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Posts Tagged ‘Resolve’

DaVinci Resolve 17 announced, includes over 300 new features and improvements

10 Nov

Blackmagic Design has announced DaVinci Resolve 17, the latest major release of its flagship video and audio editing software. DaVinci Resolve is ‘the world’s only solution that combines editing, color correction, visual effects, motion graphics and audio post-production all in one software tool.’

DaVinci Resolve 17’s primary new features include HDR grading tools, redesigned primary color controls, an AI-based magic mask, a next-generation Fairlight audio engine and much more. Blackmagic states that in total there are over 100 new features and 200 improvements to existing features.

The new HDR grading feature is accessible within the software’s color page. Users can create new color wheels with ‘custom roll-off for specific tonal ranges,’ resulting in additional creative control when making fine adjustments. The new wheels include control over exposure and saturation within each zone and are color space aware, allowing for uniform results.

Additional improvements to colorwork include mesh-based warping tools. You can adjust hue and saturation or chroma and luma. Adjustments are performed by dragging control points and Blackmagic Design promises ‘clean, natural-looking adjustments.’ Primary color controls have also been redesigned in the software. With respect to color space, DaVinci wide gamut and DaVinci intermediate are new timeline color space and gamma settings which deliver a universal working color space. Blackmagic states that ‘it’s larger than what cameras can capture’ and that ‘customers will never lose image data, no matter where it comes from.’

DaVinci Resolve 17 includes numerous improvements to color work, such as HDR Color Wheels, Custom Curves and more. Image credit: Blackmagic Design. Click to enlarge.

The Fairlight Audio Core in DaVinci Resolve 17 has undergone major changes. Blackmagic says it is ‘the world’s fastest and highest quality solution for audio post-production.’ Fairlight Audio Core is a low latency, next-gen audio engine that intelligently manages CPU cores and threads in your computer. With the new Fairlight Audio Core, you can work with up to 2,000 tracks at a time with fully supported real-time effects, EQ and dynamics processing. DaVinci Resolve 17 promises ‘sample-accurate editing tools’, ADR, Foley and Fairlight FX (like reverb, de-esser, hum remover and more). You can mix and master stereo audio, 5.1, 7.1 and 3D audio formats. For improved performance, you can also utilize an optional Fairlight Audio Accelerator Card. Further, with the software’s multiple user collaboration feature, multiple sound editors can work on the entire project at the same time.

A new transient analysis tool has been added. This tool automatically detects individual words, beats or sound effects. Transient markers are displayed in the waveform as vertical lines and can be navigated by users via the arrow keys. Blackmagic states that these markers make it easier to identify specific parts of a sound when editing audio. You can also now see larger audio waveforms while trimming.

Image credit: Blackmagic Design. Click to enlarge.

The DaVinci Neural Engine allows for automatic mask creation for an entire person or for specific features such as a face or arms. Further, ‘customers get matte finesse tools, the ability to add and remove strokes and automatic tracking.’ When editing in 16:9 HD or Ultra HD, you can now quickly create square or vertical versions for publishing to platforms such as Instagram. The Neural Engine helps here as well by automatically identifying faces and repositioning them inside the new frame, thus saving time.

Additional time-saving features include the new multi-column view for viewing effects, transitions and titles. The new workspace includes description icons, plus you can cover the cursor over an item to see a live preview in the viewer. The edit page includes ‘dozens’ of time-saving new features as well. These include the ability to manage independent proxy media, more easily synchronize multicam clips, create a sync map, generate render files for any portion of the timeline, make source side adjustments and much more.

Doubling back to multi-user collaboration, this feature is now included in the free version of DaVinci Resolve 17. This means that multiple free users can collaborate on the same project, across multiple devices, simultaneously. Of course, the free version doesn’t include all new features, but it includes a lot. A quick note that it appears that a much-requested feature, ProRes RAW support, doesn’t appear to be coming in DaVinci Resolve 17.

Image credit: Blackmagic Design. Click to enlarge.

