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Posts Tagged ‘release’

Nikon Z9 Rumors: 45 MP, “Stunning” Autofocus, and a 2021 Release

13 Aug

The post Nikon Z9 Rumors: 45 MP, “Stunning” Autofocus, and a 2021 Release appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

the Nikon Z9 rumors: 45 MP, "stunning" autofocus, and a 2021 release

The Nikon Z9, Nikon’s not-yet-debuted flagship mirrorless camera, will offer a host of powerful features, according to the often-reliable Nikon Rumors.

While Nikon itself has previously revealed several promising Z9 specifications, including 8K video, a stacked CMOS sensor, and a new processor, the company has stopped short of providing a detailed feature set.

Enter Nikon Rumors, a website that has revealed several lists of rumored Z9 features over the last year – the most recent of which painted a relatively full picture of the camera that will soon take its place at the top of the Nikon mirrorless ladder.

First, NR revealed a “confirmed” resolution for the Z9: 45 megapixels, on par with both the Nikon D850 and the Z7/Z7 II, as well as the Canon EOS R5. This should provide plenty of pixels for cropping sports (and wildlife) photos, and will also satisfy resolution-hungry landscape photographers who require 30+ megapixels for large prints.

Previously, the Z9 was rumored to feature a 30 frames-per-second continuous shooting mode. Fresh information, however, suggests 120 frames-per-second shooting “in a lower res file size” – a speed far beyond anything Nikon (or any major camera company) has offered thus far.

But for action photographers, speed is only half the story; without top-notch autofocus, any camera will fall short, no matter its continuous shooting. Fortunately, the Nikon Z9 is poised to overtake even the D6, Nikon’s current flagship DSLR, in autofocus capabilities. According to Nikon Rumors, the Z9 packs “‘stunning’ AF tracking (better than the D6),” including “car autofocus, in addition to animal and people AF.”

Ergonomics will also be exceptional. NR promises a slew of “new menu features to tweak and match your shooting style,” along with an “improved articulated screen that even works in portrait mode.” There will be a D6-style integrated vertical grip, dual card slots, and a 5.76M-dot (or more) electronic viewfinder.

In other words: This is a no-holds-barred camera from Nikon, one that combines the latest and greatest mirrorless technology with the ruggedness and reliability of a flagship DSLR.

Of course, a top-notch camera like the Z9 will undoubtedly come with an exorbitant price tag (Nikon Rumors suggests $ 6000+ USD). But for those who can afford it, the Z9 may soon be the most powerful camera on the mirrorless market.

What about the Z9 release date?

Rumors suggest a September or October announcement (which is generally followed by product shipping within a few weeks). NR is cautious, however, noting that, “because of part shortage, the waiting time for the Z9 is expected to be very long.”

Regardless, the Z9 should be available for purchase before the end of 2021 – so if you’re in need of a best-in-class action camera, keep an eye out!

Now over to you:

What do you think of these Nikon Z9 rumors? Do you plan to buy the Z9? Are there any specific features you’d like to see? Share your thoughts in the comments below!

The post Nikon Z9 Rumors: 45 MP, “Stunning” Autofocus, and a 2021 Release appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canon May Release a “$799 Full-Frame Camera” in 2022

18 Jul

The post Canon May Release a “$ 799 Full-Frame Camera” in 2022 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon may release a $  799 full-frame camera

A full-frame, RF-mount camera for the price of an entry-level, crop-sensor model. Could it be done?

It sounds outlandish, but according to Canon Rumors, such a camera may not be far off. As CR reported earlier this week, while Canon’s plans aren’t yet set in stone, the company “is aiming to release a full-frame, RF-mount camera for under $ 800 in 2022.”

Of course, Canon Rumors is all about, well, rumors, and any official confirmation from Canon is many months out. But this $ 799 camera tidbit comes from “a pretty solid source with a decent track record,” and CR notes that they “do believe there is something to this just by what [they] have been shown.”

