past few years.

Seattle based director Eric Becker described Sony Pro Services as being almost “over communicative” when it came to the repair of his a7 II body and a 24-70mm lens.

“They were very prompt,” he says. “I clearly knew the timeline of when something had been received, repaired and returned.” In Becker’s case, the lens was irreparable, but Sony did provide him with a discount to purchase a new lens. Although he has only had to use it once, the annual fee is totally worth it for him. “It saves you money and time when you go to fix stuff,” he says.

Should you join?

Overall these three programs offer very similar services and, according to the pros we spoke to, are exceeding service expectations. Where they differ is the barrier to entry and annual costs.

Surveying the options across the board, it seems that a basic level of professional-grade service includes quick turnarounds on repairs and discounts on maintenance service. Canon’s Gold level and Nikon’s Carbon Plus tier both meet this level, and Sony’s tier-less program is covering these basics currently. Canon’s free Silver tier doesn’t include gear repairs or service discounts, so it’s not much help to a working pro.

Canon and Sony both charge a $ 100 annual membership fees for this baseline level of service, while Nikon’s program is free. Nikon’s gear requirement is also a bit steeper at all levels – even the lower tier requires two bodies and two lenses. But Nikon gear seems to hold its ‘points’ value for much longer than Canon’s, and Nikon considers many more cameras to be ‘points-worthy,’ including more APS-C bodies.

Pros we spoke to said that the fees and costs of keeping gear up to date were worth it for the benefits of regular service and
rapid, reliable repairs

Sony’s Pro Support structure is currently the simplest to navigate – if you’re a working pro and can meet the body and lens requirements, you’re in, no points to worry about. But it’s also the youngest program, and it’s easy to imagine Sony one day moving to a points structure and a tiered system.

If you don’t plan on keeping your camera bodies current within a few years, or if you can handle an equipment failure with whatever’s available at a rental house, you probably can avoid the cost and hassle of getting into a pro support program.

But if you already meet the gear requirements for these programs, or a camera or lens malfunctioning would come with significant penalty to your reputation and finances, we think that joining up with your brand’s pro services program is probably worth it. Pros we spoke to said that the fees and costs of keeping gear up to date were worth it for the benefits of regular service and rapid, reliable repairs. Just know that you’ll likely be faced with a decision down the line: upgrade your gear or risk it depreciating in points and aging out of eligibility.

Articles: Digital Photography Review (dpreview.com)

 
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PyeongChang 2018: Behind the scenes with Nikon Professional Services

08 Feb
Sixty NPS staff members from 13 countries are gathered to help photographers at this year’s Winter Olympics in PyeongChang, South Korea.

The PyeongChang Winter Olympics offers a chance for athletes to shine on the world’s most prestigious stage, but it’s equally as important an event for the hundreds of professional photographers covering the proceedings. In order to capture the most critical sporting moments, they need everything – camera position, angle and timing – to come together at once. This is no place for gear trouble, and that’s where Nikon Professional Services (NPS) comes in.

NPS can be found at most major worldwide sporting events, including the Olympics, as well as international entertainment fixtures such as film and music festivals. NPS also provides camera support services at smaller domestic events like national sporting championships.

There will be 60 NPS staff members from 13 countries on hand, offering support in around 10 languages.

As preparations gear up for this year’s PyeongChang Winter Olympics in South Korea, we spoke to a senior NPS technician and veteran of 15 Olympic Games about what’s involved.

At the PyeongChang Olympics, there will be 60 NPS staff members from 13 countries on hand, offering support in around 10 languages. Planning for the event started two years ago, and as well as D5 and D850 bodies the NPS inventory will include a range of specialized prime and zoom lenses. The exact figure is confidential, but the total value of all the gear is equivalent to ‘several hundred luxury cars’.

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Located in the main press center, the NPS depot will serve all press photographers, regardless of NPS membership. Services offered will include camera check-ups, cleaning and repairs – as well as technical advice and loaner equipment.