Of DaVinci Resolve 17, Blackmagic Design CEO, Grant Petty, said, ‘This is a massive update and it has amazing new technology and features for colorists, audio engineers, editors and visual effects artists. While the new color science, HDR grading and improvements and Fairlight usability are the most noticeable features, what I am most proud of are the thousands of small improvements that customers will notice every day!’

There are many features and improvements in DaVinci Resolve 17 that are beyond the scope of this article, so let’s quickly summarize the primary features of DaVinci Resolve 17:

  • Next generation HDR color correction with customizable wheels and tonal zones.
  • Mesh and grid based color warper delivers an entirely new way to transform color.
  • Magic mask automatic object isolation powered by the DaVinci Neural Engine.
  • Improved color management with tone mapping and color space aware tools.
  • Massive DaVinci wide gamut color space for higher quality image processing.
  • High speed audio editing with new keyboard and mouse context-sensitive tools.
  • Fairlight Audio Core engine with auto load balancing and support for 2,000 tracks.
  • Revolutionary FlexBus architecture for audio routing without limitations.
  • Automatic transient detection for beats, words, and sound effects.
  • Support for massive audio projects with thousands of tracks on a single system.
  • Metadata based card view in media pool on cut page.
  • Precision audio trimming on the cut page timeline and graphical trimmer.
  • Smart reframe powered by the DaVinci Neural Engine on cut and edit pages.
  • Live effect, title, and transition previews on cut and edit pages.
  • Import and edit projects from ATEM Mini Pro ISO.
  • Proxy media workflows up to 1/16th resolution in H.264, H.265, ProRes or DNxHR.
  • Timeline based clip syncing to create multicam and compound clips.
  • Alpha support for keying and compositing on cut and edit pages.
  • Render in place command for effects heavy clips on cut and edit timelines.
  • Make source side adjustments before editing clips into the timeline.
  • Portable timeline and bin files for easy sharing.
  • Native interlace processing and realtime 3:2 pulldown removal.
  • Node tree bookmarks, customizable Fusion toolbar, and vertical node layouts.
  • Support for growing files in media pool.
  • Support for frame based metadata for BRAW, ARRI, RED, Sony and EXR.
  • Workflow integration API and third party encoder API.
Image credit: Blackmagic Design

DaVinci Resolve 17 is available now as a public beta. You can download the software by clicking here. DaVinci Resolve is available as a free download. For all the new features, including the DaVinci Neural Engine, stereoscopic 3D tools, additional Resove FX filters, Fairlight FX audio plugins, HDR grading and more, you must purchase DaVinci Resolve Studio. When the public release of DaVinci Resolve 17 Studio is available, it will cost $ 299 USD.

In addition to DaVinci Resolve 17, Blackmagic Design has also announced additional products. The DaVinci Resolve Speed Editor, $ 295 USD, is a new keyboard for DaVinci Resolve’s cut page and ‘allows a new and dramatically faster editing solution that’s a combination of integrated hardware and software.’ For a limited time, every customer who purchases DaVinci Resolve Studio from a Blackmagic Design reseller will get the Speed Editor free of charge.

DaVinci Resolve Speed Editor. Image credit: Blackmagic Design.

On the Fairlight side of things, a new Fairlight Desktop Console will be available this December for $ 3,495. This is a complete audio mixing control surface for mixing multiple tracks at once, automating various parameters and plug-in settings and more. Blackmagic has also announced the Fairlight HDMI Monitor Interface. This allows customers to use any HDMI or SDI television or monitor with large Fairlight Studio Consoles. This product will cost $ 259 and you can learn more about it here.

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic adds Windows support for BRAW 2.0 with DaVinci Resolve 16.3 update

10 Aug

Blackmagic Design has released DaVinci Resolve 16.3 Beta 2, DaVinci Resolve 16.3 Studio Beta 2 and Blackmagic RAW 2.0 Beta 2. Together, these updates add support for viewing and editing Blackmagic RAW 2.0 footage on Windows computers.

