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Posts Tagged ‘rugged’

Lume Cube 2.0 review: rugged, portable lights for stills and video

15 Mar

Way back in 2014, Lume Cube Inc. sailed past its fundraising goals when it launched its brand-new, eponymously-named LED lighting system on Kickstarter. Aimed both at still and video shooters, the original Lume Cube offered 1,500-lumen light output and Bluetooth wireless control in a remarkably compact package. And despite measuring just 4 x 4 x 4.5cm (1.6 x 1.6 x 1.75″), it was also both rugged and waterproof.

Enter the Lume Cube 2.0: as portable as ever with some key improvements under the hood. In short, we think it’s an incredibly handy little light with a robust ecosystem of accessories. See our condensed findings below and read on for the full analysis.

Key takeaways:

  • Compact, size, rugged and waterproof construction inspire confidence and use in a variety of situations
  • Excellent quality of light, with daylight white balance and a high CRI value
  • Optical sensor to act as a slave flash for stills shooting
  • Fine control over brightness
  • Impressive battery run-time, but longer charge times
  • Good max brightness for size, but still struggles under sunlight
  • Excellent, if pricey, accessory system

What’s new?

Although it’s exactly the same size as its predecessor and has the same light output as before, the updated Lume Cube 2.0 now runs for three times as long at full power, and is easier to recharge too. And the light it produces has improved noticeably in terms of its color rendition, coverage and evenness.

The new version also offers an added low-light mode with a 1-10% power range in 1% increments, controllable either from the smartphone app or the Lume Cube’s own physical controls. And the product bundle has been expanded, with a modification frame and two filters included as part of the base product bundle.

The standard Lume Cube 2.0 kit (left, $ 90) now includes the modification frame with diffuser and warming filters. The Pro Lighting Kit (right, $ 300) includes a carry case packing two lights with modification frames, a dozen filters, two grids, and a full set of barn doors, snoot and diffusion bulb for each light.

Who is it for?

As before, the Lume Cube 2.0 is aimed both at still and video shooters, regardless of whether they’re using a sizable interchangeable-lens camera rig, GoPro, smartphone or even a drone.

For standalone cameras, most functionality can be used without a smartphone at all, and the Lume Cube works either a continuous light source or an optically-triggered slave flash. Alternatively, multiple lights can be controlled individually or as a group using an Android / iOS app.

Smarter physical controls and a better-placed optical sensor

The Lume Cube 2.0 looks quite similar to predecessor, and its size and weight are unchanged. The biggest difference is that the optical sensor has moved from the front of the light to its top, sharing its location with the status LED. In its new home, it’s now easier to trigger from a wide range of angles.

It sits in between a clearly-labeled pair of opaque black buttons on the top deck which replace the translucent buttons of the original model. These together provide access to power control, brightness adjustment, optical slave flash, and low-light mode.

The non-swiveling hot shoe mount shown in this image is included in the standard bundle. The Pro Lighting Kit doesn’t include any mounts; the ball head mount shown atop this page costs $ 25.

Charging is quicker and easier, but waterproofing suffers

Around back, the charging port is now a modern, reversible USB-C connector, and is covered by a soft rubber flap. While it’s still a bit fiddly to pull open with recently-trimmed nails, it closes securely, stays in place, and it’s really nice not to have to worry about the lights being affected by rain. (And to be able to take them underwater too, if that’s your thing.)

While less bothersome than the screw-in cover of the original Lume Cube, it’s also easier for water to circumvent, though. As a result the new model is waterproof to a maximum depth of 9.1m / 30ft, down from 30.5 / 100ft for its predecessor. That’s still plenty for snorkeling and probably a pretty significant proportion of recreational scuba too, but if you’re planning on deeper dives you may want to stick with the earlier version.

Wider, more even and daylight-balanced light

On the inside, everything is new. The battery, LED and optics have all been replaced, and while it still has a light output of 1,500 lumens (750 lux at 1m), the Lume Cube 2.0 now has a 5600k daylight color temperature, down from the 6000-6500k of its predecessor.

At the same time, the quality of its light has improved, with a Color Rendering Index score of 95. The Lume Cube 2’s new lens is also less prone to hot spots, and has a wider 80-degree coverage, up from its predecessor’s 60-degree beam angle.

Here’s a view from the rear, with the Lume Cube on its optional ball head mount atop my personal Pentax K-3. This mount is much better than the basic one included in some kits, as it lets you aim the light in almost any direction.

Smarter firmware and new features

The Lume Cube 2.0 has also received some smart updates in the firmware department. Perhaps most importantly, it now requires a three-second long press of the power button to switch on. This ensures that unlike its predecessor, it won’t switch itself on in your camera bag and drain its battery right before it’s needed.

The new firmware also allows brightness to be adjusted in either direction using the Lume Cube 2.0’s physical controls, unlike the original version which could only increase brightness to its maximum before looping back around to its minimum brightness setting on the next step.

And a new mode accessed with a long press of both buttons at once allows a much narrower 1-10% brightness range with a more precise 1% step size, rather than the full range in 10% steps as is the default. It’s handy if you’re shooting long exposures but still need just a little illumination.

Same accessories and mounting system, but now it’s in the bundle

A wide selection of filters and accessories can be attached to the Lume Cube 2.0 using the exact same modification frame attachment as before, allowing owners of the original Lume Cube to upgrade their lights or add new ones while keeping the rest of their gear.

A wide variety of optional mounts are available, including this spring-loaded smartphone clip ($ 20) to which I’ve attached the ball head and a Lume Cube 2.0 with bulb diffuser.

The frame itself now ships even in the base product bundle along with a pair of warming and light diffusion filters. Each of these uses name-brand LEE filter materials from the company’s LED-specific Zircon line. The level three warming filter drops the color temperature to 4,500 kelvin, and the diffusion filter is the lowest strength available.

Incredibly portable yet decent battery life too

The Lume Cube 2.0 is very solidly built, with not a hint of creak or flex anywhere. It’s also impressively small. Even with a modification frame attached it’d fit in looser pants pockets, and you could easily bring two or three in a jacket pocket and almost forget they were there until you needed them.

Given the compact size and relatively powerful output, I was really impressed by battery life, which is a huge improvement on the previous iteration’s 25 minutes. At 100% brightness, I could manage anywhere from 62 to 90 minutes on a charge, depending on whether or not Bluetooth was enabled, meeting the manufacturer spec precisely.

Battery life impresses, and you can charge the lights while using them

And by dropping to 50% brightness, I managed an average of three hours, 38 minutes per charge with Bluetooth active. That absolutely demolishes not only the original Lume Cube’s runtime, but also the spec sheet, which promises only 2.5 hours!

I must say it surprised me that controlling the lights via Bluetooth decreased the battery life as much as it did, though. The good news is that the Bluetooth radio does eventually go to sleep if the light is left inactive for a while. Once fully asleep, it needs to be woken back up with a physical button press before it’ll respond via Bluetooth again.

Fast charging requires a fast, modern USB-C charger and cable

The only place I didn’t come near the manufacturer spec was recharging. Lume Cube’s documentation promises around 45-60 minutes for a full charge, but using the supplied USB-C to USB-A cable and a wide variety of different chargers capable of up to a maximum of 18 watts per port, I was never able to recharge in less than two hours, 49 minutes.

I used three Lume Cubes for this shot. One was unfiltered on a mini-tripod near the bottom front of the cage, and another with bulb diffuser was pointed straight down from a bit above and in front of the birds. Finally, a third was just out of frame right and, in turn, was aimed to bounce off a small folding reflector just out of frame left.