Nikon’s professional DSLRs can keep shooting well below freezing, but the extreme temperature difference between inside and outside shooting environments can still present challenges. Among the services available to photographers will be solving a problem unique to shooting in winter – condensation buildup inside lenses.

It may look like a studio light at first glance, but it’s actually a Robotic POD ? an MRMC robotic motion control rig incorporating an AF-S NIKKOR 200-500mm f/5.6E ED VR lens and D5 combination.

The PyeongChang depot is also newly equipped to offer support for robotic remote shooting systems made by Mark Roberts Motion Control (MRMC), a British company that’s now part of the Nikon group.

Major international events like the Olympics are the front lines of technological development

Major international events like the Olympics are the front lines of technological development, and several press agencies will be using MRMC’s Robotic POD (pictured above) at the Winter Games. The latest remote head, it incorporates a D5 body and boasts a less complicated system than conventional models to allow for easier control. With accurate zooming, focusing and rotating, the Robotic POD enables remote shooting in a much wider range of scenarios.

But the depot isn’t just there to help when a photographer has gear trouble – NPS hopes it will serve as an ‘oasis’ amid the high-pressure environment of the games, providing a valuable opportunity for photographers and technicians to talk and share ideas.


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Articles: Digital Photography Review (dpreview.com)

 
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Instagram will soon let you book photographers and other services directly in the app

23 Mar

Photographers with a strong presence on Instagram might soon be able to monetize their accounts in a more tangible way than has been possible so far. In an interview with Bloomberg, James Quarles, Instagram’s head of business, has confirmed that Instagram will soon add a function to book a business or service directly from the mobile app. The feature is expected to be launched within the next couple of months. 

In practice, business accounts will be able to add a booking option, allowing potential customers to schedule appointments through the app, without the need to use other means of communication. The Bloomberg article gives the example of booking an appointment in a hair salon but the new feature could be especially interesting for commercial photographers, many of whom maintain a strong presence on the image sharing platform.  

The move will put Instagram into direct competition with services such as Yelp or OpenTable. Quarles also said that currently about 8 million businesses use profiles on Instagram and 80% of users follow a business. The company may eventually add more tools, such as reviews. If you are a photographer offering commercial services, now seems like a good time to brush up your profile. 

Articles: Digital Photography Review (dpreview.com)

 
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How to Price Photography Products and Services for Profit

05 Dec

Think pricing your photography is overwhelming? You’re not alone. If there’s one question that every photographer struggles with time and time again, it’s how to price their products and services.

  • How should you price your photos?
  • What products should you offer?
  • How do you make sure your prices are high enough to make a profit, but not so high that you drive away business?

https://www.pexels.com/photo/coffee-creative-notebook-office-64776/ price your photography

No matter how hard you’ve worked to develop your client base, if you don’t have a consistent and effective pricing model in place, you’ll find yourself treading water. Luckily, it doesn’t have to be hard to come up with a pricing system to help you reach your goals.

To figure out what you’ll need to make annually to run a successful photography business, we’re going to break your expenses down into two important sections: the cost of doing business (CODB) and cost of goods (COGs). Then we’ll explore session and product fees to determine how you can price for profit and success.

Considerations

When it comes to pricing, there is no one size fits all solution, so be sure to tailor your prices to fit your specific needs. Before we get started on pricing in detail, here are a few considerations you’ll want to keep in mind throughout the process.

Target market

Your pricing should be reflective of your target market. If you’re targeting high-income families in a wealthy area, your prices will be much steeper than if you were targeting budget buyers with more modest incomes. There’s truly no wrong target market. It’s all about defining your goals and knowing your niche.

How to Price Photography Products and Services for Profit

Location

Consider your location. Do you live in an area with a high population or a smaller area with a narrower potential client base? Also, consider your local competition. While you should never construct your pricing based solely off of what your competitors are offering, you don’t want your prices to be drastically off base. Get a feel for what’s selling in your area and for how much, and use that as a baseline. Then adjust according to the specific needs of your business, which we’ll discuss in more detail below.

Niche

Although there is no set rule about which fields of photography charge more or less, it’s helpful to consider your niche or genre when coming up with a pricing list.