Just last month, Blackmagic Design released the Blackmagic RAW 2.0 Beta 1, which added Blackmagic’s new fifth-generation color science, support for dual card recording and support for the new URSA Mini Pro 12K. In addition to general performance and stability improvements, this second beta also adds support for Blackmagic RAW 2.0 on Windows computers.

To accompany the Blackmagic RAW 2.0 update, Blackmagic has also released the second beta of its DaVinci Resolve 16.3 and DaVinci Resolve 16.3 Studio programs. For those unfamiliar, the non-Studio version of DaVinci Resolve is free to use, but limits project mastering and output to Ultra HD (UHD 4K) resolution or lower, and doesn’t offer additional support for multiple GPUs, advanced editing tools and more.

The highlighted area on this page contains the download links for the latest updates.

You can find both macOS and Windows downloads for DaVinci Resolve 16.3 Beta 2, DaVinci Resolve 16.3 Studio Beta 2 and Blackmagic RAW 2.0 Beta 2 on Blackmagic Design’s support page, halfway down on the left-hand side, under the section labeled ‘Latest Downloads.’

Articles: Digital Photography Review (dpreview.com)

 
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Why DaVinci Resolve 16 is the best video editing software for beginners

03 Jan

Blackmagic Design DaVinci Resolve 16
Free | blackmagicdesign.com

Resolve 16, a tool for all creators?

The explosion of user generated video content for websites like YouTube has led to the launch of several competing non-linear-editors (NLEs) aimed at consumers, which vary in terms of price, feature set and upgradability. So, how do you choose which one to use?

One great option is DaVinci Resolve 16 from Blackmagic Design. The software is available for free from Blackmagic, but it’s not the only low-cost entry in the NLE arena, so what makes it different, and why is it so attractive to users getting into video editing for the first time?

First, a little bit of history. Originally created by da Vinci Systems in 1985, the software was designed mainly for color grading and color correction and ran on hardware costing more that $ 150,000. It has evolved both in terms of features and pricing model since Blackmagic Design acquired it in 2009. The most recent version, Resolve 16, introduces a more streamlined and less complicated workflow for many users, particularly those new to using NLEs, to edit video.

First time users

Opening up the software for the first time can be rather intimidating for those who haven’t used an NLE before. The sheer number of windows and buttons can be rather daunting. The only NLE I can think of which doesn’t introduce this sort of shock is iMovie, however that program has limitations for users who might want to move their work into the professional arena.

When opening Resolve you’re initially greeted with a window that allows you to open an existing project or create a new one. Once you have a project open in the main interface, you’ll see a row of workspaces for various parts of your edit along the bottom of the window. Blackmagic calls them ‘pages’. These are termed Media, Cut, Edit, Fusion, Color and Deliver, and are arranged left to right in order to assist with the workflow. You can jump between pages at any point.

The newly introduced Cut page allows a more simplified workflow.

Is it complicated?

The introduction of the new Cut page in Resolve 16 has simplified some of the traditional workflow that was visually complicated. The inclusion of a page with fewer options will attract a number of new users. It’s very easy to quickly add shots to the timeline and trim them without having to invoke the more complicated Edit page, which can be a little complicated.

The quick export option allows access to some render presets without the need for the Deliver page.

That’s not to say that you have to use the Cut page since at any time you can jump between any of the pages. This might seem confusing at first, but it’s done in a way that allows you to use the more complicated features when you’re ready. When you start out, for example, you may find that you don’t need to use the Fusion page (for VFX work) or Fairlight page (for audio), but inevitably you will probably want to use some of the features these pages offer as your skills and requirements change. The other great thing about the Cut page is that a number of common functions can also be accessed there. For example, there’s no need to go into the Deliver page to render files as you can export your edit within the Cut page.

One thing you don’t get is any sort of guided workflow. Some basic previous knowledge is assumed, but there are plenty of excellent online tutorial videos available on YouTube from channels like learncolorgrading and JayAreTV.

