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Posts Tagged ‘reveals’

OnePlus announces 3-year partnership with Hasselblad, reveals 9 Series smartphone launch details

08 Mar

Smartphone manufacturer OnePlus has announced it’s partnering with Swedish camera manufacturer Hasselblad to ‘co-develop the next generation of smartphone camera systems’ inside OnePlus’ mobile devices, including the new OnePlus 9 Series, which will launch on March 23.

The partnership is a three-year deal that will see Hasselblad work alongside OnePlus to improve the camera technology inside its flagship smartphones. OnePlus says the partnership will start ‘with software improvements including color tuning and sensor calibration, and extending to more dimensions in the future.’

OnePlus says the first fruits of the partnership is a new color science technology it calls ‘Natural Color Calibration with Hasselblad.’ OnePlus says it’s worked for months with Hasselblad to fine-tune the color science of its smartphone images to deliver more perceptually-accurate and natural-looking colors to images taken with flagship OnePlus devices.

Another improvement already in the works is a revamp of the camera interface in OnePlus devices. New OnePlus smartphones will eschew the previous first-party camera app design for a new experience called ‘Hasselblad Camera for Mobile,’ which ‘allows for an unprecedented amount of control for professional photographers to fine-tune their photos, with the ability to adjust ISO, focus, exposure times, white balance, and more,’ according to OnePlus.

Within the new Hasselblad Camera for Mobil will be ‘Hasselblad Pro Mode, which is effectively a 12-bit Raw capture mode. It’s unknown at this time whether this will be a standard Raw capture or a more AI-powered approach akin to Apple’s ProRAW technology.

OnePlus isn’t the first smartphone manufacturer Hasselblad has teamed up with over the years. Unfortunately though, despite Hasselblad’s impressive legacy as a camera manufacturer, its mobile partnerships haven’t resulted in any ground-breaking technology — although its True Zoom Moto Mod was a unique offering.

OnePlus hasn’t revealed all the specifications of its forthcoming 9 Series devices, but has confirmed it will use a customized variant of Sony’s IMX789 sensor, which OnePlus calls ‘the largest and most advanced main camera sensor ever on a OnePlus device.’ The first 9 Series devices will be announced on March 23 at 10am ET on OnePlus’ launch website.

Articles: Digital Photography Review (dpreview.com)

 
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Sony reveals Alpha 1 50MP full-frame camera capable of 30fps and 8K

26 Jan

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Sony has announced the Alpha 1, a fast, high-res 50MP camera capable of shooting at 30 fps with no blackout. It is capable of 8K video.

It uses a stacked CMOS sensor and a pair of new Bionz XR processors, allowing silent, no-blackout images at up to 30 fps. Despite having twice as many pixels as the a9, the a1 promises to have 1.5x less rolling shutter. This allows flash sync at up to 1/200 sec with the electronic shutter or 1/400 sec using the mechanical shutter.

The a1 can shoot 8K video at up to 30p using its full width. This uses all its horizontal pixels, capturing 8.6K footage and downsizing it to 8K to provide improved resolution. 8K footage can be captured in up to 10-bit 4:2:0 using the XAVC HS format. The camera uses a similar heat-dissipating design to the a7S III, allowing it to record 8K for up to 30 minutes, if the temperature warnings are set to their most tolerant setting.

It becomes the first Sony camera to offer Lossless compress Raw and can also capture HEIF for 10-bit compressed capture. It uses a pair of CFExpress Type A card slots that, like those in the a7S III, also accept SD cards.

The new processors also bring the improved menu system first seen in the a7S III.

The camera’s in-body image stabilization system is rated at 5.5EV, as with previous cameras. This system is also used to offer 4 or 16-shot high-resolution modes, allowing images of up 199MP to be combined using Sony’s Imaging Edge desktop software.

The a1 pushes the autofocus forward from the a9 cameras, offering 92% coverage and now expanding its ‘Real-time Eye AF’ to work with birds, as well as animals and people. It boosts the number of AF and AE calculations it can do to 120 per second: twice as many as the a9 performs.

The camera has a 9.44M dot OLED viewfinder that can be refreshed at up to 240fps. The faster mode still offers 1600 x1200 pixel (5.76M dot) resolution. It has an impressive 0.9x magnification and an eye-point of 25mm, which should allow the finder to be seen even when wearing glasses.

Like the a7S III, it can shoot 4K at up to 120p in 10-bit 4:2:2 quality. Sony says it uses 5.8K pixels in its Super 35 (~APS-C) mode, but there’s no talk of a 4K-from-8K mode. Also like the a7S III it can output 16-bit Raw video output over HDMI. In addition to offering the S-Log 3 curve that promises 15 stops of DR in video, it also offers the S-Gamut3 and S-Gamut3.Cine color modes that match Sony’s professional video cameras’ output. It also becomes the first Alpha camera to offer the S-Cinetone color response.

For photojournalists and sports shooters needing to deliver pictures immediately, it features dual-band Wi-Fi that allows FTP transfers and 3.5x the rate offered by the a9 II: which Sony presumably expects to be used with its new Xperia Pro smartphone/HDR monitor/5G transmitter. There’s also an Ethernet port for wired connections.

It will cost around $ 6500 / €7,300 / £6,500 and will be available in March. It uses the same VG-C4EM two-battery accessory grip as the a7R IV, a7S III and a9 II.