And if the rumor is true and Canon does succeed in creating a full-frame mirrorless camera for $ 799 USD? It would be a revolutionary move, pushing the boundaries of affordable, entry-level models beyond anything done before.

At the time of writing, a significant divide exists between full-frame cameras on the one hand and APS-C cameras on the other. With few exceptions, APS-C cameras are aimed at the beginner-to-enthusiast crowd, as reflected in their prices, lens offerings, and other specifications; most of Canon’s APS-C cameras, for instance, debut for less than $ 1000, including recent mirrorless models such as the M50 Mark II and M6 Mark II (body only).

Full-frame cameras, on the other hand, start where APS-C cameras leave off. Canon’s cheapest full-frame mirrorless model to date, the EOS RP, clocked in at $ 1299 when released. And Canon’s cheapest full-frame DSLR, the Canon EOS 6D Mark II, currently goes for $ 1399, body only. For plenty of beginners and even many serious enthusiasts, these price points are prohibitive, especially when factoring in the cost of full-frame lenses.

Sure, the crop-sensor models of 2021 are powerful. And there are reasons to pick crop-sensor models over full-frame models, as cameras like the Canon 7D/7D Mark II show. But APS-C cameras struggle to compete with their full-frame counterparts in one key area, and it’s a big one:

Image quality.

Because that’s what this is all about: full-frame sensors are larger, which means (all else being equal) better high-ISO performance, improved dynamic range, and the opportunity for higher resolutions. If Canon could pack full-frame quality into an entry-level-priced body, it would open up the advantages of full-frame imaging to everyone, beginners and professionals alike.

As Canon Rumors points out, “Even launching a new full-frame camera at $ 999 would be quite welcomed…If Canon could get the camera and a kit lens for under $ 1000 USD, they’d have themselves a winner.”

2022 is a long way off, and plans can fail, but let’s hope that Canon forges ahead. Keep an eye out for more information, and in the meantime, share your thoughts in the comments below!

What do you think of a sub-$ 800 full-frame, RF-mount camera? Would it interest you? And if Canon is successful, would it be the beginning of the end of APS-C cameras?

The post Canon May Release a “$ 799 Full-Frame Camera” in 2022 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canon to Release an APS-C EOS R Mirrorless Camera in 2021

21 Dec

The post Canon to Release an APS-C EOS R Mirrorless Camera in 2021 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon APS-C EOS R camera

It’s more certain than ever before: 

Canon will release an APS-C EOS R model, probably before 2021 is out. 

The APS-C mirrorless camera (dubbed the “Canon EOS R7” by Canon Rumors) has been rumored for months – we reported on it back in March of this year – but its existence has been hotly debated on the internet. 

Why?

For one, Canon already offers a popular series of APS-C mirrorless models (the EOS M lineup), which would make the EOS R7 a bit of an oddity. And an EOS R7 could pave the way for an EOS M phaseout.

To be clear, Canon hasn’t actually acknowledged the existence of the EOS R7. But Canon Rumors has it on good authority that there is “an APS-C sensor-equipped RF mount camera…in the wild with a select group of photographers.” 

And from a historical perspective, the EOS R7 makes sense. The Canon EOS 7D and EOS 7D Mark II were Canon’s two semi-professional APS-C DSLR models, designed for bird, wildlife, and action photographers who couldn’t afford a Canon 1D series camera or who simply wanted to maximize reach in the field. They offered blazing-fast autofocus, high continuous shooting speeds, and rugged bodies that could handle extreme conditions. 

Canon EOS 7D Mark II

But the EOS 7D Mark II launched way back in 2014, and despite various rumors, no successor has ever been announced – which is what makes the prospect of an EOS R7 so exciting for fans of the 7D series. 

Of course, we don’t know for certain that an EOS R7 would be a true “7D Mark III” model. But an APS-C EOS R camera would be well-placed to cater to the same type of photographers so enamored with the 7D series. An RF APS-C camera would offer the technological advancements of the EOS R series, access to Canon’s excellent (and fast-growing) RF lens lineup, plus a 1.6x crop factor (one that’ll turn the new Canon RF 100-500mm lens into a 160-800mm powerhouse!).

