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Posts Tagged ‘ruling’

Analysis predicts drone Remote ID will cost 9X more than expected, DJI urges FAA to reconsider ruling

06 Mar

After numerous delays, the Federal Aviation Administration (FAA) released its Notice of Proposed Rulemaking (NPRM) for the Remote Identification of Unmanned Aircraft Systems at the end of last year. The 60-day public commenting period closed this past Monday, March 2nd, with over 52,000 comments submitted during that time.

DJI, the world’s leading drone manufacturer, has supported the need for Remote ID since 2017. In the interest of moving the industry forward, a proper ruling would allow flights at night, over people and beyond visual line of sight. When the NPRM was released, however, DJI publicly chastised the FAA for not incorporating recommendations submitted by the 74 stakeholders that make up the Aviation Rulemaking Committee.

In its 89-page comment to the FAA, DJI cites independent economic analysis that was prepared by Dr. Christian Dippon, Managing Director at NERA Economic Consulting. The study concludes that the societal costs associated with the Remote ID NPRM would total $ 5.6 billion. This makes it 9 times more costly than the $ 582 million the FAA predicts for the next decade.

“I worry about an impact on innovation, with fewer people interested in using drones,” – Brendan Schulman

The long-term ramifications, should the Remote ID NPRM pass in its current form, will extend beyond financial burdens. ‘I worry about an impact on innovation, with fewer people interested in using drones. Our economist’s survey found at least a 10% drop in drone activity if the proposal were implemented, but I think it could be much higher as the full impact is felt by operators,’ Brendan Schulman, DJI’s Vice President of Policy & Legal Affairs, tells DPReview.

Remote ID, simply put, is a digital license plate for drones. It allows authorities to identify the location, serial number, and a remote pilot’s identity in near real-time. The FAA is proposing that almost all drones should transmit that information over wireless networks to a service provider’s database. NERA’s study concludes that the monthly cost of a network-based service for a remote pilot would be $ 9.83 instead of the FAA’s $ 2.50 estimate.

A few vocal critics have suggested that DJI’s involvement in drafting Remote ID rulemaking has served their own interests, and that regulations will amount to a multi-billion dollar gain for the company. ‘The critics missed the context and history. Since 2017 we knew Remote ID was inevitable as a government mandate, and have been advocating for the best possible result for all drone users: low costs and burdens. Everything we have done on this topic has been focused on those goals. Keep costs low and respect drone user privacy. For example, in March 2017 we released a whitepaper strongly advocating for pilot privacy,’ Schulman explains.

DJI has advocated for a ‘drone-to-phone’ solution that provides Remote ID information on common smartphones without burdening drone operators with any extra costs or effort. DJI says that its solution is cheaper and easier than what the FAA is proposing. Any new ruling on Remote ID will not likely take effect until 2024.

Articles: Digital Photography Review (dpreview.com)

 
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Remote identification ruling for drones delayed once again

10 Sep

Remote Identification (Remote ID) is the concept that drones should have a digital license plate. If officials can track who is flying where, when, and for what purpose, then drones may be permitted to fly beyond visual line of sight (BVLOS) and above people. DJI’s Vice President of Policy & Legal Affairs, Brendan Schulman, along with Mark Aitken, who serves on the drone manufacturer’s D.C. Advocacy Team, had brought a proposal to the Association for Unmanned Vehicle Systems International’s (AUVSI) annual XPONENTIAL conference over two years ago.

The lack of progress on this initiative, which will open up opportunities for commercial remote pilots, and safely integrate drones into the National Airspace System (NAS), is frustrating to both industry stakeholders and small business owners. Senators on opposing sides of the political spectrum recently united and urged U.S. Transportation Secretary Elaine Chao to take action. Rulemaking, which was initially scheduled to commence this past May, has been delayed to a proposed date of December 20, 2019.

The USDOT website has confirmed another delay on rulemaking for Remote ID.

This latest postponement has been confirmed in the August 2019 rulemaking report from the US Department of Transportation’s (USDOT) website. The report reads ‘This action would implement system(s) for the remote identification of certain unmanned aircraft systems. The remote identification of unmanned aircraft systems in the national airspace system would further address security and law enforcement concerns regarding the further integration of these aircraft into the national airspace while also enabling greater operational capabilities by these same aircraft.’

Commenting on the notice of proposed rulemaking (NPRM) has been pushed back from October 29th to February 1, 2020. These are projected dates, meaning that the publication of and commenting on the NPRM could potentially be delayed even further. AUVSI’s president and CEO, Brian Wynne, released the following statement regarding the USDOT’s latest significant rulemaking report:

It’s disappointing the rulemaking for remote identification has been delayed again. The need for remote identification cannot be overstated, as the advancement of the UAS industry depends on identifying and tracking UAS flying in the airspace.