The Fairlight page enables fine tuning of your audio with features like EQ and dynamics filters.

As with any new version of software , the launch of Resolve 16 brings a lot of added features and improvements. For example, with previous versions it was easy to start editing only to realize later that the key settings – resolution and frame rate – had not been set correctly. In the past this could mean that you had to start again for optimal results. This is no longer a problem with Resolve 16 as a new timeline can be created with the correct settings without the need to create a new project.

How much?

I mentioned this selling point in a previous paragraph, but what exactly is the cost of Resolve 16?…$ 0. Yes, that’s correct, you can download and use Resolve 16 for free. No time limited trial, no logo burn in and no limitation to the length of your final output.

Yes, that’s correct, you can download and use Resolve 16 for free.

The free version of DaVinci Resolve does have some limitations, although a lot of these may not be important for those just starting out or even the more advanced user. Some key limitations are that the free version doesn’t offer HDR support or timelines with a resolution greater than UHD 4K. You’re also limited to using a single GPU, and I’ve found that the rendering speeds with the studio version are appreciably quicker. This is because you can select native Cuda acceleration in the Deliver page if you have an Nvidia graphics card.

There are other limitations as well which are detailed here, although the linked table should only be used as a guideline since, at the time of writing, it hasn’t been updated to Resolve 16 yet.

The Deliver page enables multiple exports for different platforms.

Will it work with my hardware?

There are, of course, some minimum hardware requirements for Resolve but these are quite reasonable. (It would be great to get a definitive requirements list from Black Magic Design, but that doesn’t seem to be available.)

To give you an idea of what’s possible, I previously ran version 14 on a 2012 Macbook Pro and, although a little slow, it did work. My current setup uses an AMD Ryzen 1700x with 32GB of RAM, along with an Nvidia GTX 1070Ti, and it works well for me. That’s not to say things wouldn’t be much quicker with better hardware but that’s a nice thing to have rather than a necessity.

One of the many upgrade options: the dedicated Resolve 16 keyboard, which includes a real jog shuttle wheel.

What’s the catch?

So why does Blackmagic offer such a full featured video editor for nothing? Well, they’re hoping that you like the free version of Resolve so much that you want to buy into their ecosystem. The upgrade path to Resolve Studio costs $ 299, but Blackmagic also sells a number of related hardware products that will assist you in your editing. These range from a dedicated editor keyboard at $ 995 to a control grading surface at $ 1025, and even a full production suite which retails at a staggering $ 30,805. This might seem like overkill for people just starting out, but you should know that Resolve is also used in professional post production facilities world-wide. There are options for all budgets.

The next question is which version should you get, the free version or Studio? There’s no penalty in trying the free version and then upgrading later if you need features in the Studio version. Why upgrade? For me it meant faster renders, and time is money. I also considered some of the additional VFX filters that are included for $ 299 and it made sense for me.

You can also upgrade the Studio version without cost to the next version. I went from 15 Studio to 16 Studio without paying any extra. Traditionally, this has been a selling point of Resolve.

Resolve 16 offers comprehensive color grading tools, including power windows

Help, I’m stuck

In addition to YouTube there’s a very active user community via the Blackmagic forums where developers and industry professionals with hundreds of years of combined experience can help you out. There are always more features that could be included, and as the number of users of Resolve has expanded so have the feature requests. Blackmagic is listening, hence the introduction of the Cut page and the ability to create timelines in the same project that have different frame rates and resolutions.

There’s also the recently published Beginner’s Guide to Using Resolve 16, but at 444 pages it may take some time to get through.

Is it for you?

The short answer is, it depends. I’d say give it a go, after all it costs nothing to try it. If you find it difficult to use then try watching some of the videos linked above. I find myself watching some of them when new features are introduced or if I need to look at a function that I’ve never used.

There are many functions you may never use, but it’s great to know they’re available if you ever need them. If you’re not limited by the software, you can develop your skill set as and when required.