To get near the claimed time you’ll likely need a recent, high-powered USB-C charger with Power Delivery support, as intended for charging laptops and the like, plus a Power Delivery-compatible USB-C to C cable. Unfortunately, I haven’t one to test with myself to confirm the claimed charging time.

Recharge and use your lights at the same time

The good news is that you can charge and use the lights at the same time if you’re within reach of a power outlet. This can potentially extend run times a lot, especially if you can switch off entirely or dial the brightness down significantly while setting up and between groups of shots.

I did just that while working to get the shot of my pet parakeets above, avoiding having to stress the birds any more than was necessary.

Note, though, that it’s not recommended to go above brightness level 80 while also charging. This is likely due to heat concerns, as after extended periods at 100% power, the Lume Cubes can get uncomfortably hot to the touch even without charging at the same time. (Not enough to burn instantly, but enough that you couldn’t persuade me to hold my finger on it.)

So long as you’re not in direct sunlight, the Lume Cube 2.0 is sufficiently bright for daytime use at shorter distances. Compared to the unlit shot (left), a Lume Cube at arm’s length (right) not only fills in shadows, but is strong enough to cast its own.

Best for smaller subjects or in lower ambient light

The Lume Cubes’ small size is great in terms of portability, but it comes at the expense of daytime usability. For what they are, these are pretty powerful lights but they’re simply no match for full sunlight, where they struggle to fill in shadows even at full power from just a couple of feet away.

A small reflector would be a better choice here, using the sun’s own power to provide light where it’s needed. In full shade or even indirect sunlight, though, even just a single Lume Cube can make quite a noticeable difference, so long as it can be kept fairly close to the subject.

That makes it quite well-suited to things like head-and-shoulders portraits, selfies and talking head video capture, and so on. And once you take the sun out of the equation, shooting indoors or at night the Lume Cubes really shine, if you’ll pardon the pun.

This image required just a single Lume Cube. I positioned the camera directly above the cash, then put a sheet of glass at a 45-degree angle in between. I bounced the light from a single unfiltered Lume Cube off this, and shielded the subject from direct lighting.

Up next, let’s take a look at the Lume Cube 2.0’s accessory mounting system, and its Android / iOS app experience, before wrapping up with a final conclusion.

Articles: Digital Photography Review (dpreview.com)

 
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Manfrotto launches new ‘Pro Rugged’ line of SD, Micro SD memory cards

15 Jan

Italian tripod and accessory manufacturer Manfrotto has launched a range of memory cards that it claims is the strongest on the market. Comprising of SD, MicroSD and CompactFlash models, the Pro Rugged series is claimed to combine high-speed performance with waterproof, crush-proof and temperature-proof build quality that can withstand extremes of use and conditions.

The SD cards particularly are sealed against ingress of water and dust, and can remain underwater for up to 72 hours without suffering damage. They are made from a solid moulded piece of plastic and are said to be three times stronger than normal cards and able to survive a 20kg impact. Tested in temperatures of between -25 degrees C to 85 degrees C, the SD cards come in 64 and 128GB capacities and have a V90 rating that sees 280MB/s and 250MB/s read/write speeds.

The Pro Rugged MicroSD cards are V30 rated, offer 90MB/s read/write speeds and come in 64 and 128GB capacities, while the CompactFlash cards are UDMA 7 rated, offer 160MB/s and 130MB/s read/write speeds and also come in 64/128GB varieties. The CF cards aren’t waterproof but Manfrotto claims they are made from tougher materials than most cards, that they will last longer and that they can withstand a 35kg impact. They are suited to use in temperatures of between freezing and 70 degrees C.

The SD cards are half price at the moment on the Manfrotto website and are listed at $ 57.50/£47.50 and $ 112.50/£92.50, while the CF cards are $ 80/£65 and $ 150/£125 and the MicroSD cards are $ 32/£27 and $ 42/£35. Visit Manfrotto’s website for more information.

Articles: Digital Photography Review (dpreview.com)

 
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CalDigit launches new, rugged 512GB ‘Tuff nano’ USB-C SSDs with 1055MB/s read speeds

23 Oct

Computer accessory manufacturer CalDigit has released its ‘Tuff nano’ series, a lineup of compact external USB-C SSDs.

As the name alludes to, the ‘Tuff nano’ SSDs feature a protective rubber housing around a metal frame, akin to Lacie’s rugged external drives. This design offers a certified IP67 rating with the ability to be submerged under one meter of water for 30 minus, as well as dust and shock resistance.

Inside, the bus-powered SSDs is a Toshiba M.2 NVMe SSD capable of read and write speeds up to 1055MB/s and 900MB/s, respectively. Data is transferred via USB-C (USB 3.2 Gen 2) and although the drives come pre-formatted for macOS (HFS+), they will also work with ChromeOS, iPadOS, Linux and Windows devices.

The drives measure 7.59cm x 5.44cm x 1.45 cm (2.99in x 2.14in x 0.57in) and weigh just 74g (0.163lbs).

CalDigit’s ‘Tuff nano’ SSDs are currently available in 512GB capacity for $ 149.95 on CalDigit’s online store. Color options include ‘Charcoal Black,’ ‘Olive Green,’ ‘Royal Blue’ and ‘Tomato Red.’

Articles: Digital Photography Review (dpreview.com)

 
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LaCie’s announces new Rugged SSDs, including one with a built-in SD card reader

12 Sep

Storage company LaCie has introduced three new portable, rugged SSDs that it says are designed specifically for creative, media, and entertainment pros who need ample storage while working remotely. The company’s new lineup consists of the LaCie Rugged SSD, Pro, and BOSS SSD models, each offering high durability alongside features targeted at different user needs.

The most notable of the three new models is the LaCie Rugged SSD Pro, a device featuring Thunderbolt 3 and USB 3.1, a Seagate FireCuda NVMe SSD with speeds up to 2800MB/s, and an IP67 resistance rating against dust and water. This device is designed for digital imaging technicians and filmmakers dealing with up to 8K footage.

Joining the Pro model is LaCie’s new Rugged SSD, an alternative for media professionals who have less demanding needs. This model features USB 3.1 Gen2 and a Seagate FireCuda NVMe SSD with speeds up to 950MB/s. According to the company, that’s fast enough for handling up to 4K video. As with the Pro model, this drive is secured in a durable housing with an IP67 rating, plus crush resistance and drop tolerance.

Finally, LaCie’s new Rugged BOSS SSD is designed for photographers and filmmakers, offering a 1TB SSD with speeds up to 430MB/s. As well, this drive is unique due to the housing’s built-in SD card slot alongside the USB port, as well as its built-in display for seeing the real-time status on data transfers, battery life, and available capacity. The housing is dust, splash, and drop-resistant and the drive works with a companion mobile app for managing content.

The LaCie Rugged SSD lineup will be available at the following prices:

  • LaCie Rugged SSD: 500GB ($ 179.99), 1TB ($ 299.99), and 2TB ($ 499.99).
  • LaCie Rugged SSD Pro: 1TB ($ 399.99) and 2TB ($ 699.99)
  • LaCie Rugged BOSS SSD: 1TB ($ 449.99)

Articles: Digital Photography Review (dpreview.com)

 
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ThinkTank launches PhotoCross 15 rugged backpack

16 Apr

ThinkTank has announced the MindShift PhotoCross 15, a new rugged 20-litre backpack designed for toting photography gear around outdoors. The bag features an extra-large side panel alongside tripod straps, wide shoulder straps, a breathable 320G air-mesh back panel, customizable interior dividers and a seam-sealed rain cover.

