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Posts Tagged ‘Revealed’

The Canon EOS R3’s Megapixel Count Revealed By EXIF Data

30 Jul

The post The Canon EOS R3’s Megapixel Count Revealed By EXIF Data appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

The Canon EOS R3's resolution revealed by EXIF data

For months, Canon has teased the upcoming EOS R3 and its groundbreaking features, but – as with the release of the EOS R5 and R6 last summer – the company has remained silent regarding resolution. 

Speculation and rumors have abounded, at times suggesting a 30-megapixel sensor like the Canon EOS R or even a 45-megapixel sensor to match the EOS R5. But thanks to Canon Rumors, we now have what appears to be a definitive answer:

The Canon EOS R3 will be 24 megapixels.

This specification is backed by significant evidence coming out of the Tokyo Olympics, where the Canon EOS R3 has made an appearance. First, Canon Rumors reported “multiple mentions, likely from people in and around the Tokyo games, that the resolution is ‘closer to’ or ‘around’ 24 MP.” This 24 MP rumor was followed by an EXIF data report showing 6000px by 4000px (i.e., 24 MP) dimensions on EOS R3 Olympic files.

Yes, it falls short of the lofty resolutions suggested above and will slot in behind several of Canon’s top mirrorless cameras, but 24 MP is certainly respectable and hardly unprecedented. After all, the EOS R3’s closest DSLR sibling is the Canon 1D X Mark III, Canon’s flagship DSLR, which features a “mere” 20 MP. And “fast processing, low megapixels” has long been the name of the game for sports-focused models, where high-resolution sensors threaten continuous shooting speeds, camera buffer depths, and more.

A 24 MP sensor also assures superior noise performance over higher-resolution models like the EOS R5; the lower megapixel count (and consequently larger pixel size) combined with Canon’s new backside illuminated sensor technology should be a sight to behold.

At present, here’s what you can expect from the EOS R3:

  • A fully-articulating touchscreen
  • 30 frames-per-second shooting (using the electronic shutter)
  • In-body image stabilization
  • 4K video
  • Eye Control AF
  • Top-notch weather sealing
  • Dual card slots

While pricing information is yet to be released, don’t be surprised if the EOS R3 surpasses even the Canon 1D X Mark III, which debuted at a whopping $ 6500 USD.

Fortunately, you won’t have long to wait; Canon Rumors promises an official announcement in September, and I’d wager that the camera itself will ship before 2021 is out, if not significantly sooner.

Now over to you:

What do you think of a 24 MP EOS R3 sensor? Is the resolution disappointingly low? Is it just right? Too high? Share your thoughts in the comments below!

The post The Canon EOS R3’s Megapixel Count Revealed By EXIF Data appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Gallery: 100 best lockdown portraits revealed from Duchess of Cambridge’s Hold Still project

18 Sep

100 best lockdown portraits revealed from Duchess of Cambridge’s Hold Still project

Kate Middleton, the Duchess of Cambridge, and the UK’s National Portrait Gallery have put together a digital exhibition of the 100 best portraits taken during the lockdown and submitted to the Hold Still photographic contest. The images, centered around the themes of Helpers and Heroes, Your New Normal and Acts of Kindness, will become a print exhibition later in the year and will tour the UK.

Set up to document aspects of life in England, Scotland, Wales and Northern Ireland during the global coronavirus pandemic, the Hold Still project was launched by the Duchess, a keen photographer herself, in May and was open for entries for six weeks.

Organizers say they received 31,598 entries which were judged by the Duchess alongside the Director of the National Portrait Gallery, a poet, a photographer and the Chief Nursing Officer for England. The judges said they selected the winning images based on the ‘emotions and experiences they convey rather than on their photographic quality or technical expertise’.

We’ve rounded up ten of the 100 images in the following gallery, but for more information and to see all 100 portraits visit the National Portrait Gallery website.

THE DUCHESS OF CAMBRIDGE AND NATIONAL PORTRAIT GALLERY LAUNCH HOLD STILL DIGITAL EXHIBITION

Final 100 images unveiled in landmark community project to create a photographic portrait of the nation

The Duchess of Cambridge and the National Portrait Gallery have today unveiled the Hold Still digital exhibition, featuring one hundred portraits selected from 31,598 submissions during the project’s six-week entry period. Focussed on three core themes – Helpers and Heroes, Your New Normal and Acts of Kindness – the images present a unique record of our shared and individual experiences during this extraordinary period of history, conveying humour and grief, creativity and kindness, tragedy and hope.

Launched by The Duchess of Cambridge and the Gallery in May, Hold Still invited people of all ages, from across the UK to submit a photographic portrait which they had taken during lockdown. The project aimed to capture and document the spirit, the mood, the hopes, the fears and the feelings of the nation as we continued to deal with the coronavirus outbreak.

The Hold Still judging panel included: The Duchess of Cambridge; Nicholas Cullinan, Director of the National Portrait Gallery; Lemn Sissay MBE, writer and poet; Ruth May, Chief Nursing Officer for England and Maryam Wahid, photographer

The panel assessed the images on the emotions and experiences they convey rather than on their photographic quality or technical expertise. The final 100 present a unique and highly personal record of this extraordinary period in our history. From virtual birthday parties, handmade rainbows and community clapping to brave NHS staff, resilient keyworkers and people dealing with illness, isolation and loss. The images convey humour and grief, creativity and kindness, tragedy and hope – expressing and exploring both our shared and individual experiences.

A selection of the photographs featured in the digital exhibition will also be shown in towns and cities across the UK later in the year.

