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Posts Tagged ‘Reducing’

Researchers propose ‘spaceplates’ to miniaturize lenses by reducing air gaps

17 Jun
The addition of the spaceplate reduces the distance needed between the lens element and the sensor, thus allowing smaller lenses

A lot of work has been done using high refractive index glasses, diffraction grating systems and lens element design to reduce the size of camera lenses, but a group of researchers are now targeting the air-space between those elements in a bid to create miniaturized optical systems. The team from the University of Ottawa proposes inserting what they call ‘spaceplates’ into a lens construction to alter the optical path in such a way that the gaps between elements in the lens can be reduced. They further propose that when combined with metalenses these spaceplates could, in theory, allow optical systems that are almost flat and extremely thin.

This shows how the research team propose the spaceplate idea could make regular lenses smaller, and replaced when the spaceplate is combined with a metalens

In any lens it is the area reserved for air – the gaps between the elements – that takes up the most space. These gaps of course are carefully calculated and are key to directing the path of light as it passes through from the front element to the camera’s sensor. The idea here is to compress those gaps using multiple layers of metasurfaces that provide negative refractive indexes to shorten the light path between one element and the next. In photographic and telescope optics mirror lenses aim to achieve a similar end, not so much by shortening the light path but by allowing the same distance to be traveled inside a shorter-than-usual lens barrel.

Metasurfaces are materials that alter the path of light not by using bulbous glass or plastic elements but by tiny structures within their make up. As light passes through grids, nets and grates within the material redirect the light, altering its path. The grating system in Canon’s DO lenses works in a broadly similar way bit on a different scale.

Trails using oil between the lens element and the spaceplate showed that the same area of the subject, a painting in this case, could be rendered in-focus with less distance between the lens and the sensor when a spaceplate was used.

The spaceplate idea is still very much at the concept stage, and trails conducted have used liquids and vacuums instead of air. They have also produced relatively small improvements, but at the same time the construction of the metasurface layers of the spaceplates has been kept relatively simple. So far the team has achieved a compression factor of R=5, and say that if they can achieve a factor of R=40 by combining multiple layers of metasurface materials to a thickness of 100µm they could reduce the air space in a typical smartphone camera lens from 1mm to 0.1mm.

Although the technology is most likely to be employed in industrial processes before consumer products, the idea does offer potential for interchangeable lens system cameras too. The team has demonstrated that the spaceplate does not affect focal length, works with all visible wavelengths and offers high transmission efficiency. Scaling up to spaceplates with more metasurfaces should be relatively easy as manufacturing processes are already in use.

Don’t expect to see spaceplates in camera lenses anytime soon, but it certainly could be something we see in the future in other products, such as projection lenses in AR/VR and holographic headsets. For more information you can read the full paper on the Nature website. Warning: it’s 6700 words long, isn’t easy reading and contains no jokes.

Articles: Digital Photography Review (dpreview.com)

 
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Reducing the Stress of Group Photos at Weddings

07 Mar

I am sure you understand how important the family photos are on a wedding day. For me, they used to be the most stressful part of the day, I would almost dread them. Logistically they can be challenging, gathering all the guests and particular family members, organizing them into the right groups, then getting the shots right. There is a lot to do and think about.

I have sure you’ve heard the age old story, about how the couple went to their friend’s wedding, and the photographer bossed them around, and spent ages doing countless group photos. None of us want to become that photographer, with the help of this short guide and bit of preparation, you can prevent that.

Group photos robert sail 4

After shooting over 100 weddings, I have I slowly figured out a sort of system, which helps me manage the process better. I have cut down the number of recommended family shots I do. This allows the couple to have time to relax during the reception, and gives me a little more time to shoot candid shots, or even spend a little bit more time with the bride and groom, creating something more creative.

Some of the points within the article my be more relevant to wedding photographers in Europe, who tend to shoot the group photos after the ceremony during the cocktail reception, but you may still find some of the points useful if you are based in the US, and shoot them before the ceremony.

Setting the scene – initial meeting with couple

When you are in the process of booking a new wedding couple, I would suggest having a short chat with them about the group photos. It is good to discuss how many family formals they envision you will take on their day. It is also worth mentioning that you limit the number of family formals you take, to provide them with the best possible experience on their wedding day.

Spending less time doing the family formals, will allow them to have more time relaxing during the cocktail reception with their friends and family. The last thing I would want a bride and groom to remember from their wedding day, was that we spent their whole cocktail hour standing around taking endless group photos.