Press release

Groundbreaking Sony Alpha 1 Camera Marks a New Era in Professional Imaging

The Alpha 1 Delivers an Unprecedented Combination of Resolution, Speed and Video Performance, Empowering Professionals with a New High-Resolution 50.1-megapixel Full-frame Image Sensor, High-speed Shooting at up to 30 Frames per Second, 8K 30p Video and More

  • New 50.1-megapixel (approx., effective) full-frame stacked Exmor RS™ CMOS image sensor in combination with an upgraded BIONZ XR™ imaging processing engine with eight times more processing power[i]
  • Blackout- free continuous shooting at up to 30 frames per second[ii]
  • Fast sensor readout enables up to 120 AF/AE calculations per second[iii], double the speed of the Alpha 9 II, even during 30fps continuous shooting
  • Bright and large 0.64-type 9.44 million-dot (approx.) OLED Quad-XGA electronic viewfinder with the world’s first[iv] refresh rate of 240 fps
  • Silent, vibration-free electronic shutter
  • World’s first[v] anti-flicker shooting with both mechanical and electronic shutter
  • Electronic shutter flash sync[vi] up to 1/200 sec. for the first time in the Alpha™ series
  • World’s fastest[v] mechanical shutter flash sync up to 1/400 sec.
  • 8K 30p[vii] 10-bit 4:2:0 XAVC HS video recording with 8.6K oversampling for extraordinary detail and resolution, in addition to 4K 120p[viii] 10-bit 4:2:2 movie shooting capabilities
  • Wide dynamic range of 15 stops for stills[ix] and 15+ stops for video[x]
  • Improved Real-time Eye AF (autofocus) for humans and animals, and new Real-time Eye AF for birds[xi], as well as Real-time Tracking that automatically maintains accurate focus
  • 5-axis optical in-body image stabilization for a 5.5-step[xii] shutter speed advantage
  • S-Cinetone color matrix as seen in FX9 and FX6 to deliver expressive cinematic look
  • Professional workflow support with the industry’s fastest[xiii] built-in Wi-Fi, SuperSpeed USB 10Gbps, 1000BASE-T Ethernet and more

SAN DIEGO, CA – January 26, 2021 – Sony Electronics, a global leader in imaging sensor technology and digital imaging, has announced the arrival of the groundbreaking new full-frame mirrorless Alpha 1 camera – asserting their commitment to leading the industry with a stunning combination of innovative new features.

The most technologically advanced, innovative camera that Sony has ever released, the Alpha 1 combines high-resolution and high-speed performance at a level that has never been accomplished in the world of digital cameras. With a brand new 50.1-megapixel full-frame stacked Exmor RS™ image sensor, up to 120 AF/AE calculations per second, 8K 30p 10-bit 4:2:0 video and much more, the Alpha 1 will allow creators to capture what they’ve never been able to before.

“We are always listening to our customers, challenging the industry to bring new innovation to the market that goes far beyond their expectations.” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “Alpha 1 breaks through all existing boundaries, setting a new bar for what creators can accomplish with a single camera. What excites us the most – more than the extensive product feature – is Alpha 1’s ability to capture that which has never been captured before. This camera unlocks a new world of creative possibilities, making the previously impossible now possible.”

The newly developed image sensor is built with integral memory and paired with an upgraded BIONZ XR imaging processing engine, making it capable of shooting 50.1-megapixel images continuously at an astounding 30fps with up to 120 AF/AE calculations per second. The Alpha 1’s shooting capabilities are further enhanced by a 9.44 million dot OLED Quad-XGA electronic viewfinder, with a refresh rate of up to 240 fps[xiv], ensuring no black out. Additionally, for the first time in an Alpha series camera, 8K 30p 10-bit 4:2:0 video is available. The Alpha 1 is also capable of 4K 120p / 60p 10-bit 4:2:2 recording and includes S-Cinetone color. The Alpha 1 is also packed with features that support field professionals with faster workflow, including 3.5 times faster wireless FTP transfer speed[xv] and more.

Unprecedented Resolution and Speed

Continuous Shooting at Up to 30 Frames Per Second

The Alpha 1 captures moments that would otherwise be lost thanks to its high-speed performance, providing any photographer the speed they require to capture fast-moving objects. High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to 155 full-frame compressed RAW images[xvi] or 165 full-frame JPEG images[xvii] at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance[xviii].

At an astonishing calculation speed of up to 120 AF/AE per second, the Alpha 1 can maintain focus with high accuracy even for fast moving subjects. It can automatically adjust exposure, even with sudden changes in brightness, with an AE response latency as low as 0.033 seconds[ii].

Advanced Electronic Viewfinder with the World’s Firstiv Refresh Rate of 240 fps

Complimenting the camera’s ability to capture images at an unprecedented speed, the Alpha 1 viewfinder features the world’s first[iv] 240 fps refresh ratexiv, for a super-smooth display. The viewfinder does not black out when an exposure is made to offer an uninterrupted view and allow for seamless framing and tracking, even during continuous shooting. The 9.44 million-dot (approx.), 0.64 type Quad-XGA high-definition OLED display and refined optics deliver the highest resolution in its classiv. It also offers 0.90x[xix] viewfinder magnification, a 41° diagonal FOV, and a 25mm-high eyepoint for clear, low distortion viewing from corner to corner.