International law firm Taylor Wessing are supporting the Hold Still project in partnership with the National Portrait Gallery. They are long-term supporters of the Gallery and have sponsored the Taylor Wessing Photographic Portrait Prize for the past 12 years.

{/pressrelease}

Making bread

Photographer: James Webb
Location: Colne, Cambridgeshire

This is me and my son Jake making bread together. Baking was something that I enjoyed but didn’t get to do very often. Lockdown gave me the opportunity to bake and enjoy this passion with my children. During this time we started off making flatbreads, cupcakes, muffins and the like, and then moved on to bread. Baking became a daily pleasure we were all able to enjoy together. We’ve continued to bake as a family and my children have enjoyed learning how to knead dough and the process of proving before baking. Making bread has become the new normal in our house and is a hobby now enjoyed by the whole family.

Glass kisses

Photographer: Steph James
Location: Cowfold, West Sussex

My 1-year-old little boy and his 88-year-old great grandma, who miss each other so much at the moment. I captured this beautiful moment between them whilst dropping off groceries. Kisses through glass.

This is what broken looks like

Photographer: Ceri Hayles
Location: Bridgend

This is what broken looks like. This is operating for 3 hours in full PPE. This is dehydration. This is masks that make your ears bleed because the straps have slipped and you daren’t touch them. This is fighting an invisible enemy that becomes more visible each day. This is a face I never thought I’d show the world, but one which I wear more and more. I took this photo to have as a reminder of how far I’d been capable of pushing myself when I needed to. I sent it to my family to tell them what a hard day it had been and they were all so shocked by it. The person they know as being so well put together, always wearing a smile, was not the person they saw that day. Looking back on it now, I feel immensely proud of the commitment shown by myself and my colleagues to provide safe care for patients, even in the depths of a pandemic. We still wear full PPE for all of our cases, and you never get used to it, but I know we’ll keep doing it for as long as it is needed.

Last precious moments

Photographer: Kris Tanyag and Sue Hicks
Location: Chicester, West Sussex

This portrait was taken by Kris, the clinical lead in the care home where Phil lived. Kris took the photograph for Phil’s daughter, Sue who submitted the work. Sue said: ‘As I approached the window my father’s smile lit up the world. Probably belying the fact that he couldn’t really comprehend why, after normally frequent visits and companionship in his twilight years, his daughter hadn’t been allowed to visit for the last three weeks. Easter Saturday 2020 and these precious, intensely emotional moments, will stay with me forever. One week later our wonderful dad, grandad and great grandad passed away peacefully. I can never fully express my gratitude to the carers who, sensing the situation and having looked after my father with love, care and compassion for seven years (as well as my mother for 3 of those years), made those moments possible.’

Kris explains: ‘We devised a plan for Phil to see his daughter Sue via a glass wall and communicate using mobile phones. Hearing our plan gave Phil a burst of energy to go in his wheelchair, hold a muffled conversation, reaching over to put his hand on the glass wall, convinced that he was touching Sue. Struggling to speak but hearing Sue made him so very happy. Their expression of emotion through tearful, smiling eyes and touching hands; the entire conversation was just one amazing moment!’

Funeral heartbreak

Photographer: Bonnie Sapsford and Fiona Grant-MacDonald
Location: Cockermouth, Cumbria

My brother, Barry, lives in the Lake District and could not travel to be with his family when our beloved Gran died of Covid-19 on 3 May 2020. Her cremation took place on 13 May in Edinburgh with only 8 people in attendance – and Barry had to watch it live online – but we were so proud he suitably dressed for the occasion. His wonderful partner, Bonnie took this powerful picture and sent it on to us. The family all missed him greatly and our hearts were shattered at the realisation that our grandmother’s first grandchild could not be with her on her final resting day.

At the end of a shift

Photographer: Neil Palmer
Location: Reading, Berkshire

This is a studio portrait of Tendai, a recovery and anaesthetics nurse, who was born in Zimbabwe, and now lives in my local town – Reading, Berkshire. I wanted to portray her caring side as well as a look of concern and uncertainty that many of us have experienced during this pandemic. It’s why I chose a lower than normal angle and asked her to look off camera, placing her half way down in the frame.

Justin, from the outside in

Photographer: Sara Lincoln
Location: London

Justin didn’t know about my project when I turned up at his window with a camera. I just so happened to be across the road, capturing his daughter Safi and her family, who had volunteered to be a part of my ‘Outside In’ project, which documents my community living life in lockdown, through the window. Safi asked if I wouldn’t mind popping over to capture a frame or two of her father and I am very grateful that I did. It was wonderful meeting this brilliant man albeit through the window. We spoke about this project, his art collection and how he manages to keep his plants so well. We talked about how surreal everything is right now, how the weeks have been for him isolating alone and his plans to jet off to France as soon as this madness is over. He finished up by telling me he had a spot of hay fever… A session that wasn’t meant to happen, happens to be one of my favourites.

We’re really lucky to have a garden

Photographer: Robert Coyle
Location: Sale, Manchester

The weekend is here, lockdown continues and Bernadette and Francis enjoy the garden. One Friday, as I finished emailing at the kitchen table, my wife had taken a chair and a drink outside to enjoy the evening sun. We were doing our best, like the rest of the country, with work, childcare and news of daily death tolls. Our son, had taken to relieving himself on the plants, much to our initial amusement and then slight frustration.

Everyday hero

Photographer: Arnhel de Serra
Location: London

When I drove past Richard I had to do a double-take, as I couldn’t believe he was out on his postman’s round in fancy dress. I asked if I could photograph him, and over a few days we got to know each other. Given the doomsday scenario that the media were portraying in the early days of the COVID-19 pandemic, I felt very strongly that here was a man who had something deeply personal and positive to offer his community. Is it an earth shattering news story? Probably not. As a human interest story however, I feel that his generosity of spirit should be celebrated, and I am delighted that he will be part of this very important project.