The PhotoCross 15 is made with a variety of durable, weather-resistant external materials, including 420D high-density nylon and heavy-duty nylon Tarpaulin. The backpack’s interior features removable closed-cell foam dividers, as well as a polyurethane-backed velex liner, P210D liner and a polyurethane-coated 210T seal-sealed taffeta rain cover.

ThinkTank’s new bag can accommodate an ungripped DSLR with three to five lenses (including a 70-200mm F2.8 lens) and up to a 15-inch laptop. Zippered interior pockets can be used to store memory cards, spare batteries and other small accessories. Other features include a 1L water bottle pocket, front pockets and both top and side carrying handles.

The ThinkTank PhotoCross Backpack 15 retails for $ 169.99 USD in Carbon Grey and Orange Ember color options. This model joins the smaller PhotoCross 10 and 13 backpacks.

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh announces rugged WG-6 and industrial-strength G900 cameras

23 Feb

The WG-6 is Ricoh’s latest ‘top-of-the-line’ waterproof camera, offering a 20MP, 1/2.3″ BSI-CMOS sensor, 28-140mm F3.5-5.5 lens and a built-in macro ring light. The WG-6 is waterproof to 20m/65ft, shockproof from 2.1m/6.5ft and functional down to -10°C/+14°F.

The WG-6 has a built-in GPS and electronic compass, a 3″ (non-touch) LCD, remote control receivers on the front and back and a USB-C socket. It’s also capable of capturing 4K/30 video. The WG-6 does not have optical image stabilization, and wireless connectivity is only available by using optional FlashAir SD cards.

The camera will be on the market shortly for $ 399. Available colors include orange and black.

The G900 is a more rugged version of the WG-6 and is designed for industrial applications. In addition to being water, dust, and drop-resistant, it’s also crushproof to 100kgf/220lbf and chemical-resistant (to which ones, we do not know).

It also adds text and voice memos, password protection and barcode scanning. The G900 has a whopping 6.5GB of internal memory, as well.

The G900 will be priced at $ 799.

Press Release

Ricoh Imaging introduces top-of-the-line model in its WG series of ultra-rugged digital compact cameras

Waterproof, shockproof RICOH WG-6 camera packs 20 megapixels and 4K-resolution video functionality in a small and durable package

WEST CALDWELL, NJ, February 21, 2019-Ricoh Imaging Americas Corporation today announced the RICOH WG-6, a compact, waterproof and shockproof digital camera that produces super high-resolution photos and 4K video. Equipped with a 5x optical zoom lens with 28mm wide-angle coverage and a large, wide-frame LCD monitor, the new, top-of-the- line model in the rugged WG series makes it easy to capture a range of images – from eye- catching close-ups to sweeping landscapes – in the most extreme conditions.

The RICOH WG-6 adds a host of newly designed features including a multi-application ring light ideal for macro-photography and the most dependable waterproof body in WG-series history, capable of shooting to a depth of 65 feet, for up to two continuous hours. The WG-6 body is shockproof against a fall from heights of 6.5 feet and operational in temperatures as low as -10°C.

Equipped with a state-of-the-art back-illuminated CMOS image sensor with approximately 20 effective megapixels and a high-performance imaging engine, the RICOH WG-6 delivers super-high-resolution still images and 4K-resolution video clips. In addition to the conventional Movie SR (Shake Reduction) mode, it features a new Movie SR+ mode to assure high-quality shooting with more active, fast-action outdoor activities.

A six-LED ring light unit positioned around the lens allows use of a faster shutter speed to minimize camera shake and subject shake in macro and close-up photography. This feature also allows the photographer to choose specific LEDs to illuminate a subject more three- dimensionally and emphasize its delicate contours.

Additional outdoor-friendly features include a GPS module to record position data and travel log data onto captured images; an electronic compass; and the innovative Handheld Night Snap mode, which automatically captures several images of the same nighttime scene and produces a single blur-free composite image of them.

| Pricing and Availability |

The RICOH WG-6 will be available for pre-sale at www.us.ricoh-imaging.com and retail outlets nationwide for a manufacturer’s suggested retail price of $ 399.95.

Ricoh Imaging announces heavy-duty industrial digital camera ideal for construction, civil engineering and disaster relief

Resistant to water, dust, shock and chemicals, the new RICOH G900 produces high- resolution images in the most challenging conditions

WEST CALDWELL, NJ, February 21, 2019-Ricoh Imaging Americas Corporation today announced the RICOH G900, a heavy-duty, compact digital camera designed for capturing high- quality images and 4K video in demanding industrial environments. Waterproof, dustproof, shock- and chemical-resistant, the G900 is optimized for use in challenging conditions subject to water, rain, dust and dirt, and in industries such as construction, civil engineering, disaster relief and healthcare.

The successor to the RICOH G800, the RICOH G900 offers a new, back-illuminated CMOS image sensor with approximately 20 effective megapixels that captures high-resolution images even in low-light conditions. It features a 5X optical zoom (equivalent to 28-140mm in 35mm format), and a six-LED ring light unit positioned around the lens that allows use of a faster shutter speed to minimize camera shake and subject shake in macro and close-up photography.

Approximately 26 percent more compact than its predecessor, the rugged RICOH G900 is waterproof to a depth of 65 feet for up to two hours of continuous operation, and its enhanced shock-resistant body is capable of withstanding a fall from 6.5 feet.

The camera offers an array of features designed to facilitate shooting in industrial environments, including an advanced GPS system and an electronic compass that records accurate position and direction data; easily accessible controls; a comfortable, contoured grip; and the wide neck strap of its predecessor, which enables two-point, cross-shoulder suspension to make the RICOH G900 easy to carry and handle at worksites.

The RICOH G900’s unique, enhanced camera memo function mode greatly reduces the workload needed for post-shooting data management. Previously created text or audio can be easily attached to a captured image, and reference images such as plans or blueprints can be browsed on the camera’s 3-inch LCD monitor. A transparency guide allows the user to recall a previously captured image on the monitor to compare images side-by-side and measure progress of work that has been completed. Additional features include a barcode scanning function, password- protected camera lock, 6.5GB of built-in memory and an electronic level.

| Pricing and Availability |

The RICOH G900 will be available for pre-sale at www.us.ricoh-imaging.com and retail outlets nationwide for a manufacturer’s suggested retail price of $ 799.95.

