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Posts Tagged ‘round’

DJI scores a victory in the latest round of a patent battle with Autel

29 May
DJI’s Mavic 2 Pro is one of the products that could potentially become unavailable in the U.S., as early as July, on account of Autel’s claims.

With close to an 80% share in the U.S. consumer drone market, DJI holds a substantial lead over its competitors. News arose, several weeks ago, that some of its best-selling models plus accessories could be banned from being sold and imported into the U.S., as early as July, on account of a preliminary Autel Robotics victory.

DJI and its law firm, Finnegan, recently responded to Autel’s claims and secured their own victory in the latest round of an ongoing, years-long patent battle. For perspective, DJI filed a patent infringement complaint against Autel, who currently holds an 0.8% share of the U.S. drone manufacturers market, back in 2016. DJI alleged that Autel copied the ‘look and feel’ of its Phantom UAVs with its X-Star Premium drone.

DJI filed a patent infringement complaint. They claim the Autel X-Star Premium copies the ‘look and feel’ of their Phantom series.

On August 30, 2018, Autel mounted its own offense by requesting the International Trade Commission (ITC) investigate DJI, pursuant to Section 337, for selling drones infringing on Autel’s US Patent No. 9, 260,184. Months later, on October 2nd, the ITC set its investigation in motion based on Autel’s assertion of the following 3 patents:

  • ’174 patent – obstacle avoidance
  • ’184 patent – rotor blades
  • ’013 patent – batteries that clamp onto the drones

The ITC’s chief administrative law judge (CALJ) issued a favorable initial determination (ID) to DJI on March 2nd of this year, according to Finnegan. CAL Judge Bullock found that ’174 patent claims, involving obstacle avoidance technology, were not infringed as they were not practiced by any domestic industry product and therefore invalid under 35 U.S.C. § 101. He declared that many of the accused DJI products also did not infringe on the ‘184 patent involving rotor blades. The ‘013 patent claim on batteries that clamp into the drone was also declared invalid.

‘Ultimately the Commission may decide that Autel deserves no remedy at all, but at a minimum, the Commission is unlikely to enforce any exclusion order or cease-and-desist order based on the three invalid patents.’

Finnegan’s post also claims a win for DJI with the Patent Trial and Appeals Board (PTAB). On May 13th – 21st of this year, the PTAB found all 3 patents (‘174, ‘184, ‘013) declared in Autel’s ITC proceeding unpatentable. ‘The Commission is currently deciding whether to review the CALJ’s ID. Ultimately the Commission may decide that Autel deserves no remedy at all, but at a minimum, the Commission is unlikely to enforce any exclusion order or cease-and-desist order based on the three invalid patents. DJI’s sales in the U.S., therefore, will not be affected by Autel’s claims,’ DJI’s legal team concludes.

The entire IP update from DJI’s law firm can be viewed here. Representatives from the drone manufacturer declined to comment.

Articles: Digital Photography Review (dpreview.com)

 
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Watch out Profoto, the Godox V1 round head flash is just around the corner

08 Mar

At Photokina 2018, Godox revealed plans to release a round head speedlight designed to compete with the Profoto A1. That product, the Godox V1, has finally arrived under Adorama’s Flashpoint brand and is expected to launch under the Godox name through B&H Photo soon.

The Flashpoint Zoom Li-On X R2 / Godox V1 features a round zoom head with both automatic and manual zoom control, a magnetic head rim for light modifiers, backlit matrix LCD, support for 330-degree rotation and 120-degree tilt, and a guide number of 92 ft / 28 meters at ISO 100 (50mm). The model’s removable Li-ion polymer battery can power up to 650 full-power flashes per charge with a full-power recycle time of less than 1.5 seconds.

Photographers can use the Godox V1 as an on-camera standalone TTL flash and as a ‘wireless command center’ for the company’s other monolights and speedlights. As well, the new model is fully compatible with the Canon E-TTL system with support for EXIF inscription, HSS, flash value lock, and exposure compensation.

When used as a master, the Godox V1 is able to control four wireless groups, and as a slave, this flash supports both intelligent and regular optical modes.

Other features include the promise of a ‘stable’ color temperature held at 5600±200K across the full power range, HSS shutter speeds up to 1/8000s, front and rear curtain sync, laser AF assist lamp, SMD LED modelling lamp, and the inclusion of multi-purpose buttons.