Never without her grandma

Photographer: Melanie Lowis
Location: Teddington, London

Millie (5 years old) made a cut out of her much loved grandma (73 years old). Millie sees Grandma almost daily and lockdown prevented the pair from seeing each other. As a retired teacher, Grandma would have made the perfect partner to help Millie with home schooling. The bond between this grandma and granddaughter is truly a special one and when lockdown ends, and the real grandma can return, it will be a very happy and emotional reunion.

Articles: Digital Photography Review (dpreview.com)

 
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The Canon Rebel T8i/850D Revealed With 7 FPS Shooting and 4K Video

18 Feb

The post The Canon Rebel T8i/850D Revealed With 7 FPS Shooting and 4K Video appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

canon-rebel-t8i-revealed

 

Canon hasn’t given up on its DSLRs yet.

While we’ve seen the imaging giant shift its resources to mirrorless tech in recent years, it seems that Canon still plans to keep its DSLR lineup going.

At least for a little while.

Because the Canon Rebel T8i, also known as the Canon EOS 850D, was announced just days ago, along with specifications that give us a good idea of what the camera will offer and who it’s for.

If you’re an entry-level Canon DSLR shooter or a vlogger, then the T8i looks to be a fine (though not thrilling) option. You get an APS-C, 24.1-megapixel sensor with the potential to shoot up to ISO 25600 (ISO 51200 when expanded). You also get a DIGIC 8 processor, 7 frames-per-second continuous shooting, a 45-point AF system, and 4K/24p video.

Those familiar with the T7i/EOS 800D will undoubtedly notice the lack of major differences between the T8i and the T7i, because it seems that Canon went for a minor set of changes rather than a moderate upgrade.

That said, three key differences are:

  • 7 frames-per-second shooting (7.5 fps in Live View) versus 6 frames-per-second shooting in the T7i
  • A new processor (DIGIC 8 versus the T7i’s DIGIC 7). This is responsible for the improved continuous shooting speed.
  • 4k video

Probably the biggest among these changes is the added 4K video, as many reviewers lamented its lack of inclusion in the T7i. But the T8i’s 4K video comes with a big qualification: Canon’s fantastic Dual Pixel autofocus, which performs extraordinarily well in Live View, won’t work. Instead, you must shoot at 1080p for access to Dual Pixel AF; otherwise, you’re stuck with contrast-detection AF, a system that’s historically much slower than its Dual Pixel counterpart.

In terms of image quality, we can expect something very similar to the T7i, which performed well but hardly managed to astonish. And while the 24-megapixel count is enough for most enthusiasts, I can’t help but wish Canon had pushed the T8i a bit further. We know that they can, having seen the 32.5 MP resolution capabilities produced by the APS-C Canon 90D.

As for speed, the extra frame per second probably won’t matter much to the average user of this camera. Either you’re doing more serious action work, in which case a frame-per-second more can be the difference between a failed shot and a nailed shot, or you’re an entry-level consumer or enthusiast in this camera’s target market, in which case the minor speed upgrade doesn’t matter much.

While the Canon Rebel T8i doesn’t yet have a release date, the camera should drop for $ 900 (including an 18-55mm kit lens), or $ 750 USD (body only).

So what do you think of the new Canon Rebel T8i/850D? Are you satisfied? Were you hoping for something more? Or do you want Canon to focus entirely on mirrorless? Share your thoughts in the comments!

The post The Canon Rebel T8i/850D Revealed With 7 FPS Shooting and 4K Video appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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News: Sigma Will Produce Canon RF Lenses (With More to Be Revealed in 2020)

25 Nov

The post News: Sigma Will Produce Canon RF Lenses (With More to Be Revealed in 2020) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

 

News: Sigma Will Produce Canon RF Lenses (With More to Be Revealed in 2020)Earlier this week, Canon Rumors reported that Sigma has created a roadmap for Canon RF lenses and that this roadmap will be unveiled in “early 2020.”

According to Canon Rumors, “distributors have received some early information about Sigma’s plans,” though nothing has been released to the public.

While Sigma’s plans have not yet been confirmed, this is excellent news for full-frame mirrorless Canon shooters, Canon DSLR shooters who may be making the switch to mirrorless, and just mirrorless fans in particular. The more RF-mount lenses available, the better (and the more attractive Canon’s full-frame mirrorless system becomes).

Of course, Canon produces its own RF line, and there are always debates about Sigma’s quality versus Canon’s quality. But it’s nice to have additional options, and Sigma has proven itself quite capable over the last few years.

Furthermore, this addresses one of the biggest complaints regarding new mirrorless systems: the number of lenses available. For Canon RF shooters, it’s frustrating to have to wait for a robust lens lineup to materialize, so Sigma’s participation will undoubtedly help things along. Plus, there are plenty of Canon DSLR photographers who have held back due to the limited number of lenses in the RF line. Sure, Canon offers EF to EOS R adapters, but most photographers want lenses that are designed to take advantage of their camera system’s features.

Not to mention another great thing about Sigma glass: It’s cheaper than Canon glass. Much cheaper.

This has become especially relevant given the high price points of several Canon RF lenses. The Canon RF 50mm f/1.2L USM currently goes for $ 2000+ USD, and the Canon RF 28-70mm f/2L USM is just shy of $ 3000 USD.

While there are no rumors regarding a Nikon roadmap, this certainly makes you wonder if and when one will be coming. So Nikon shooters, stay tuned. And Canon shooters, you’ll hopefully have some great lens options coming your way!