Advanced Autofocus

Sony continues to push the boundaries of autofocus technology with the introduction of the Alpha 1, which can easily track complex, fast-moving subjects with high precision. The camera features 759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area – ensuring accuracy and unfailing focus in environments where focusing might otherwise be difficult.

Sony’s advanced Real-time Eye AF improves detection performance by 30% over the previous system[i], thanks to the powerful image processing engine, BIONZ XR. It ensures accurate, reliable detection, even when the subject’s face looks away. In addition to improved Real-time Eye AF for humans and animals, the Alpha 1 employs high-level subject recognition technology to provide Real-time Eye AF for birds[xi], a first in an Alpha series camera. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes[xx].

The Alpha 1 also features AI-based Real-time Tracking that automatically maintains accurate focus. A subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed.

Silent, Vibration-free Electronic Shutter

High-speed readout from the new image sensor has made it possible to reduce rolling shutter by up to 1.5 times when shooting stills, compared to the Alpha 9 II. It also offers silent anti-flicker continuous shooting with an electronic shutter for the first time[v] in the world. The electronic shutter[xxi] operates silently, without mechanical noise, and is vibration-free. Stress-free continuous shooting is now possible even when shooting in challenging lighting situations with florescent or other flicker-prone types of artificial lighting. And for the first time in an Alpha camera, electronic shutter flash sync up to 1/200 sec[xxii] is possible. The advantages of the electronic shutter advantages can now come to life even when using flash for broadly expanded shooting versatility.

Dual Driven Shutter System for 1/400 Flash Sync

The Alpha 1 boasts the world’s fastest flash sync speed[v] of 1/400 sec. with mechanical shutter, making it even easier to capture dynamic action. In addition to a carbon fiber shutter curtain, the Alpha 1 features the newly developed dual driven shutter system utilizing spring and electromagnetic drive actuator, offering high durability and lightness at the same time.

High Resolution Shooting Enhancements

Even with this sensor’s high pixel count, the Alpha 1 offers high sensitivity with low noise, plus 15+ stops of dynamic range for video and 15 stops for stills, for smooth, natural gradations from shadows to highlights thanks to its cutting-edge processing system, throughout a wide ISO sensitivity range of 100-32,000 (expandable to 50-102,400, when shooting stills).

Additionally, the new camera features an evolved Pixel Shift Multi Shooting mode that composites up to 16 full-resolution images. In this mode, the camera precisely shifts the sensor in one pixel or half-pixel increments to capture 16 separate pixel-shifted images containing a total of 796.2 million pixels of data, which are then composited into a 199 million pixel (17,280 x 11,520 pixels) image using Sony’s Imaging Edge™ desktop application. With a flash sync of up to 1/200 sec. in this mode, it is ideal for photographing architecture, art or any other still life subject with a level of detail and color accuracy that is simply stunning.

Professional Video Quality

8K High-resolution Movie Shooting

For the first time in an Alpha camera, the Alpha 1 offers 8K 30p 10-bit 4:2:0 XAVC HS recording with 8.6K oversampling for extraordinary resolution. Combined with Sony’s acclaimed autofocus technology, gradation and color reproduction performance, the Alpha 1 will help the user realize their creative vision with the finest detail. It’s 8K footage can also be used for flexible 4K editing during post-production.

Supporting Various Video Formats for Professionals

The Alpha 1 offers in-camera 4K recording at up to 120 frames per second[viii] which allows the user to shoot up to 5X slow-motion video[xxiii]. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.

The Alpha 1 features S-Cinetone, the same color matrix that produces the highly regarded FX9 and FX6 color and skin tones. It delivers natural mid-tones, plus soft colors and gorgeous highlights to meet a growing need for more expressive depth. The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match Alpha 1 footage with video shot on VENICE cinema camera, FX9 and other professional cinema cameras.

Heat-dissipating Structure

A unique heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p video continuously for approximately 30 minutes[xxiv].

Supporting Hand-held Shooting

A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera’s 50.1-megapixel sensor. The Alpha 1 also features an Active Mode[xxv] that offers outstanding stabilization for handheld movie shooting. When using Sony’s desktop applications Catalyst Browse or Catalyst Prepare[xxvi] for post-production, an accurate image stabilization function is available which utilizes metadata generated by camera’s built-in gyro.

Other features that the Alpha 1 offers include; 16-bit RAW output[xxvii] to an external recorder[xxviii] via HDMI for maximum post-production flexibility, a digital audio interface has been added to the camera’s Multi Interface (MI) Shoe for clearer audio recordings from a compatible Sony external microphone, 5.8K oversampled full pixel readout without pixel binning for high-resolution 4K movies in Super 35mm mode and more.

Enhanced Workflow with Network Technologies including Connectivity to 5G Compatible Devices

The Alpha 1 has been designed and configured to support photo and video journalists and sports shooters who need to deliver stills or movies as quickly as possible with advanced connectivity options. It offers several features for fast, reliable file transfers. Industry’s fastest[xiii] built-in wireless LAN allows communication on 2.4 GHz and 5 GHz[xxix] bands with dual antennas to ensure reliable communications. 5 GHz includes 2×2 MIMO support (IEEE 802.11a/b/g/n/ac) offering 3.5 times faster wireless FTP transfer speed than the Alpha 9 II – a notable advantage for news and sports shooters who need to deliver with reliable speed. There is also a provided USB Type-C® connector to support fast data transfer when connected to a 5G mmWave compatible device such as Sony’s Xperia PRO and makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The Alpha 1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.