The Godox V1 is currently listed as pre-release by Adorama. Neither price or availability date are provided, though it is expected to be cheaper than the Profoto A1.

Articles: Digital Photography Review (dpreview.com)

 
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The Lomogon 32mm F2.5 lens features perfectly round apertures on a rotating wheel

22 Feb

Lomography has launched the Lomogon 32mm F2.5, a compact lens with full frame sensor coverage and a unique wheel of aperture stops that protrudes from the barrel.

Fitted with the Lomogon Circular Aperture Disk the lens uses a series of five round holes cut into a disk of metal as its aperture control. The toothed disk sticks out from the lens and is turned by the user to drop the desired hole behind the front element – a bit like Waterhouse stops from the 1850s. The holes in this disk correspond to F2.5, F4, F5.6, F8 and F11 – and each is completely round as they aren’t created by an iris.

The Lomogon uses 6 coated elements in 6 groups, has a 62mm filter thread and a closest focus distance of 0.4m. Developed with Russian manufacturer Zenit and built in China, Lomography says the Lomogon uses ‘the finest glass optics’ and is assembled by hand. The result, according to the company, is high micro-contrast and ‘enhanced colors’. It will be available in Nikon F and Canon EF mounts, and adapters can be used for other camera fittings.

Technical Specifications

  • Focal Length: 32 mm
  • Lens Construction: 6 elements in 6 groups
  • Maximum Aperture: f/2.5
  • Regular Apertures: dial aperture stops, f/2.5, f/4, f/5.6, f/8, f/11
  • Image Circle: 44 mm
  • Field of View: 68 degrees
  • Lens Mounting Profile: Canon EF and Nikon F
  • Electronic Contacts: No
  • Closest Focusing Distance: 0.4 m
  • Focusing Mechanism: Helicoid
  • Filter Thread: 62 mm

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If all goes well the Lomogon will begin shipping in November 2019 and will have a retail price of $ 499. During the Kickstarter campaign though, it can be had for as little as $ 299.
For more information see the Lomogon Kickstarter page.


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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Godox S-R1 adapter lets you fit round magnetic modifiers and filters to regular hotshoe flashes

27 Jan

Chinese flash manufacturer Godox has launched a new adapter that allows users to attach the company’s round magnetic accessories to regular speedlight-style flash units. The S-R1 adapter uses a clamping mechanism to secure itself around the rectangular head of the flash unit, and then accepts the circular accessories from the AK-R1 range.

Godox round magnetic accessories include diffusers, a snoot, honeycomb grid as well as barndoors and a collection of coloured gels. These were originally designed for the Godox AD200 and H200R flash units, but with this S-R1 adapter they can now also be used on the V860ll, V850ll, TT685 and TT600 hotshoe-style flash guns as well.

Although Godox has specified which of its own flash units this adapter will work with, there is no reason it won’t work with flash guns from other manufacturers that share similar dimensions.

Godox says that the S-R1 is available to buy now, but there is no sign of it in the usual dealers yet and no price has been announced. For more information see the Godox website.

Articles: Digital Photography Review (dpreview.com)

 
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Leica participates in $121M funding round for computational photography company Light

19 Jul

As far as camera makers go, Leica and Light could not be further apart. Leica has a rich photographic heritage and, at least in the minds of many photographers, stands for beautifully manufactured mechanical devices. Light is a very new company and with its 16-sensor L16 camera is by many regarded as a spearhead of innovation in digital imaging.

Nonetheless – or maybe because of those differences – Leica is now an investor and shareholder in Light. The latter just announced a $ 121 million Series D funding round led by SoftBank Vision Fund. Leica is one of the participants in the round as well, investing an undisclosed amount.

The company confirms that we will see Light-powered smartphones later this year

In the announcement the company confirms that we will see Light-powered smartphones later this year and says it is planning to use the funding to expand in sectors beyond consumer imaging.

“The new funding will allow Light to expand the reach of its imaging platform beyond consumer photography and into security, robotic, automotive, aerial and industrial imaging applications,”

Leica on the other hand seems to be hoping to get its hands on on some of the computational imaging technologies that Light is developing.

“With the rapid development of the computational photography, partnering with the innovators at Light [allows] Leica to extend its tradition of excellence into the computational photography era.”