Ricoh WG-6 / G900 specifications

  Ricoh WG-6 Ricoh G900
Price
MSRP $ 399 $ 799
Body type
Body type Compact
Body material Composite
Sensor
Max resolution 5184 x 3888
Image ratio w:h 1:1, 4:3, 3:2
Effective pixels 20 megapixels
Sensor size 1/2.3" (6.17 x 4.55 mm)
Sensor type BSI-CMOS
Color space sRGB
Color filter array Primary color filter
Image
White balance presets 8
Custom white balance Yes
Image stabilization Digital only
Uncompressed format No
File format
  • JPEG
Optics & Focus
Focal length (equiv.) 28–140 mm
Optical zoom 5×
Maximum aperture F3.5–5.5
Autofocus
  • Contrast Detect (sensor)
  • Center
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (8.1X)
Manual focus Yes
Normal focus range 50 cm (19.69)
Macro focus range 1 cm (0.39)
Number of focus points 9
Screen / viewfinder
Articulated LCD Fixed
Screen size 3
Screen dots 1,040,000
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 4 sec 1/4 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Program
Scene modes
  • Auto Picture
  • Program
  • HDR
  • Handheld Night Snap
  • Movie
  • High Speed Movie
  • Digital Microscope
  • Landscape
  • Flower
  • Portrait
  • Underwater
  • Underwater Movie
  • Interval Shot
  • Interval Movie
  • Surf & Snow
  • Kids
  • Pet
  • Sport
  • Night Scene
  • Fireworks
  • Digital SR
  • Report
  • Green
  • Depth of field composition
  • Auto Picture
  • Program
  • HDR
  • Movie
  • High Speed Movie
  • Digital Microscope
  • Interval Shot
  • Interval Movie
  • Surf & Snow
  • Digital SR
  • Report
  • watermark
  • Firefighting
  • Skew Correct
  • Text
  • Zoom Macro
  • Haze removal
  • Depth of field composition
Built-in flash Yes
Flash range 5.50 m (with Auto ISO)
External flash No
Flash modes Flash on, flash off
Drive modes
  • One-shot
  • Self-timer
  • Continuous
  • Burst
  • M continuous
  • S continuous
  • Remote control
  • Auto bracketing
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±2 (at 1/3 EV steps)
AE Bracketing ±2 (3 frames at 1/3 EV steps)
WB Bracketing No
Videography features
Format MPEG-4, H.264
Microphone Stereo
Speaker Mono
Storage
Storage types Internal + SD/SDHC/SDXC card
Storage included 27MB 6.5GB
Connectivity
USB USB 3.0 (5 GBit/sec)
USB charging Yes
HDMI Yes (micro-HDMI)
Microphone port No
Headphone port No
Wireless notes Supports FlashAir SD cards
Remote control Yes (Receivers on front and back) Yes
Physical
Environmentally sealed Yes
Durability Waterproof, Shockproof
Battery Battery Pack
Battery description DB-110 lithium-ion battery & USB charger
Battery Life (CIPA) 340
Weight (inc. batteries) 246 g (0.54 lb / 8.68 oz) 247 g (0.54 lb / 8.71 oz)
Dimensions 118 x 66 x 33 mm (4.65 x 2.6 x 1.3)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS Built-in
GPS notes Includes e-Compass

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh WG-60 rugged camera adds FlashAir card compatibility

25 Oct

The Ricoh WG-60 is a waterproof camera with solid rugged credentials. It’s waterproof to 14m (45ft), shockproof from 1.8m (11ft) and freezeproof to -10°C (14°F). It has a 16MP BSI-CMOS sensor, 28-140mm equivalent lens, 2.7″ LCD and a built-in LED ring light.

The WG-60 is the replacement to the WG-50 and, from what we can tell, is nearly identical. The only difference appears to be support for FlashAir Wi-Fi SD cards, which is the camera’s only way to connect to mobile devices. If we discover other differences between the WG-60 and its predecessor, we’ll update this article.

The WG-60 will be available next month for £250 and will come in red or black. The camera will not be sold in the U.S.

Press Release:

Digital compact camera for underwater photography down to 14 metres, with waterproof, shockproof performance; available in two colours

London, 24 October 2018 ?RICOH IMAGING EUROPE S.A.S. is pleased to announce the launch of the RICOH WG-60 digital camera. This new model features a compact, lightweight body design, with exceptional waterproof and shockproof performance.

The superb waterproof design of the WG-60 means the user can easily take pictures outdoors with confidence. Despite a compact lightweight body, the outstanding specifications of the WG-60 means that it outperforms ordinary digital cameras and smartphones in demanding outdoor conditions. It is waterproof to a depth of 14 metres, shockproof against a fall from a height of 1.6 metres and freeze-proof down to temperatures as low as -10°C. It also comes equipped with an outdoor-friendly LCD monitor so you can instantly adjust its brightness to the lighting level in a particular shooting situation.

Main Features

1. Heavy-duty construction for underwater shooting down to 14 metres, for up to two hours.
Featuring a solid, airtight body waterproof down to a depth of 14 metres for up to two hours of continuous operation (equivalent to IPX 8 or JIS Class 8). Shockproof against falls from a height of 1.6 metres,* dustproof (equivalent to IPX 6 or JIS Class 6), freeze-proof to temperatures as low as -10°C, and crush-proof against weights up to 100kgf (kilogram force). ** Its heavy-duty construction ensures that the WG-60 performs superbly and dependably even in harsh, demanding outdoor conditions.
* Measured under RICOH IMAGING-original testing standards — from a height of 1.6 metres, onto a surface of 5cm-thick plywood — conforming to Method 516.5-Shock of the MIL-Standard 810F.
** Measured under RICOH IMAGING-original testing standards.

2. Exceptional image quality
The WG-60 comes equipped with a back-illuminated CMOS image sensor, which delivers excellent high-sensitivity and low-noise characteristics and high-speed read-out of image data signals. Coupled with a high-performance imaging engine, this image sensor delivers a top sensitivity of ISO 6400 and super-high-resolution images with approximately 16.0 effective megapixels. This model also provides advanced image processing functions, made possible by the latest super-resolution technology for sharp, clear, high-resolution images. It also offers such innovative features as Handheld Night Snap mode, which automatically captures several images of the same nighttime scene to produce a single, blur-free composite image.

3. 5X optical zoom lens with a 28mm wide-angle coverage
The WG-60 features a high-performance, five-times optical zoom lens with a focal-length coverage from 5mm to 25mm (equivalent to approx. 28mm to 140mm in the 35mm format) to accommodate a wide range of scenes and subjects, including landscapes. It also provides other convenient shooting functions, such as macro mode to capture dramatic close-up images from a minimum focusing distance of a mere one centimetre. An Intelligent Zoom function extends the zoom range to approximately 36 times (equivalent to 1008mm in the 35mm format) without compromising image quality, for superior telephoto photography and an interval-shooting mode, which comes in handy for fixed-point observation.

4. Six Macro Lights to assist close-up shooting, and a Self-Portrait Assist mode
By selecting the Digital Microscope mode, six LED Macro Lights ideally positioned around the circumference of the lens barrel for macro shooting, allow the WG-60 to provide bright, uniform illumination on a subject. ***The Macro Lights enable the user to clearly see a magnified view of the microscopic world undetectable by the naked eye on the camera’s LCD monitor, and effortlessly capture eye-catching close-up images. In order to minimize camera and subject shake, the Instant Illumination Enhance function allows the use of a higher shutter speed by automatically raising the discharge level of the Macro Lights at the moment of shutter release. The Macro Lights also provide other useful functions, such as a Self-Portrait Assist mode, which uses the blink of an LED lamp to check if the subject’s face is captured within the picture frame, and the LED Lighting mode, which uses the Macro Lights as a lighting device in the dark.
*** When this mode is selected, the image size is fixed at 2.0 megapixels (at 16:9 proportions).

5. Underwater shooting mode
Specifically designed for underwater photography, the Underwater and Underwater Movie shooting modes optimize colour and contrast, based on the data of images actually captured under the water. These modes deliver sharp, true-to-life images by enhancing shades of red, which are lost in underwater photography, while effectively compensating for the loss of contrast caused by the diffusion of light in water. During Underwater mode, the Flash Off + Flash On option, allows the user to capture two images consecutively — with a single shutter release — one without flash and another with flash.

6. Full HD movie recording for extended shooting of high-quality movies
The WG-60 provides Full HD movie recording employing the H.264 recording format. Users can capture high quality extended movie clips (1920 x 1080 pixels, 16:9 proportions) at a frame rate of 30 frames per second. To add some creative touches to movie recording, it also features a high-speed camera function**** for slow motion playback of captured movie clips and an interval movie function. A micro-HDMI terminal (Type D) is also on the camera body for simultaneous output of Full HD movie clips and sound to external audio-visual devices.
**** When this function is selected, the recorded size is fixed at 1280 x 720 pixels.