The post News: Sigma Will Produce Canon RF Lenses (With More to Be Revealed in 2020) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Report: Instagram bug revealed some users passwords as plaintext in URLs

23 Mar

Less than a day ago, it was revealed more than 20,000 Facebook employees had access to over 600 million user passwords that were stored in plaintext on Facebook’s servers. Now, it’s being reported that Instagram too has suffered from a bug that inadvertently exposed users passwords in plaintext.

According to an exclusive report from The Information, Facebook informed affected Instagram users about a security flaw that caused passwords to be shown in plaintext when users opted to use Instagram’s ‘Download Your Data’ tool, a tool that ironically enough was created to help users see just how much information Instagram (read: Facebook) has collected on them.

A screenshot of the text shown after users request a download of all the data Instagram has collected from them.

In an email sent out by Instagram to affected users on Thursday, passwords were exposed in the URL that was sent when a data download request was made. This means if the download link was viewed on a shared or public device, it would be possible for anyone to see the affected users’ password. In a statement to The Information, an Instagram spokesperson said the issue was ‘discovered internally and affected a very small number of people.’

Regardless of how many Instagram users were or weren’t affected by this bug, such an issue shouldn’t be possible if Instagram were properly keeping passwords hidden with the proper encryption technology, as the passwords should never be able to be seen in plaintext — anywhere. In a statement to The Information, principle research scientists at security firm Sophos, Chet Wisniewski, said:

‘This is very concerning about other security practices inside of Instagram because that literally should not be possible. If that’s happening, then there are likely much bigger problems than that’

The ‘Download Your Data’ tool has since been updated to fix the issue, but it might be a good idea to change your Instagram passwords regardless as a precaution.

Articles: Digital Photography Review (dpreview.com)

 
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Moza Mini-S 3-axis gimbal smartphone stabilizer revealed with advanced shooting modes

11 Jan

During CES 2019, Moza revealed Mini-S, a new compact, highly portable handheld 3-axis gimbal stabilizer designed for smartphones measuring 55mm to 88mm wide. The stabilizer can be extended up to 17.2in / 43.6cm and folded into a compact 5.12 x 2.68 x 7.68in / 13 x 6.8 x 19.5cm form-factor when not in use.

Though designed exclusively for smartphones, the Moza Mini-S packs several advanced features, including numerous physical controls, support for vertical and horizontal orientations, multiple follow modes, and object tracking.

The stabilizer’s base, which has a 10-degree tilt for ergonomic reasons, includes a 1/4-20″ port and a removable miniature tripod. Physical controls include a joystick, dedicated playback and Inception Mode buttons, focus control, one-button zoom, and a recording button. The internal 2200mAh battery provides 8 hours of use per charge.

The Mini-S stabilizer’s shooting modes include support for tracking objects, time-lapse, a Vertigo Mode zooming effect, and an Inception Mode that imitates the world rotation seen in the movie Inception. When paired with the Moza Genie mobile app, the phone displays a mixture of controls and camera settings for enhanced usability.

Pricing and availability haven’t been revealed yet, though News Shooter reports that Moza expects to start shipping in March.

Articles: Digital Photography Review (dpreview.com)

 
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More detail on Samsung Galaxy S10 triple camera setup revealed

14 Aug

Last week, Samsung revealed its latest high-end smartphone, the Galaxy Note 9. The Note 9’s camera hardware is identical to last year’s Galaxy S9 Plus dual-camera, but we’ve already seen rumors of the 2019 Galaxy S10 Plus featuring a triple-camera.

Next year’s flagship is likely to be the first smartphone to combine a super-wide-angle and a tele-lens with the primary camera. The super-wide-angle is expected to come with a 123-degree angle of view, and the tele lens with a 3x magnification, offering a wider zoom range than any other smartphone.

Today a report from South Korean publication ET News has provided more detail on the Galaxy S10 camera specifications and if the sources can be trusted all three cameras will come with a different sensor resolution. The main camera will offer a 16MP pixel count, the telephoto camera captures 13MP images and the wide angle is expected to feature a 12MP sensor.

…it’s likely that the output image size will be the same, no matter the zoom setting

Samsung is likely going to merge image data from all three sensors to leverage the combined sensor surface for improved light gathering, and provide a stepless zoom experience. Therefore, it’s likely that the output image size will be the same, no matter the zoom setting. That said, as usual we can’t know for sure at this point.

The ET News report contains another interesting piece of information: While Samsung initially planned to implement the triple camera only in one model of the Galaxy S10 series, the company’s plans changed and there will now be two triple-camera models. Hopefully this should increase the chances of a triple-camera model becoming available at a (halfway) affordable price point.

Articles: Digital Photography Review (dpreview.com)

 
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California wildfire devastation revealed in series of aerial images

11 Aug

Aerial photos reveal California wildfire devastation

Image via city of Redding

The City of Redding’s Geographic Information Systems (GIS) Division has published a series of aerial images showing the devastation caused by the ongoing Carr Fire in Shasta County, California. Located approximately 100 miles north of the Mendocino Complex fire, the Carr Fire has destroyed approximately 176,000 acres of land, more than 1,000 homes, and claimed eight lives.

The aerial images, which are available publicly on Redding’s GIS website, reveal burned homes, vehicles and wilderness. The images were captured in part using UAVs equipped with cameras. According to ABC News, the fire was 48% contained as of Thursday morning, but experts expect it to continue into September. More than 13,000 firefighters are working to control the blaze.


Aerial photos were collected as part of a multi-agency collaboration. Licensed UAV pilots from Menlo Park Fire District, Alameda County Sheriff, Contra Costa Sheriff, and other agencies assisted the City in capturing the aerial photos. The City would also like to acknowledge CAL FIRE for permitting the use of UAV technology to assist in damage assessment.