In addition to compressed and uncompressed RAW, the Alpha 1 includes efficient lossless compression with no quality degradation, Lossless Compressed RAW. There is also a new “Light” JPEG/HEIF image quality setting that results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed. Along with a versatile range of RAW and JPEG formats, the Alpha 1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. Images shot on the Alpha 1 can be trimmed in-camera to a desired aspect ratio, size, or position for versatile usage.

The Alpha 1 is also compatible with a variety of apps, add-ons and tools. With Imaging Edge Mobile and Imaging Edge Desktop[xxx], professionals can easily transfer RAW files and files that use lossless compression and remotely control Touch Tracking and Touch Focus for convenient AF operation. The Transfer & Tagging add-on (Ver. 1.3 or later) can automatically covert voice memos attached to image files to text captions or transfer the files to an FTP server from a mobile device. Desktop applications Catalyst Browse/Catalyst Prepare[xxvi] allow professionals to browse and manage video clips shot by Sony’s camera. In addition, the Remote Camera Tool[xxxi] can remotely change camera settings and shoot from a computer connected via LAN cable and feature a number of refinements for the Alpha 1: faster transfer, touch response, dual slot and HEIF support, and more.

Reliable and Easy Operability

Professional users need more than just refined features and performance. They also need the reliability and durability demanded of any professional tool. The Alpha 1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. It also features a durable magnesium alloy chassis, long battery life with the Z-battery which can be extended using the optional VG-C4EM Vertical Grip (sold separately), an improved dust removal feature, shutter close function on power-off to protect image sensor, plus dust and moisture resistance[xxxii] that maximizes reliability in challenging environments. It includes a durable, reliable HDMI Type-A connector, and USB PD (Power Delivery) support, allowing higher power to be supplied from an external source so that users can record for extended periods with minimal internal battery usage.

A revised menu structure provides easier navigation, and touch-responsive menu operation offers fast, more intuitive control with Touch Focus and Touch Tracking on its 3.0 type 1.44 million-dot (approx.) LCD monitor. For easy customization, a subset of the camera’s shooting settings now changes according to the selected shooting mode, making it easier than ever to use different aperture, shutter speed and other settings for shooting stills and movies.

The Alpha 1 Full-frame Interchangeable-Lens Camera will be available in March 2021 for approximately $ 6,500 USD and $ 8,500 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Notes:

[i] Compared to the BIONZ X imaging processing engine.

[ii] “Hi+” continuous shooting mode. In focus modes other than AF-C, effective at 1/125 sec. or higher shutter speed. In AF-C mode, effective at 1/250 sec. or higher shutter speed, and the maximum continuous frame rate will depend on the shooting mode and lens used. 20 fps max. when shooting Uncompressed or Lossless compressed RAW.

[iii] At shutter speeds of 1/125 sec. or higher. The number of AF calculations will depend on the lens used.

[iv] As of January 2021, Sony survey. Among full-frame mirrorless cameras.

[v] As of January 2021, Sony survey. Among full-frame interchangeable-lens digital still cameras.

[vi] Up to 1/200 sec. Synchronization via the sync terminal is not available for electronic shutter.

[vii] [APS-C S35 Shooting] is fixed [Off] when shooting 4K 120p and 8K movies.

[viii] 10% image crop.

[ix] Sony internal tests.

[x] When recording with S-Log3. Sony internal tests.

[xi] Still images only.

[xii] CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off.

[xiii] As of January 2021, Sony survey. Among interchangeable-lens digital still cameras.

[xiv] Field of view is fixed at 33° and resolution is UXGA when selecting frame rate at 240 fps.

[xv] 3.5 times faster when compared against the Alpha 9 II.

[xvi] “Hi+” continuous shooting mode, compressed RAW, CFexpress Type A memory card. Sony tests.

[xvii] “Hi+” continuous shooting mode, CFexpress Type A memory card. Sony tests.

[xviii] At 20 frames per second, users can shoot up to 238 full-frame compressed RAW images or 400 full-frame JPEG images.

[xix] 50mm lens, infinity, -1m-1 diopter.

[xx] Accurate focus may not be achieved with certain subjects in certain situations.

[xxi] Shutter speed slower than 0.5 sec. cannot be set while continuous shooting. Tracking performance and max. aperture differs by settings and lenses.

[xxii] Up to 1/200 sec. Synchronization via the sync terminal is not available for electronic shutter.

[xxiii] Post-production editing and S&Q mode recording required. Data must be recorded to a CFexpress Type A memory card when the frame rate is 120 (100) fps or higher.

[xxiv] Sony internal tests with [Auto Power OFF Temp.] set to [High].

[xxv] Active Mode is not available for 8K recording.

[xxvi] Catalyst Browse™ version 2020.1 or later, Catalyst Prepare version 2020.1 or later are required.

[xxvii] 8K is not applicable.

[xxviii] Compatible recorders to be announced.

[xxix] 5 GHz communication may be restricted in some countries and regions.