According to Canon Rumors, the EOS R7 “looks nearly identical to the EOS R6,” and Canon Rumors suggests that “specifications [will] be nearly identical as well.” This makes sense; while the Canon EOS R6’s 20 MP sensor offers little in the way of resolution, it makes up for it in autofocus speed, 20 frames-per-second continuous shooting, excellent in-body image stabilization, dual card slots, stellar low-light performance, 4K/60p video, and more – exactly what you’d expect from a next-gen Canon EOS 7D model.

So for any bird photographers, wildlife photographers, or action photographers looking for a relatively inexpensive but high-powered APS-C camera…

…the wait is almost over!

Now over to you:

What do you think of Canon’s decision to create an RF-mount APS-C camera? And do you think it’ll be a 7D successor? Share your thoughts in the comments! 

The post Canon to Release an APS-C EOS R Mirrorless Camera in 2021 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Sigma to release a new ‘DN’ lens for mirrorless camera systems via livestream on December 1

25 Nov

Sigma has announced it will be showing off a new Digital Neo (DN) lens on December 1 during its ‘Sigma Stage Online’ livestream.

No further information has been shared about what kind of lens we can expect, but with the livestream just a week out, we won’t have to wait long. The livestream will take place at 7am ET (4am PT) using the below video:

You can subscribe to Sigma’s Youtube channel to keep up to date with the latest news and click the ‘Set reminder’ button on the above video to receive a push notification before the livestream starts.

Articles: Digital Photography Review (dpreview.com)

 
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Canon to Release 16 New RF Lenses Before the End of 2021

12 Oct

The post Canon to Release 16 New RF Lenses Before the End of 2021 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon new RF lenses

Canon’s full-frame mirrorless lineup has seen the addition of two incredible camera bodies this year, but Canon is determined to keep shooting for the stars. 

According to Canon Rumors, we’ll likely see the addition of a whopping 16 new lenses to the RF lineup before 2021 is out. These will round out Canon’s existing set of RF lenses and fill in key gaps, while doubling the native options for Canon’s full-frame mirrorless shooters. 

While the 2021 lens roadmap isn’t confirmed, Canon Rumors claims  that it “comes from a great source” and that “most, if not all [is] accurate.”

So what are these 16 lenses we’ll be getting over the next year?

First, we should see the Canon RF 70-200mm f/4L IS USM, which is supposedly “about the size of a coke can;” if this is accurate, then Canon shooters are in for a treat. A compact 70-200mm f/4 lens that you can carry everywhere is a dream come true for plenty of photographers, including landscape photographers after intimate nature shots, as well as some portrait photographers and potentially even street snappers.

We’ll also get the Canon RF 50mm f/1.8 STM. This is the RF version of the ultra-popular Canon EF 50mm f/1.8 STM, and Canon Rumors claims that it will be “better optically and in build quality than the EF version.” Expect that it’ll be relatively affordable, giving hobbyist shooters a clear-cut entry point into the Canon mirrorless world and giving more serious photographers a lightweight prime to keep on the camera when shooting casually. 

Honestly, these two lenses are alone worth the hype, but add to it 14 additional lenses and you’ve got yourself a truly robust lens lineup. 

Here are the other Canon RF lenses you can expect to see before 2021 is out:

  • Canon TS-R (tilt-shift) 14mm f/4L
  • Canon TS-R (tilt-shift) 24mm f/3.5L
  • Canon RF 10-24mm f/4L
  • Canon RF 14-35mm f/4L IS USM
  • Canon RF 24mm f/1.8 IS STM Macro
  • Canon RF 35mm f/1.2L USM
  • Canon RF 100mm f/2.8L Macro IS USM
  • Canon RF 135mm f/1.4L USM
  • Canon RF 100-400mm f/5.6-7.1 USM
  • Canon RF 400mm f/2.8L IS USM
  • Canon RF 500mm f/4L IS USM
  • Canon RF 600mm f/4L IS USM
  • Canon RF 800mm f/5.6L IS USM
  • Canon RF 1200mm f/8L IS USM

Key among these new lenses are a slew of super-telephoto primes, including a 400mm f/2.8, a 500mm f/4, and a 600mm f/4, all of which will serve wildlife and bird photographers well. And the ultra-wide zooms (the 10-24mm f/4 and the 14-35mm f/4) should certainly be compelling for landscape photographers of all stripes, especially if Canon can keep the price down to a reasonable level.