‘It’s disappointing the rulemaking for remote identification has been delayed again. The need for remote identification cannot be overstated, as the advancement of the UAS industry depends on identifying and tracking UAS flying in the airspace. Remote ID is necessary for enabling advanced and expanded operations such as flights over people and beyond line of sight, which will provide significant benefits throughout our economy and society. Most importantly, remote ID is critical for ensuring airspace safety by helping law enforcement identify and distinguish authorized UAS from those that may pose a security threat. We urge the FAA to move as quickly as possible with rulemaking for remote identification to keep the skies safe for all aircraft — both manned and unmanned.’

Recently, the Federal Aviation Administration’s (FAA) Deputy Administrator, Daniel K. Elwell, had publicly stated that ‘we are making progress toward the full integration of drones’ and ‘the idea is to crawl, walk, and run, but we are doing so rapidly.’ Given this latest setback, coupled with another delay on the proposed rule for Section 2209, which will provide protections for drone flights near critical infrastructure, it seems like the FAA needs make an effort to ensure their actions are consistent with their words.

Articles: Digital Photography Review (dpreview.com)

 
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Controversial copyright ruling based on ‘faulty understanding’ but shouldn’t set precedent

06 Jul

A copyright ruling against a photographer whose work was re-used has been criticized as a “very poor decision,” based on “a faulty understanding of the fair use doctrine,” by copyright lawyer Bert Krages.

The widely-reported ‘Brammer v. Violent Hues LLC’ case in the Eastern District of Virginia appeared to accept that the use of a crop of a photograph without permission as fair use. However, while Krages questioned the decision, he also stressed that “the decision does not serve as precedent in other cases,” though he thinks “it’s likely that other defendents in copyright cases will cite to the case in the hopes of getting a favorable decision.”

A faulty understanding of the fair use doctrine

The legal matter began in 2017 after photographer Russell Brammer filed a complaint against Violent Hues Productions, LLC, for using one of his images on its website without first receiving permission. The image had been taken in 2011 and was uploaded to Flickr with an “All Rights Reserved” copyright notice.

Violent Hues removed the image upon being contacted by Brammer, but the photographer sued, both for copyright infringement and for removing copyright information from the image. The court dismissed the copyright removal claim but then made a controversial ruling that Violent Hues’ use was covered by the ‘fair use’ exemption from copyright protection.

‘Fair use’ in US copyright law includes the consideration of four basic tests:

  • The purpose and character of the use, including whether such use is of a commercial nature. . .
  • The nature of the copyrighted work
  • The amount and substantiality of the portion used in relation to the copyrighted work as a whole
  • The effect of the use upon the potential market for or value of the copyrighted work.

The court decision works through each of these tests but Attorney at Law Krages said “The court seems to apply the factors in a way that excuses the infringement as opposed to applying them in a way to determine if the societal interest in fair use is served.

In particular, he expressed surprise at the court’s assessment of the character of the usage. The ruling states that Brammer’s work was ‘promotional and expressive,’ whereas Violent Hues’ was ‘informational,’ and that the usage was, therefore ‘transformative.’

The downloading of an image off of a website to use on another website is hardly a new or unexpected use.

“The District Court seems to have failed to recognize that a finding of transformative use requires that the source work has been used in a completely new or unexpected way,” he says. In particular, he questioned the case cited in the ruling: “Although the court cites to a Fourth Circuit decision that held that the use of papers written by high school students in a database intended to detect plagiarism was “transformative” because the purpose was different, In this case, the downloading of an image off of a website to use on another website is hardly a new or unexpected use.”

The ruling goes on to suggest the nature of the copyrighted work was a factual representation of the world, even though it contained creative elements, and therefore decided in favor of fair use on the second test. It dismissed the third test by saying that Violent Hues had cropped the image so that only the amount “necessary to convey the photo’s factual content” was used. It then concluded that Brammer had managed to sell the image after Violent Hues had used it, and hence the use hadn’t undermined the work’s value.

In my opinion, this was nothing more than an unfair misappropriation of an artist’s talents

Krages disagrees: “The four fair use factors are neither exclusive nor are they to be given equal weight. The court seems to apply the factors in a way that excuses the infringement as opposed to applying them in a way to determine if the societal interest in fair use is served. Violent Hues purpose for using the image was to make its website look better, and the usage did nothing to promote public interests such as commentary, news reporting, and scholarship. Violent Hues did not use the image to comment on the image as art, to report that someone had made an interesting image, or in connection with a scholarly work on photography. The image obviously had value or Violent Hues would not have wanted to use it. In my opinion, this was nothing more than an unfair misappropriation of an artist’s talents.”