Articles: Digital Photography Review (dpreview.com)

 
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The Samsung 360 Round camera can capture 360° 4K 3D video at 30fps

20 Oct

Samsung has just unveiled an interesting new gadget at their annual Samsung Developer Conference. Meet the Samsung 360 Round: a 3D VR camera.

The new device uses 17 total lenses—eight horizontally positioned stereo pairs and one upwards pointing single lens—to capture and livestream 4K 3D panoramic video at 30 frames per second. Each camera module features a 1/2.8’’ 2MP sensor and F1.8 aperture. All of this is housed in a compact and rugged (IP65 water and dust resistance) uni-body that Samsung claims can handle all weather conditions.

PC software for controlling the camera and stitching is included, and the camera features a range of interfaces for connecting external microphones, storage devices and more.

“The Samsung 360 Round is a testament to our leadership in the VR market. We have developed a product that contains innovative VR features, allowing video producers and broadcast professionals to easily produce high quality 3D content,” said Suk-Jea Hahn, Executive Vice President of Samsung Electronics’ Global Mobile B2B Team. “The combination of livestreaming capabilities, IP65 water and dust resistance and 17 lenses makes this camera ideal for a broad range of use cases our customers want—from livestreaming major events to filming at training facilities across various industries.”

The Samsung 360 Round will be available in October in the United States, and should be introduced to other markets over time. Samsung says the camera is aimed at VR professionals and enthusiasts, and will be ‘reasonably priced’… although the company hasn’t yet specified exactly what that ‘reasonable’ price will be. For more information, visit the Samsung website.

Articles: Digital Photography Review (dpreview.com)

 
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Round and Round – 19 Images of Circular Things

23 May

The earth is round and travels in an elliptical orbit around the sun which is also round. There are many natural objects that take on a round or circular shape. Let’s see how these 21 photographers captured a few of them.

By Travis Wise

By Bradford Evans

By Colin

By mazaletel

By Brian Ralphs

By Jessica C

By Susanne Nilsson

By Wolfgang Staudt

By Ruth Hartnup

By Richard Walker

By Gorgeous Eyes

By Christian Yves Ocampo

By Phil Romans

By Jonas Tana

By Guglielmo D’Arezzo

By Frank Behrens

By Sean O’Neill

By Pat O’Malley

By Nick Harris

The post Round and Round – 19 Images of Circular Things by Darlene Hildebrandt appeared first on Digital Photography School.


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Weekly Photography Challenge – Round

22 May

To get a head start on this week’s challenge, first head over to see these 19 images of round subjects. Then come right back!

Weekly Photography Challenge – Round

By FraserElliot

As you set out to photograph round things this week, keep in mind you don’t need to show the full circumference of it, as in the photo above of the lime slices. The viewer can still get the idea that the object is round even if it is only partially shown.

Look all around you (no pun intended) and see what types of things are in fact round or circular. How can you photograph them to look interesting? Think about lens selection, lighting, composition, and processing.

By Manfred Huszar

By murray l

By RHiNO NEAL

By Olli Henze

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

The post Weekly Photography Challenge – Round by Darlene Hildebrandt appeared first on Digital Photography School.


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Fujifilm releases first round of G-mount medium-format lenses

21 Jan

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You’re going to need some lenses to go along with that new Fujifilm GFX 50S, and the company announced a trio of them.

First up is the GF 63mm F2.8 R WR, which is equivalent to 50mm when mounted on the medium-format GFX 50S. It’s small and lightweight, features nine rounded aperture blades and is sealed against dust and moisture (as are the other two lenses announced today). It will be available in February for $ 1499/£1399.

For those seeking a zoom, there’s the GF 32-64mm F4 R LM WR. This lens is equivalent to 25-51mm and has aspherical, ED and Super ED elements and a linear motor-powered internal AF system. The zoom will set you back $ 2299/£2199.

The final lens is a tele-macro model with optical image stabilization rated to 5 stops. The GF 120mm F4 R LM OIS WR Macro is equivalent to 95mm and has 3 ED elements, a linear AF motor and a minimum focus distance of 45cm/18in. The 120mm is priced at $ 2699/£2599.

Three additional lenses will be released by the end of the year, including a 23mm F4, 45mm F2.8 and 110mm F2. 