[xxx] The Imaging Edge (Remote/Viewer/Edit) desktop application Ver. 3.1 or later is required for compositing.

[xxxi] Remote Camera Tool version 2.3 or later is required.

[xxxii] Not guaranteed to be 100% dust and water resistant.

Sony a1 specifications

Price
MSRP $ 6500 (body only)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 8640 x 5760
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 50 megapixels
Sensor photo detectors 51 megapixels
Sensor size Full frame (35.9 x 24 mm)
Sensor type BSI-CMOS
Processor Dual Bionz XR
Color space sRGB, Adobe RGB
Color filter array Primary c olor filter
Image
ISO Auto, 100-32000 (expands to 50-102400)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 102400
White balance presets 7
Custom white balance Yes
Image stabilization Sensor-shift
CIPA image stabilization rating 5.5 stop(s)
Uncompressed format RAW
JPEG quality levels Extra fine, fine, standard, light
File format
  • JPEG (Exif v2.32)
  • HEIF
  • Raw (Sony ARW v4.0)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Number of focus points 759
Lens mount Sony E
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,440,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.9×
Viewfinder resolution 9,437,184
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash No
Flash X sync speed 1/400 sec
Continuous drive 30.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (3, 5 frames at 1/3 EV, 1/2 EV steps)
WB Bracketing Yes
Videography features
Format XAVC S, XAVC HS, H.264, H.265
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/CFexpress Type A slots (UHS-II supported)
Connectivity
USB USB 3.2 Gen 2 (10 GBit/sec)
USB charging Yes
HDMI Yes (mini-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac (Dual Band)
Remote control Yes (via Bluetooth or tethered PC)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-FZ100 lithium-ion battery & charger
Battery Life (CIPA) 530
Weight (inc. batteries) 737 g (1.62 lb / 26.00 oz)
Dimensions 129 x 97 x 70 mm (5.08 x 3.82 x 2.76)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Cosina Japan reveals its ultra-fast Voigtlander Super Nokton 29mm F0.8 lens for MFT systems

19 Nov

Cosina Japan has announced the Super Nokton 29mm F0.8 Aspherical lens for Micro Four Thirds (MFT) camera systems, making it the fastest functional and commercially-available lens on the market.

The entirely manual lens, which offers an equivalent focal length of a 58mm lens on a full-frame camera, is constructed of 11 elements in 7 groups, including a ground aspherical element. The lens features an aperture range of F0.8 to F16, a twelve-blade aperture diaphragm, an all-metal helicoid unit for driving the manual focus and has a dedicated de-click switch for making the aperture adjustment silent for when shooting video.

Below are a number of sample images provided by Cosina:

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The Voigtlander Super Nokton 28mm F0.8 Aspherical lens will retail for roughly $ 2,100 when it becomes available to pre-order in December.

Articles: Digital Photography Review (dpreview.com)

 
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Ilford Photo Darkroom Guide video series reveals printing techniques and more for beginners

20 Oct

Black and white film and paper manufacturer Ilford Photo has produced a series of videos to help beginners get to grips with essential darkroom techniques. Hosted by Rachel Brewster-Wright from Little Vintage Photography the collection of videos tackles some of the basics of common darkroom questions in a simple to follow format.

So far, subjects covered in the 16-video playlist include dodging and burning, selenium toning, using multi-grade paper and more. The series sits alongside a mass of other educational content from the film-maker that covers issues such as how an enlarger works, pinhole photography, a checklist for setting up your own darkroom and processing your first roll of film. This is mixed with inspirational interviews with black and white photographers and printers, as well as footage inside the Ilford Factory in the UK.

If you want to get started in black and white film photography, or you want a refresher on how it’s all done check out the Ilford Photo YouTube channel.

Articles: Digital Photography Review (dpreview.com)

 
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ZTE reveals the Axon 20 5G, the first smartphone with selfie camera hidden under the display

03 Sep

After multiple promises to release such a device, Chinese company ZTE has officially unveiled the Axon 20 5G, the first smartphone to feature a selfie camera located beneath the display. The mid-range handset, which is otherwise unremarkable, was introduced by the company on Tuesday, but questions on availability remain.

The Axon 20 5G is the first smartphone brought to market that features a front-facing camera under the display, something ZTE says was made possible using a variety of ‘high transparency material that includes new organic and inorganic films’ in addition to image software, The Verge reports.

Quite obviously, this design means the Axon 20 5G does not feature a visible selfie camera, rather presenting users with a clean, uninterrupted display free of notches, hole punches and thick camera-packing bezels. The actual quality of images produced by the hidden camera remains unclear, however, due to the current lack of reviews and sample photos.

The camera located beneath the display packs 32MP; it is joined by a 64MP primary rear camera alongside an 8MP ultra-wide and 2MP depth/macro cameras. The primary camera supports video recording at up to 4K/60fps with real-time HDR and real-time subtitles.

Novelty aside, the Axon 20 5G is a solidly mid-range device packing a 6.92in 20.5:9 FDH+ OLED display with 10-bit 1.07B color and 100% DCI-P3, as well as a 90Hz refresh rate. Circling back to the unique hidden camera, ZTE’s website explains that this unit features high-transparency micron-level material, a ‘special pixel matrix,’ triple selfie algorithm, an integrated circuit and an independent driver chip.

