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Posts Tagged ‘Scratching’

Scratching the Surface: Expressive Portraits Chip Away at City Walls

08 Sep

[ By SA Rogers in Art & Street Art & Graffiti. ]

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Set in neglected parts of the city, scratched into deteriorating surfaces, expressive portraits loom large, often created with nothing more than a chisel. Alexandre Farto, better known as Vhils, creates art through destruction in a process some might consider vandalism – but this is street art, so what else is new? Vhils first caught the public eye when one of his portraits appeared beside a work by Banksy at London’s Cans Festival in 2008, and since then, he’s been taking his work to the next level.

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The portraits splash the faces of anonymous city residents onto concrete, brick, plaster and other surfaces on buildings and walls throughout the world, particularly in the artist’s home city of Lisbon, Portugal. Nobody else is creating large-scale urban artwork quite like this.

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The process literally cuts through the outermost layers of wall surface, often utilizing scraps of faded billboards to provide contrast with the rougher surfaces hidden underneath. Sometimes, a little bit of paint is strategically used to highlight the image. Some of the works are even applied on top of much older murals completed way back in the ‘70s and ‘80s after the Carnation Revolution, as if the remains of the older ones are fertilizing new growth.

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“As a kid, I remember seeing how these murals would peel,” says Vhils in an interview with The Atlantic. “I started thinking about how my work could use the layers of the past to reflect the city, to show people living in it and how their identity was lost, or forgotten. I started to paint these billboards white, then carve away the negative spaces. It’s not illegal, because that sort of advertising was illegal already. Carving these walls, peeling away these layers, it’s like contemporary archaeology.”

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Vhils divides the images into three colors to create a three-dimensional effect, scratching out the darkest parts of the portraits and highlighting the lightest. Electric drills and chisels make the process easier on hard walls, and in one extreme example, the artist even used explosives to break away some of the plaster, capturing the process for a music video called M.I.R.I.A.M. Follow Vhils on Instagram to catch his latest works.

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[ By SA Rogers in Art & Street Art & Graffiti. ]

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Posted in Creativity

 

Sigma offers part replacement to prevent lenses scratching Pentax K-1

13 May

Lens manufacturer Sigma has announced that it will replace parts on its Pentax-mount lenses that are known to scratch the new Pentax K-1 full-frame camera. The company says that certain lenses that it produces clash with the shape of the upper part of the mount on the K-1 and that using one of the listed lenses ‘could leave a small scratch on part of the camera body’.

Sigma has issued a list of current and past lenses that it knows create a problem, and advises Pentax K-1 owners not to use them until the repair is carried out. Three current lenses are included in the advisory: the 30mm F1.4 DC HSM Art, 35mm F1.4 DG HSM Art and APO 50-500mm F4.5-6.3 DG OS HSM. A time scale for the repair service to begin has yet to be announced though.

The company also says that some of its lenses are not recognized automatically by the K-1, and that users will need to manually enter whether the lens is designed for full frame or APS-C sensors via the camera’s menu system. The announcement makes no mention of whether this issue will also be fixed.


Press release:

Use of Pentax mount SIGMA interchangeable lenses when attached to the Pentax K-1

Thank you for purchasing and using our products.

We have found that some SIGMA interchangeable lenses for Pentax mount could leave a small scratch on part of the camera body when they are attached to the PENTAX K-1, released by RICOH IMAGING COMPANY, LTD. on April 28th, 2016. In this circumstance, please do not use the following lenses for Pentax mount on the PENTAX K-1.

We are planning to provide a repair service to replace a part of the lens for this issue. We will make a further announcement on our website when specific details, such as the service period, are finalized.

In addition, please also refer to the usage notice related to this announcement below.

Phenomenon
When some SIGMA interchangeable lenses for Pentax mount are attached to the PENTAX K-1, the upper part of the mount can be scratched.

This phenomenon is due to the interference with the shape of the upper part of the mount on the PENTAX K-1 camera body and it does not occur to any cameras other than PENTAX K-1.

Applicable products
Current Line-Up

  • 30mm F1.4 DC HSM| Art
  • 35mm F1.4 DG HSM| Art
  • APO 50-500mm F4.5-6.3 DG OS HSM

Discontinued Lenses

  • 50mm F1.4 EX DG HSM
  • 85mm F1.4 EX DG HSM
  • 24-70mm F2.8 IF EX DG HSM
  • APO 70-200mm F2.8 EX DG OS HSM
  • APO 70-200mm F2.8 II EX DG MACRO HSM
  • APO 50-150mm F2.8 II EX DC HSM
  • APO 120-400mm F4.5-5.6 DG OS HSM
  • APO 150-500mm F5-6.3 DG OS HSM

Usage Notice for customers who are using Pentax mount SIGMA lenses on a PENTAX K-1
In some cases, depending on the lenses to be attached on the camera, the angle-of-view cannot be recognized automatically. Please select an angle-of-view that is appropriate for the lenses to be attached from “Crop” in the camera’s menu.

When DG lenses are attached, please select “FF”.
When DC lenses are attached, please select “APS-C”.

We appreciate your continued support for our company and products.

Articles: Digital Photography Review (dpreview.com)

 
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Posted in Uncategorized

 

Scratching the foam

30 Aug

Some cool visual art images:

Scratching the foam
visual art
Image by Roberto Giannotti

My life as seen from a washing machine
visual art
Image by Roberto Giannotti

RI – Newport: Newport Art Museum/John N.A. Griswold House
visual art
Image by wallyg
Completed in 1864, the John N.A. Griswold House, at 76 Bellevue Avenue, is a seminal work by the noted American architect Richard Morris Hunt and is considered by architectural historians to be the first example of the mature Stick Style of architecture, drawing from the vernacular styles of rural France. Hunt’s first major commission in Newport, it was designed for John Noble Alsop Griswold, a China Trade merchant and financier. Hunt was the first American to study architecture at the Ecole des Beaux Arts in Paris where he met John N.A. Griswold, and his wife Jane Emmet Griswold in 1846. The Griswold’s decision to build a summer house in Newport designed by a major architect established a trend that continued throughout the 20th century.

A 2-1/2 story wood frame building is magnificently offset with asymmetrical elevations, and sheltered by a steep, complex slate roof comprised of a central mansard with multiple intersecting gables and corners. An asymmetrically placed porte cochere, projecting polygonal and rectangular bays, and a deep veranda on the west with an offset rear ell all contribute to the pictuersque silhouette.

It is also nationally significant as the home, since 1916, of the Art Association of Newport, now called the Newport Art Association, America’s oldest known surviving art association, established in 1912. Its founding took place during a transitional period in the history of American art, developing out of the art colony movement and the rise of American Impressionism at the turn of the century, and at the same time introducing innovative New York shows to a New England audience.

The museum collects, preserves, exhibits and interprets historic and contemporary visual arts of the highest quality with an emphasis on the rich artistic heritage of Newport, the state of Rhode Island and southeastern New England. Today, the museum is housed on a two-acre campus, also including the Cushing Memorial Gallery and the Gilbert S. Kahn Building. The Griswold House currently houses restored rooms, galleries, a children’s art classroom, administrative offices, a lecture hall, the Griffon Shop and the Museum Store. The surrounding park and sculpture garden is used for many outdoor programs during the summer months.

Explore: August 22, 2007

 
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Posted in Photographs