GROUNDBREAKING FUJIFILM GFX 50S MEDIUM FORMAT MIRRORLESS CAMERA DELIVERS ULTRA-HIGH IMAGE QUALITY

FUJIFILM GFX 50S combines an extraordinary sensor, processor and design with FUJINON lenses to give users the ultimate photography experience

Valhalla, N.Y., January 19, 2017 – As the leader in innovation for photographers, FUJIFILM North America Corporation today announces the FUJIFILM GFX 50S medium format mirrorless digital camera that will launch late February, 2017 with an initial selection of three FUJINON lenses – the GF63mmF2.8 R WR, the GF32-64mmF4 R LM WR, and the GF120mmF4 R LM OIS WR Macro. These lenses encapsulate the design philosophy of FUJINON lenses that are renowned by photographers around the world.

The innovative GFX system utilizes a Fujifilm exclusive 43.8 x 32.9mm (FUJIFILM G Format) 51.4MP CMOS sensor. The GFX 50S combines the heritage of over 80 years of imaging and the innovative award-winning functional design of our X Series digital camera system in the relentless pursuit of image quality.

The FUJIFILM GFX 50S Revealed

The FUJIFILM GFX 50S mirrorless digital camera uses the new 51.4MP FUJIFILM G Format 43.8 x 32.9mm sensor with approximately 1.7x the area of a 35mm sensor. In addition to the camera are three new FUJINON GF Lenses that will be followed by three additional lenses later in 2017.

The GFX 50S 51.4MP sensor shows its true potential when making large format prints, capturing majestic landscape photos or reproducing historical documents. Compared to a full size sensor with equivalent megapixels, both resolution and sensitivity are dramatically better due to the larger size of each pixel. As a result, the sensor captures great textures and subtlety of tone that is unique to large size sensors. The texture and tone combine to give a unique three-dimensional effect creating extremely high quality photography. Images captured can be reproduced down to the smallest detail, conveying the texture of the subject, a three-dimensional feeling, and the atmosphere of the scene.

For flash photography in the studio or outdoors during the day, the GFX 50S sensor has a native ISO of 100. The sensor can also be adapted to various aspect ratios, including 4:3, 3:2, 16:9, 1:1, 65:24, 5:4, 7:6, all of which are available in large and medium format film cameras.

The FUJIFILM GFX 50S uses the X Processor Pro (also used in the X-Pro2 and X-T2 cameras) and allows photographers to use Fujifilm’s proprietary Film Simulations with a Medium Format sensor. The camera supports Full HD recording at 29.97p/25p/24p/23.98p. Users can enjoy high quality video with no post-processing required by using Film Simulation modes just like they would with a still image. The GFX 50S introduces a new Color Chrome Effect feature that reproduces subtle tones in highly saturated subjects.

Ultimate Performance in a Compact Body

With a compact and lightweight body constructed from magnesium alloy, the FUJIFILM GFX 50S weighs approximately 43 ounces when paired with the FUJINON GF63mmF2.8 R WR, and weighs approximately 60% of a medium format DSLR camera equipped with a sensor of the same size. When compared to a full frame, the weight is almost identical. Overall camera body height and width have also been minimized for maximum flexibility, overturning the common perceptions regarding the mobility of medium format digital cameras.

Bright, Crystal Clear Viewfinder and Large Touchscreen

The FUJIFILM GFX 50S gives users a 3.69M dot organic EL electronic viewfinder and 2.36M dot touchscreen LCD back panel for easy viewing. The EVF is detachable to allow for flexible operation. Users can attach the accessory EVF-TL1 EVF tilt adapter (sold separately) to allow the finder to be tilted to 90° vertically and swung ±45°. A 3.2 inch, 2.36M dot touch panel is used for the rear monitor, with touch operation for the menu, focusing points and image playback. A three-directional tilting LCD screen improves operability and makes viewing images and checking focus even easier.

FUJINON Lenses Guarantee Image Perfection

As part of the GFX system, Fujifilm is launching newly developed, ultra-high resolution FUJINON GF lenses. Taking advantage of the mirrorless system’s structure, the G Mount has a short flange back distance of just 26.7mm that reduces the back focus distance as much as possible. This prevents vignetting and achieves edge-to-edge sharpness. All FUJINON GF Lenses have been designed to support sensors of over 100MP.