7. Triple anti-shake protection to prevent blurred images in all applications
(1) Pixel Track SR mechanism
When recording still images, this advanced shake-reduction mechanism effectively compensates for camera shake by digitally processing affected images.

(2) Digital SR mode
When the camera detects low-lighting conditions in still-image shooting, this mode automatically raises the sensitivity up to as high as ISO 6400, making it possible to use a higher shutter speed and effectively minimize the adverse effects of camera shake and subject shake when dealing with poor lighting conditions.

(3) Movie SR mode
During movie recording, this mode effectively compensates for the misalignment of images caused by camera shake with exclusive software to produce beautiful, blur-free movie clips.
8. 2.7-inch LCD monitor with the Outdoor View Setting mode
The WG-60 comes equipped 2.7-inch LCD monitor with horizontally extended 16:9 proportions and approximately 230,000 dots. The monitor’s AR (Anti-Reflection) coating minimizes annoying glare and reflections for a sharp, clear on-screen image even in bright sunshine during outdoor shooting. It also comes equipped with such convenient features such as the Outdoor View Setting mode, which easily sets the optimum monitor brightness level for a given lighting situation.

9. Other features
· A range of WG-series mount accessories (optional) to accommodate a range of shooting situations
· Compatibility with FlashAirTM wireless LAN SD memory cards
· Two remote control receptors (one in front and another in the back) to widen signal coverage
· Macro stand (included) to maintain a minimum focusing distance of one centimetre to the subject during extended observation and shooting of macro images
· High-speed Face Detection function to capture as many as 32 faces in focus in approximately 0.03 seconds (minimum); Smile Capture function to automatically release the shutter when the subject’s smile is detected
· Outdoor-friendly Style Watch function to display the time on the LCD monitor, using an extended push of the OK button when the camera’s power is turned off
· Delay-free, push button start of the playback mode, using an extended push of the playback button
· Auto Picture mode to automatically select the most appropriate shooting mode from 16 different scene modes
· A choice of 12 digital filters

Articles: Digital Photography Review (dpreview.com)

 
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Sony launches new line of rugged SD memory cards

29 Aug

Sony today announced its SF-G series TOUGH specification UHS-II SD cards. The new memory cards are targeted at “photographers who are reliant upon their photographs remaining safe when their SD cards are removed from the camera” and combine ruggedness with fast read/write speeds.

The SF-G cards are bend proof to 180N, drop-proof to 5 meters, waterproof with an IPX8 rating and dustproof with an IP6X rating. To achieve these characteristics the cards feature a one-piece molding structure and a ribless and switchless design. In addition, they are X-ray proof, magnet proof, anti-static and temperature proof.

Top read speeds of up to 300MB/s and write speeds of up to 299MB/s should allow for swift burst shooting, and the cards also support the V90 video speed class, making them a good option for video shooters.

The SF-G cards come with Sony’s SD Scan Utility and File Rescue Software. They will be available in 32GB, 64GB and 128GB capacities and will launch in Europe from October. No information on availability in other regions has been provided yet. More information can be found on the Sony website.

Press Release:

Sony introduces the world’s toughest and fastest SD Card

  • World’s toughest[i] SD card is 18x[ii]bend proof[iii] and drop proof[iv]
  • World’s first[v] one-piece molding structure for strength and hardness
  • Ribless and switchless design ensures there are no fragile components
  • World’s fastest[vi] read speed up to 300MB/s and write speed up to 299MB/s[vii]
  • Waterproof and dustproof world-class ratings of IPX8and IP6X respectively[viii]
  • Keep your work safe with the SD Scan Utility and File Rescue Software

Sony today announced a brand new innovation in storage media with the launch of the “SF-G series TOUGH specification”UHS-II SD card. Addressing the needs of photographers who are reliant upon their photographs remaining safe when their SD cards are removed from the camera, the new SF-G series TOUGH specification range combines the world’s fastest read and write speeds with an ultra-rugged design that is bend proof to 180N, and drop proof to 5 metres. For photographers who are fighting against the elements to get the perfect shot, the SF-G series TOUGH specification range of SD cards are also waterproof with an IPX8 rating and dustproof with an IP6X rating.

The new SF-G series TOUGHspecification range of SD cards are 18 times stronger than the SD standard[ix] with world’s first monolithic structure (one-piece molding, no empty space in the card) and materials of high-grade hardness, unlike conventional SD cards with a thin, 3-part ensemble. They areprotected against typical physical damage that can affect conventional SD cards such as a broken plastic casing, broken data protection lock and broken connector ribs. This has been achieved through a new means that it is the world’s first rib-less SD card with no write protection switch. These developments ensure that the SF-G series TOUGH specificationis more resistant to bending and easy to break parts are removed entirely and has been engineered by Sony to deliver the best balance of hardness and toughness. Completely sealed with one-piece molding structure, no waterdrop, dust or dirt is not allowed to come into the card, meeting highest grade of waterproof (IPX8) and dustproof(IP6X).

Unleash the power of the camera

In an industry trend, driven by Sony, full-frame mirrorless cameras such as the ?9 and ?7 series are packing in more and more performance in both stills and video performance. These high-end cameras rely on fast memory cards to maximise their performance and with professional photographers now using SD cards more frequently, users are demanding the levels of reliability and durability associated with other professional card types. With the world’s fastest write speed of up to 299MB/s, buffer clearing time is minimised. This allows the photographer to shoot many frames per second and capture the action that they want. The SF-G series TOUGH specification range also supports V90, the highest standard of video speed class, making it an ideal companion for shooting high resolution video.

Furthermore, transferring high capacity photo and video files is made simple with the SF-G series TOUGH specification, thanks to a read speed of up to 300MB/s. This is another world’s fastest which dramatically enhances workflow efficiency after the shooting is all wrapped up. In a further acknowledgement of the practical needs of photographers, the SF-G series TOUGH specification range feature bright yellow banding design, making the card easier to spot in dark shooting conditions.

Ultimate Assurance

SF-G series TOUGHspecification SD cards offer a series of further features, designed to give photographers peace of mind. These include an ‘SD Scan Utility’ which allows the user to check that the card is good condition and File Rescue Software[x] which can recover data and photos that might have accidentally been deleted. Furthermore, SF-G series TOUGH specification SD cards are also X-ray proof, magnet proof, anti-static, temperature proof and feature UV Guard.

Pricing and Availability

The SF-G TOUGH series of memory cards will be available in 32GB, 64GB and 128GB capacities. They will launch in Europe from October. Full product details are available at: http://www.sony.net/sfgt/

[i]As a consumer SD card, Sony investigation as of August 2018.

[ii]Performance is 18x stronger compared to SD bending test specification of 10N

[iii]Bend proof to 180N

[iv]Drop proof to 5m

[v]As a SD card of 2.1mm thick. Conformance to ribless card specifications of Standard Size SD Card Mechanical Addendum 6.0. Sony investigation as of August 2018.

[vi]As of August 2018, Sony investigation.

[vii]Based on Sony internal testing. Transfer speeds vary, and are dependent on host devices, the OS version or usage conditions. To effectively utilize the product’s high-speed capabilities, your compatible device must support UHS-II. Sony investigation as of August 2018.

[viii]Conformance to IP68 standard. We cannot guarantee against damage to record data or card in all situations and conditions.

[ix]SD standard withstands 10N force, while this card withstands 180N force.

[x]Downloadable from the Sony Support site

Articles: Digital Photography Review (dpreview.com)

 
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Rugged compact, GoPro, or smartphone: Which should I take on vacation?