Group photos robert sail 3

Email to couple with booking confirmation

To make the group photos as easy as possible on the wedding day, I would suggest that you email a recommended shot list over to the bride and groom beforehand, asking for them to fill in everyone’s names. This means that during the formal photographs you can call people by first name, which will make you much more amenable to the guests.

Here is my sample list that I normally work from, which covers most of the bases:

  • Bride and groom with bride’s family (please confirm which family members)
  • Bride and groom with bride’s parents
  • Bride and groom all parents
  • Bride and groom with groom’s parents
  • Bride and groom with groom’s family (please confirm which family members)
  • Bride and groom with bridesmaids
  • Bride and bridesmaids
  • Groom and best man/ushers
  • Bride and groom and best man/ushers

Group photos robert sail 1

If the couple email back a much larger list of shots to take, I will normally have a chat with them, discussing whether or not they are happy to spend potentially a large proportion of their reception doing group photos. In a lot of cases they will not want that, and will reduce their list slightly.

Re-oder the list – largest groups first

To make the process as easy as possible, I would recommend you shoot the largest group photos first. As chances are that the same guests/family members will also be in the smaller group photos.

Here is the re-ordered list, in the way I would shoot them after adding additional requested photos:

  • Bride and groom with everyone (additional shot requested)
  • Bride and groom and friends (additional shot requested)
  • Bride and groom with bride’s family
  • Bride and groom with bride’s parents
  • Bride and groom all parents
  • Bride and groom with groom’s parents
  • Bride and groom with groom’s family (please confirm which family members)
  • Bride and groom with bridesmaids
  • Bride and bridesmaids
  • Groom and best man/ushers
  • Bride and groom and best man/ushers

Group photos robert sail 2

Bring several copies of the list to the wedding day and hand these out to ushers or groomsmen. It is very important that you clarify with them, how important it is that they help you. With them helping you organize the group shots, this will give the bride and groom the most time possible to relax and enjoy their day.

Normally the ushers will help you, as they are often good friends, or related to the bride and groom. They can also help round guests up, preventing you from shouting, or raising your voice to get everyone’s attention. Thus it saves you from becoming that bossy photographer, which no one wants.

Work through the shot list methodically

Once the ushers have gathered the first grouping in the correct location, I will then get the bride and groom, working through all the group photos on the list.

It is just a case of crossing them off as you go, so you don’t miss a shoot. For photos with six people or more, I tend to shoot those full length, and for smaller groups I will also shoot those at ¾ length, providing the couple with a bit of variety. Using a clipboard can also go a long way to making you appear professional, and prevent you from misplacing your list when the pressure is on.

Group photos robert sail 5

Arranging the groups

Normally I will pose the bride and groom first, close in together, in the traditional V-style (turned slightly inward toward each other) pose. I will then pose the remaining family members in a single line, equal numbers on either side, getting the guests on either side of the bride and groom to turn in towards the centre.

I will also ask the guests and family members in the photo to put down any; drinks, cameras, handbags, scarves, coats, etc., and for men to button up the middle button on their jackets. This just helps to make the photo as uniform as possible, by removing any distractions.

After you have finished taking any of the group photos, always make sure to thank the guests and family members. I didn’t do this when I first started, as I was a little too distracted checking all my camera settings were correct. Definitely make sure you do this as it goes a long way to providing a good experience for the guests.

Group photos robert sail 6

Do you have any other tips that work for you when doing group photos at a wedding? Please share in the comments below.

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The post Reducing the Stress of Group Photos at Weddings by Rob Sail appeared first on Digital Photography School.


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Reducing Stubble in photoshop cs5

25 Sep

Reducing Stubble in photoshop cs5 or remving Babr Hair
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Review: JPEGmini – Reducing Photo File Size, Not Quality

12 Sep

JPEGmini is a company that has a unique approach to optimizing your JPEG format images in an effort to help you save storage space. I took a quick look at their offering and shared my thoughts on it with Sarah Perez in a recent TechCrunch article New Startup JPEGmini Reduces Photos’ Size, Not Their Quality. I thought I would share a little more about my take on the service in the event it’s something you feel is worthy of trying or using.


Test1 – Web sized image (800 px x 500 px)
Test2 – Full size image (5616 px x 3744 px)

What is JPEGmini?

