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Posts Tagged ‘S1/S1R’

Firmware update for Panasonic S1/S1R improves image stabilization and AF performance

01 Jul

Panasonic is releasing a firmware update for its Lumix DC-S1 and S1R full-frame mirrorless cameras, which will be available on July 9th. The new firmware (version 1.1) addresses the following:

Improved image stabilization performance: Panasonic claims that with firmware v1.1, the in-body IS system will reduce shake by an additional 1/2-stop, for a total of 6 stops with non-stabilized lenses and 6.5 stops with Dual IS-compatible glass.

Improved AF performance: Panasonic claims that tracking performance live view display will be improved, and new AF-on options have been added.

  • Tracking performance during video recording has been improved
  • Live view display during autofocusing is now ‘easier to see’
  • A new AF-ON: Near Shift biases toward close subjects, while Far Shift does the opposite

Two smaller changes: An ‘activate’ option has been added to the S1, for entering the key for the optional DMW-SFU2 video feature update. ‘Operational stability’ when using XQD cards should also be improved on both the S1 and S1R.

The firmware will be available for download on Panasonic’s website on the 9th.

On the same day, firmware updates will be made available for six Micro Four Thirds cameras: the Lumix GH5, GH5S, G9, G90/G91/G95, G80/G81/G85 and GX9.

The new firmware addresses various things across those cameras, but the one thing they have in common is adding support for smooth aperture control during video capture when using the Panasonic Leica 10-25mm F1.7 lens. Users can also toggle the aperture ring between ‘smooth’ and 1/3EV. The minor camera-specific changes can be found in the press release below.

Press Release

Panasonic Releases Firmware Update Programs for the LUMIX S1R, S1, GH5, GH5S, G9, G90/G91/G95, G80/G81/G85 and GX9

Newark, NJ (July 1, 2019) – Panasonic has announced that the company will release the firmware update programs for the LUMIX Digital Single Lens Mirrorless cameras to enhance the functions and usability. All programs will be available at LUMIX Global Customer Support website https://av.jpn.support.panasonic.com/support/global/cs/dsc/ at UTC 1:00 on July 9, 2019.

The cameras and the programs to be updated are as follows:

Full-frame Mirrorless Camera

LUMIX S1R Firmware Version 1.1

1. Improved performance of the Body Image Stabilizer

  • The correction performance of the Body Image Stabilizer has been improved from a maximum of 5.5 stops to a maximum of 6.0 stops.*1
  • The correction performance of the Dual I.S.2 has been improved from 6.0 stops to 6.5 stops.*2

*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm, when S-X50 is used.]

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=105mm, when S-R24105 is used.]

Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-R70200 is used.]

2. Improved AF performance

  • [AF-ON: Near Shift] and [AF-ON: Far Shift] functions have been added. [AF-ON: Near Shift] preferably focuses on a subject nearby while [AF-ON: Far Shift] preferably focuses on a subject far away.
  • The tracking performance when using [Tracking] AF mode in video recording has been improved.
  • Live view display during auto focusing is now easier to see.

3. Improved operational stability

  • Operational stability when using an XQD memory card has been improved.

LUMIX S1 Firmware Version 1.1

1. Improved performance of the Body Image Stabilizer

  • The correction performance of the Body Image Stabilizer has been improved from a maximum of 5.5 stops to a maximum of 6.0 stops.*1
  • The correction performance of the Dual I.S.2 has been improved from 6.0 stops to 6.5 stops.*2

*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm, when S-X50 is used.]

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=105mm, when S-R24105 is used.]

Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-R70200 is used.]

2. Improved AF performance

  • [AF-ON: Near Shift] and [AF-ON: Far Shift] functions have been added. [AF-ON: Near Shift] preferably focuses on a subject nearby while [AF-ON: Far Shift] preferably focuses on a subject far away.
  • The tracking performance when using [Tracking] AF mode in video recording has been improved.
  • Live view display during auto focusing is now easier to see.

3. Function Enhancement with Upgrade Software Key DMW-SFU2

An [Activate] function has been added which enables the use of extended functions using the Upgrade Software Key DMW-SFU2. The following functions will be added by activating the Upgrade Software Key.

  • The video recording modes [MOV]

4K

60p/50p*

4:2:0

8bit

LongGOP

150Mbps

LPCM

30p/25p*

4:2:2

10bit

LongGOP

150Mbps

LPCM

24p

4:2:2

10bit

LongGOP

100Mbps

LPCM

FHD

60p/50p*

4:2:2

10bit

LongGOP

100Mbps

LPCM

30p/25p*

4:2:2

10bit

LongGOP

100Mbps

LPCM

* PAL area only.