Aerial photos reveal California wildfire devastation

Lake Keswick Estates. Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Articles: Digital Photography Review (dpreview.com)

 
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Astronomy Photographer of the Year 2018 shortlist revealed

24 Jul

Astronomy Photographer of the Year 2018 Shortlist

AR 2665 and Quiescent Prominence. © ?ukasz Sujka (Poland)

The sunspot AR2665 was one of the most active regions in 2017 on the right you can see a phenomenal quiescent prominence extending from our star, the Sun. This type of prominence lasts for a very long time and its structure is quite stable. The photo is a composition of two images: one of the magnificent prominence and one of the Sun’s surface. The surface is much brighter than the prominence so it is a negative to reveal details of Sun chromosphere (spicules and filaments).

Budy Dlutowskie, Poland, 9 July 2017

TS Individual 102/1100 telescope, etalon from Lunt50ThaPT+B1200+BelOptik ERF+TV barlow x2, Sky-Watcher NEQ6 Pro mount, ZWO ASI 178 MM-C camera, 1100mm f/11 lens, 10ms exposure

Some of the best pictures of stars, planets and deep space have been revealed in the shortlist of the 2018 Astronomy Photographer of the Year competition. The annual contest is run by the Royal Observatory in Greenwich London, and is currently in its 10th year. Organizers say they received 4200 images from amateur, professional and young photographers in 91 countries.

Entrants compete across eight categories for the top prize of £10,000 (approx. $ 13,000) while the under 16s stand a chance of winning £1500. Shortlisted and winning entries form part of a book of the completion, and an exhibition is held at the National Maritime Museum, also in Greenwich, London.

The overall winner, and the winners of the Sir Patrick Moore prize for Best Newcomer and Robotic Scope Image of the Year, will be announced on 23rd October 2018.

For more information see the Royal Museum Greenwich website.

Press release

ROYAL OBSERVATORY GREENWICH’s “INSIGHT INVESTMENT ASTRONOMY PHOTOGRAPHER OF THE YEAR 2018” SHORTLISTED IMAGES TO THIS YEAR’S COMPETITION SELECTED

– WINNERS ANNOUNCED 23 OCTOBER 2018
– EXHIBITION OPENS 24 OCTOBER 2018

A mesmerising mosaic of the Great Orion and the Running Man Nebula, a magical scene of an Aurora Borealis exploding over the south coast of Iceland, a solar transit of the International Space Station between the massive sunspots AR 12674 and AR 12673; Royal Observatory’s Insight Investment Astronomy Photographer of the Year 2018 has received thousands of exceptional images once more. The competition, which is run by the Royal Observatory Greenwich sponsored by Insight Investment and in association with BBC Sky at Night Magazine, is now in its tenth year and continues to go from strength to strength, receiving over 4,200 spectacular entries from enthusiastic amateurs and professional photographers, taken from 91 countries spanning the globe. This year has also seen a phenomenal increase in entries from our aspiring young astrophotographers.

Shortlisted images from this year’s entrants include a glorious Milky Way looming over a thunderstorm that lights up the sky, star trails sweeping over the extraordinary sacred altars in Inner Mongolia, a majestic image of deep space framed by the Breiðamerkurjökull, the glacial tongue that extends from the largest glacier in Europe, Vatnajökull.

The range of subjects is not just limited to our planet. Photographers have also captured sights from across our Solar System, galaxy and the wider universe; from the second largest planet, Jupiter, which lies 746 million miles away from Earth when the two are closest and over a billion miles apart at their most distant; the striking and often overlooked Nebula NGC 2023, at 4 light years in diameter it is one of the largest reflection nebulae ever discovered; to the bright IC 342 also known as the ‘Hidden Galaxy’ that sits near the galactic equator, an obscure area with thick cosmic gas, bright stars and dark dust.

The competition’s judges include renowned comedian and keen amateur astronomer, Jon Culshaw; Editor of BBC Sky at Night Magazine Chris Bramley; the Royal Observatory’s Public Astronomer, Dr Marek Kukula and a host of experts from the worlds of art and astronomy. The winners of the competition’s nine categories and two special prizes will be announced on Tuesday 23 October at a special award ceremony at the National Maritime Museum. This year’s and previous winning images will be displayed in a commemorative exhibition that will celebrate 10 years of outstanding astrophotography, at the National Maritime Museum from Wednesday 24 October. Winners and shortlisted entries will also be published in the competition’s official book, available on 24 October from bookstores and online. The awards ceremony can be followed live on Twitter #astrophoto2018.

Website: www.rmg.co.uk/astrophoto
Twitter: @ROGAstronomers
Instagram: @royalmuseumsgreenwich
Facebook: Royal Museums Greenwich
Astrophotography Facebook Group: facebook.com/groups/astrophotos

Astronomy Photographer of the Year 2018 Shortlist

A Magnificent Saturn. © Avani Soares (Brazil)

In high resolution planetary photography having a good view of a planet is a key factor but also completely out of a photographer’s control. In this image the photographer was lucky to capture our second largest planet, Saturn, in all its glory. After stacking 4,000 out of 10,000 frames we can admire details such as the beautiful polar hexagon, the Encke Division and even the crepe ring.