18 Jun
My family hikes, we camp, we fish, we snowboard. As a photographer, that leaves me with some choices to make if I want to take pictures or video of our adventures.

Vacations, particularly outdoor, active ones, can provide some of the most vivid family memories, but can also be some of the most difficult to photograph. Several different types of device try to fit the bill but which is best for you?

Your mirrorless camera may be pretty compact to travel with, but can it film your kid’s first trip down a waterslide? Your DSLR may claim to be weather sealed but are you willing to risk pulling your $ 3000 camera+lens combo out to take a ski chairlift photo? Even if you are willing to trust it, are you willing to carry that kit with you all day?

In 2018, there’s no reason to let that keep you from being able to record those moments in your life. There are more options than ever for water, shockproof / freezeproof cameras that can survive life’s more demanding adventures. I’m talking about cameras that can survive a rainstorm or a day at the beach or sledding hill. Something compact and easy to travel with that you don’t have to worry about (and won’t cost thousands to replace) if clumsy Uncle Fred drops it into the hotel pool. Let’s look at the options:

Action cameras

Small, tough and able to capture wide-angle video, Action cameras are especially good for capturing the spirit and experience of action activities.

Since the introduction of the GoPro HD in 2009, action cameras have become almost a required accessory for outdoor adventures. Once the sole domain of those who jumped off of cliffs or surfed on 20 foot waves, these days GoPros are used for everything from ‘Hot Wheels’ tracks in the backyard to Formula 1 races across the globe. From a child’s first wobbly bike ride to mountain bikers who throw themselves down cliffs. If you are on Instagram, Facebook, or Twitter, It’s highly likely that you see video from these cameras virtually every time you look at your feed.

While not expressly listed as shockproof or freezeproof, action cameras have a pretty proven track record.

It’s easy to see why action cameras have become so popular. They are tough, small, offer very good video quality, and can be mounted literally anywhere. Their super wide lenses give them a unique field-of-view that both suits, and has become de-rigueur for, recording ‘cool’ adventures. 4K video, image stabilization, and even Raw image shooting options are common. The newer camera designs from GoPro (Hero6, Hero5, Session) offer 10 meters / 33 feet of waterproofing while still offering clear audio out of the water and an optional external case extends this depth to 60m / 196ft.

These cameras are far better when mounted on a helmet, handlebar, or selfie stick than they are used handheld.

While not expressly listed as shockproof or freezeproof, action cameras have a pretty proven track record. Googling ‘GoPro survives fall’ or ‘GoPro Everest’ should give more than enough examples to convince most skeptics. Most offer Bluetooth or Wi-Fi connectivity and many have apps that allow for remote control via smartphone. Finally, it is hard to deny just how much kids love these cameras. The days of youngsters being thrilled by the apparent magic of a smartphone or a digital camera are probably over. But for whatever reason, when you hand a kid a GoPro, they just go nuts with it. You’ll get some of the most fascinating and genuine footage of children you’ve ever seen. It is both unique and heartwarming.

There’s something unobtrusive about an action camera that can help candidly capture natural behavior.

However, it can be frustrating trying to use an action camera for still images. JPEG quality, color science, and even operational speed can feel like they lag behind dedicated still camera makers. Manual controls are near non-existent, and those that do exist are frequently hidden behind screen/button taps and menus. With no zoom or interchangeable lenses, your field-of-view is limited to super-wide or cropped ‘medium’ and ‘narrow’ options, limiting both flexibility and quality. And as cool as that super-wide view is, you probably won’t be surprised to hear how easy it is to get your fingers in the way if you are shooting handheld.

These cameras are far better when mounted on a helmet, handlebar, or selfie stick than they are used handheld, particularly given their size and lack of physical controls.

Waterproof P&S cameras

There are times when those ‘freezeproof’ ratings start to seem pertinent.

The waterproof point-and-shoot camera has been around for many years, as 1994’s film-based Canon Sure Shot A1 can attest. But as with most P&S cameras, the digital revolution brought a whole new level of usefulness to these tough little cameras. However, unlike most P&S cameras, the waterproof segment continues to thrive and evolve even in the age of smartphones.

Many of these cameras are not only waterproof, but are rated to be freeze, dust and shockproof. For example, typical specs might be waterproof to 15-30 meters / 50-100 ft, dustproof, crushproof to 100 kgf / 220 lbf, shockproof from 2.1 meters / 7 ft, and freezeproof to -10° / +14° F. While lenses in these cameras are the typical variable aperture midrange zoom that most P&S cameras have, the waterproof versions tend to be a bit faster on the wide end, apertures of F2 or F2.8 aren’t uncommon. And unlike action cameras or smartphones with their fixed lenses and digital zooms, these are true optical zooms that typically offer a 4x-6x range. RAW shooting, 4K video, optical image stabilization and Wi-Fi/bluetooth connectivity are showing up on recent models.

Even if you’re not shooting underwater, there are times it’s nice to know your camera will withstand a drop.

But perhaps most importantly, these cameras blow the other options out of the water in terms of ergonomics. While their physical controls, shutter buttons, and handgrips won’t win any awards when compared to DSLR or mirrorless cameras, they are miles ahead of a GoPro or iPhone. You can successfully use these cameras with gloves on, with wet hands, or in a location where a fumble would mean losing the camera. Along similar lines, these cameras all have one small feature that is difficult or impossible to find on action cameras or smartphones: a strap loop. While a full neckstrap may be a bit much for a camera like this, a small wrist strap is a worthwhile and compact safety measure. Buoyancy floats can even be attached if you do find yourself out on the water.

These cameras blow the other options out of the water in terms of ergonomics

While these cameras often have more physical controls than other options on this list, they still don’t tend to have very many of them compared to more serious cameras. Camera and shooting settings are still commonly accessed via pressing buttons to scroll through menus. On the other hand, this may not matter because there just aren’t that many manual control options on most point-and-shoot cameras, waterproof or otherwise. Shooting and ‘art’ modes of limited usefulness are far more likely than shutter or aperture priority options.

Autofocus is improved from the cheap P&S your parents might have had at one point, but it still is going to lag behind any DSLR or mirrorless you are used to. They are also absolutely an additional device to carry with you. Unlike a tiny GoPro or the smartphone that you probably ready have with you, a waterproof compact can feel bulky/heavy enough that you know you are having to carry it around.

Smartphones

But a dedicated camera isn’t necessarily your only option. What if there was a surprisingly powerful camera that you probably already owned and it was almost always in your pocket or purse? What if this camera also had powerful photo and video editing capabilities and could instantly upload the finished product to the internet and social media? As you’ve probably already guessed, this camera already exists and you probably already own one, a smartphone.

It is becoming more and more common for higher end smartphones to have some level of Ingress Protection rating

It is becoming more and more common for higher end smartphones to have at least some level of IP (Ingress Protection) rating. Typically, they are dustproof and water resistant for up to 30 minutes in water around 1 m / 3.3 ft deep. This means you shouldn’t go snorkeling with any of them, but they will survive dunkings and splashes easily, even without one of the great many ‘protector’ cases that are available for the flagship handsets. High-resolution 4k video, dual (or even triple) lens options, optical image stabilization, and front/back cameras are all regularly seen on expensive and budget smartphones alike.

Default camera apps are decent, but the real power is using some of the 3rd party apps that give you additional shooting modes, full manual control and the ability to shoot in Raw. Not only can you capture images, but editing programs give you the ability to crop, sharpen, adjust and enhance your photos/video right on your phone. Cellular and Wi-Fi connectivity allow instant uploading to social media or text / email to friends and family.

With an IP-rated smartphone, the selfies don’t have to stop when the conditions get more challenging.