What we like

  • Free version works for most users
  • Modest hardware requirements
  • Available for Windows, Mac and Linux
  • Excellent support resources, especially via YouTube
  • Reasonable upgrade cost if you require additional functions ($ 299)

What we don’t like

  • Can appear intimidating to new users
  • Lacks some support documentation

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic Design unveils the DaVinci Resolve Editor Keyboard for easier video post-processing

13 Apr

Blackmagic has announced the DaVinci Resolve Editor Keyboard, a new console-inspired keyboard designed specifically to improve video editing workflows inside DaVinci Resolve.

The keyboard is constructed of a metal frame with a revised QWERTY layout that’s pre-programmed to speed up the most-used tools and features inside DaVinci Resolve. The keys are tiered and set on top of mechanical switches for a more tactile feel and although the keys and switches are rated for millions of clicks, each switch and key is user-replaceable in the event something breaks over time.

A single USB-C port on the back of the board is used to connect it to its accompanying hardware, but Blackmagic Design has also included two additional USB 3.0 ports on the rear of the keyboard for additional accessories.

The DaVinci Resolve Editor Keyboard also includes a search control dial that accurately scrubs through footage. When paired with the oversized in/out and source/timeline keys, the control dial makes it easy to cull through footage and get it its place faster than ever. Blackmagic has also included a dedicated numpad section for direct timecode entry.

Blackmagic Design says the DaVinci Resolve Editor Keyboard is set to ship in August for $ 995 USD through authorized retailers. B&H currently has it available for pre-order, but it’s priced at $ 1,025.

Articles: Digital Photography Review (dpreview.com)

 
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DaVinci Resolve 16 has new Neural Engine, native Frame.io integration and more

11 Apr

In addition to the new battery grip for the Pocket Cinema Camera 4K, Blackmagic has announced DaVinci Resolve 16, the latest version of its video editor that brings a massive collection of new and updated features.

The standout feature of DaVinci Resolve 16 is a new cut page designed specifically ‘for editors that need to work quickly and on tight deadlines.’ The updated cut page is an alternate edit page that features a streamlined interface and a new toolset that makes it easier to ingest, process and export footage.

In Blackmagic’s own words, ‘The [new] cut page isn’t about simplification, it’s about removing the things customers don’t need and building powerful, professional tools that help customers work more quickly. And, sometimes, it means borrowing the things that were great about the past and bringing them into the future.’

These new and improved tools include source tape, a new feature that brings all of the clips in a users bin into the viewer as a single long tape so it’s easier to scrub though, select the in/out points and bring the needed footage into the timeline. Another updated tool within the interface is a dual timeline arrangement that makes it possible to see both detailed sections of footage, as well as the whole timeline at once. This makes it easier to get both a macro and micro look at the work, rather than having to zoom in and out constantly.

DaVinci Resolve 16’s Neural Engine at work picking out faces from various clips.

Blackmagic Design has also added its new DaVinci Neural Engine, which uses ‘state of the art deep neural networks and learning, along with artificial intelligence to power new features such as speed warp motion estimation for retiming, super scale for up-scaling footage, auto color and color matching, facial recognition and more.’

The DaVinci Neural Engine is cross-platform and uses the latest GPU technologies to provide improved performance when working on footage and help to streamline the editing process. Blackmagic Design specifically references the DaVinci Neural Engine’s ability to use facial recognition to automatically sort through footage and add individual clips to folders based on who is in the shot.

ResolveFX has also been updated in DaVinci Resolve 16. You can now add vignettes, drop shadows, analog noise/damage, chromatic aberration, video stylization and even remove objects. Blackmagic Design says there have also been improvements to the scalene, beauty, face refinement, blanking fill, warper, dead pixel fixer and colorspace transformation plugins.