GFX lens barrels feature an aperture ring in the same manner as FUJINON XF lenses, for intuitive operation. A new C (Command) Position has been added to the aperture ring, allowing users to change the aperture with the camera’s command dial. The A (Auto) Position and C Position feature a locking button installed on the aperture ring that must be disabled to implement changes.

Built for the Professional, and the Enthusiast

Just as with the flagship X Series models, the FUJIFILM GFX 50S features dedicated dials to independently set aperture, shutter speed, and ISO, the important factors in determining exposure.

Aperture and ISO feature a C (Command) and the shutter speed dial has a T (Time) Position. Setting the dial to this position allows the user to change exposure settings using the command dials on the front and rear of the camera body. The user can choose between these two operation methods according to their preference, ease of use, and the shooting environment.

The GFX 50S is equipped with a 1.28 inch LCD sub monitor on the top of the body. Important exposure data such as aperture and shutter speed is displayed on this screen. This display is extremely useful when shooting on a tripod or tethered to a computer.

A 117-point (9 x 13 / maximum of 425 points when miniaturized) contrast AF system is used on the GFX 50S. High-precision AF on the imaging sensor dramatically improves focusing accuracy with the shallow depth of field produced by medium format lenses. First adopted in the FUJIFILM X-Pro2, focus point selection can be performed by using the Focus Lever, which allows intuitive movement of the focus point. Alternatively, users can select the focus point from the touch panel LCD screen.

Initial Lens Lineup Will Include the Following Three FUJINON Options:

  1. GF63mmF2.8 R WR (equivalent to 50mm in 35mm format)
  2. GF32-64mmF4 R LM WR (equivalent to 25-51mm in 35mm format)
  3. GF120mmF4 Macro R LM OIS WR (equivalent to 95mm in 35mm format)

FUJINON GF63mmF2.8 R WR

The optical system features a construction of 8 groups and 10 elements, including 1 ED lens element. This lens construction is the most suitable for high resolution in compact and stylish design, the external form of this small and lightweight lens has a diameter of just 84.0 x 71.0mm with a weight of only 14.2 ounces \ 405 grams. Using the front group for the focus, aberrations due to focus distance are suppressed, achieving high resolution performance even when wide open from the center to the edges of the lens.

FUJINON GF32-64mmF4 R LM WR

The FUJINON GF32-64mmF4 R LM WR features a construction of 11 groups and 14 elements, 3 aspheric elements, 1 ED lens and 1 super ED lens, allowing this lens to achieve image quality rivalling prime lenses. As a result, the lens demonstrates extremely high performance from the center all the way to the edges. The lens uses internal focusing, reducing the weight of the focus lens and achieving fast and silent AF by driving focus using a linear motor.

FUJINON GF120mmF4 R LM OIS WR Macro

The FUJINON GF120mmF4 R LM OIS WR Macro has a construction of 9 groups and 14 elements, including 3 ED lens elements. By adopting a floating focus method using a linear motor, silent high-speed autofocusing is achieved while aberrations are corrected, dramatically increasing the resolution. Furthermore, by arranging the ED lenses properly, chromatic aberrations are also properly corrected, contributing to high quality images. In designing this lens the quality of the out of focus area both in front and behind the plane of focus were considered, giving this lens beautiful bokeh. This lens is equipped with optical image stabilization (OIS) effective up to 5.0-stops, making this lens perfect for handheld shooting in low-light situations.

Three Additional FUJINON GF Lenses to be Announced Later in 2017:

  1. GF110mmF2 R LM WR (equivalent to 87mm in 35mm format)
  2. GF23mmF4 R LM WR (equivalent to 18mm in 35mm format)
  3. GF45mmF2.8 R WR (equivalent to 35mm in 35mm format)

GFX 50S Accessories (sold separately)