Perhaps most importantly, you are almost assuredly going to have a smartphone with you anyway. Whether for communication, navigation, entertainment, and even emergencies, you’ll want your smartphone for all of them while traveling. There is a reason that these days, hardcore outdoor folks often call a mobile phone the ‘eleventh essential’ on the classic ‘ten essentials’ survival item list.

The convenience factor of using a smartphone as your vacation/adventure camera is high, but the drawbacks may be even higher. There is simply no getting around the fact that the ergonomics of these devices as cameras are simply awful. They are thin, slippery, and without any sort of handgrip or strap options. A shattered screen from a two foot drop on the pool deck or a tumble down a thousand foot cliff is just one small stumble away. Almost everyone you know has dropped their phone with dry hands, so how much worse is that likely to be with wet hands or gloves? And, as most of us know, using a touchscreen with gloves or wet hands can be impossible, which just exacerbates the ergonomics issue.

A lack of zoom may be a drawback but chances are you’ll have a smartphone with you at key moments.

Battery life is frequently a problem with phones, and constantly filming and photographing will only make this worse, which may leave you without communication or data capabilities at a crucial moment. Most important of all is the fact that if something happens to your phone, you are likely losing a lot more personal data than just a few images. Dropping and breaking your GoPro is a good way to have a bad day, but dropping and breaking your iPhone X could leave you stranded in the middle of nowhere if you were relying on its GPS to get you home. Not to mention the fact that you’d be out over $ 1000: that’s going to hurt no matter who you are.

If you are going the smartphone route, it might be worth looking into some of the extreme protection cases form companies such as LifeProof or OtterBox.

Conclusion

So, which to choose? That depends on what sort of vacation/adventure you see yourself taking.

If you are looking for still image capability, a waterproof point and shoot camera will probably prove the most versatile. With their optical zooms and physical controls, they easily best the other options for still images. 4k video and image stabilization means that they’re not slouches in the video department as well. Equally at home capturing everything from a flower in a tropical rainstorm to rock climbing in a national park, they really are a jack of all trades. I take mine anytime I want to shoot still images, might want the option for video, and require protection from water/drops/freezing/etc.

Rugged, waterproof cameras aren’t only useful for underwater shooting.

More action-orientated adventures are probably better suited to the video and perspective that action cams offer. Will you be skiing, sailing, paragliding, mountain biking or anything like that? For me, I’m mostly likely to pull out the GoPro when I’m snowboarding. A video with that wide field-of-view just does the best job of capturing that memory for me. Additionally, any trip that includes children is a strong point for these cameras as well. As you can see from the waterslide video above, even a day poolside with a GoPro can capture some pretty fun kid moments.

Finally, let’s face it, you’ll likely have your cell phone in your pocket no matter where you go. In 2018, most of us are so addicted to the connectivity that these devices offer, we’re unlikely to leave them home. But can they be a vacation camera for you? If you are going to be somewhere with good cell coverage and with a low level of risk, then yes. Seeing the Smithsonian, visiting the beach, taking a train across Europe or dropping into an oyster shack for lunch? The still and video options of today’s smartphones will serve you well. Pick up a model with a decent IP rating and you can even enjoy some protection from splashes and sand. Just make sure you don’t drop it and leave yourself stranded somewhere!

The Olympus Tough TG-5 is one of the few rugged cameras that lets you shoot Raw, which is useful for making the most of those images shot in difficult conditions.

But if I was only going to carry one on a vacation or adventure, I would still choose the waterproof P&S option (probably the Olympus Tough TG-5 in my case). It is the best of the bunch as far ease/quality of still photos, has the ability to shoot Raw, does a great job with video, offers a few physical controls, has a usable and reasonably fast zoom lens, is freeze/drop/waterproof, includes Wi-Fi connectivity, and can be found for under $ 400.

I’ve gone fishing, snowboarding, snorkeling, camping, traveling, and splashing at the local pool with mine. It’s survived, kids, grandfathers, drops, kicks, falls, bouncing across river rocks, careening down waterslides and generally being ridden hard and put away (literally) wet. It’s yet to let me down.

The Olympus Tough TG-5 is the camera we recommend as best camera in our Waterproof Camera buying guide.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix TS7/FT7 is first rugged compact camera to have built-in EVF

11 May

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Panasonic has announced its Lumix DC-TS7 (FT7 outside of North America) which is the first waterproof/rugged compact to have an electronic viewfinder. The viewfinder is 0.2″ in size and has an resolution equivalent to 1.17 million dots and a magnification of 0.45x equivalent. Obviously, you won’t be able to use the EVF if you have a scuba mask on, but for shooting in bright light on land it could come in handy. There’s also a 3″ non-touch LCD available for composing and reviewing your photos.

The TS7 has a 20.4MP, 1/2.3″ BSI CMOS sensor and an F3.3-5.9, 28-128mm equiv. lens. It’s able to go 31m/102ft underwater, can take a fall from 2m/6.6ft and can withstand 100kg / 220lb of crushing force. It’s also freezeproof to -10C / +14F.

You’ll find a 49-point contrast-detect AF system on the TS7, and Panasonic claims that it can track a moving subject at 5 fps. The camera can capture UHD 4K video at 24p and 30p as well as 1080/60p. There’s a 120 fps mode, but only at 720p resolution. Naturally, the TS7 supports Panasonic’s 4K Photo feature, which allows for ‘Post Focus’ and 8MP still extraction. Wi-Fi (but not Bluetooth) is built in, and battery life is CIPA-rated at 30 shots per charge.

The TS7 will be available this summer for $ 449. Available colors include blue, orange and black.

Press Release:

New LUMIX TS7 with LVF, Wi-Fi® and 4K Video and 4K Photo

Featuring Waterproof, Rugged Design Camera for Outdoor Imaging

Newark, NJ (May 11, 2018) – Panasonic is pleased to introduce the 20.4-megapixel LUMIX TS7, the rugged new LUMIX TS Series camera geared exclusively for outdoor use. This tough, lightweight camera is waterproof to 102ft., dustproof, shockproof to 6.6ft., freeze proof to 14 degrees F and pressure resistant to 220lbf for exceptional imaging in virtually any and all locations and conditions.

The LUMIX TS7 features a 28mm wide angle 4.6x optical zoom lens (35mm equivalent: 28-128mm) and includes a new 0.2-in, 1,170K-dot equivalent LVF (Live View Finder) to easily capture subjects even under strong sunlight or with backlighting. A 3.0-in rear LCD monitor delivers highest-in-class 1,040K-dot resolution for approximately 100% field of view.

For video, the LUMIX TS7 records smooth, high-resolution QFHD 4K video in 3840×2160 at 30p/ 24p in MP4. Taking full advantage of 4K technology, outdoor photographers will enjoy 4K PHOTO to capture perfect moments at 30 fps and save 8-megapixel, high-resolution photos. The LUMIX TS7 also includes the LUMIX Post Focus feature, which enables users to modify focus after capturing the image.

A newly integrated 20.4-megapixel High Sensitivity MOS sensor and the camera’s advanced imaging engine enables high-speed, high-sensitivity image recording to generate high-speed burst shooting at 10 fps* in high picture quality. The LUMIX TS7 also provides Light Speed AF to capture the most fleeting shooting opportunities, ideal for outdoor adventures like diving, snorkeling, surfing, climbing, skiing and snowboarding.