?HDMI 4K60p/50p* 4:2:2 10bit output

* PAL area only.

?V-Log will be added in Photo Style.

?The [V-Log View Assist] function will be added, which enables viewing the V-Log file with LUT(Look Up Table) when recording video in V-Log.

?The [Read LUT File] function will be added, which allows users to install and apply their favorite LUT.

?A WFM (Waveform Monitor) display function.

?A [Luminance Level] adjustment function that complies with 10-bit.

?An [XLR Mic Adaptor Setting] function that enables high-res sound recording using the XLR Microphone Adapter DMW-XLR1 (sold separately).*

* MOV only

4. Improved operational stability

  • Operational stability when using an XQD memory card has been improved.

Micro Four Thirds Mirrorless Cameras

GH5 Firmware Version 2.5

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Remote Shutter DMW-RS2.

  • The video REC switch on the Remote Shutter can be disabled in the camera’s custom menu.

GH5S Firmware Version 1.3

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Remote Shutter DMW-RS2.

  • The video REC switch on the Remote Shutter can be disabled in the camera’s custom menu.

G9 Firmware Version 1.3

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Remote Shutter DMW-RS2.

  • The video REC switch on the Remote Shutter can be disabled in the camera’s custom menu.

G90/G91/G95 Firmware Version 1.3

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Battery Grip DMW-BGG1.

  • The Fn button on the Battery Grip can be customized in the camera’s custom menu.

G80/G81/G85 Firmware Version 1.3

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Remote Shutter DMW-RS2.

  • The video REC switch on the Remote Shutter can be disabled in the camera’s custom menu.

GX9 Firmware Version 1.3

Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S1/S1R studio scenes with high-res mode published

24 Apr

We’ve been working through our full review of Panasonic’s high-megapixel, full-frame flagship, the Lumix S1R and its lower-resolution S1 sibling, and have published our studio test scene images from them – including the 187MP high-res mode. It’s, well, quite something. Take a look for yourself and prepare to get well acquainted with every detail of our studio test scene.

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Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S1/S1R added to buying guides

22 Mar

We’ve added Panasonic’s new Lumix DC-S1 / DC-S1R to three of our buying guides. Both are listed in our ‘Best Cameras over $ 2000’ guide, with the S1 being considered for video and the S1R for landscapes. While we’ll have more detail when our reviews are published, these guides provide quick overviews of both models.

Best Cameras over $ 2000

Best Cameras for Video

Best Cameras for Landscapes

View all buying guides

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic S1/S1R review in progress

01 Feb

The Panasonic Lumix DC-S1 and S1R are the company’s mid and high-end full frame mirrorless cameras: both of which are built around the L-mount developed by Leica and now supported by Sigma and Panasonic. Aside from resolution and video features, the two cameras are very similar to one another.

The Lumix S1 is a mid-level, image-stabilized 24MP camera capable of shooting at up to 9 frames per second. It can shoot 4K/60p video from an APS-C region of its sensor or oversampled 4K/30p from its full sensor width. A multi-shot high-res mode lets it create 96MP images. A paid upgrade enables 10-bit V-Log shooting.

The Lumix S1R, meanwhile, is a higher-end, higher-resolution variant. It features a 47MP sensor which can also shoot at up to 9fps, and its multi-shot mode lets it generate 187MP files. The S1R can shoot video at up to 4K/60p with only a slight crop but it pixel bins, so footage will be less detailed than the S1’s output.

Both cameras feature the highest-resolution electronic viewfinders on the market: 5.7M-dot OLED panels that run at 120Hz and promise very little lag.

Panasonic Lumix S1 Key Specifications

  • 24MP full-frame CMOS sensor
  • Depth from Defocus contrast-detect AF system
  • 5-axis in-body ‘Dual IS’ system
  • Fully weather-sealed
  • 96MP ‘High Res’ mode
  • 6 fps bursts with continuous AF
  • 5.76M-dot EVF
  • Dual-hinged 2.1M-dot touchscreen LCD
  • UHD 4K/60p video capture (1.5x crop); Oversampled 4K/30p with no crop
  • 10-bit HLG built-in, optional 4:2:2 V-Log
  • One XQD and one SD card slot
  • 380 shots/charge using LCD
  • USB charging, including from laptop/tablet chargers and portable power banks

Panasonic Lumix S1R Key Specifications

  • 47MP full-frame CMOS sensor
  • Depth from Defocus contrast-detect AF system
  • 5-axis in-body ‘Dual IS’ system
  • Fully weather-sealed
  • 187MP ‘High Res’ mode
  • 6 fps bursts with continuous AF
  • 5.76M-dot EVF
  • Dual-hinged 2.1M-dot touchscreen LCD
  • UHD 4K/60p video capture with 1.09x crop and pixel binning
  • One XQD and one SD card slot
  • 360 shots/charge using LCD
  • USB charging, including from laptop/tablet chargers and portable power banks
The complete Lumix S system at launch

Alongside the cameras, Panasonic has announced 50mm F1.4, 24-105mm F4 and 70-200mm F4 lenses for the L system. They will cost $ 2299, $ 1299 and $ 1699, respectively. Both cameras will also be compatible with the existing Leica SL lenses as well as APS-C ‘TL’ glass.