  1. Vertical Battery Grip VG-GFX1 – high-performance battery grip is designed to place the release button, dials, and function buttons in the same positions when shooting vertically. The battery grip can be loaded with one NP-T125 dedicated battery, lowering the frequency that batteries need replacing. Also, by connecting the AC-15V accessory (sold separately), it is possible to charge the battery within the grip in approximately 2 hours.
  1. EVF Tilt Adapter EVF-TL1 – mounting this accessory between the camera body and EVF, the angle of the EVF can be changed to angles from 0°?90° vertically and from -45°?+45° horizontally. Doing this allows the user to shoot at various angles while using the viewfinder, greatly increasing the versatility of the finder for different subjects.
  1. H Mount Adapter G – allows you to use SUPER EBC FUJINON HC interchangeable lenses developed for the FUJIFILM GX645AF medium format film camera (discontinued). By attaching this adapter to the GFX 50S, a total of 9 SUPER EBC FUJINON HC interchangeable lenses and 1 tele-converter developed for the GX645AF can be used. While the focusing method will be limited to manual focusing, the lens aperture can be changed using the command dial on the camera body, and shooting with the leaf shutter built in to the lenses is also possible. Using this lens shutter will allow high speed flash synchronization up to a maximum speed of 1/800 sec.

    Also, the adapter is equipped with electrical contacts that can communicate with the camera body, independently creating, saving, and applying correctional data for each lens. The adapter supports Manual and Aperture Priority AE exposure modes.

*A removable tripod foot is included to mount the camera with a heavy or long focal length lens.

  1. View Camera Adapter G – allows the GFX 50S to be used as a digital back. The view camera adapter allows the GFX 50S to be mounted to the standard universal-type back of a view camera. This allows the use of FUJINON large format camera lenses, such as the CM-W FUJINON lens series. The camera or lens shutter can be triggered, allowing the user to choose the optimum method. The large image circle and the bellows of the view camera can be used with tilt, shift and swing movements, effective for product and architectural photography.
    *There may be instances in which the adapter cannot be mounted depending on the shape of the view camera.
  1. Tethered Shooting Solutions – We have the following tethering solutions for photographers, including: X Acquire to transfer images from the camera to a hot folder on your computer for use with your preferred imaging software, Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom® and HS-V5 for Windows (sold separately).

    By connecting the GFX 50S to a PC via USB cable and using this software, it is possible to transfer photographed images directly to the PC, as well as control the camera from the PC. Also, by using the Control Panel Window newly added to Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom®, additional camera functions become available.

  1. RAW FILE CONVERTER EX2.0 – powered by SILKYPIX (free of charge) RAW development software and Adobe® Photoshop® Lightroom® / Adobe® Photoshop® CC (sold separately). RAW development software is used for detailed corrections and advanced image processing that isn’t supported by the in-camera RAW conversion. Both software support Fujifilm’s “Film Simulation” modes, allowing creation of image data that is extremely close to Fujifilm’s advanced color reproduction.

FUJIFILM GFX 50S Key Features:

  • 51.4MP Medium Format 43.8 x 32.9mm sensor for superior sharpness and image quality for all photographers
    • Adaptable to various aspect ratios, including 4:3 (default), 3:2, 16:9, 1:1, 65:24, 5:4, 7:6
  • FUJIFILM G Mount with short flange back distance of just 26.7mm
  • X-Processor Pro imaging processor
  • Detachable electronic viewfinder
  • Weather and dust resistant; operation to as low as 14 degrees Fahrenheit \ -10 degrees Celsius
  • File formats include three different JPEG settings (SUPER FINE, FINE, NORMAL), as well as two different RAW settings (uncompressed, compressed). TIFF output is also possible with in-camera RAW development
  • Full HD for Movie Mode: 1920×1080 29.97p/25p/24p/23.98p 36Mbps, in Film Simulation modes
  • Light body weighs approximately 43oz. \ 825g (including battery and memory card)
  • Uses SD Cards (UHS-II recommended)
    • Equipped with dual slots
    • Supports three different types of recording methods, “Sequential,” in which recording can be continued according to shooting order, “Backup,” which records the same data on two cards simultaneously, and “Sorting,” which records RAW and JPEG data on separate cards
  • Uses newly developed NP-T125 high capacity battery for approximately 400 photos (with Auto Power Save ON)
  • All FUJINON GF Lenses are dust and weather resistant, built to withstand operation at temperatures as low as 14 degrees Fahrenheit \ -10 degrees Celsius allowing photographers to take them outdoors with confidence in challenging weather conditions.
  • The new FUJINON GF Lenses feature an aperture ring, a popular feature in the X Series, and have a new C (Command) Position on the ring to enable aperture adjustments with the Command Dial on the camera body
  • A Fluorine coating applied to the front lens element creates a hydrophobic coating that repels moisture.