Canoas, Rio Grande do Sul, Brazil, 29 July 2017

Celestron C14HD Schmidt-Cassegrain telescope, Powermate 2X + Filter Baader UV-IR cut Celestron CGE Pro mount, ZWO ASI 290 MC camera, 7820 mm f/22 lens, stacked from 4000 frames

Astronomy Photographer of the Year 2018 Shortlist

Andromeda galaxy. © Péter Feltóti (Hungary)

Andromeda Galaxy has always amazed the photographer. The dust lanes and bright star clusters in its arms, the emblematic galaxy shape of it, and the magnificent look of this great star city make it one of his most desired objects to photograph. This image was taken using a 200mm mirror and creating a three panel mosaic.

Mez?falva, Hungary, 20 October 2017

SkyWatcher 200/800 Newton astrograph telescope, SkyWatcher NEQ6 pro mount, Canon EOS 600D camera (modded), 800 mm f/4 lens, ISO 800, 3.79-second exposure

Astronomy Photographer of the Year 2018 Shortlist

Aurorascape. © Mikkel Beiter (Denmark)

The conditions the night the image was taken were not ideal because of the bright moon lighting up the sky. The photographer managed to overcome this obstacle and capture the incredible Aurora Borealis above the fjord at Haukland in the gorgeous Lofoten archipelago, Northern Norway. The small pool of water with rocks made the perfect foreground and a natural leading line into the frame.

Haukland Beach, Norway, 26 February 2018

Canon EOS 5DS R camera, 17mm f/2.8 lens, ISO 2000, 8-second exposure

Astronomy Photographer of the Year 2018 Shortlist

Cave Man. © Brandon Yoshizawa (USA)

Battling the light pollution in Malibu, California the photographer brilliantly framed our galaxy, the Milky Way, inside a sea cave, 25 miles away from the heart of downtown Los Angeles. In order to achieve this outstanding shot planning it ahead and waiting for the perfect conditions of low tide and clear skies was very important. The image required two exposures; one to capture the details of the dark cave and one for the Milky Way. Both exposures were taken back to back without moving the camera or changing the composition.

Malibu, USA, 28 March 2017

Nikon D750 camera, 14mm f/4 lens, ISO 1600, 119/1 exposure

Astronomy Photographer of the Year 2018 Shortlist

Mosaic of the Great Orion & Running Man Nebula. © Miguel Angel García Borrella and Lluis Romero Ventura (Spain)

The Orion Nebula, also known as Messier 42, M42, or NGC 1976, is a diffuse nebula situated in the Milky Way, south of Orion’s Belt in the constellation of Orion. It is one of the brightest nebulae and is visible to the naked eye during a clear night sky. M42 is 1270 light years from our planet and is the closest region of massive star formation to Earth. It is estimated to be 24 light years across and it has a mass of about 2,000 times more than that of the Sun. This image is the result of the efforts of two astrophotographers using different equipment from their observatories. Located hundreds of kilometres away from each other, they chose the Orion Sword are as a common target to render.

The software suites used in this image are Maxim DL, Pixinsight and Photoshop CC 2017. Àger, Monfragüe, Spain, 2 January2017 Astrodon LRGB Gen2 I-Series True-Balance telescope, Astrodon LRGB Gen2 I-Series True-Balance, Titan 50 Losmandy & ASA DDM85 mount, SBIG & Moravian STL 11000 C2 & G3-11002 camera, 2720mm and 2840mm f/6.8 and f/8 lens, 42 hours exposure

Astronomy Photographer of the Year 2018 Shortlist

Rigel and the Witch Head Nebula. © Mario Cogo (Italy)

The dark Namibian sky was the perfect location to capture the wonder of the Witch Head Nebula and Rigel. The Witch Head Nebula is a very faint molecular gas cloud which is illuminated by supergiant star Rigel, the seventh brightest star of the sky and the brightest star in the constellation of Orion.

Tivoli Southern Sky Guest Farm, Namibia, 20 August 2017

Takahashi FSQ 106 ED telescope, Astro-Physics 1200 GTO mount, Canon EOS 6D Cooling CDS Mod camera, 385mm f/3.6 lens, ISO 1600, 1, 3 and 6 mins total 5 hours exposure

Astronomy Photographer of the Year 2018 Shortlist

The Eagle nebula. © Marcel Drechsler (Germany)

The Eagle Nebula, also known as Messier 16, is a young open cluster of stars, surrounded by hot hydrogen gas in the constellation Serpens and lies at a distance of 7,000 light years from Earth. Taken at the Baerenstein Observatory in Germany, the photo is a RGB-Ha-OIII image and shows off the radiant red and blue colours of the nebula. In the centre you can spot the famous Pillars of Creation.

Baerenstein, Germany, 9 August 2017

Celestron RASA telescope, Baader narrow band filters, Celestron CGEpro mount, ZWO Asi1600mmc camera, 620mm f/2.2 lens, ISO 139, 10.5 hours exposure

Astronomy Photographer of the Year 2018 Shortlist

Thunderstorm under milky way. © Tianyuan Xiao (Australia)

A glorious Milky Way looms over a thunderstorm that lights up the Florida sky. The photographer wanted to show the great contrast between stable (Milky Way) and moving (thunderstorm) objects in the sky.

Perry, USA, 21 August 2017

Canon EOS 5D Mark III camera, 25mm f/3.2 lens, 30/1 exposure

Astronomy Photographer of the Year 2018 Shortlist

Aurora Borealis on the coast of the Barents sea. © Michael Zav’yalov (Russia)

From the city of Yaroslavl in Russia to the coast of the Barents Sea in the Arctic Circle, a party of three travelled 2000 kilometers to capture the magnificent Northern Lights. The photographer stayed in the village of Teriberka in the Murmansk Oblast district for five days. After four days of bad weather, with heavy snow and thick clouds the sky finally cleared on the last day and the Northern Lights appeared in all their glory.