Ultimately, though, Krages has reassuring words: “Although it is likely that other defendants in copyright cases will cite to the case in the hopes of getting a favorable decision, hopefully it will not encourage other parties to engage in infringement. In any case, it should not prevent similarly-situated plaintiffs in other cases from receiving just compensation.”

The court’s ruling in the case can be found in its entirety here.

A copyright ruling against a photographer whose work was re-used has been criticized as a “very poor decision,” based on “a faulty understanding of the fair use doctrine,” by copyright lawyer Bert Krages.

The widely-reported ‘Brammer v. Violent Hues LLC’ case in the Eastern District of Virginia appeared to accept that the use of a crop of a photograph without permission as fair use. However, while Krages questioned the decision, he also stressed that “the decision does not serve as precedent in other cases,” though he thinks “it’s likely that other defendents in copyright cases will cite to the case in the hopes of getting a favorable decision.”

A faulty understanding of the fair use doctrine

The legal matter began in 2017 after photographer Russell Brammer filed a complaint against Violent Hues Productions, LLC, for using one of his images on its website without first receiving permission. The image had been taken in 2011 and was uploaded to Flickr with an “All Rights Reserved” copyright notice.

Violent Hues removed the image upon being contacted by Brammer, but the photographer sued, both for copyright infringement and for removing copyright information from the image. The court dismissed the copyright removal claim but then made a controversial ruling that Violent Hues’ use was covered by the ‘fair use’ exemption from copyright protection.

‘Fair use’ in US copyright law includes the consideration of four basic tests:

  • The purpose and character of the use, including whether such use is of a commercial nature. . .
  • The nature of the copyrighted work
  • The amount and substantiality of the portion used in relation to the copyrighted work as a whole
  • The effect of the use upon the potential market for or value of the copyrighted work.

The court decision works through each of these tests but Attorney at Law Krages said “The court seems to apply the factors in a way that excuses the infringement as opposed to applying them in a way to determine if the societal interest in fair use is served.

In particular, he expressed surprise at the court’s assessment of the character of the usage. The ruling states that Brammer’s work was ‘promotional and expressive,’ whereas Violent Hues’ was ‘informational,’ and that the usage was, therefore ‘transformative.’

The downloading of an image off of a website to use on another website is hardly a new or unexpected use.

“The District Court seems to have failed to recognize that a finding of transformative use requires that the source work has been used in a completely new or unexpected way,” he says. In particular, he questioned the case cited in the ruling: “Although the court cites to a Fourth Circuit decision that held that the use of papers written by high school students in a database intended to detect plagiarism was “transformative” because the purpose was different, In this case, the downloading of an image off of a website to use on another website is hardly a new or unexpected use.”

The ruling goes on to suggest the nature of the copyrighted work was a factual representation of the world, even though it contained creative elements, and therefore decided in favor of fair use on the second test. It dismissed the third test by saying that Violent Hues had cropped the image so that only the amount “necessary to convey the photo’s factual content” was used. It then concluded that Brammer had managed to sell the image after Violent Hues had used it, and hence the use hadn’t undermined the work’s value.

In my opinion, this was nothing more than an unfair misappropriation of an artist’s talents

Krages disagrees: “The four fair use factors are neither exclusive nor are they to be given equal weight. The court seems to apply the factors in a way that excuses the infringement as opposed to applying them in a way to determine if the societal interest in fair use is served. Violent Hues purpose for using the image was to make its website look better, and the usage did nothing to promote public interests such as commentary, news reporting, and scholarship. Violent Hues did not use the image to comment on the image as art, to report that someone had made an interesting image, or in connection with a scholarly work on photography. The image obviously had value or Violent Hues would not have wanted to use it. In my opinion, this was nothing more than an unfair misappropriation of an artist’s talents.”

Ultimately, though, Krages has reassuring words: “Although it is likely that other defendants in copyright cases will cite to the case in the hopes of getting a favorable decision, hopefully it will not encourage other parties to engage in infringement. In any case, it should not prevent similarly-situated plaintiffs in other cases from receiving just compensation.”

The court’s ruling in the case can be found in its entirety here.

Articles: Digital Photography Review (dpreview.com)

 
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Lawsuit ruling sends clear message: Register your photo copyrights ASAP

02 Aug

Though copyright is automatically granted to creators for their created works in the United States, the option remains to officially (and voluntarily) register those copyrights with the U.S. Copyright Office. As detailed on Copyright.gov, this registration bestows certain benefits and may, in certain circumstances, be necessary: “Before an infringement suit may be filed in court, registration is necessary for works of U.S. origin.”