The GFX 50S and FUJINON GF lenses culminate to create a new camera system capable of creating the world’s highest level of photographic expressions by combining the thorough incorporation of knowledge regarding camera operation, optical design, image capture, and image processing.

Availability and Pricing

The new FUJIFILM GFX 50S Medium Format Camera Body will be available Late February, 2017 in the U.S. and Canada for USD $ 6,499.95 and CAD $ 8,499.99.

Also available in February, 2017 will be the first three FUJINON GF lenses. GF63mmF2.8 R WR for USD $ 1,499.95 and CAD $ 1,899.99, GF32-64mmF4 R LM WR for USD $ 2,299.95 and CAD $ 2,999.99, and GF120mmF4 R LM OIS WR Macro for USD $ 2,699.95 and CAD $ 3,499.99.

Fujifilm GF 63mm F2.8 R WR / 120mm F4 R LM OIS WR Macro specifications

  Fujifilm GF 63mm F2.8 R WR Fujifilm GF 120mm F4 R LM OIS WR Macro
Principal specifications
Lens type Prime lens
Max Format size 645
Focal length 63 mm
Image stabilization No Yes (5 stops)
Lens mount Fujifilm G
Aperture
Maximum aperture F2.8 F4
Minimum aperture F32
Aperture ring Yes
Number of diaphragm blades 9
Aperture notes Rounded blades
Optics
Elements 10 14
Groups 8 9
Special elements / coatings 1 ED element 3 ED elements
Focus
Minimum focus 0.50 m (19.69) 0.45 m (17.72)
Maximum magnification 0.17× 0.5×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Extending front Internal
Distance scale No
DoF scale No
Physical
Weight 405 g (0.89 lb) 980 g (2.16 lb)
Diameter 84 mm (3.31) 89 mm (3.5)
Length 71 mm (2.8) 153 mm (6.02)
Sealing Yes
Filter thread 62.0 mm 72.0 mm
Hood supplied Yes
Tripod collar No

Fujifilm GF 32-64mm F4 R LM WR specifications

Principal specifications
Lens type Zoom lens
Max Format size 645
Focal length 32–64 mm
Image stabilization No
Lens mount Fujifilm G
Aperture
Maximum aperture F4
Minimum aperture F32
Aperture ring Yes
Number of diaphragm blades 9
Aperture notes Rounded blades
Optics
Elements 14
Groups 11
Special elements / coatings 3 aspheric lenses, 1 ED lens, 1 Super ED lens
Focus
Minimum focus 0.50 m (19.69)
Maximum magnification 0.12×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 875 g (1.93 lb)
Diameter 93 mm (3.66)
Length 116 mm (4.57)
Zoom method Rotary (extending)
Power zoom No
Zoom lock Unknown
Filter thread 77.0 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Round and Round

12 Mar

Each week here on dPS we give you a new challenge, something to sink your teeth into and go out and photograph. Last week it was Modes of Transportation and I see many of you have participated in that one.

If you’re following along, this week we have a new one, and I shared some examples to wet your appetite already for shooting circles.

Lotus Carroll

By Lotus Carroll

Weekly Photography Challenge – Round and Round

Circles come in many forms, both natural and man-made. Look for them everywhere. Also think outside the box and photograph partial circles, curves, orbs, balls, and spirals. If you need some tips, read for inspiration:

  • How to Capture Beauty in Ugly and Mundane Subjects
  • Composing with Curves
  • How to Build an LED Light and Make an Orb
  • Playing With Fire: Steel Wool Spinning in the Landscape
  • How to Make a Little Planet Using Photoshop
Kenneth Lu

By Kenneth Lu

Frahman Photography

By Frahman Photography

~ Lzee ~

By ~ lzee ~

Antti T. Nissinen

By Antti T. Nissinen

R'lyeh Imaging

By R’lyeh Imaging

Jack.chih

By jack.chih

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer upload them to your favourite photo sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Alex

By Alex

Commander, U.S. Naval Forces Europe-Africa/U.S. 6th Fleet

By Commander, U.S. Naval Forces Europe-Africa/U.S. 6th Fleet

Ian Muttoo

By Ian Muttoo

Papieren Geluk

By Papieren Geluk

Lucapost

By lucapost

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Digital Photography School

 
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