For example, if you’re a wedding photographer, consider all of the work that goes into shooting and editing a wedding. Chances are you’ll be there for at least four hours, and that’s a very conservative estimation; many wedding photographers provide around eight hours of coverage on the big day. That’s why wedding photography packages can run upwards of $ 5,000 in some markets. Other niches are less exhaustive and time-consuming, so prices tend to be somewhat more conservative.

How to Price Photography Products and Services for Profit

Measuring your cost of doing business (CODB)

Your cost of doing business refers to any non-reimbursable costs directly associated with running your business. These costs include internet fees, telephone, advertising, software, equipment purchase and maintenance, office supplies, etc. (this list is not exhaustive, think of everything you pay monthly whether or not you have any paying jobs). Calculating your CODB can seem overwhelming at first – especially to those of us who aren’t mathematicians – but it is an absolutely essential part of developing a realistic and profitable pricing model.

Math time! Don’t run away just yet, it’s simpler than it looks. Your CODB is the result of an equation. It is determined by adding up your annual expenses plus your desired salary, then dividing by the number of billable days (think of this as the number of shoots) for that year.

For example, if I have $ 30,000 in annual expenses and I want to pay myself a $ 45,000 salary, I know need to bring in $ 75,000 per year. If I plan to do 2 photo shoots per week for 48 weeks (accounting for four weeks of vacation), I’ll be looking at 96 photo shoots per year. $ 70,000 divided by 96 is about $ 781. This is the average amount I need to make in income per shoot, through session fees and products. Here it is broken up for easier reading:

  • Annual non-reimbursable expenses: $ 30,000
  • Plus salary desired: $ 45,000
  • $ Equals: 75,000 in total annual expenses
  • Weeks worked: 48
  • Times 2 Shoots per week
  • Equals: 96 shoots per year (needed)
  • $ 75,000 ÷ 96
  • Equal: $ 781 per shoot/job

How to Price Photography Products and Services for Profit

Sound complicated? It doesn’t have to be. The National Press Photographers Association offers a free CODB calculator to help you figure out your annual CODB. Keep in mind that the numbers they’ve plugged in are estimates only. Yours will vary.

If the annual calculator seems overwhelming, try breaking it down by month. Many people find it helpful to break it down by month instead of looking at annual expenses. Digital Photography School offers a free monthly CODB worksheet that can be used for calculating CODB by month. Add in your own numbers and categories as necessary.

Your numbers don’t have to be exact but try to make them as accurate as possible. Once you have an idea of what your CODB will be, you can use this number to determine what you’ll need to charge to keep your business running and pay yourself a suitable salary.

Measuring your cost of goods (COGS)

Anne

By Anne

Think that the cost of goods just refers to the cost of the prints you sell? Think again. If you want to price for success in the photography business, you need to factor in both materials and time.

As defined on Investopedia, the cost of goods consists of; the direct costs attributable to the production of the goods sold by a company… including the cost of the materials used in creating the good along with the direct labor costs used to produce the good.”

Sean MacEntee

By Sean MacEntee

This means that you need to factor in your time and labor on top of your material costs. Calculating material costs is simple, but figuring out your time can be a little more challenging. You need to account for all the time that goes into a client session, from the first phone call to the moment they receive their products. A typical workflow will look something like this:

  • Initial inquiry or phone call
  • Pre-session consultation (in person or by phone)
  • Session (time spent shooting)
  • Editing photos
  • Reviewing photos with client
  • Ordering prints/products
  • Inspecting prints/products
  • Packaging prints/products
  • Delivering or shipping prints/products

Estimate the average amount of time you spend on each of these pieces of the puzzle. Many photographers figure in this time to be covered by their session fee, which we’ll dive into in the next section.

What am I charging for?

How to Price Photography Products and Services for Profit

The session fee

Sometimes referred to as a creative fee, the session fee is typically due in full prior to the session (this helps ensure you don’t have no-shows). This fee covers your time and creative talent as a photographer. By determining the amount of time you usually spend per shoot (as discussed in the previous paragraph), you can establish a base session fee.