A recent U.S. lawsuit involving infringement may set a precedent regarding whether a copyrighted work is considered registered for the purposes of an infringement suit if the registration application is still pending.

The matter revolves around a lawsuit filed by photojournalist Matilde Gattoni against clothing retailer Tibi over its unauthorized use of her photo. According to the lawsuit, Gattoni posted one of her own photos on her Instagram; this image was taken in Morocco and her copyright registration was still pending in the U.S. Though the Instagram post included a copyright notice, the lawsuit claims Tibi cropped the image, posted the cropped portion on its own Instagram, and included only a link to Gattoni’s Instagram sans copyright info.

The lawsuit aimed to hit Tibi for both a DMCA violation and copyright infringement, seeking between $ 2,500 and $ 25,000 for the alleged DMCA violation and up to $ 150,000 in damages for the copyright infringement.

However, things didn’t quite go as Gattoni had hoped. U.S. District Court Judge Robert W. Sweet has ruled that while the case can proceed with the DMCA claim, it must do so without the copyright infringement claim due to the copyright registration’s ‘pending’ status. Discussing this matter in particular, the court stated:

Because Gattoni has alleged only that the registration for the allegedly infringed film is pending, and because no application has been made by Gattoni to amend the Complaint if and when the Photograph became registered, Gattoni has not properly pled the pre-requisite element of a copyright infringement claim.

While some courts have accepted pending copyright registration as suitable for meeting the infringement lawsuit prerequisites, others—such as this one—have chosen to accept only a complete registration as acceptable. According to Lexology, Second Circuit federal courts have sided with the completed registration interpretation of the requirements.

Photographs can register their image copyrights with the U.S. Copyright Office through its online eCO system. Details on how to register photo copyrights in particular are offered here.

Articles: Digital Photography Review (dpreview.com)

 
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Zillow and VHT appeal $4 million copyright infringement ruling

21 Jul

Real estate listing firm Zillow Group and photography firm VHT have been locked in a huge copyright lawsuit over Zillow’s alleged infringement of thousands of VHT’s real estate images for years now, and it doesn’t look like it’s going to end any time soon.

VHT originally filed the suit against Zillow Group in 2015, alleging that tens of thousands of its images were used without permission on both the Zillow.com website and Zillow Digs. Though the claims regarding Zillow.com were dismissed last year, the legal matter has persisted over alleged infringement on Zillow Digs.

This past February, VHT was awarded $ 8.24 million in statutory damages and $ 79,875 in actual damages by a jury over copyrighted images that appeared without authorization on Zillow Digs. The matter took another turn last month, however, when a judge slashed that figure in half, citing lack of evidence to prove that most of the 28,000+ images were ever viewed by users.

Following that, both VHT and Zillow Group petitioned the 9th U.S. Circuit Court of Appeals this week in an effort to have the lower court’s ruling overturned. The case remains ongoing.

This isn’t the first legal row Zillow has been involved in over image copyright issues. The company was recently in the news over legal threats it issued against blogger Kate Wagner of ‘McMansion Hell’ over her use of photos reportedly sourced in part from Zillow’s website. It was soon revealed that Zillow did not own the copyrights to those images, but was instead attempting to enforce third-party contracts to which Wagner was not a party. The company publicly stated that it would not pursue legal actions against Wagner over what her attorneys called fair use of the images.

Articles: Digital Photography Review (dpreview.com)

 
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FAA offers drone registration refunds following court ruling

09 Jul

In 2015, the FAA issued the Registration Rule mandating that small drones used for recreational purposes had to be registered with the Administration. This was the law of the land until the U.S. Court of Appeals for the District of Columbia Circuit vacated the FAA’s Registration Rule for these small drones (called ‘model aircraft’) in May of this year, saying the requirement ‘directly violates’ Section 336(a) of the FAA Modernization and Reform Act signed by President Obama in 2012.

Thanks to that ruling, small drone owners who registered their aircraft are now eligible for a refund.

Earlier this week, the FAA announced that small drone owners who operate their unmanned aircraft for recreational purposes can choose to have their FAA registration deleted and to receive a refund for the registration fee—a whopping $ 5.

This deletion and refund, however, only applies to drones that are ‘exclusively in compliance’ with Section 336: that is, for small aircraft that are solely operated for recreational purposes. And, for what it’s worth, the FAA says it still encourages these model aircraft owners to voluntarily register their drones, so if you already registered your drone you might want to remain $ 5 poorer and leave your registration intact.

If, on the other hand, you do want a refund, you’ll need to print, fill out and mail in this form to the FAA—the mailing address is located on the bottom of the second page.

Articles: Digital Photography Review (dpreview.com)

 
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