The light sensor, sound system and fingerprint sensor are likewise hidden beneath the display, according to ZTE, which has packed a Qualcomm Snapdragon 765G processor and Adreno 629 GPU under the hood. Other features include an ‘AI performance engine,’ smart power-saving mode, ‘liquid cooling circulation,’ carbon nanofiber thermal pad and nano-level textured design.

Buyers will have two models to choose from, one featuring 128GB of storage and 6GB of RAM, the other featuring 256GB of storage and 8GB of RAM. Both variants will feature a microSD card slot, 4220mAh battery and support for 5G. At this point in time, ZTE is only offering the Axon 20 5G model in China for the equivalent of around $ 320 starting price. It’s unclear whether the model will get an international release.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe reveals how its CAI digital content attribution system will work

05 Aug

During its Adobe MAX 2019 event, Adobe announced its Content Authenticity Initiative (CAI), the first mission of which is to develop a new standard for content attribution. ‘We will provide a layer of robust, tamper-evident attribution and history data built upon XMP, Schema.org and other metadata standards that goes far beyond common uses today,’ the company explains in a new white paper about the initiative.

The idea behind Adobe’s CAI is that there’s no single, simple, and permanent way to attach attribution data to an image, making it hard for viewers to see who owns the image and the context surrounding its subject matter. This paves the way for image theft, as well as the spread of misinformation and disinformation, a growing problem on the modern Internet.

Adobe’s new industry standard for digital content attribution, which was announced in collaboration with Twitter and The New York Times, will potentially change this, adding a level of trust in content that may otherwise be modified or presented with an inauthentic context on social media and elsewhere.

Adobe said in November 2019 that it had a technical team:

…exploring a high-level framework architecture based on our vision of attribution, and we are inviting input and feedback from industry partners to help shape the final solution. The goal of the Initiative is for each member to bring its deep technical and business knowledge to the solution. Success will mean building a growing ecosystem of members who are contributing to a long-term solution, adoption of the framework and supporting consumers to understand who and what to trust.

The newly published white paper titled ‘The Content Authenticity Initiative: Setting the Standard for Digital Content Attribution‘ explains how this new digital content attribution system will work.

The team cites a number of ‘guiding principles’ in the initiative, including the ability for their specifications to fit in with existing workflows, interoperability for ‘various types of target users,’ respect for ‘common privacy concerns,’ an avoidance of unreasonable ‘technical complexity and cost’ and more. Adobe expects a variety of users will utilize its content attribution system, including content creators, publishers and consumers, the latter of which may include lawyers, fact-checkers and law enforcement.

The team provides examples of the potential uses for its authenticity system in various professions. For photojournalists, for example, the workflow may include capturing content at a press event using a ‘CAI-enabled capture device,’ then importing the files into a photo editing application that has ‘CAI functionality enabled.’

Having preserved those details during editing, the photojournalist can then pass on the images to their editor, triggering a series of content verifications and distribution to publications, social media managers and social platforms, all of which will, ideally, support displaying not only the CAI information but also any alterations made to the content (cropping, compression, etc).

The idea is that at all times during its distribution across the Internet, anyone will be able to view the details about the image’s origination, including who created it, what publication originally published the image, when the photo was captured, what modifications may have been made to the image and more.

The white paper goes on to detail other potential creation-to-distribution pipelines for creative professionals and human rights activists.

What about the system itself? The researchers explain that:

The proposed system is based on a simple structure for storing and accessing cryptographically verifiable metadata created by an entity we refer to as an actor. An actor can be a human or non-human (hardware or software) that is participating in the CAI ecosystem. For example: a camera (capture device), image editing software, or the person using such tools.

The CAI embraces existing standards. A core philosophy is to enable rapid, wide adoption by creating only the minimum required novel technology and relying on prior, proven techniques wherever possible. This includes standards for encoding, hashing, signing, compression and metadata.

Each process during the creator’s workflow, such as capturing the image and then editing, produce ‘assertions’ as part of the CAI system. Typically speaking, according to the white paper, these assertions are JSON-based data structures that reference declarations made by the actor, which can refer to both humans and machines, including hardware like cameras and software like Photoshop.

The researchers go on to explain that:

Assertions are cryptographically hashed and their hashes are gathered together into a claim. A claim is a digitally signed data structure that represents a set of assertions along with one or more cryptographic hashes on the data of an asset. The signature ensures the integrity of the claim and makes the system tamper-evident. A claim can be either directly or indirectly embedded into an asset as it moves through the life of the asset.

For every lifecycle milestone for the image, such as when it was created, published, etc., the authenticity system will create a new set of assertions and claim related to it, with each claim daisy-chaining off the previous claim to create something like a digital paper trail for the work.

Of course, there are potential issues with Adobe’s vision for content authentication, the most obvious being whether the industry is willing to adopt this system as a new standard. The CAI digital content attribution system will only succeed if major hardware and software companies implement the standard into their products. Beyond that, social media platforms would need to join the effort to ensure these permanent attribution and modification details are accessible to users.

As well, Adobe’s system will have to achieve its highest goal, which is to be tamper-proof, something that is yet to be demonstrated. Work under this initiative is still underway; interested consumers can find all of the technical details in the white paper linked above.