For Canon shooters, this has been a good year. 

And next year is shaping up to be even more exciting. It’s clear that Canon is now all-in with regard to their full-frame mirrorless lens lineup. 

So if you’ve been thinking about grabbing a Canon mirrorless body, now’s a great time! 

Now over to you:

What do you think of these 16 new RF lenses? Which lenses interest you the most? Are you impressed by Canon’s dedication to its RF-mount? Share your thoughts in the comments!

The post Canon to Release 16 New RF Lenses Before the End of 2021 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Researchers release free AI-powered Fawkes image privacy tool for ‘cloaking’ faces

13 Aug

Researchers with the University of Chicago’s SAND Lab have detailed the development of a new tool called Fawkes that subtly alters images in a way that makes them unusable for facial recognition. The tool comes amid growing concerns about privacy and an editorial detailing the secret scraping of billions of online images to create facial recognition models.

Put simply, Fawkes is a cloaking tool that modifies images in ways imperceptible to the human eye. The idea is that anyone can download the tool, which has been made publicly available, to first cloak their images before posting them online. The name was inspired by Guy Fawkes, the mask of whom was popularized by the movie V for Vendetta.

The Fawkes algorithm doesn’t prevent a facial recognition algorithm from analyzing a face in a digital image — instead, it teaches the algorithm a ‘highly distorted version’ of what that person’s face looks like without triggering errors; it cannot, the researchers say, be ‘easily detected’ by the machines, either.

By feeding the algorithm these cloaked images, it subtly disrupts the machine’s attempt to learn that person’s face, making it less capable of identifying them when presented with uncloaked imagery. The researchers claim their cloaking algorithm is ‘100% effective’ against top-tier facial recognition models, including Amazon Rekognition and Microsoft Azure Face API.

As well, the team says their disruption algorithm has been ‘proven effective’ in many environments through extensive testing. The use of such technology would be far more subtle and difficult for authorities to prevent compared to more conventional concepts like face painting, IR-equipped glasses, distortion-causing patches or manual manipulation of one’s own images.

These conspicuous methods are known as ‘evasion attacks,’ whereas Fawkes and similar tools are referred to as ‘poison attacks.’ As the name implies, the method ‘poisons’ the data itself so that it ‘attacks’ deep learning models that attempt to utilize it, causing more widespread disruption to the overall model.

The researchers note that Fawkes is more sophisticated than a mere label attack, saying the goal of their utility is ‘to mislead rather than frustrate.’ Whereas a simple corruption of data in an image could make it possible for companies to detect and remove the images from their training model, the cloaked images imperceptibly ‘poison’ the model in a way that can’t be easily detected or removed.

As a result, the facial recognition model loses accuracy fairly quickly and its ability to detect that person in other images and real-time observation drops to a low level.

Yes, that’s McDreamy.

How does Fawkes achieve this? The researchers explain:

‘DNN models are trained to identify and extract (often hidden) features in input data and use them to perform classification. Yet their ability to identify features is easily disrupted by data poisoning attacks during model training, where small perturbations on training data with a particular label can shift the model’s view of what features uniquely identify …

But how do we determine what perturbations (we call them “cloaks”) to apply to [fictional example] Alice’s photos? An effective cloak would teach a face recognition model to associate Alice with erroneous features that are quite different from real features defining Alice. Intuitively, the more dissimilar or distinct these erroneous features are from the real Alice, the less likely the model will be able to recognize the real Alice.’