Murmansk/Teriberka, Russia, 28 February 2017

Nikon D750 camera, 20mm f/4 lens, ISO 2000, 30/1 exposure

Articles: Digital Photography Review (dpreview.com)

 
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Astronomy Photographer of the Year 2018 shortlist revealed

24 Jul

Astronomy Photographer of the Year 2018 Shortlist

AR 2665 and Quiescent Prominence. © ?ukasz Sujka (Poland)

The sunspot AR2665 was one of the most active regions in 2017 on the right you can see a phenomenal quiescent prominence extending from our star, the Sun. This type of prominence lasts for a very long time and its structure is quite stable. The photo is a composition of two images: one of the magnificent prominence and one of the Sun’s surface. The surface is much brighter than the prominence so it is a negative to reveal details of Sun chromosphere (spicules and filaments).

Budy Dlutowskie, Poland, 9 July 2017

TS Individual 102/1100 telescope, etalon from Lunt50ThaPT+B1200+BelOptik ERF+TV barlow x2, Sky-Watcher NEQ6 Pro mount, ZWO ASI 178 MM-C camera, 1100mm f/11 lens, 10ms exposure

Some of the best pictures of stars, planets and deep space have been revealed in the shortlist of the 2018 Astronomy Photographer of the Year competition. The annual contest is run by the Royal Observatory in Greenwich London, and is currently in its 10th year. Organizers say they received 4200 images from amateur, professional and young photographers in 91 countries.

Entrants compete across eight categories for the top prize of £10,000 (approx. $ 13,000) while the under 16s stand a chance of winning £1500. Shortlisted and winning entries form part of a book of the completion, and an exhibition is held at the National Maritime Museum, also in Greenwich, London.

The overall winner, and the winners of the Sir Patrick Moore prize for Best Newcomer and Robotic Scope Image of the Year, will be announced on 23rd October 2018.

For more information see the Royal Museum Greenwich website.

Press release

ROYAL OBSERVATORY GREENWICH’s “INSIGHT INVESTMENT ASTRONOMY PHOTOGRAPHER OF THE YEAR 2018” SHORTLISTED IMAGES TO THIS YEAR’S COMPETITION SELECTED

– WINNERS ANNOUNCED 23 OCTOBER 2018
– EXHIBITION OPENS 24 OCTOBER 2018

A mesmerising mosaic of the Great Orion and the Running Man Nebula, a magical scene of an Aurora Borealis exploding over the south coast of Iceland, a solar transit of the International Space Station between the massive sunspots AR 12674 and AR 12673; Royal Observatory’s Insight Investment Astronomy Photographer of the Year 2018 has received thousands of exceptional images once more. The competition, which is run by the Royal Observatory Greenwich sponsored by Insight Investment and in association with BBC Sky at Night Magazine, is now in its tenth year and continues to go from strength to strength, receiving over 4,200 spectacular entries from enthusiastic amateurs and professional photographers, taken from 91 countries spanning the globe. This year has also seen a phenomenal increase in entries from our aspiring young astrophotographers.

Shortlisted images from this year’s entrants include a glorious Milky Way looming over a thunderstorm that lights up the sky, star trails sweeping over the extraordinary sacred altars in Inner Mongolia, a majestic image of deep space framed by the Breiðamerkurjökull, the glacial tongue that extends from the largest glacier in Europe, Vatnajökull.

The range of subjects is not just limited to our planet. Photographers have also captured sights from across our Solar System, galaxy and the wider universe; from the second largest planet, Jupiter, which lies 746 million miles away from Earth when the two are closest and over a billion miles apart at their most distant; the striking and often overlooked Nebula NGC 2023, at 4 light years in diameter it is one of the largest reflection nebulae ever discovered; to the bright IC 342 also known as the ‘Hidden Galaxy’ that sits near the galactic equator, an obscure area with thick cosmic gas, bright stars and dark dust.

The competition’s judges include renowned comedian and keen amateur astronomer, Jon Culshaw; Editor of BBC Sky at Night Magazine Chris Bramley; the Royal Observatory’s Public Astronomer, Dr Marek Kukula and a host of experts from the worlds of art and astronomy. The winners of the competition’s nine categories and two special prizes will be announced on Tuesday 23 October at a special award ceremony at the National Maritime Museum. This year’s and previous winning images will be displayed in a commemorative exhibition that will celebrate 10 years of outstanding astrophotography, at the National Maritime Museum from Wednesday 24 October. Winners and shortlisted entries will also be published in the competition’s official book, available on 24 October from bookstores and online. The awards ceremony can be followed live on Twitter #astrophoto2018.

Website: www.rmg.co.uk/astrophoto
Twitter: @ROGAstronomers
Instagram: @royalmuseumsgreenwich
Facebook: Royal Museums Greenwich
Astrophotography Facebook Group: facebook.com/groups/astrophotos

Astronomy Photographer of the Year 2018 Shortlist

A Magnificent Saturn. © Avani Soares (Brazil)

In high resolution planetary photography having a good view of a planet is a key factor but also completely out of a photographer’s control. In this image the photographer was lucky to capture our second largest planet, Saturn, in all its glory. After stacking 4,000 out of 10,000 frames we can admire details such as the beautiful polar hexagon, the Encke Division and even the crepe ring.

Canoas, Rio Grande do Sul, Brazil, 29 July 2017

Celestron C14HD Schmidt-Cassegrain telescope, Powermate 2X + Filter Baader UV-IR cut Celestron CGE Pro mount, ZWO ASI 290 MC camera, 7820 mm f/22 lens, stacked from 4000 frames

Astronomy Photographer of the Year 2018 Shortlist

Andromeda galaxy. © Péter Feltóti (Hungary)

Andromeda Galaxy has always amazed the photographer. The dust lanes and bright star clusters in its arms, the emblematic galaxy shape of it, and the magnificent look of this great star city make it one of his most desired objects to photograph. This image was taken using a 200mm mirror and creating a three panel mosaic.