Articles: Digital Photography Review (dpreview.com)

 
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MS Optics reveals its latest lens, the Elnomaxim 55mm F1.2 for Leica M-mount cameras

31 Jul

Miyazaki san of MS Optics fame has released his latest M-mount lens, the Elnomaxim 55mm F1.2.

Bellamy Hunt over at Japan Camera Hunter is still working to translate the details of the lens, but what is known at this point is that the lens uses a gauss type optical design with an extremely simple formula. Specifically, the lens is Miyazaki san’s take on the Zeiss 50mm F2 Sonnar lens originally designed for the Zeiss Contax I rangefinder.

The entirely manual lens features an aperture range of F1.2 through F16, has a minimum focusing distance of one meter (3.25ft) and has a 49mm front filter thread. The lens measures in at 50mm diameter, 43mm long and weighs 180g (6.35oz).

Japan Camera Hunter has shared a few sample photos captured with the lens:

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As is the case with most MS Optics lenses, this thing isn’t going to win any sharpness contests, but it has character.

The Elnomaxim 55mm F1.2 lens for M-mount is available in black chrome and silver chrome, and is currently available to order from Japan Camera Hunter for $ 1,200. Units are being produced in small batches, so expect stock to come and go.

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh reveals D FA 21mm Limited, DA 16-50mm F2.8 and details D FA* 85mm F1.4

15 May

Ricoh has published a video setting out its development plans for three new lenses, including a constant F2.8 standard zoom for APS-C, a 21mm lens in its much-loved ‘Limited’ prime lens series and gave more details of the FA*85mm F1.4.

The company says its announcements were originally planned for the cancelled CP+ trade show, that was supposed to take place in February 2020 in Yokohama, Japan.

The company gave more details of the HD Pentax-D FA* 85mm F1.4ED SDM AW first announced in March 2020. This is the first 85mm Pentax lens designed specifically for digital cameras. The lens will include three super ED lenses, which behave similarly to fluorite elements, to minimize chromatic aberration. They say this should avoid the purple or green edges that can be distracting in wide aperture portraits.

The design also utilizes a concave front element, which the company says reduces some aberrations. The spherical aberration has been optimized to provide attractive bokeh, rather than solely prioritizing sharpness. They claim this will result in ‘the finest lens in its class.’

The lens will be launched later in 2020, with a more definitive announcement soon.

Alongside the 85mm, the company showed the forthcoming D FA 21mm Limited lens as an addition its range of prime lenses. Like the other ‘Limited’ lenses, it will feature metal construction and will be available in black or silver. The focal length was chosen as one that’s not currently available in the lineup. The maximum aperture was not disclosed.

Unlike the current Limited series lenses, the D FA 21mm will have a built-in DC focus motor, rather than being driven by the camera body. It will also be weather sealed. The lens will be available in 2021.

For APS-C users, there will be a lens current called the HD Pentax DA* 16-50mm F2.8ED PLM AW, a completely new constant F2.8 standard zoom for APS-C. This, like the 85mm, will be part of the ‘new-generation’ star range.

It will be powered by a PLM ‘Pulse’ motor, which has meant a complete optical redesign with a light focus element to suit the fast, quiet motor. The company is aiming to have the lens ready in the first half of 2021, to more closely coincide with a promised APS-C flagship camera.

The company’s manager of product planning, Tetsuya Iwasaki also promised that the company will also develop some smaller and reasonably priced lenses in future.

Articles: Digital Photography Review (dpreview.com)

 
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Elon Musk reveals how SpaceX will address light pollution caused by Starlink satellites

28 Apr

Following the successful launch of its Starlink 6 batch of satellites last week, SpaceX CEO Elon Musk tweeted out a few details about night sky light pollution caused by these low Earth orbit satellites and the company’s plans to address this issue.

According to the tweet, SpaceX is taking ‘some key steps to reduce satellite brightness,’ something that Musk says should make them ‘much less noticeable during orbit raise.’ This change involves adjusting the solar panel angle, according to the tweet, plus there will be a new addition to the satellites starting with the Starlink 9 launch: sunshades.

It’s unclear how drastically these changes will reduce the brightness of its satellites, but the move underscores SpaceX’s efforts to address concerns about light pollution caused by these small satellites.

The Starlink initiative aims to launch thousands of small low-Earth orbit satellites that will beam Internet service to the ground, providing high-speed broadband access in places where it’s unavailable from terrestrial providers, or where only slow and expensive options are available. Musk said in a tweet following the Starlink 6 launch that the company plans to start a private beta of the Starlink service in around three months.

Renewed attention to the issue of light pollution caused by low-Earth orbit satellites was spurred with the launch of NASA’s Satellite Streak Watcher project in early March. In explaining the reason for the initiative, the space agency said that the increasing number of these satellites launched into orbit makes things more difficult for astronomers on the ground.

The light pollution caused by these satellites is also a problem for astrophotographers, causing long streaks of light to appear in long-exposure images. Unlike avoiding light pollution from the ground, it’s not possible to head to a ‘dark sky reserve’ or other similar places to avoid light pollution originating from space.

SpaceX hasn’t been ignoring this problem; back in December 2019, the company said that it was experimenting with a new anti-reflective coating that would make the satellites less bright, though it may potentially result in satellite performance problems by causing thermal issues. Based on Musk’s most recent tweet, it seems the company is turning to sunshades as its solution.