First, determine how much you want to make per hour. A simple way to calculate this is to divide your desired salary by the number of weeks you plan to work and the number of hours you will work each week. For example, from our numbers above:

  • $ 45,000 per year desired salary
  • ÷ 48 working weeks
  • ÷ 40 hours/week
  • About $ 25/hour

Keep in mind this is adjustable based on your own perceived value. If you plan to make more per year, your hourly rate will go up.

Then, multiply your cost per hour by the average number of hours you expect to spend on each client. For example, if you plan to spend an average of five hours on a single client from start to finish at $ 25/hour, your session fee is calculated as follows:

  • 5 hours
  • x $ 25/hour for your time
  • $ 125 per session (not including products, which we’ll discuss shortly.)

This is a fairly average price for a 1-hour photo shoot in most markets. Remember, this fee is in place to reserve your time and creative talent.

How to Price Photography Products and Services for Profit

Prints and products

Your prints and products should be priced according to the amount of money you need to bring in per shoot after your session fee. In keeping with the example above, let’s say we need to bring in $ 781 per shoot. The session fee will cover $ 125 of this, so you need to sell an average of $ 656 ($ 781 minus $ 125) per shoot in products.

What products will you be selling?

To start, figure out what products you’ll be offering to your clients. Don’t worry about including everything if you’re just starting out. There’s plenty of time to expand your product line as you grow. Typical photographer product lines include:

  • Prints in a range of sizes from 4 x 6″ to 30 x 40″
  • Framed prints
  • Canvases or gallery wraps
  • Albums
  • Digital files

What do I charge for these products?

To figure out what to charge for each item, you’ll want to add your marked up hard costs to your labor costs. We’ll use an 8×10 print as an example.

How to Price Photography Products and Services for Profit

1. Determine hard costs

First, figure out what the print will cost to order from your lab. Add this cost to your other hard costs, like shipping and packaging materials. For example:

  • Print cost: $ 3.50
  • Shipping cost: $ 5.00
  • Cost of your packaging materials: $ 5.00
  • Total: $ 13.50 hard costs

2. Mark up your hard costs

Next, it’s time to figure out your product markup. A commonly recommended markup for photography products is 2.85. So in this case: $ 13.50 x 2.85 equals total: $ 38.48 marked up hard costs for that 8×10.

3. Calculate your labor time

Then figure in the labor time for each item, being sure to include time for post-processing, ordering, inspecting and packaging. For example:

  • 10 minutes for post-processing
  • 2 minutes to place order with your lab
  • 3 minutes unpacking and inspecting photos
  • 5 minutes packaging for delivery
  • 5 minutes scheduling a pickup time or dropping off at the post office (If you meet with your clients in person this may be a longer meeting, so account for that too).
  • Total: 25 minutes labor time

If we’re calculating your time at $ 25/hour (as discussed in the above example dealing with session fees), the cost of labor for 25 minutes is about $ 10.50.

Image3

4. Add marked up hard costs to labor time

  • $ 38.48 hard costs
  • $ 10.50 in labor costs
  • Total: $ 48.98 rounded to the nearest 0 or 5 and you’ll end up with a retail price of $ 50.00 for an 8×10.

This is a typical price for many photographers. Adjust accordingly based on the considerations we discussed in the beginning; your target market, location, and niche.

If your target market is a high-income community in a location where your niche is highly in demand, you can adjust for higher prices – try a 3.5x markup or even higher. But if your target market is a bit more budget-conscious, consider sticking with a 2x markup instead of 2.85x. Just be prepared to do a higher volume of work in order to reach your desired income.

Follow this process with each item on your product list, being sure to account for the extra time it takes for items like albums. As always, keep in mind that these numbers will vary depending on your hard costs and time spent processing and packaging each order.

Conclusion

Taking the time to establish an effective pricing model will put you well on your way to creating a successful and profitable photography business. We know it’s not as fun as getting out in the field and shooting, but you’ll find it’s a necessary part of taking your photography business (and profits) to the next level.

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