The LUMIX TS7 ensures flexible shooting with built-in Wi-Fi® connectivity for fast, easy image sharing, also integrating a variety of special effects’ options — Creative Control, Creative Panorama, Time Lapse Shot and High-Speed Video —adding creativity and fun to outdoor imaging. Beginning photographers will like the popular LUMIX Shooting Assist function iA (Intelligent Auto) mode to help shoot sharp, memorable photos and video. Plus, the camera’s built-in LED Photo Light function illuminates the subject to help compose the shot even if the camera function is not activated.

Other new LUMIX TS7 features include:

1. Airtight, all-seasons design
Thanks to a minimum aperture area, rubber padding and reinforced glass inside the camera, the LUMIX TS7 features an airtight body to withstand water immersion, dust and sand. A reinforced body case performs flawlessly at depths up to 102 ft with water pressure resistance up to 220lbf. The durable TS7 can absorb drops to hard surfaces from up to 6.6ft in accordance with the “MIL-STD 810F Method 516.5-Shock” test standard. And in cold weather, all components including the lens unit can endure temperatures up to 14 degrees F. Specifically designed for active outdoor imaging, the LUMIX TS7 includes a compass and altimeter, all of which makes the all-seasons LUMIX TS7 the perfect camera for photos and video when fishing and camping in the spring; diving, snorkeling and surfing in summer; traversing mountains in autumn; and skiing and snowshoeing in winter.

2. New LVF (Live View Finder) and high-resolution rear monitor
The LUMIX TS7 integrates a new 0.2-inch, 1,170K-dot equivalent LVF (Live View Finder) to make it easier to capture subjects under strong sunlight or in backlighting and reduce power consumption in harsh conditions. Both the sensor and LVF are in a 4:3 aspect ratio, and the 3.0-in tempered-glass rear LCD monitor in a 3:2 aspect ratio, delivers highest-in-class 1,040K-dot resolution for an approximately 100% field of view. Image output between the LVF and the rear monitor is instantly switched with a dedicated button.

3. 4K imaging with 4K video and 4K PHOTO
The LUMIX TS7 records smooth, high-resolution QFHD 4K videos in 3840×2160 at 30p or 24p in MP4* in addition to Full-HD 1,920 x 1,080 60p videos in MP4 (MPEG-4 / H.264) format with practical full-time AF.

With 4K video and 4K PHOTO, photographers can choose and extract single images from 30 fps video frames to save as 8-megapixel equivalent resolution photos. Three exclusive LUMIX functions integrated into the TS7 make it easy; 4K Burst Shooting, 4K Burst (Start/Stop) and 4K Pre-burst. 4K Burst Shooting provides consecutive shooting at 30 fps,** which can be used like photo burst shooting. The LUMIX TS7 includes the LUMIX Post Focus function to select in-focus areas after shooting — a helpful feature in situations like macro shooting where severe focusing is required, or for changing expression by changing the subject in focus.

The camera’s 4.6x optical zoom with POWER O.I.S. is also available in video recording to suppress hand shake, and an Auto Wind Cut function blocks most of the noise created by background wind. High Speed Video feature enables recording in HD (1280×720) at 120 fps/100 fps, and Time Lapse /Stop Motion Animation functions are also available.

4. 20.4-megapixel High Sensitivity MOS Sensor
The 20.4-megapixel LUMIX TS7 integrates a High Sensitivity MOS sensor to deliver highest-in-class resolution. And its high-speed response achieves burst shooting at 10 fps* in full resolution with a mechanical shutter, 5 fps with continuous AF. Auto focusing is quick and accurate with its Light Speed AF. The LUMIX TS7 incorporates a high-quality 28mm wide-angle LUMIX lens with a 4.6x optical zoom (35mm equivalent: 28-128mm) in folded optics. Thanks to LUMIX Intelligent Resolution technology, the Intelligent Zoom is included in the LUMIX TS7, which virtually extends the zoom ratio to 9.1x equivalent, maintaining picture quality even when combined with the digital zoom.

5. Other
• Wi-Fi 2.4GHz (IEEE802.11b/g/n) Connectivity
The LUMIX TS7 integrates Wi-Fi® connectivity for flexible shooting and instant image sharing with easy operation. Once the camera is connected to a smartphone or tablet installed with Panasonic Image App for iOS/Android, users can shoot, browse and share images remotely. GPS geotag can also be added on the photos after shooting.

• AC/USB Charging
The camera’s rechargeable battery can be charged via AC or USB.

• Creative Control
The LUMIX TS7 is equipped with Creative Controls for 22 filter effects – Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Color and Sunshine. Creative Controls let users shoot and review filter effects, which can also be used for video recording.***

With the Creative Panorama, users can shoot a horizontal/vertical panoramic image by overlaying consecutive shots with filter effects like Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Bleach Bypass, Soft Focus, Fantasy, Star Filter and One Point Color.

• LED Photo Light illuminates the subject even while the camera function is not activated.

• SDXC UHS-I Memory Card Compatibility
The LUMIX TS7 complies with SDXC UHS-I Memory Card for high-speed 4K video.

*Max.11 images.
**Max.29 min 59 sec.
***Not all filters can be used in video recording.

•Design and specifications are subject to change without notice.

The LUMIX TS7 will be available in early summer 2018 in blue, orange and black with an MSRP of $ 449.99.

Panasonic Lumix DC-TS7/FT7 specifications

Price
MSRP $ 449
Body type
Body type Compact
Body material Metal/composite
Sensor
Max resolution 5184 x 3888
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1/2.3" (6.17 x 4.55 mm)
Sensor type BSI-CMOS
Processor Venus Engine
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 80-3200 (expands to 6400)
Boosted ISO (maximum) 6400
White balance presets 5
Custom white balance Yes
Image stabilization Optical
Uncompressed format No
JPEG quality levels Fine, standard
File format
  • JPEG (Exif v2.31)
Optics & Focus
Focal length (equiv.) 28–128 mm
Optical zoom 4.6×
Maximum aperture F3.3–5.9
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4x)
Manual focus Yes
Normal focus range 30 cm (11.81)
Macro focus range 5 cm (1.97)
Number of focus points 49
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3
Screen dots 1,040,000
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 2.53×
Viewfinder resolution 1,170,000
Photography features
Minimum shutter speed 4 sec
Maximum shutter speed 1/1300 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Intelligent Auto
  • Program
  • Manual
Scene modes
  • Clear Portrait
  • Silky Skin
  • Backlit Softness
  • Clear in Backlight
  • Relaxing Tone
  • Distinct Scenery
  • Bright Blue Sky
  • Romantic Sunset Glow
  • Vivid Sunset Glow
  • Glistening Water
  • Clear Nightscape
  • Cool Night Sky
  • Warm Glowing Nightscape
  • Glittering Illuminations
  • Handheld Night Shot
  • Clear Night Portrait
  • Soft Image of a Flower
  • Appetizing Food
  • Cute Dessert
  • Freeze Animal Motion
  • Monochrome
Built-in flash Yes
Flash range 5.60 m (with Auto ISO)
External flash No
Flash modes Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off
Continuous drive 10.0 fps
Self-timer Yes (2 or 10 secs, 10 secs x 3 images)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3, 5, 7 frames at 1/3 EV, 1/2 EV, 1 EV steps)
WB Bracketing No
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC
  • 3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 30p / 20 Mbps, MP4, H.264, AAC
Microphone Mono
Speaker Stereo
Storage
Storage types SD/SDHC/SDXC (UHS-I supported)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (microHDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Durability Waterproof, Shockproof
Battery Built-in
Battery description DMW-BCM13PP lithium-ion battery and charger
Battery Life (CIPA) 300
Weight (inc. batteries) 319 g (0.70 lb / 11.25 oz)
Dimensions 117 x 76 x 37 mm (4.61 x 2.99 x 1.46)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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