The goal is to discourage companies from scraping digital images from the Internet without permission and using them to create facial recognition models for unaware people, a huge privacy issue that has resulted in calls for stronger regulations, among other things. The researchers point specifically to the aforementioned NYT article, which details the work of a company called Clearview.ai.

According to the report, Clearview has scraped more than three billion images from a variety of online sources, including everything from financial app Venmo to obvious platforms like Facebook and less obvious ones like YouTube. The images are used to create facial recognition models for millions of people who are unaware of their inclusion in the system. The system is then sold to government agencies who can use it to identify people in videos and images.

Many experts have criticized Clearview.ai for its impact on privacy and apparent facilitation of a future in which the average person can be readily identified by anyone with the means to pay for access. Quite obviously, such tools could be used by oppressive governments to identify and target specific individuals, as well as more insidious uses like the constant surveillance of a population.

By using a method like Fawkes, individuals who possess only basic tech skills are given the ability to ‘poison’ the unauthorized facial recognition models trained specifically to recognize them. The researchers note that there are limitations to such technologies, however, making it tricky to sufficiently poison these systems.

One of these images has been cloaked using the Fawkes tool.

For example, the person may be able to cloak images they share of themselves online, but they may find it difficult to control images of themselves posted by others. Images posted by known associates like friends may make it possible for these companies to train their models, though it’s unclear whether there exists the ability to quickly located people in third-party images (for training purposes) in an automated fashion and at a mass scale.

Any entity that is able to gather enough images of the target could train a model sufficiently enough that a minority of cloaked images fed into it may be unable to substantially lower its accuracy. Individuals can attempt to mitigate this by sharing more cloaked images of themselves in identifiable ways and by taking other steps to reduce one’s uncloaked presence online, such as removing name tags from images, using ‘right to be forgotten’ laws and simply asking friends and family to refrain from sharing images of one’s self online.

Another limitation is that Fawkes — which has been made available to download for free Linux, macOS and Windows — only works on images. This means it is unable to offer cloaking for videos, which can be downloaded and parsed out into individual still frames. These frames could then be fed into a training model to help it learn to identify that person, something that becomes increasingly possible as consumer-tier camera technology offers widespread access to high-resolution and high-quality video recording capabilities.

Despite this limitation, Fawkes remains an excellent tool for the public, enabling the average person with access to a computer and the ability to click a couple of buttons to take more control over their privacy.

A full PDF of the Fawkes image-cloaking study can be found on the SAND Lab website here.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic announces minor firmware updates for 6 cameras, release of macOS streaming utility and more

14 Jul

Panasonic has announced minor firmware updates for half-a-dozen of its G Series mirrorless cameras and announced the upcoming release of new software for Windows and macOS computers that will give its mirrorless cameras the ability to be used as a webcam without the need for a capture card.

The firmware updates are for Panasonic’s GH5, GH5S, G9, G95, G85 and GX9 camera systems. The respective updates improve compatibility with Panasonic’s new Tripod Grip DMW-SHGR1 and add ‘operational stability’ with the LUMIX G VARIO 12–32mm / F3.5–5.6 lens. The new firmware updates will go live on Panasonic’s support page on July 21.

Panasonic has also announced the release of LUMIX Streaming (Beta) for macOS. Like the Windows version released back on June 9, the macOS version allows select Panasonic mirrorless cameras to be used as webcams through a derivative version of Panasonic’s LUMIX Tether utility that removes unnecessary interface elements to create a clean output for using as a webcam feed.

A screenshot of the Windows version of LUMIX Streaming (Beta).

At this time, the LUMIX Streaming (Beta) supports Panasonic’s S1H, S1R, S1, GH5S, GH5 and G9 mirrorless cameras. It requires at least macOS 10.11 (El Capitan), 2GB of RAM for 64-bit systems and 200MB of space. You can download the utility for free on Panasonic’s website.