Additional features added and improved upon in DaVinci Resolve 16 include new adjustment clips to help add effects and grades to clips in the timeline, a new quick export tool for uploading videos to YouTube and Vimeo from anywhere inside the app and GPU-accelerated scopes to help keep an eye on the technical side of things. Blackmagic has also partnered up with remote collaboration tool Frame.io to add native support in DaVinci Resolve 16. Now, Frame.io is baked right into the software, rather than working as an iteration.

Below is a 25-minute video of Blackmagic Design walking through all of the changes found inside DaVinci Resolve 16:

DaVinci Resolve 16 public beta is available to download from the Blackmagic Design website, where you will also find additional details.

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic releases DaVinci Resolve 15 with all-new VFX and motion graphics module

10 Apr

In addition to the new Pocket Cinema Camera 4K announced earlier today, Blackmagic Design also released a major update to its video production software DaVinci Resolve. According to Blackmagic, DaVinci Resolve 15 comes with “hundreds of new features and improvements” but the major addition is a new Fusion module that fully integrates visual effects and motion graphics tools into the DaVinci Resolve workflow.

If you were wondering if Blackmagic is serious about making this a class-leading application, this update should help answer that. Already an industry favorite for color-correction, DaVinci Resolve 15 now includes four high-end video production applications in one: there’s a module for editing, a module for color correction, a module for audio production, and now, the new Fusion module for VFX and motion graphics as well.

Previously available as a stand-alone application, Fusion—which Blackmagic Design calls the “world’s most advanced visual effects and motion graphics software”—is now built right into DaVinci Resolve 15.

“DaVinci Resolve 15 is a huge and exciting leap forward for post production because it’s the world’s first solution to combine editing, color, audio and now visual effects into a single software application,” said Grant Petty, CEO, Blackmagic Design. “We’ve listened to the incredible feedback we get from customers and have worked really hard to innovate as quickly possible. DaVinci Resolve 15 gives customers unlimited creative power to do things they’ve never been able to do before. It’s finally possible to bring teams of editors, colorists, sound engineers and VFX artists together so they can collaborate on the same project at the same time, all in the same software application!”

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According to Blackmagic, the Fusion module gives visual effects and motion graphics artists a true 3D workspace with over 250 tools for compositing, vector paint, particles, keying, rotoscoping, text animation, tracking, stabilization and more. You’ll still be able to purchase Fusion on its own, but Blackmagic plans to fully integrate the entire application into DaVinci Resolve 15 “within the next 12-18 months.”

Today’s release isn’t the final version, but rather a public beta that is available as a free download to all current DaVinci Resolve and DaVinci Resolve Studio customers. The free version of DaVinci Resolve 15 will remain free, while the Studio version—which adds multi-user collaboration, support for frame rates over 60p, more filters and effects, and more—is available for $ 300 with “no annual subscription fees or ongoing licensing costs.” Take that Adobe…

To learn more, check out the full press release below or visit the Blackmagic Design website.

Press Release

Blackmagic Design Announces DaVinci Resolve 15

New upgrade fully integrates visual effects and motion graphics, adds even more audio tools plus hundreds of new features and improvements that editors and colorists have asked for!

NAB 2018, Las Vegas, USA – April 9, 2018 – Blackmagic Design today announced DaVinci Resolve 15, a massive update that fully integrates visual effects and motion graphics, making it the world’s first solution to combine professional offline and online editing, color correction, audio post production, multi user collaboration and now visual effects together in one software tool. DaVinci Resolve 15 adds an entirely new Fusion page with over 250 tools for compositing, paint, particles, animated titles and more. In addition, DaVinci Resolve 15 includes a major update to Fairlight audio, along with over 100 new features and improvements that professional editors and colorists have asked for.

A public beta of DaVinci Resolve 15 will be available today and for immediate download from the Blackmagic Design website. DaVinci Resolve 15 will also be demonstrated on the Blackmagic Design NAB 2018 booth at #SL216.