Mez?falva, Hungary, 20 October 2017

SkyWatcher 200/800 Newton astrograph telescope, SkyWatcher NEQ6 pro mount, Canon EOS 600D camera (modded), 800 mm f/4 lens, ISO 800, 3.79-second exposure

Astronomy Photographer of the Year 2018 Shortlist

Aurorascape. © Mikkel Beiter (Denmark)

The conditions the night the image was taken were not ideal because of the bright moon lighting up the sky. The photographer managed to overcome this obstacle and capture the incredible Aurora Borealis above the fjord at Haukland in the gorgeous Lofoten archipelago, Northern Norway. The small pool of water with rocks made the perfect foreground and a natural leading line into the frame.

Haukland Beach, Norway, 26 February 2018

Canon EOS 5DS R camera, 17mm f/2.8 lens, ISO 2000, 8-second exposure

Astronomy Photographer of the Year 2018 Shortlist

Cave Man. © Brandon Yoshizawa (USA)

Battling the light pollution in Malibu, California the photographer brilliantly framed our galaxy, the Milky Way, inside a sea cave, 25 miles away from the heart of downtown Los Angeles. In order to achieve this outstanding shot planning it ahead and waiting for the perfect conditions of low tide and clear skies was very important. The image required two exposures; one to capture the details of the dark cave and one for the Milky Way. Both exposures were taken back to back without moving the camera or changing the composition.

Malibu, USA, 28 March 2017

Nikon D750 camera, 14mm f/4 lens, ISO 1600, 119/1 exposure

Astronomy Photographer of the Year 2018 Shortlist

Mosaic of the Great Orion & Running Man Nebula. © Miguel Angel García Borrella and Lluis Romero Ventura (Spain)

The Orion Nebula, also known as Messier 42, M42, or NGC 1976, is a diffuse nebula situated in the Milky Way, south of Orion’s Belt in the constellation of Orion. It is one of the brightest nebulae and is visible to the naked eye during a clear night sky. M42 is 1270 light years from our planet and is the closest region of massive star formation to Earth. It is estimated to be 24 light years across and it has a mass of about 2,000 times more than that of the Sun. This image is the result of the efforts of two astrophotographers using different equipment from their observatories. Located hundreds of kilometres away from each other, they chose the Orion Sword are as a common target to render.

The software suites used in this image are Maxim DL, Pixinsight and Photoshop CC 2017. Àger, Monfragüe, Spain, 2 January2017 Astrodon LRGB Gen2 I-Series True-Balance telescope, Astrodon LRGB Gen2 I-Series True-Balance, Titan 50 Losmandy & ASA DDM85 mount, SBIG & Moravian STL 11000 C2 & G3-11002 camera, 2720mm and 2840mm f/6.8 and f/8 lens, 42 hours exposure

Astronomy Photographer of the Year 2018 Shortlist

Rigel and the Witch Head Nebula. © Mario Cogo (Italy)

The dark Namibian sky was the perfect location to capture the wonder of the Witch Head Nebula and Rigel. The Witch Head Nebula is a very faint molecular gas cloud which is illuminated by supergiant star Rigel, the seventh brightest star of the sky and the brightest star in the constellation of Orion.

Tivoli Southern Sky Guest Farm, Namibia, 20 August 2017

Takahashi FSQ 106 ED telescope, Astro-Physics 1200 GTO mount, Canon EOS 6D Cooling CDS Mod camera, 385mm f/3.6 lens, ISO 1600, 1, 3 and 6 mins total 5 hours exposure

Astronomy Photographer of the Year 2018 Shortlist

The Eagle nebula. © Marcel Drechsler (Germany)

The Eagle Nebula, also known as Messier 16, is a young open cluster of stars, surrounded by hot hydrogen gas in the constellation Serpens and lies at a distance of 7,000 light years from Earth. Taken at the Baerenstein Observatory in Germany, the photo is a RGB-Ha-OIII image and shows off the radiant red and blue colours of the nebula. In the centre you can spot the famous Pillars of Creation.

Baerenstein, Germany, 9 August 2017

Celestron RASA telescope, Baader narrow band filters, Celestron CGEpro mount, ZWO Asi1600mmc camera, 620mm f/2.2 lens, ISO 139, 10.5 hours exposure

Astronomy Photographer of the Year 2018 Shortlist

Thunderstorm under milky way. © Tianyuan Xiao (Australia)

A glorious Milky Way looms over a thunderstorm that lights up the Florida sky. The photographer wanted to show the great contrast between stable (Milky Way) and moving (thunderstorm) objects in the sky.

Perry, USA, 21 August 2017

Canon EOS 5D Mark III camera, 25mm f/3.2 lens, 30/1 exposure

Astronomy Photographer of the Year 2018 Shortlist

Aurora Borealis on the coast of the Barents sea. © Michael Zav’yalov (Russia)

From the city of Yaroslavl in Russia to the coast of the Barents Sea in the Arctic Circle, a party of three travelled 2000 kilometers to capture the magnificent Northern Lights. The photographer stayed in the village of Teriberka in the Murmansk Oblast district for five days. After four days of bad weather, with heavy snow and thick clouds the sky finally cleared on the last day and the Northern Lights appeared in all their glory.

Murmansk/Teriberka, Russia, 28 February 2017

Nikon D750 camera, 20mm f/4 lens, ISO 2000, 30/1 exposure

Articles: Digital Photography Review (dpreview.com)

 
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