A battery grip (DMW-BGS1) will also be available for around $ 350.

What’s new and how it compares

The S1 and S1R inherit (and improve upon) many of the features from Panasonic’s Micro Four Thirds cameras, while adding new full-frame sensors, a High Res mode, HLG photos and more.

Read more

Body and handling

The S1/S1R have rugged bodies which can hold their own in the elements. The cameras have an incredibly high resolution EVF as well as a dual axis LCD.

Read more

Operation and controls

The S1 and S1R have redesigned menus, plenty of customizable controls and a cool ‘image stabilization scope’.

Read more

S1 video overview

The S1 can capture 4K/60p video with a 1.5x crop as well as oversampled 4K/30p footage. You will have to pay extra if you want a 10-bit V-Log workflow, however.

Read more

Initial impressions

Find out what DPReview editor Richard Butler thinks about the Panasonic S cameras thus far.

Read more

Sample Galleries

Dan Bracaglia has been shooting with the S1 and S1R running firmware v0.7.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic S1/S1R to ship in March; HLG Photo and High-Res mode added to feature list

08 Jan

Panasonic has announced that its Lumix DC-S1 and DC-S1R full-frame mirrorless cameras will ship at the end of March. The company also disclosed two previously unmentioned features that will be offered on both cameras.

First is a ‘HLG Photo Mode’, which captures photos with high dynamic range using the Hybrid Log Gamma profile. Photos are saved as HSP files, which can be viewed on HLG-compliant devices.

These will be among the first cameras to be able to take advantage of the latest HDR displays: showing a natural-looking image with a wider dynamic range (not squeezing a wide dynamic range into the limitations of older, standard-DR monitors). The movie and broadcast industries have already developed a series of standards for capturing and showing HDR footage but there’s been less progress in the photographic world.

Apple’s recent iPhones can capture and display HDR images but it’s not clear which standard they’re using: the HDR images only currently appear as HDR on the device’s own screen. By adopting the simple and increasingly widespread HLG system (currently used by the BBC and cameras from Panasonic, Fujifilm and Sony), Panasonic could help establish a way for photographers to shoot and edit HDR stills, knowing that some displays will know how to show them correctly.

The second feature is a multi-shot high-resolution mode, that uses the camera’s sensor-shift image stabilizer. The camera moves the sensor a tiny amount to capture eight separate exposures, which are combined into a single image with high levels of detail. A ‘suppress motion blur’ option is available, which we’ll surely be testing once we have an S1/S1R to review.

Lumix S1 sample photos by Daniel Berehulak

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Press Release

Panasonic Announces Additional Key Functions for the New Full-frame Mirrorless Camera at CES 2019

Las Vegas, NV (January 7, 2019) – Following an announcement at Photokina 2018, Panasonic will unveil additional key features of the new LUMIX S full-frame mirrorless cameras at CES 2019. The LUMIX S full-frame mirrorless cameras and lenses will be available at the end of March 2019.*

A Whole New Style of Photo Expression

High Dynamic Range Still Photo – HLG Photo Mode

HLG Photo allows images to be shot with a wider dynamic range. By reproducing both glaring lights and dark shadows that are likely to be overexposed or underexposed, the Lumix S achieves rich, precise color expression as close as possible to visual memory.

HLG Photos are produced as an HSP file. The user can play back these vibrant images on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices. It is also ideal for photographers’ photo presentations.

Stunning Details with a Realistic Sensation

High Resolution Mode

Taking advantage of the Body Image Stabilizer. (I.S.) mechanism, eight consecutive images are automatically shot while shifting the sensor. These eight images are synthesized into a single image by the new Venus Engine, which boasts high-speed signal processing. Precise details are faithfully reproduced to be saved as a beautiful, highly realistic image. This mode is ideal for shooting natural landscapes or fine art objects with delicate details.

Considering situations where moving subjects are included in the scene, sub options are available to suppress motion blur, so photographers can use this mode the same as shooting in a normal photo shooting mode.

Articles: Digital Photography Review (dpreview.com)

 
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