DaVinci Resolve 15 continues to revolutionize post production by combining 4 extremely high end applications as different pages in one single piece of software. The edit page has all of the tools professional editors need for both offline and online editing, the color page features the world’s most advanced color correction tools, the Fairlight audio page is designed specifically for audio post production, and the new Fusion page gives visual effects and motion graphics artists everything they need to create feature film quality effects and animations. All it takes is a single click to instantly move between editing, color, effects and audio.

This gives individual users unlimited creative flexibility because they can learn and explore different toolsets. It also enables collaboration so people with different talents can work together on the same project at the same time. The DaVinci Resolve 15 collaborative workflow dramatically speeds up post production because customers no longer need to import, export or translate projects between different software applications, and work no longer needs to be conformed when changes are made. Everything is in the same software application.

The free version of DaVinci Resolve 15 can be used for professional work and has more features than virtually every other paid application for post production. DaVinci Resolve 15 Studio, which adds multi user collaboration, 3D, VR, dozens of additional filters and effects, unlimited network rendering and other advanced features such as temporal and spatial noise reduction, is available to own for only US$ 299. There are no annual subscription fees or ongoing licensing costs. DaVinci Resolve 15 Studio costs less than all other cloud based software subscriptions and it does not require an internet connection once the software has been activated. That means customers don’t have to worry about losing work in the middle of a job if there is no internet connection.

“DaVinci Resolve 15 is a huge and exciting leap forward for post production because it’s the world’s first solution to combine editing, color, audio and now visual effects into a single software application,” said Grant Petty, CEO, Blackmagic Design. “We’ve listened to the incredible feedback we get from customers and have worked really hard to innovate as quickly possible. DaVinci Resolve 15 gives customers unlimited creative power to do things they’ve never been able to do before. It’s finally possible to bring teams of editors, colorists, sound engineers and VFX artists together so they can collaborate on the same project at the same time, all in the same software application!”

DaVinci Resolve 15 Detailed Overview

DaVinci Resolve 15 features an entirely new Fusion page for feature film quality visual effects and motion graphics animation. Fusion was previously only available as a stand alone application and is the world’s most advanced visual effects and motion graphics software. It is now built into DaVinci Resolve 15. The new Fusion page gives customers a true 3D workspace with over 250 tools for compositing, vector paint, particles, keying, rotoscoping, text animation, tracking, stabilization and more. Adding Fusion to DaVinci Resolve has been a massive project that will be completed over the next 12-18 months. Customers can get started using Fusion today to complete nearly all of their visual effects and motion graphics work. The standalone version of Fusion will continue to be available for customers who need it.

In addition to bringing Fusion into DaVinci Resolve 15, Blackmagic Design has also added support for Apple Metal, multiple GPUs and CUDA acceleration, making Fusion in DaVinci Resolve faster than ever. To add visual effects or motion graphics, customers simply select a clip in the timeline on the Edit page and then click on the Fusion page where they can use Fusion’s dedicated node based interface, which is optimized for visual effects and motion graphics. Compositions created in the standalone version of Fusion can also be copied and pasted into DaVinci Resolve 15 projects.

DaVinci Resolve 15 also features a huge update to the Fairlight audio page. The Fairlight page now has a complete ADR toolset, static and variable audio retiming with pitch correction, audio normalization, 3D panners, audio and video scrollers, a fixed playhead with scrolling timeline, shared sound libraries, support for legacy Fairlight projects, and built in cross platform plugins such as reverb, hum removal, vocal channel and de-esser. With DaVinci Resolve 15, customers no longer have to worry about audio plugins when moving between Mac, Windows and Linux because the FairlightFX plugins run natively on all three platforms.

DaVinci Resolve is the fastest growing nonlinear video editor in the industry. It’s also Hollywood’s favorite color corrector. Blackmagic Design has listened carefully to feedback from professional colorists and editors. DaVinci Resolve 15 includes over a hundred new features and improvements that editors and colorists have asked for.