Beyond the LUMIX Streaming (Beta) for macOS and Windows, Panasonic is also developing LUMIX Webcam Software. Unlike LUMIX Streaming (Beta), which is effectively a tweaked version of its tethering utility, LUMIX Webcam Software ‘[will make] it possible to use an applicable LUMIX camera as a webcam over a USB connection not only for live streaming, but also for video conferencing, etc.’ Panasonic says the software will be compatible with its S1H, S1R, S1, GH5S, GH5, and G9 camera systems, and is due for a September release on Windows and an October release for macOS.

Press release:

Panasonic Announces the Release of Firmware Update Programs for LUMIX G Series Cameras, “LUMIX Streaming (Beta)” for Mac and the Development of “LUMIX Webcam Software” for Windows/Mac

Newark, NJ (July 14, 2020) – Panasonic is pleased to announce the release of firmware update programs for the LUMIX G Series of Digital Single Lens Mirrorless Cameras and software programs “LUMIX Streaming (Beta)” for Mac and the development of “LUMIX Webcam Software” for Win/Mac.

The firmware update programs are for DC-GH5,GH5S, G9, G95, G85 and GX9 to improve compatibility with the new Tripod Grip DMW-SHGR1 and operational stability with LUMIX G VARIO 12-32mm / F3.5-5.6 ASPH. /MEGA O.I.S.(H-FS12032) lens. Meanwhile, “LUMIX Streaming (Beta)” and “LUMIX Webcam Software” enhance work-at-home activities using LUMIX cameras.

1. Firmware update programs for DC-GH5, GH5S, G9, G95, G85 and GX9

Model

Firmware Version

?Tripod grip DMW-SHGR1 can be used.

?Improved operational stability with the Panasonic LUMIX G VARIO 12-32mm / F3.5-5.6 ASPH. /MEGA O.I.S.(H-FS12032)

DC-GH5

Firmware Version 2.7

Yes

Yes

DC-GH5S

Firmware Version 1.6

Yes

DC-G9

Firmware Version 2.2

Yes

Yes

DC- G95

Firmware Version 1.2

Yes

Yes

DC- G85

Firmware Version 1.5

Yes

Yes

DC-GX9

Firmware Version 1.5

Yes

The firmware program will be available at LUMIX Global Customer Support website https://av.jpn.support.panasonic.com/support/global/cs/dsc/ on July 21, 2020.

2. LUMIX Streaming (Beta) for Mac

Followed by the release of “LUMIX Streaming (Beta)” for Windows, the “LUMIX Streaming (Beta)” for Mac has also been released. It is derived from conventional “LUMIX Tether (Ver.1.7)” with an additional display option for the cases where this software is used for live streaming purposes. It may help user convenience in the growing self-streaming opportunities.

As “LUMIX Tether” is a software program originally designed for tethered shooting, GUIs such as a focus area mark as well as control panels are displayed with live view images on the PC monitor during USB tethering. However, these graphic items become a hindrance when the software is used to capture camera view for live streaming. In response to the demands of customers to resolve this issue, LIVE VIEW mode has been added on “LUMIX Streaming (Beta)”. It enables displaying camera view only, making it easy for the separate streaming software to read it. Users can choose to show or hide these graphic items during USB tethering according to the usage purpose.

“LUMIX Streaming (Beta)” is provided as a pre-release version that is currently still under development. Please note that this software is not eligible for operation warranty and customer support.

Compatible models: DC-S1H, DC-S1R, DC-S1, DC-GH5S, DC-GH5, DC-G9

LUMIX Tether for Streaming (Beta) for Mac Operating Environment

OS

Mac OS X 10.11,

Mac macOS 10.12, macOS 10.13, macOS 10.14

*Operation with macOS 10.15 Catalina is under verification but some issues are reported. https://av.jpn.support.panasonic.com/support/global/cs/dsc/info/macos_tether.html

(When to officially support macOS 10.15 Catalina is yet to be fixed.)