With the Starlink 6 satellite launch last week, SpaceX now has 420 of these small satellites in orbit. The company plans to launch a minimum of 12,000 satellites over the coming months, though the figure may exceed 30,000 in the long run. A public beta of the Starlink service will start in the US and Canada in around six months following the private beta, according to Musk’s tweet. It’s still unclear how much the eventual Starlink Internet service will cost.

Articles: Digital Photography Review (dpreview.com)

 
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OnePlus reveals 8 series smartphones with triple-camera array

14 Apr

Smartphone maker OnePlus has just launched its new OnePlus series. Thanks to a, at least on paper, pretty impressive looking camera specification, the flagship OnePlus 8 Pro is the device in the series most mobile photographers should have an eye on.

Triple camera setup

The camera features a triple lens-setup, plus an additional time-of-flight (ToF) sensor that will presumably be used to improve depth estimation in bokeh mode and fine-tune the autofocus. Overall the spec sheet looks very similar to sister brand Oppo’s flagship Find X2 Pro.

Like on pretty much any flagship phone these days, the main camera gets support from a dedicated tele and a super-wide-angle. The main module features a 1/1.4″ 48MP Sony IMX689 Quad-Bayer sensor that uses pixel-binning to produce 12MP image output with lower noise and a wider dynamic range than conventional sensors. OnePlus is following the trend for larger image sensors in smartphone cameras, but some competitors, for example Huawei’s P40 Pro or the Xiaomi Mi 10 Pro come with even larger chips (1/1.28″ and 1/1.33″ respectively).

The lens is optically stabilized and comes with a F1.78 aperture and 26mm-equivalent field-of-view.

The super-wide-angle uses a smaller 1/2.0″ sensor but is also of the 48MP Quad-Bayer variant which, in combination with the F2.2. aperture, should be able to perform pretty well, even in dim light. The 16mm-equivalent focal length is pretty much in line with many competitors, but some, for example Samsung’s latest high-end models and Apple’s iPhone 11 series, offer wider viewing angles.

The dedicated tele camera features a stabilized 74mm-equivalent lens which equates to a 3x magnification. At 8MP the resolution isn’t the highest we have seen and some models in the high-end bracket feature longer lenses, for example the folded optics from Huawei and Oppo. Xiaomi even applies a dual-tele approach to optimize performance at shorter and longer zoom distances.

The 4K/60fps video mode is pretty much standard in the high-end segment these days and should allow for detailed video capture with smooth motion. It also features HDR video capture. In addition the OnePlus offers 720p/480fps and 1080p/240fps slow-motion settings and a time-lapse mode.

The camera setup is completed with an LED-flash and color sensor. In comparison to the main module, the front camera specs look pretty pedestrian.

Front camera

The selfie shooter uses a 16MP 1/3-inch Sony IMX471 with 16MP resolution and a fixed-focus lens. Video recording maxes out at 1080p/30fps. Some competitors already offer 4K recording and autofocus at the front. What’s new versus the OnePlus 7 generation is the location of the selfie camera. On the new model it is hidden under a cutout in the display. The previous model used a pop-up front camera which allowed for an uninterrupted display without any notches or cutouts. The advantage of the new design is that the 8 Pro is now IP68-rated for environmental protection – something that would have been very difficult to achieve with a pop-up mechanism.

Non-camera specs are pretty much in line with the current crop of flagship Android phones. The device is powered by a 5G-enabled Qualcomm’s Snapdragon 865 chipset and features fast LPDDR5 RAM and UFS 3.0 storage which should ensure snappy operation, even of the most demanding apps and games.

Images can be viewed and composed on a 6.78-inch QHD+ OLED display with 120Hz refresh rate (up from the previous generation’s 90Hz), 240Hz touch sampling rate and HDR10/10+. A dedicated MEMC (Motion Estimation and Motion Compensation) chip – technology adopted from TVs – reduces motion blur in videos by calculating and inserting additional video frames. Using this technology the OnePlus 8Pro is capable of up-scaling 24fps content to 120fps. According to OnePlus the new technology can be used with a wide range of apps, including Amazon Prime Video, Hotstar, BiliBili, iQiyi, MX Player, Netflix, OnePlus Gallery app, Tencent Video, VLC, Youku, and YouTube.

Other specs include a massive 4510mAh battery with 30W fast wireless charging, an in-display fingerprint reader and up to 12GB of RAM and 256GB of storage.

OnePlus 8

The company also launched the standard OnePlus 8 which shares a lot of the basic specs, including chipset and memory options, with the Pro model, but comes with a smaller 6.55-Inch AMOLED display, a smaller 4300mAh battery and a simpler camera setup. The primary camera features a Sony IMX586 1/2″ sensor and is accompanied by a 16MP ultra-wide and a dedicated macro camera.

Availability and pricing

The new models will be available to purchase from April 21 in Europe and April 29 in North America. Pricing starts at $ 699 for the OnePlus 8 with 8GB of RAM. The 12/256GB version will set you back $ 799. The 8/128GB variant of the Pro model is $ 899 while the top-end OnePlus 8 Pro with 12GB RAM and 256GB of storage retails at $ 999.

You can watch the keynote event here:

Articles: Digital Photography Review (dpreview.com)

 
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