Colorists get an entirely new LUT browser for quickly previewing and applying LUTs, along with new shared nodes that are linked so when one is changed they all change, multiple playheads for quickly referencing different shots in a program, over 5x performance improvement for stabilization, improved noise reduction, and new Super Scale HD to 8K up-rezzing. DaVinci Resolve 15 also expands HDR support with GPU accelerated Dolby Vision metadata analysis and native HDR 10+ grading controls. In addition, new ResolveFX let customers quickly patch blemishes or remove unwanted elements in a shot using smart fill technology. There are also new ResolveFX for dust and scratch removal, lens and aperture diffraction effects, and more.

Professional editors will find new features in DaVinci Resolve 15 specifically designed to make cutting, trimming, organizing and working with large projects even better. DaVinci Resolve 15 has dramatically improved load times so that large projects with hundreds of timelines and thousands of clips now open instantly. New stacked timelines and timeline tabs let editors see multiple timelines at once so they can quickly cut, paste, copy and compare scenes between timelines. There are also new markers with on-screen annotations, subtitle and closed captioning tools, auto save with versioning, greatly improved keyboard customization tools, new 2D and 3D Fusion title templates, image stabilization on the Edit page, a floating timecode window, improved organization and metadata tools, Netflix render presets with IMF support and much more.

For the ultimate high speed workflow, customers can add a DaVinci Resolve Micro Panel, DaVinci Resolve Mini Panel or a DaVinci Resolve Advanced Panel. All controls are logically placed near natural hand positions and are made out of the highest quality materials. Smooth, high resolution weighted trackballs and precision engineered knobs and dials feature the perfect amount of resistance for accurately adjusting any setting. The DaVinci Resolve control panels give colorists and editors fluid, hands on control over multiple parameters at the same time, allowing them to create looks that are simply impossible with a standard mouse.

In addition, Blackmagic Design also introduced new Fairlight audio consoles for audio post production that will be available later this year. The new Fairlight consoles are available in 2, 3 and 5 bay configurations. Prices for the new Fairlight control panels are approximately 80% less than the previously available panels with prices ranging from US$ 21,995 to US$ 48,995.

Availability and Price

The public beta of DaVinci Resolve 15 is available today as a free download from the Blackmagic Design website for all current DaVinci Resolve and DaVinci Resolve Studio customers. DaVinci Resolve Studio is available for US$ 299 from Blackmagic Design resellers worldwide.

The Fairlight consoles will be available later this year and will be priced from US$ 21,995 for the Fairlight 2 Bay console. The Fairlight consoles will be available from Blackmagic Design Resellers worldwide.

Articles: Digital Photography Review (dpreview.com)

 
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Is it time to adopt DaVinci Resolve for video editing?

06 May

Blackmagic’s DaVinci Resolve has a well deserved reputation as one of the best (if not the best) color grading software for film and video editing. But over the past few years, the company has put a lot of effort toward developing Resolve into a full suite of editing tools as well. With Resolve 14, introduced last week at NAB, Blackmagic has now added Fairlight audio editing tools to complement the software’s color and nonlinear editing tools.

NewsShooter posted a video interview with Blackmagic president Dan May, who talks about some of the improvements in Resolve 14. You can see the original story at newsshooter.com.

Would you consider switching to Resolve for video editing? Tell us in the comments.

 

Articles: Digital Photography Review (dpreview.com)

 
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DaVinci Resolve 9 Demo

27 Dec

DaVinci Resolve v9.0 Demo Video Click www.colorgradingcentral.com to learn more. Blackmagic Design has just released version 9 of their world class color grading software. In this video I give a demonstration of the new interface and features of version 9. I share with you how to create the “Dragan” effect, add a post apocalyptic look and the use of Power Grades. DaVinci Resolve 9 is available for free and the full version with the purchase of the Blackmagic Digital Cinema Camera. You can visit Blackmagic Design’s website to learn more: www.blackmagicdesign.com Channel: www.youtube.com Subscribe: www.youtube.com Facebook: www.facebook.com Twitter: twitter.com
Video Rating: 4 / 5