CPU

Intel CPU of 1 GHz or higher

Display

1024 x 768 pixels or more

RAM

1GB or more (32bit),2GB or more (64bit)

HDD

Free space of 200 MB or more for installation

Interface

USB 3.0/3.1

LUMIX Tether for Streaming (Beta) web page with download link

https://www.panasonic.com/global/consumer/lumix/lumixtether.html

3. LUMIX Webcam Software

While the “LUMIX Streaming (Beta)” is basically a software for tethered shooting that can also be used to capture camera views for live streaming, the upcoming “LUMIX Webcam Software” makes it possible to use an applicable LUMIX camera as a webcam over a USB connection not only for live streaming, but also for video conferencing, etc.

Compatible models: DC-S1H, DC-S1R, DC-S1, DC-GH5S, DC-GH5, DC-G9, DC-G100 *

Release Date*: End of September (for Windows) / End of October (for Mac), 2020

*The release date of LUMIX Webcam Software for DC-G100 is yet to be decided.

Panasonic is committed to continuous improvement with its LUMIX product line, including the Full-Frame S Series and the Micro Four Thirds G Series, by providing customers with valuable products and services, a part of which are these firmware and software update programs.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon to Release Full-Frame Z5 and APS-C Z30

11 Jun

The post Nikon to Release Full-Frame Z5 and APS-C Z30 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

dps-nikon-z5-and-z30-news

For months now, we’ve been hearing rumors about several new Nikon cameras debuting in 2020.

But just last week, Nikon Rumors revealed several nuggets of information regarding these new mirrorless models.

First, one of these cameras will likely be called the Nikon Z5, and will be a full-frame mirrorless body a step below Nikon’s current Z6.

The other Z-series model is labeled the Nikon Z30, which will sit underneath Nikon’s Z50 as the second APS-C mirrorless model in Nikon’s lineup.

Nikon Rumors also predicts a Nikon professional mirrorless camera (often referred to as the Nikon Z8 or the Nikon Z9) coming in “late 2020 or in early 2021.”

Nikon Z30 and Nikon Z5 may soon be released

Thus far, Nikon’s mirrorless lineup has remained fairly limited, especially when ranged against competitors such as Sony and even Canon. Aside from the Nikon Z50, which debuted in October 2019, we’ve seen no new mirrorless models from Nikon. So the predicted Nikon Z30 and Nikon Z5 should inject some much-needed options into the Nikon ecosystem, especially for entry-level snappers who require a more powerful alternative to compact cameras, smartphones, and APS-C DSLRs.

The truth is, Nikon has lagged behind both Sony and Canon in the mirrorless race. It wasn’t until last year that Nikon offered a single APS-C mirrorless body, the Z50, a camera that remains out of the reach of many consumers thanks to its near-$ 1000 USD price tag. The addition of a Nikon Z30 should help round out the bottom part of Nikon’s lineup, and hopefully indicates Nikon’s commitment to expanding into the affordable mirrorless market.

On the other end of Nikon’s lineup, we have the Z6 and Z7. But while these two cameras are well-regarded in the photography community, Nikon still lacks a full-frame model positioned against the Canon EOS RP, as well as (potentially) the upcoming Canon EOS R6, a gap which the new Z5 will likely seek to fill.

Interestingly, another recent rumor suggests that the Z5 may not include a built-in electronic viewfinder, but will instead offer it as an accessory. Personally, I find this questionable; if Nikon decides to test this design, I’d expect it to happen in one of the lower-end cameras, potentially even the Z30. But not in the Z5, Nikon’s only full-frame mirrorless body to debut since 2018.

Regardless, we should know soon enough! And if you’re a photographer looking for a cheaper Nikon mirrorless body, keep your eyes peeled. We should have more news before long!

Now over to you:

Which of these mirrorless models are you more excited about? And do you think Nikon would drop the built-in EVF on the Z5? Let us know your thoughts in the comments!