  • JPEGmini is NOT a new file format.
  • JPEGmini is a re-compression engine with a twist:

    JPEGmini works by analyzing the input image using a unique quality detector which imitates the human visual system, and based on this analysis applying the maximum amount of compression which will not cause visible artifacts. For further details, see the technology section

  • JPEGmini is an online service… for now

Does It Work?
The quick answer is yes and no. JPEGmini excels at compressing larger images versus smaller images. Compression gains are also made most significantly on “first-generation photos created by digital cameras”. In other words if you’ve edited a photo already in photo editing software you may not see huge file size reduction namely because the file has already undergone some level of compression.

I was a skeptic when I learned about this site. I ran a quick test to compare the following:

I tested two images of different types.

  • An image with not a lot of detail and similar tones. Such images have a lot of similar data that is easily compressed resulting in higher compression savings.
  • An image with a lot of detail and varied tones. Such images do not have a lot of similar data to compress resulting in less compression savings.

I also tested two different files sizes for each image:

  • Web sized image (800 px x 500 px)
  • Full size image (5616 px x 3744 px)

The results were notable with file size saving from 67% to 87%. But I also ran each image through Photoshop’s “Save for Web & Devices” at 60% quality to attain savings from 71% to 85%. Bottom line Photoshop reduces file size for web sized images better in this simplified test by 4-7%. On the other hand larger images attained greater file size reduction with JPEGmini over Photoshop by  4-7%.
Note: Photoshop is not optimized for compressing very large images with their “Save for Web & Devices” function and JPEGmini states they perform better with larger images.

Full Test Details

Pros, Cons & Thoughts
The pros clearly are that you can reduce the size of your large image files with the JPEGmini. In scale this could help you save money by reducing your demand for new hard drives. You can compress images without buying expensive software like Photoshop. All metadata is preserved.  Image quality suffered very little when comparing the original image and the JPEGmini version of the image at 100%. In fact most people would not notice a difference. That being said I did not run print comparisons of each file before and after JPEGmini compression.

On the other hand the service is only available online requiring you to upload images, wait for the compression engine to process your files (can range from minutes to hours) and then spend the time to download them. It’s also important to note that the service only works with JPEGs. The significance of this is that you’re compressing your image files multiple times and each compression ultimately results in loss of data. Compress an image repeatedly and you can impact image quality. For more on this refer to my previous article (pre-blog) guest written by Oskar Breuning JPEG Compression: Data Loss & Image Impact. Lastly the biggest concern I have surrounds the JPEGmini Terms of Service (TOS) namely the following User Submission section:

You hereby grant ICVT and our designees a worldwide, non-exclusive, sublicenseable (through multiple tiers), assignable, royalty-free, fully paid-up, perpetual, irrevocable right to use, host, store, index, reproduce, distribute, create derivative works of, and display and perform your Content on the web and on mobile devices, solely in connection with our provision of the Service

Uploading an image places the image on their server. While files are only kept for roughly 1 week, images can be used by JPEGmini’s parent company to market their service. Personally the broad nature of this section makes me too uncomfortable to use the service beyond testing. Of specific concern is the right claimed to sublicense images that they deem irrevocable. Not very photographer friendly in my eyes. Note: Dror Gill the CTO of the company has stated that photos are not used for promotion without confirmation from the owner in a comment on the TechCrunch article.

My hope is two fold for JPEGmini…

  1. Clarify Modify the ToS to be more photographer friendly and less JPEGmini-centric
  2. License their technology so it can be utilized in established programs and mobile applications or launch their own desktop & mobile applications.

Technorati Tags: photography, technology, JPEGmini, Photoshop, compression, JPEG

Copyright Jim M. Goldstein, All Rights Reserved

Review: JPEGmini – Reducing Photo File Size, Not Quality

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Reducing and removing wrinkles around eyes: Photoshop CS5 for Photographers from lynda.com

22 Aug

Watch the entire course at www.lynda.com PhotoshopCS5 for Photographers provides comprehensive Photoshop training targeting the needs of photographers. In this course, author Chris Orwig demonstrates the fundamental skills used to enhance digital photos, including managing and correcting color, sharpening, making selections and adjustments, retouching, and printing from Photoshop. In addition to teaching the techniques that enable photographers to refine and publish their photos, the course includes live-action segments that encourage thinking photographically, and shoot with Photoshops capabilities in mind.
Video Rating: 4 / 5