The post Nikon to Release Full-Frame Z5 and APS-C Z30 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Sigma to Release Canon RF Lenses Next Year

19 May

The post Sigma to Release Canon RF Lenses Next Year appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

sigma canon rf lenses

If you’re a Canon shooter, or you’re thinking about grabbing a Canon body, you’ve probably noticed two big problems with the Canon full-frame (RF) lens lineup.

First, Canon doesn’t offer many RF lenses.

There are around a dozen RF mount options at present, which pales in comparison to the number of lenses offered by mirrorless competitors like Sony, Fujifilm, and Olympus.

And second:

For the RF lenses that Canon does offer, the price tags are huge.

For instance, if you’re a sport, landscape, or event shooter in need of a high-quality 70-200mm zoom, you’re stuck with the Canon RF 70-200mm f/2.8L, which costs over $ 2500 USD.

And if you’re a landscape, travel, or architectural shooter looking for a good ultra-wide lens, the Canon RF 15-35mm f/2.8L is probably the way to go. Unfortunately, it costs just under $ 2300 USD.

So for photographers who want to dedicate themselves to Canon mirrorless bodies but don’t have a huge budget, you’ve got a big problem.

Of course, there’s always the option of using an adapter with Canon EF and EF-S lenses. But this will add bulk and inconvenience to your setup, and it doesn’t take full advantage of the possibilities offered by RF-mount lenses.

Fortunately, it seems that Sigma may be offering another solution.

Because according to Canon Rumors, Sigma may soon come forward with an RF lens announcement.

Sigma has a reputation for producing high-quality glass at excellent prices, which is exactly what Canon full-frame mirrorless shooters are looking for. Even a few Sigma lenses could quickly expand the Canon lens lineup, while also offering some entry-level options for folks who can’t pay thousands of dollars for a single RF mount lens.

While there are not any details on this roadmap as of yet, Sigma is apparently hoping to release lenses starting in 2021. And Canon Rumors’s source suggests that Sigma has sped up its original plans for RF lenses, thanks to the interest generated by the EOS R5 announcement.

The source also revealed that Sigma won’t be modifying their popular ART lenses to fit the Canon RF mount. Instead, Sigma will be developing new glass for Canon shooters.

On the one hand, it’s disappointing to hear that Sigma’s ART lenses won’t make an appearance under the Canon RF label, given how all-around fantastic they’ve turned out to be.

But on the other hand, it’ll be nice to see what Sigma develops.

Now over to you:

What lenses are you hoping that Sigma produces for Canon’s full-frame mirrorless cameras? Share your thoughts in the comments!

The post Sigma to Release Canon RF Lenses Next Year appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Lexar release new ‘Professional’ 3-in-1 and ‘Compact’ 2-in-1 card readers

01 May

Lexar has announced a pair of new multi-card readers, the Professional Multi-Card 3-in-1 Reader and the Compact Multi-Card 2-in-1 Reader.

Professional Multi-Card 3-in-1 Reader

The Professional Multi-Card 3-in-1 Reader features slots for SD, microSD and CompactFlash cards, with transfer speeds up to 312MB/s for UHS-II SD and microSD cards, and up to 160MB/s for CompactFlash cards. The reader is also backward-compatible with UHS-I SD and microSD cards up to 170MB/s and features a USB 3.1 (Type C) port for connecting to your computer or mobile device.

The Lexar Professional Multi-Card 3-in-1 Reader, which comes with a USB Type-C to USB Type-A cable, will be available to purchase later this month for $ 29.99 at authorized Lexar retailers.

Compact Multi-Card 2-in-1 Reader

Lexar has also announced the Compact Multi-Card 2-in-1 Reader built around a USB Type-A (3.1) connector that features maximum transfer speeds of 312MB/s through its two slots for USH-II SD and microSD cards. It too is backward-compatible with UHS-I SD and microSD cards with transfer speeds up to 170MB/s.

The Lexar Multi-Card 2-in-1 USB 3.1 Reader will also be available later this month for $ 19.99 at authorized Lexar retailers.

Articles: Digital Photography Review (dpreview.com)

 
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